The Squid's Ear Magazine
Squidco Harvest Sale!
Friday through Sunday Save 10%-15% on all new items!




Mayas', Magda Filamental (w / Davies / Caddy / Theriot / Davies / Parkins / Thieke / Abdelnour): Con (Relative Pitch)

Composed by pianist Magda Mayas for an octet of superb avant improvisers including Rhodri Davies, Zeena Parkins, Michael Thieke, Angharad Davies, &c. and performed live at the 2019 Music Unlimited 33, in Wels, Austria, this extended work uses a graphic score to interpret 12 photographs taken over an hour observing the merging waters of the Rhone and the Arve rivers.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Magda Mayas-piano, composition

Angharad Davies-violin

Anthea Caddy-cello

Aimee Theriot-cello

Rhodri Davies-harp

Zeena Parkins-harp

Michael Thieke-clarinet

Christine Abdelnour-saxophone


Click an artist name above to see in-stock items for that artist.




UPC: 5902249003451

Label: Relative Pitch
Catalog ID: RPR1120
Squidco Product Code: 30436

Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Cardboard Gatefold
Live at Music Unlimited 33, in Wels, Austria, on November 8th, 2019, by Christoph "Fizl" Hehn.

Descriptions, Reviews, &c.

"Magda Mayas composed this piece for an octet comprised of a who's who of the avant-garde. The score consists of 12 photos taken over an hour or so, observing the merging waters of the Rhone and the Arve rivers, the artificial wall dividing them, the earthy, blue and green colors blending. There are as many defining differences as similarities, depending on what one pays attention to but after a while the differences become apparent. A variety of angles, hues, light, excerpts, focusing on one or the other river or on the in-between areas. The score offers the possibility to focus on tiny details, transitional areas, or to stay in one area for a long time over the course of a concert."-Relative Pitch



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Magda Mayas, born 1979, is a pianist living in Berlin. Developing a vocabulary utilizing both the inside as well as the exterior parts of the piano, using preparations and objects, she explores textural, linear and fast moving sound collage.

Alongside the piano, Mayas has recently been performing on a Clavinet/Pianet, an electric piano from the 60s with strings and metal chimes, where she engages with noise and more visceral sound material, equally extending the instrumental sound palette using extended techniques and devices.Mayas performs internationally solo and in collaboration with a large number of musicians and composers.Current projects are "Spill", a duo with drummer Tony Buck, a duo with Christine Abdelnour (sax) and "Great Waitress", a trio with Monika Brooks (acc) and Laura Altman (cl).

She is currently undertaking Phd studies at the University of Gothenburg, Sweden and investigating extended instrumental techniques, spectral music and psychoacoustics in an improvised music context.

Since 2013 she has also been producing radio pieces for ABC Australia and Deutschlandradio Kultur and has released 20 CDS to date.

Magda Mayas has performed and toured in Europe, the USA, Australia, Mexico and Lebanon and collaborated with many leading figures in improvisation and composers such as John Butcher, Andy Moor, Zeena Parkins, Joelle Leandre, Paul Lovens, Ikue Mori, Phill Niblock, Peter Evans, Andrea Neumann and Axel Dörner. She has performed at festivals and exhibitions such as Maerz Musik (2012,2015), Documenta (2012) or the Berlin Biennale ( 2014)."

-Magda Mayas Website (https://magdamayas.jimdo.com/bio-cv/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Angharad Davies is a violinist, one at ease in both improvising and composition, with a wide discography as part of varied range of ensembles and groups. She's a specialist in the art of 'preparing' her violin, adding objects or materials to it to extend its sound making properties. Her sensitivity to the sonic possibilities of musical situations and attentiveness to their shape and direction make her one of contemporary music's most fascinating figures. 2015 has seen her being commissioned for a new work at the Counterflows Festival, Glasgow and premiering Eliane Radigue's new solo for violin, Occam XXI at the El Nicho Festival, Mexico.

She's performed at, the Queen Elizabeth Hall, BBC Proms, Music We'd Like to Hear's concert series, is an associate artist at Cafe Oto, is a member of Apartment House, Cranc and Common Objects, been artist in residence at Q-02, and played live with Tony Conrad in the Turbine Room at the Tate Modern. Other collaborations have featured the likes of John Butcher, Daniela Cascella, Rhodri Davies, Julia Eckhardt , Kazuko Hohki, Roberta Jean, Lina Lapelyte, Dominic Lash, Tisha Mukarji, Andrea Neumann, Rie Nakajima, Tim Parkinson, J.G.Thirlwell, Stefan Thut, Paul Whitty, Manfred Werder, Birgit Ulher, Taku Unami and she's released records on Absinth Records, Another Timbre, Potlatch and Confrontrecords."

-Angharad Davies Website (http://www.angharaddavies.com/biog.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Anthea Caddy (b.1981) lives and works in Berlin, Germany and Melbourne, Australia. Her practice explores the spatio-temporal aspects of sound and architecture, applying these to audio works that manipulate and distort perceptions of time, space and experience. Caddy's work focuses on the incorporation of acoustic, electro-acoustic and recorded space within performance, installation and concert presentation, often using amplified cello as her primary sound source. In her live performance she uses multi-channel configurations in low lighting or complete darkness.

Alongside her solo work Anthea has collaborated with many artists in various projects, most notably with Thembi Soddell (Cajid Media, Room40), Annette Krebs (AnotherTimbre), Philip Samartzis, Magda Mayas (Dromos), Valerio Tricoli, Michael Vorfeld, Liz Allbee (Bogan Ghost), Helena Gough (Entr'acte), Eric la Casa, Werner Dafeldecker, Christian Wolff and Tony Conrad. She is a current member of the 24 piece Splitter Orchestra, Berlin.

She has performed and exhibited in Australia, New Zealand, USA and Europe notably at, Bludenzer Tage, Austria, Liquid Architecture National Festival, Australia, Diapason Gallery, New York, Leipzig Museum of Modern Art, Reina Sofia Center of Contemporary Art, Madrid, Observatori Contemporary Arts Festival, Valencia, Issue Project Room, New York, Goethe Institut, Boston, Project Space Gallery, Melbourne, Wroclaw Museum of Contemporary Art, Poland, Internationales Musikinstitut Darmstadt, Tesla Centre of Media Arts and Radial System V, Berlin.

She has contributed to numerous works for video installation, dance, live sound design/score for theatre (with Darrin Verhagen and Franc Tetaz), film (Rogue, 2007) and video. Alongside Thembi Soddell she is discussed in Experimental Music: audio explorations in Australia edited by Gail Priest published by UNSW Press 2008."

-Anthea Caddy Website (http://www.antheacaddy.com/index.php/projects/bio/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Aimee Theriot, cello:

"My studies on classical as well as new music have taken me on a path of research and exploration around the way in which experimental music, technology, sound art, culture and politics come together.

I have developed an ever growing interest in music on the fringes of sound-making, and this has led me to many exciting collaborations with musicians of the experimental and free improvisation world.

I have tried to make my work not only an aesthetic commitment, but also a social one, this is why I have been part of several community-oriented projects, such as the collective So(r)oridad, which aims to provide technical as well as critical thinking tools for women and girls in Mexico City interested in the exploration of new processes in music and technology.

In 2015 I was invited to participate in the Laboratory for Creative Practices in the Arts and New Technologies at the National Autonomous University of Mexico, through this laboratory I started working with new ways of making sound pieces combining live instruments, real time composition, biosensors and computer music.

I have written for several blogs and magazines in Mexico on subjects related to art, culture and new music. "

-Aimee Theriot Website (https://aimeetheriot.net/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Rhodri Davies was born in 1971 in Aberystwyth, Wales and now lives in Gateshead in the northeast of England.

He plays harp, electric harp, live-electronics and builds wind, water, ice and fire harp installations. He has released four solo albums: Trem, Over Shadows, Wound Response and An Air Swept Clean of All Distance.

His regular groups include: a duo with John Butcher, Common Objects, HEN OGLEDD: Dawson - Davies, a trio with David Toop and Lee Patterson, Cranc, The Sealed Knot and a trio with John Tilbury and Michael Duch.

In 2008 he collaborated with the visual artist Gustav Metzger on 'Self-cancellation', a large-scale audio-visual collaboration in London and Glasgow.

New pieces for solo harp have been composed for him by: Eliane Radigue, Phill Niblock, Christian Wolff, Ben Patterson, Alison Knowles, Mieko Shiomi and Yasunao Tone.

In 2012 he was the recipient of the Foundation for Contemporary Arts, Grants to Artists Award."

-Rhodri Davies Website (http://www.rhodridavies.com/words/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Multi-instrumentalist/composer/improviser, Zeena Parkins, pioneer of contemporary harp practice and performance, reimagines the instrument as a "sound machine of limitless capacity." Parkins has built three versions of her one-of-a-kind electric harp and has extended the language of the acoustic harp with the inventive use of unusual playing techniques, preparations, and layers of electronic processing.

Inspired and connected to visual arts, dance, film, and history, Zeena follows a unique path in creating her compositional works. Through blending and morphing of both real and imagined instruments, crafting, recombining, and layering mangled, sliced, massaged or possibly disengaged sounds, drawing from extra-musical sources for unusual scoring and formal constructions as well as utilizing multi-speaker environments, Zeena remains in process with sound as material and music, engaged in translations of sonic states in the concert hall, the black box theater, the dance studio, the recording studio, the classroom, the cinema, the skyscraper, the ocean and the gallery. Zeena has a particularly strong commitment to making scores for dance and continues to re-evaluate the nature and issues of the body's imprint on sound and sound/music's imprint on movement.

Parkins's compositions have been commissioned by NeXtWorks Ensemble, Merce Cunningham Dance Company, Roulette Intermedium, The Eclipse Quartet, William Winant, Bang on a Can, The Whitney Museum, The Tate Modern, Montalvo Arts Center, The Donaueschinger Musiktage and Sudwestrundfunk/SWR.

Parkins has released four solo records featuring her electric and acoustic harp playing and has released her compositions and band projects on six Tzadik recordings, with a new Tzadik CD with Ikue Mori and Phantom Orchard Orchestra, Trouble in Paradise, to be released in November 2012. As a sought-after collaborator Zeena has worked with: Fred Frith, Björk, Ikue Mori, Dame Evelyn Glennie, Maja Ratkje, Hild Sofie Tafjord, John Zorn, Butch Morris, Chris Cutler, Elliott Sharp, Nels Cline, Alex Cline, William Winant, Anthony Braxton, Pauline Oliveros, Yoko Ono, Christian Marclay, Matmos, Yasunao Tone, So Percussion, Bobby Previte, Carla Kilhstedt, Tin Hat, James Fei, Kim Gordon, Lee Renaldo and Thurston Moore.

Awards: The Foundation for Contemporary Arts Fellowship, NYFA Music Fellowship, Meet the Composer Commission, NYSCA Composer Commission, Multi-Arts Production Fund Grant, American Music Center, BAFTA award for best interactive media with visual artist Mandy McIntosh and sound artist Kaffe Matthews, Peter S. Reed Fellowship, Mary Flagler Cary Charitable Trust Commissions, Arts International, Prix Ars Electronica Honorary Mention for Phantom Orchard in the Digital Music category.

Curatorial: Guest curator for The Music Unlimited Festival in Wels, Austria, co-curator of the Movement Research Festival: Sidewinder, in NYC and curator for a month + a week of shows at The Stone in NYC

Residencies: Civitella Ranieri Foundation Fellowship, Oxford University, Harvestworks, Steim, Paf: Performing Arts Forum, Wooda Arts Residency, Montalvo Arts Center, RPI/iEAR and The Watermill Center.

Teaching: Zeena has given lectures at Oxford and Princeton Universities and has taught at the School of the Museum of Fine Arts in Boston, Bard and Mills College. Currently, Zeena is a Distinguished Visiting Professor, at Mills College Graduate Music Department."

-Zeena Parkins Website (http://www.zeenaparkins.com/about.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"The Berlin-based clarinetist/composer/performer Michael Thieke is equally at home across a broad range of musical environments, such as experimental song forms, collectively composing projects, improvising collectives, and music on the fringes of jazz. He is exploring the minutiae of sound, timbre and noise, with a particular interest in microtonality and related sound phenomena, and with a preference for long-term collaborations and collective work.

Some of his current Projects are: The International Nothing (with Kai Fagaschinski cl, CD on ftarri), The Magic I.D. (with Christof Kurzmann, Kai Fagaschinski, Margareth Kammerer, CD/LP on ErstPop and staubgold), The Pitch (with Boris Baltschun organ, Koen Nutters b, Morten Olsen dr, LP on gaffer), Der lange Schatten (with Håvard Wiik p, Antonio Borghini b), Voutchkova/Thieke (with Biliana Voutchkova vl), Splitter Orchester, Toulemonde/Thieke (with Olivier Toulemonde acoustic objects), Hotelgäste (with Derek Shirley b, Dave Bennett g, CD on schraum, LP on self), Michael Thieke Unununium (with Luca Venitucci acc/p, Martin Siewert g, Christian Weber b, Derek Shirley b, Steve Heather dr, Eric Schaefer dr, CD on charhizma), motif (with Atle Nymo sax, Håkon Mjåset Johansen dr, Eivind Lønning tp, Ole Morten Vågan b, Håvard Wiik p), Porta Chiusa (with paed Conca cl, Hans Koch cl), Spirit Songs (with Mike Cooper voc/g, Elio Martusciello el, Fabrizio Spera dr, Luca Venitucci acc/el.), Roman Tics (with Burkhard Beins, Luca Venitucci, CD on Cathnor), Cowards Bend The Knee (Live Music in different setups with the film Cowards Bend The Knee by Guy Maddin), Gebhard Ullmann's The Clarinet Trio (with Gebhard Ullmann bass clarinet, Jürgen Kupke clarinet) and Uli Gumpert Workshop Band."

-Michael Thieke Website (http://www.michael-thieke.de/e/biographie.htm)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in 1978, Christine lives in France but is of Lebanese origin. After discovering improvised music in 1997 she began a process of self-taught study and sound experimentation using the alto saxophone.

She has developed a unique personal language, producing sounds that are close to those of electroacoustic music but on a purely acoustic instrument.

She approaches sound as a malleable material, rich in concrete textures which combine breath, silence and countless acoustic distortions. She has developed extended techniques and complex patterns of sound production, exploring the microtonal aspects of the saxophone and its high-pitched tones. She employs subtle tonguing techniques, unpitched breaths, spittle-flecked growls, biting, slicing notes and breathy echoing sounds from the bell of her horn. Far from any narrative effects, her music addresses the relation between listening and concepts of perception, time and space.

Solo Artist and involved in international tours with Andy Moor, Magda Mayas, Pascal Battus, Andrea Neumann, Bonnie Jones, Raymond Strid, Sven- Ake Johansson, Chris Corsano, Mazen Kerbaj and many more. She has released more than ten cds and has collaborated with visual art, dance, literature, poetry, as well as projects with noise, electronics, rock or free jazz."

-Christine Abdelnour Website (https://christineabdelnoursehnaoui.jimdo.com/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Confluence 49:32

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Graphic Scores
European Improvisation, Composition and Experimental Forms
NY Downtown & Metropolitan Jazz/Improv
London & UK Improv & Related Scenes
Octet Recordings
Parkins, Zeena

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Davies, Rhodri / Pierre Gerard
la montagne change le paysage
(Ftarri)
A fascinating free improvising string duo of textures and sonic interaction from UK harpist Rhodri Davies and Belgian guitarist Pierre Gerard, Davies performing on pedal harp and Gerard on acoustic guitar, though the results feel downright electronic through masterful control of their instruments, eliciting sustain, pitch & amplitude changes as they weave unique and compelling tapestries.
Davies, Rhodri
Wyth [8 CD Box Set]
(Amgen Records)
Collecting eight of avant improvising Irish harpist Rhodri Davie's albums on his Amgen label--Trem, Over Shadows, Wound Response, An Air Swept Clean Of All Distance, Telyn Rawn, For Simon H. Fell, Dwa Dni Telyn Wrachïod--a diverse set of approaches and configurations showing both his interest in the history and in the creative use of his instruments.
Creiriau y Delyn Rawn (Rhodri Davies / Richard Dawson / Pat Thomas / Spencer Yeh / &c)
Relics of the Horsehair Harp
(Amgen Records)
A companion piece to UK improvising harpist Rhodri Davie's solo album Telyn Rawn , asking some of his favorite musicians to respond to the 18 improvised pieces on that album, instructing them to imagine that the source material was an ancient musical form from the medieval period, and that their responses were to be modern interpretations of those "ancient" forms.
Davies, Rhodri
Telyn Wrachiod
(Amgen Records)
Continuing his investigations into ancient Welsh Harps, the Telyn Wrachïod (which translates to the Witches Harp) used pegs or brags emerging from the string-holes, in Welsh called gwrachïod, which could be adjusted to press on the strings to create a buzzing percussive sound used for dancing, here in improvisations by Rhodri Davies using a Urquhart bray harp.
Paccione, Paul (Apartment House)
Distant Musics
(Another Timbre)
Influenced by the New York School of composers (Cage, Feldman, &c.), composer Paul Paccione revisits and revises five of his compositions written 40 years prior, performed by a 10-piece configuration of London's Apartment House; beautifully contemplative pieces linked together through common threads, the momentum of individual moments absorbed by the presence of the larger work.
Polwechsel
Embrace [4 LP BOX SET]
(NI-VU-NI-CONNU)
BACK IN STOCK! The current Polwechsel quartet of Werner Dafeldecker, Michael Moser, Martin Brandlmayr and Burkhard Beins — merging improvisation and contemporary forms for outstandingly paced and conceptualized performance — are joined by luminaries John Butcher, Klaus Lang, Magda Mayas, Andrea Neumann and Peter Ablinger, released in a deluxe 4-LP box set with a 32-page booklet.
Cutler, Chris
Compositions And Collaborations 1972-2022: In A Box [10 CD / DVD / BOOKLET BOX SET]
(Recommended Records)
An amazing collection and reflection on the work of percussionist, composer and connector Chris Cutler of Henry Cow fame and founder of the highly influential Recommended Records label and distribution service, through 10 CDs, 1 DVD and two books of documentation, artwork, photographs, published and unpublished texts in a sturdy box, with over five hours of unreleased materials.
Cochrane, Chris / John Thayer
Excavation [VINYL]
(Astral Editions)
The core duo of guitarist & bassist Chris Cochrane (No Safety) and drummer & electronics artist John Thayer dig deep into a bag of aural tricks in eight compelling tracks that blur rock, jazz and experimental approaches to upbeat rhythmic music, assisted on various pieces by an excellent cast including Zeena Parkins, Graham Haynes, Gelsey Bell, and Kato Hideki.
Davies, Rhodri
Trem
(Amgen Records)
Reissuing his 2003 album on the Confront label, Rhodri Davies' first solo album is a captivating set of uniquely voiced free improvisation, using a pedal harp, radio and tape recorders and percussive devices, and recorded in the natural resonance of All Angels, St Michael and All Angels Church in London, creating narrative and drama through Davie's intuitive sense of timing.
Davies, Rhodri
Over Shadows
(Amgen Records)
An extended solo titled for author Redell Olsen's book secure portable space (Reality Street), performed on Lever harp and EBows by UK electroacoustic improviser Rhodri Davies, recorded at Old School, Bracon Ash, in Norfolk in 2004 by Graham Halliwell and edited by Benedict Drew and John Wall, creating a richly evolving work of haunting plateaus and valleys.
Guionnet, Jean-Luc / Rhodri Davies
Dyslexic Harp (Deciphered In The Dark)
(Amgen Records)
Recording in Brussels, Rhodri Davies performs a composition for pedal harp written for and dedicated to him by composer and saxophonist Jean-Luc Guionnet, using liberal periods of space that creates hanging anticipation amidst beautiful moments of fragmented string sequence and percussive response using the frame of the harp, leaving the listener in a state of fascinated expectancy.
Davies, Rhodri / Nikos Velitotis
Hotel Art Head [BOOK]
(gwasg amgen)
A curious book of images from artists including Rhodri Davies, John Butcher, Angharad Davies, Richard Dawson, &c. photographed in a location familiar to a touring musician--a budget hotel room--pictured laying on the bed with each artist's head covered by that room's hotel wall painting, from typically insipid to perplexingly unexpected.
Davies, Rhodri
For Simon H. Fell
(Amgen Records)
Influenced by bassist Simon H. Fell since first hearing him in 1994 in a quartet with Peter Brotzmann, harpist Rhodri Davies approached Fell to work together, enjoying 20 years of collaborations in many group settings; in 2020 Simon H. Fell became seriously ill and passed in June of that year, this extended improvisation being Rhodri Davies' heartfelt tribute to the great improviser.
Akama, Ryoko
Songs For A Shed
(Another Timbre)
Six beautiful, fragile and mysterious works for piano in combinations with other orchestral arrangements and solo, including pitch-based compositions and a graphic work directed by photographs, performed by members of Apartment House in duos, quintets & sextets; works initially commissioned by Another Timbre and Philip Thomas and here performed on piano by Siwan Rhys.
Consorts
Distinctions
(Spoonhunt)
Composer Dominic Lash's Consort ensemble explores the possibilities of combining sustained-tone music, guided & free improvisation, and the relationship between acoustic and amplified sound, heard in this evolving, extended concert at Café Oto on Lash's 40th birthday, in a unique mix of acoustic & electronic instruments that even includes an amplified kitchen sink!
Sharp, Elliot: Tectonics
Field & Stream
(Knitting Factory)
Elliott Sharp's 1998 Knitting Factory album finds the saxophonist, guitarist & electronic artist in a solo setting of rhythmic works using MAX/MSP and DSP applications to create rhythmic and sonic environments over which he improvises, with assistanceÊon one track each from Zeena Parkin on "little green drone guitar" and Frank Rothkamm providing drums sequences.
Sharp, Elliot / Orchestra Carbon
Radiolaria
(zOaR Records)
An algorithmic composition for Elliott Sharp's Orchestra Carbon modeled on biological paradigms of growth and reproduction, recorded at Tonic in 2001 with a large ensemble of instrumentalists including Ned Rothenberg, Steve Swell, Jim Pugliese, Andy Laster, &c. and programmers and sampler performers including David Weinstein, R. Luke Dubois, and Zeena Parkins.
Davies, Rhodri
An Air Swept Clean of All Distance
(Amgen Records)
First release on the Alt.Vinyl label in 2014, this album finds harpist Rhodri Davies performing on the same instrument as his prior album Wound Response, but here with no amplification, preparations or distortion, improvising through "tumbling phrases, arpeggios and articulate rhythms", in a compelling album of assertive and joyful playing.
Davies, Rhodri
Wound Response
(Amgen Records)
First released in 2012 on the Alt.Vinyl label and now reissued on his own Amgen label, Rhodri Davies performs solo in Newcastle upon Tyne on lap harp and electronics, using two main techniques: over-articulation of the strings (what harpists are taught not to do) and attacking the strings with a plectrum, forcing the tuning into new relationships until the strings eventually break.
IST (Davies / Fell / Wastell) + John Butcher / Phil Durrant
A More Attractive Way [5 CD BOX SET + 20 page booklet]
(Confront)
A comprehensive album of live performances from IST (Rhodri Davies: harp, preparations; Simon H. Fell: double bass, preparations; Mark Wastell: violoncello, preparations) between 1996 and 2000, beginning with their concert at Club Orange in London and including concerts in London, Billericay, Norwich and Cambridge, with a 20 page booklet of photos and text from the band & collaborators.
Sealed Knot, The (Beins / Davies / Wastell)
Twenty
(Confront)
After twenty years playing together, the Sealed Knot trio of Burkhard Beins on amplified percussion, Rhodri Davies on amplified lap harp, and Mark Wastell on dual 32 past tam tams, gongs & nepalese singing bowls, performed live at Cafe OTO to record this beautifully captured, contemplative concert of tone, texture and ringing sound, like a 20-year dream reflected.
Parkins, Zeena / Jeff Kolar
Scale
(Two Rooms Records)
Commissioned by choreographer Jennifer Monson, the collaboration of Downtown NY electric harpist and sound artist Zeena Parkins and Chicago sound artist Jeff Kolar explore the intersection of acoustic phenonema against electronic, synthetic & radio sounds, inspired by the timing of natural phenomena like ocean currents and daylight emergence; fascinating.
Red List Ensemble
Scope
(Creative Sources)
The Berlin-based electroacoustic Red List Ensemble founded by cellist Guilherme Rodrigues in a studio recording of the 3-part "Scope", improvised music created in real time using extensive techniques to create and raise tension in a game of contrasts, exploring orchestration in micro-groups through organization of surfaces that are opposed in terms of timbre and sound texture.
Davies, Rhodri
Telyn Rawn
(Amgen Records)
Dating back to the 13th century in Wales, the Telyn Rawn is a nearly forgotten horsehair harp; UK improvising harpist Rhodri Davies researched the instrument and its unique sound, commissioning the construction of a harp on which he performs 18 improvisations of impressive technique and sonority, launching his new Amgen Records label with this album named for the instrument.
Granberg, Magnus / Skogen
Let Pass My Weary Guiltless Ghost
(Another Timbre)
First performed in November 2019 at the Huddersfield Contemporary Music Festival and then at the Splitter Orchester festival in Berlin, this studio recording of Magnus Granberg's delicately complex and exquisitely dream-like composition features his Skogen ensemble, including Granberg, Rhodri Davies, Toshimaru Nakamura, Erik Carlsson, Petter Wastberg, &c.
Davies, Rhodri
Transversal Time
(Confront)
Assigning different times systems--standard time, decimal and hex time--to different musicians, harpist Rhodri Davies develops an electroacoustic improvisational environment of unusual perception and sensation, performed live in Cardiff in 2018 with Ryoko Akama, Sara Hughes, Sofia Jernberg, Pia Palme, Andre Parkinson, Lucy Railton, Pat Thomas, & Dafne Vicente.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC