The Squid's Ear Magazine


Takatsuki Trio Quartet (Okuda / Virtaranta / Weitzel + Marwedel / Schubert ): Live in Hessen (Creative Sources)

The core of the German free improvising Takatsuki Trio is Rieko Okuda (piano, viola, &c.), Antti Virtaranta (bass), and Joshua Weitzel (shamisen, guitar), who, while touring, ask a guest from the area they're performing in to join them, here inviting tenor saxophonist Matthias Schubert in Kassel, Germany, and in Wiesbaden, Germany inviting saxophonist Dirk Marwedel.
 

Price: $16.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Antti Virtaranta-double bass

Joshua Weitzel-guitar, Shamisen

Rieko Okuda-pinao, viola, voice

Dirk Marwedel-saxophone

Matthias Schubert-tenor saxophone


Click an artist name above to see in-stock items for that artist.




UPC: 5609063406825

Label: Creative Sources
Catalog ID: cs682
Squidco Product Code: 29956

Format: CD
Condition: New
Released: 2020
Country: Portugal
Packaging: Cardboard Gatefold
Track 1 recorded at Kulturhaus Dock4, in Kassel, Germany, on May 21st, 2019, by Stephan Cordes.

Track 2 recorded at Mauritius-Mediathek, in Wiesbaden, Germany, on August 11st, 2019, by Joshua Weitzel.

Descriptions, Reviews, &c.

"Takatsuki Trio is a trio by Rieko Okuda (piano, viola, etc.), Antti Virtaranta (bass), and Joshua Weitzel (shamisen, guitar), all of whom are based in Germany. Okuda was born in Japan, and Weizel has worked in Japan, so there are many live performances here. The trio's basic methodology is to add one guest from the area to perform, and more recently, it has invited Tobias Delius (saxophone) and Axel Dunner (trumpet). Therefore, the unit name is Takatsuki Trio Quartett (quartet is Quartet in English, Quartett in German).

The guests of this edition are Matthias Schubert (tenor sax) in Cassel and Dirk Marwedel (extended sax) in Wiesbaden.

Schubert's tenor, known for co-starring with Satoko Fujii Orchestra Berlin and Simon Nabatov (piano), has a unique vibration and a deep sound. Both Fujii and Weizel (of the same Cassel) have praised his play for good reason. In this board, the expression is further expanded, and it seems that it is approaching the human voice with not only turbidity but also distortion and growl.

From the beginning, it is confusing who is responsible for the fricatives and syllabaries. The continuous sound of Schubert's tenor and Virtaranta's contrabass rubs, and the sound of Weitzel's guitar emits a specific frequency to call for comfort, but eventually it distorts. Okuda's strings are moving behind him. They open up the mode of playing musical instruments, transform them into various forms, and even mimic each other and even exchange their forms. It's fun to see it sublimate as a band sound.

The performance also passed the middle, and the tide suddenly changed. Schubert's blow, Virtaranta's pizzicato, and Okuda's piano hits collide, and Weitzel's guitar is wrapped in howling, forcing him to hold his breath and continue listening. The tenor's mulchonic after the guitar emerged is spectacular, with the bass and piano moving behind it. Weizel is switched to the shamisen, and the four parties gradually raise the energy level and the performance ends.

The gig that invited Dirk Marvedel has a different peculiarity. What the trio is doing is hidden in the plexus, giving off only a strong sign. Marvedel digs a tunnel through it to reveal that he is "there", but soon Okuda's piano and Weizel's shamisen begin to claim their existence. It's interesting that when Virtaranta plays the leading role in the shadow and keeps playing the bass with a pizzicato, the time seems to be different from the time when Weitzel plucks the guitar.

Here, Marvedel, who glares at the surroundings and makes a sound like a low-flying flight, switches to a soprano, suddenly begins to fly, and everyone jumps. This is also due to the power brought in by Mavedel's "Extended Saxophone," which attaches a hose to the neck of the saxophone and a bird call to the mouthpiece.

The highlight of this second song is also in the silence of the middle stage. For about five minutes, everyone was out of breath and made only a faint sound, which was another great piece of music. The listener is strangely relieved when the shackles are released and the sound of the material and the wind blow begin to play. The last is a relentless repetition of the response pattern, and there are cases where it is artificial or not.

Takatsuki, attached to the group name, is a word that comes from the story between Okuda from southern Osaka and Weitzel, who has lived in Kyoto. The city between the two is around Takatsuki, and it is based on the imagination that it is a place that is both Kyoto-like while being in Osaka. This is also a distinction and a boundary.

By the way, it is said that the vibrater that Weitzel hits the strings of the shamisen is not the E-Bow, but the purple one that he bought at a sex shop. In such a place, and of course, in the sound itself, there is a sense of play that is endless. And this group presupposes a trip and an open co-star. In that respect as well, it can be said that it is extremely modern improvisational music."-Jazz and Far Beyond (translated by Google)


Get additional information at Jazz Tokyo

Artist Biographies

"Antti Virtaranta is a Finnish bassist and composer. He began his music journey at 17 years old focusing on Jazz music, attending University of the Arts in Philadelphia. Quickly he was introduced to free jazz and experimental electronic music, and this changed everything. He moved to Berlin to join the vibrant scene of improvisers, starting projects with many musicians and developing his own sound. Currently he is focused on expressing his voice in music and sound through composition and improvisation. Using his influences from jazz and rock music and self-taught contemporary music, his musical language is formed. Nowadays, his focus is on concepts and compositions for solo bass and solo electronics, and using non-conventional notations. These ideas develop and are imposed into the small groups (duos and trios) and larger ensembles that he is involved with to create instant composition in his varying projects, which include collaborations with dancers and visual artists, on top of the numerous musicians he works with."

-Antti Virtaranta Website (https://avirtmusic.tumblr.com/info)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joshua Weitzel is a musician, curator and researcher born in 1989.

As an improviser, composer and performer he is mostly active in the field of experimental music, jazz and the grey areas in-between. His instruments of choice are guitar (acoustic and electric) and shamisen, which he plays both employing traditional and extended/invented playing techniques such as using circular breathing on stringed instruments, preparations and scordatura. His music is primarily concerned with spaces, contrast, harmony, timbre and interaction between players.

Aside from his own music practice he curates concerts, performances and exhibitions in Kassel. He was the artistic director interim of the art space Galerie Feiertag from 2019-2020 and the artistic director of the concert series Chamäleon Experimente (2018), Chamäleon Clash (2019) and Chamäleon Verbindungen (2020/21). In 2020, the concert series is awarded the culture prize of Kassel (Kulturförderpreis Stadt Kassel).

He further coordinates online-releases and concerts under the umbrella Kassel Experimental Music Productions. He also works as a gallery educator and art mediator (among others dOCUMENTA (13), 11. Berlin Biennale new talents biennale Cologne, and KW Institute Berlin).

His research interests are located at the intersection of musicology, art history, and education.

He holds a Master's degree with distinction from King's College London and a Bachelor's degree from Göttingen University. Currently, he is working on a PhD in music at the Edinburgh College of Art, University of Edinburgh, where he writes about sound in the context of the history of documenta exhibitions. Since May 2020 he is artistic-scientific asscociate for sound art and sound research at the Hochschule für Musik Mainz in the group Art - Sound - Research led by Prof. Peter Kiefer. "

-Joshua Weitzel Website (https://joshuaweitzel.jimdofree.com/bio/)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Rieko Okuda is a pianist and a composer from Japan. She began to play Classical music at the age of 3. She also studied Music Therapy at Doshisha Women College. Music Therapy led her into Contemporary music and Improvised music. After she graduated from the college, she moved to USA to study Jazz music. She fell right into the Jazz scene in USA, performing with some of the great American Jazz musicians (Bob Mintzer, Jon Faddis, John Fedchock etc) at several jazz festivals such as North Texas Jazz Festival, Nortredam Jazz Festival to name a few. A couple of years later, she got interested in Free Jazz and Improvised music while she was in Phliladelphia. She performed with the great improvisers includes Marshall Allen (from San Ra Orchestra), Elliott Levine (recorded with Cecil Taylor), and Calvin Weston (recorded with Ornette Coleman). Her interests in Improvised music led her to move to Berlin. She performs with various musicians in Berlin ex. Tobias Delius, Axel Dörner, Els Vendaweyer, Linda Frederickson, ect. Also, she collaborates with contemporary dancers such as Yuko Kaseki, Akemi Nagao, and Annapaola Leso (from Sasha Waltz.) She performs at several experimental festivals: A'Larme Festival, JOE Festival Essen, Brda Contemporary Music Festival, XChange Festival, Experymental Festival, Flux Festival, and Soundance Festival to name a few.

In 2017 and 2018, she got the residency in Elektronik Music Studio (EMS) in Stockholm, Sweden. This residency experiences inspired her to Electro-Acoustic field, and she started to invite the electronics to her piano solo pieces. Her first Electro-Acoustic solo album "Paranorm" was released from Japanese record lable, Athor Harmonics, on Feburary 2018. "Paranorm" was performed at Koncertkirken Blagards Plads (DK), Ausland, FLUX Festival (DE), and Vardklockans Församling (SE).

In 2020, she has gotten the residency in Visby International Centere for Composers (VICC) to extend her experience, and find more possibilities to create various sounds and composition techniques.

-Rieko Okuda Website (http://www.riekookuda.com/biography.html)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dirk Marwedel Born 1959. Since 1985 Dirk Marwedel has been working in the area of ​​improvised music and related musical concepts as well as in interdisciplinary projects with performance, sound installation, film, dance, theater, sculpture and painting. In continuous interplay with different groups as well as soloist he has developed sounding techniques and preparations with which he easily exceeds the limits of familiar concepts of the sound spectrum of the saxophone and irritates listening habits. The permanent process of material and sound enhancement can also lead to play on hoses, balloons, with water or other sound bodies, even beyond the original instrument. With his work on slate slabs ("TonSchiefer") and the sculptures by the sculptor couple Livia Kubach and Michael Kropp, Dirk Marwedel, who also trained as a sculptor, explores and develops the sound qualities of stone.

Solistically, Dirk Marwedel draws particular attention to dynamic and structural movement. Dense monolithic sound currents can contrast with fine tissues, which are reduced to only a few senses, sequences of classical toning complement each other with grotesque or fragile, silent, brittle or bursting overflowing forms beyond the chromatically tempered tonal space. The limits and meanings of sound, sound and sound are moving, touching, mixing and differentiating. Silence is perceived as a fundamental element of musical experience.

Central themes in the area of ​​performance (for example in the case of sound video performance> no change changing <) are the inevitability and irreversibility of movement and development. With concentrated acoustic and visual material, processes that are fragmented in the phenomena of repetition and change, memory and present are perceived in the light of their incessant passing over one another. Even more direct than in purely concertante performances is the irritation and questioning of fixed, automated boundaries and interpretations and the opening of unexpected perceptions. Recent works such as the "fields of intercourse", the "court paintings" and the project "Living Sculpture" also deal with the center of perception, the perceiving and perceptive human beings themselves, with their modes, the Familiar, the stranger, to meet oneself.

Dirk Marwedel has appeared in Europe and Canada. He lives in Wiesbaden and is co-founder and organizer of the HumaNoise congress - day improvised music."

-Nurnichtnur.Com (Translated by Google) (http://nurnichtnur.com/artists/marwedel.htm)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Matthias Schubert (born April 18, 1960 in Kassel ) is a German jazz musician (tenor saxophone, oboe and composition).

Schubert had oboe lessons as a teenager. The saxophonists Allan Praskin and Melvin Phillips introduced him to jazz. He studied from 1979 to 1983 at the University of Music and Performing Arts Hamburg with Andy Scherrer, Herb Geller and Walter Norris. He played for a long time in the Euro Jazz Band, the Graham Collier Band and the Marty Cook Group, but also with the groups of Albert Mangelsdorff, Manfred Bründl and others.

He played in the quartet with Simon Nabatov, Lindsey Horner and Tom Rainey during the 1990s. He forms a trio with Carl Ludwig Hübsch and Wolter Wierbos. He has founded the James Choice Orchestra with Hübsch, Frank Gratkowski and Norbert Stein. He also played with Karl Berger, Klaus King, Kathrin Lemke, Jeanne Lee, Joachim Ullrich, Andreas Willers, Xu Fengxia, Scott Fields, Uwe Oberg,Uli Böttcher and Alois Kott. In 2001 he was appointed as a lecturer at the University of Music, Drama and Media Hanover."

-Wikipedia (Translated by Google) (https://de.wikipedia.org/wiki/Matthias_Schubert)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Kassel With Matthias Schubert 28:32

2. Wiesbaden With Dirk Marwedel 33:04

Related Categories of Interest:


Creative Sources
Improvised Music
Jazz
Free Improvisation
Trio Recordings
Quartet Recordings
European Improvisation, Composition and Experimental Forms

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
SORBD (Steyer / Dyberg / Okuda / Robler / Borges)
Wild Peacock In Transit
(Relative Pitch)
Each of the 5 members of this band bring a composition to this 2022 live recording at Kuhlspot Social Club in Berlin, along with four collective improvisations, in the impressive debut of the acronym-named band SORBD, signifying Edith Steyer on Bb clarinet, Mia Dyberg on alto saxophone, Rieko Okuda on piano, Isabel Rossler on bass, and Sofia Borges on drums & percussion.
Fields, Scott Ensemble
Sand
(Relative Pitch)
Scott Field's 9-part Sands for 20 instrumentalists, three singers, and a conductor, in this case Fields himself, employs a modular performance system that integrates composition and improvisation, the conductor selecting modules from melodies, phasing patterns, long tones, improv elements, fragmented short stories, &c., spontaneously assigned live; a fascinating accomplishment.
Various Artists (curated by Nick Vander)
Walk My Way, Volume Four
(Orbit577)
The fourth of a five volume compilation series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from Janet Feder, Martin Vishnick, Ikbal Lubys, Edward J. Gibbs, Joshua Weitzel, Guram Machavari, Eric Wong, Garth Erasmus, and Bill Horist.
Fields, Scott Ensemble
Barclay
(Ayler)
Guitarist and composer Scott Fields presents the 3rd installment of his Beckett Trilogy, based on the writings of Irish novelist and poet Samuel Barclay Beckett (1906-1989), whose ironic black comedies Fields characterizes musically in instrumental compositions performed by his quartet with cellist Scott Roller, drummer Domnik Mahnig, and saxophonist Matthias Schubert.
Fujii, Satoko
Ninety-Nine Years
(Libra)
Composer-pianist Satoko Fujii's new Orchestra Berlin, a ten-piece ensemble, presents a powerful work written specifically for this group in thought-provoking compositions of and uninhibited energy, with performers including saxophonists Gebhard Ullmann, Paulina Owczarek & Matthias Schubert, trombonist Matthias Muller, bassist Jan Roder, and drummers Peter Orins and Michael Griener.
Schubert Quartet, Matthias
Trappola
(Red Toucan)
Tenor saxophonist Matthias Schubert leads a quartet with Claudio Puntin (clarinet) Carl Ludwig Hubsch (tuba), and Tom Rainey (drums), integrating New Orleans jazz forms into modern improvisation, including covering Jelly Roll Morton's "Shreveport Stomp".
Nabatov / Reijseger / Schubert
Square Down
(Leo Records)
12th CD by Simon Nabatov on Leo Records recorded at the same time as his previous CD "Roundup" celebrating his 50th Birthday; powerful, high-energy free jazz sustained for over 50 minutes.
Fields, Scott Multiple Joyce Orchestra
Moersbow Ozzo
(Clean Feed)
A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.
Fields, Scott / Matthias Schubert
Minaret Minuets
(Clean Feed)
Frequent collaborators Fields and Schubert on electric guitar and tenor saxophone performing innovative and virtuosic material in ways that sound much larger than a duo setting would imply.
Fields, Scott Ensemble
Beckett
(Clean Feed)
Other Recommended Releases:
BERG (Keller / Rodrigues / Okuda / Rodrigues)
Mesozoic
(Creative Sources)
Berlin studio recordings from the free improvising quartet of Beat Keller on feedbacker electric guitar, Ernesto Rodrigues on violin, Rieko Okuda on piano and Guilherme Rodrigues on cello; four string players invoking the reptilian Mesozoic age through unusual approaches to their instruments, extending the palette of each while creating unexpected percussive elements.
Magee, Massimo
Networking
(Orbit577)
With each solo intended for a specific recipient, London saxophonist Magee recorded a series of improvisations during the pandemic isolations, retaining two of the recordings as pure solo Magee, the others virtual duos with: Travis D. Johnson on synth, Tim Green on drums, Joshua Weitze on guitar, A.F. Jones for resampling, Thomas Milovac on bass, and Lance Austin Olsen on guitar.
Ikeda, Ken / Massimo Magee / Eddie Prevost / Joshua Weitzel
Easter Monday Music
(577 Records)
Two extended free electroacoustic improvisations in the AMM/London Improvisation Workshop vein, recorded live at London's Cafe OTO: first a prelude in the duo of Massimo Magee on electronics & saxophone and Joshua Weitzel on the 3-string Japanese shamisen; then expanded to a quartet with percussionist Eddie Prevost and Ken Ikeda on synthesizer.
Virtual Balboa / Greg Kelley
Petricho
(Creative Sources)
The Virtual Balboa trio of Philadelphia improvisers Zachary Darrup on guitar, Evan Lipson on double bass and Ben Bennett on percussion, all performers associated with Spring Garden Music & saxophonist Jack Wright, are joined by open-form trumpeter Greg Kelley for this wonderfully scrabbly and tenacious live set captured at Vermillion in Seattle in 2019.
Takatsuki Trio Quartet w/ Tobias Delius / Alex Dorner
Berliner Quartette
(Orbit577)
The Berlin-based collective Takatsuki Trio of Rieko Okuda on piano, Antti Virtaranta on double bass and Joshua Weitzel on guitar & Shamisen are expanded to a Quartett in two extended live sets at Berlins' Kuhlspot Social Club in 2020, first in an expansive set with trumpeter Axel Dorner, and then an intensely active set with tenor saxophonist & clarinetist Tobias Delius.
Takatsuki Trio Quartett feat. Silke Eberhard
At Kuhlspot
(577 Records)
An extended improvisation performed live at Kuhlspot Social Club in Berlin from the Takatsuki Trio of Rieko Okuda on piano, Antti Virtaranta on bass and Joshua Weitzel on guitar & shamisen (a 3-stringed traditional Japanese instrument), captured at their monthly series expanding the trio to a "Quartett" for fresh perspective, here with alto saxophonist Silke Eberhard.
Izquierdo / Lewandowski / Kuldkepp / Mayer
Favourite Galaxy
(Creative Sources)
The Hamburg-based performing quartet of Lorena Izquierdo on free improvised voice, Aziz Lewandowski on cello & voice, Kris Kuldkepp on double bass and Felix Mayer on trombone are heard in these eight studio recordings of quietly creepy conversation, generally slow motion and reflectively introspective work that occasionally rises in throttled crescendo.
Liuzzi / Massaro / La Volpe / Martusciello
Elica Multisensory Improvisation
(Creative Sources)
A fascinating Italian project using improv techniques on voice, bass clarinet, prepared guitars & banjos and live electronics, allowing each musician to generate sounds by using their senses to listen and reflect on the world around them, from Elio Martusciello (live electronics), Chiara Liuzzi (voice), Francesco Massaro (reeds & electronics) & Adolfo La Volpe (guitars & objects).
Inlay Ensemble (Price / Bishop / St Jacques)
Songs for Habitual People
(Creative Sources)
Led by Sydney, Australia double bassist and composer Elsen Price, the Inlay Ensemble with violist Carl St. Jacque and violinist Susie Bishop merges contemporary composed and improvisational styles in an album with each piece reflecting a distinct mood based off a single motif, creating unique perspectives that the ensemble develops through improvisation.
Grid Mesh (Thewes / Schubert / Willers / Kellers)
Four
(Creative Sources)
Though listing four tracks, this is an indexed continuous concert from the German Grid Mesh quartet of Christof Thewes on trombone, Frank Paul Schubert on alto & soprano saxophones, Andreas Willers on electric guitar and Willi Kellers on drums & percussion, performing at Spielraum Schiffweiler-Heiligenwald in Germany in 2020 for a wildly buidling concert of free collective force.
Microfiche (Alduca / Calligeros / Conner / Gill / Manojlovic / Murphy-Haste / Schack-Arnott)
Everything and Other Infinities
(Creative Sources)
The 2nd release from this Sydney, Austrlian acoustic sextet, creating subtle yet dynamic improvisations influenced by the musical concepts of John Cage and Morton Feldman, balancing contemplative sections with building surges, these works developed on their 2019 Europe tour, which included performances at Copenhagen Jazz Festival as well as shows in Berlin and Stockholm.
Red List Ensemble
Scope
(Creative Sources)
The Berlin-based electroacoustic Red List Ensemble founded by cellist Guilherme Rodrigues in a studio recording of the 3-part "Scope", improvised music created in real time using extensive techniques to create and raise tension in a game of contrasts, exploring orchestration in micro-groups through organization of surfaces that are opposed in terms of timbre and sound texture.
Krennerich / Schubert / Osswald / Fischer
Degrees Above
(Creative Sources)
Four German saxophonists are heard in three sophisticated and extremely creative chamber-oriented improvisations recorded at Kulturzentrum Hufeisen: Andreas Krennerich on soprano, sopranino & baritone saxophones; Frank Paul Schubert on alto & soprano saxophones; Hartmut Osswald on tenor sax & bass clarinet; and Nils Fischer on baritone sax & contrabass clarinet.
Okuda, Rieko / Antti Virtaranta / Girial Baars
LAB H Tapes
(Creative Sources)
Two distinct improvisation from the trio of Japanese musician Rieko Okuda on piano & viola, Finnish musician Antti Virtaranta on double bass, and Russian musician Girilal Baars on voice & objects, the first with Baars primarily focused on free vocals in a Phil Minton-esque mode, the second all instrumental with Baars performing on "old wheel".
Voort4
Stroming
(Creative Sources)
The Netherlands quartet of Martin Tervoort on tenor & soprano saxophones and bass clarinet, Bert Kleijn on drums, Fons Sluijter on cello, and Bennie Timmer on guitars, in collective improvisation influenced by jazz, blues, salsa, pop, free improv and modern compositional music.
Rodrigues, Ernesto / Paulo Curado / Bruno Parrinha / Eduardo Chagas
Backlighting
(Creative Sources)
A live recording of a subtle improvisation led by Portuguese violist Ernesto Rodrigues in a quartet with winds and brass--Paulo Curado on flute, Bruno Parrinha on soprano saxophone & bass clarinet, and Eduardo Chagas on alto trombone--each using understated approaches to their instruments using extended and unusual techniques, aptly titled but rewarding close listening.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC