Referencing the deceptively simple and memorable melodies of pianist Paul Bley, the trio of Pat Thomas on piano, Dominic Lash on double bass, and Tony Orrell on drums & percussion pay homage to the late pianist through his own work, plus compositions from Cara Bley, Ornette Coleman, Duke Ellington, and one collective improvisation; a sensitive and lyrical modern jazz album.
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Sample The Album:
Pat Thomas-piano
Dominic Lash-double bass
Tony Orrell-drums, percussion
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UPC: 023632674913
Label: 577 Records
Catalog ID: 5831
Squidco Product Code: 28367
Format: LP
Condition: New
Released: 2019
Country: USA
Packaging: LP
Recorded at Bristol University, in England, United Kingdom, on February 25th, 2018 by Jonathan Scott.
"The trio pays homage to legendary pianist Paul Bley, drawing on both his tunes and improvisational approach. Bley's music encompassed latin-inspired grooves, deceptively simple and catchy melodies, as well as freer improvisations. His willingness to collaborate openly with European improvisers as well as being part of the American tradition was an attractive template to follow.
Pat Thomas, Dominic Lash and Tony Orrell grew up in the UK with the children's TV series Play School and when searching for a name for this album could not resist the pun - the inspiring figure of Bley combined with the element of childlike experimentation.
When the group decided to record in Bristol, UK there was no discussion about what to play, other than keeping in mind the process Paul Bley used in his long career. This included the desire not to repeat himself, and to be open to all the opportunities afforded by playing with timeless tunes, de- and re- constructing them at will. Hence the shout-outs to Carla Bley, Ornette Coleman and Duke Ellington."-577 Records
Artist Biographies
• Show Bio for Pat Thomas "Born 27 July 1960; Piano, electronics. Pat Thomas started playing at the age of 8 and studied classical music and played reggae. He began playing jazz at sixteen after seeing Oscar Peterson on television then listened to snatches of jazz on the radio before, in 1979, playing his first serious improvised gigs. From 1986 he played with Ghosts which was Pete McPhail and Matt Lewis. In addition to programming his keyboards, Pat Thomas also utilises prerecorded tapes. He told Chris Blackford (1991), 'As far as the tapes are concerned I'll probably just sit in front of the TV and tape whatever's going on and so some editing afterward to decide what might be useful. ...But I don't actually put a label on each tape saying what's on there, so when I come to use them I don't know what I'm going to be playing. That obviously prevents me from setting things up. I pick them at random and see what happens. So I'm just as surprised as anybody else at what comes out'. In 1988 he was awarded an Arts Council Jazz Bursary to write three new electroacoustic compositions for his ten-piece ensemble, Monads: Roger Turner and Matt Lewis, percussion; Pete McPhail, WX7 wind synthesizer; Neil Palmer, turntables; Phil Minton, voice; Phil Durrant, violin; Marcio Mattos, bass; Jon Corbett, trumpet; Geoff Searle, drum machines. The intention was to feature different aspects of electronics using improvisation so, for example, one piece - Dialogue - featured Pete McPhail and Neil Palmer, another concentrated on the interaction of percussionists and drum machines, and a third piece had Phil Minton and Jon Corbett improvising with a computer. The pieces were performed at the Crawley Outside-In Festival of new music in 1989. Pat Thomas was invited by Derek Bailey to play in Company Week in 1990 and 1991 and he also took part in the Ist International Symposium for Free Improvisation in Bremen with the guitarist. He has been a member of the Tony Oxley Quartet (documented on Incus CD 15) and played in Oxley's Angular Apron along with Larry Stabbins, Manfred Schoof and Sirone at the 8th Ruhr Jazz Meeting and in the percussionist's Celebration Orchestra. He plays with Lol Coxhill in a range of combinations from duo to being a member of 'Before my time', is a member of Mike Cooper's Continental Drift, and he has a well established duo with percussionist Mark Sanders and a trio with Steve Beresford and Francine Luce. In 1992 Pat Thomas formed the quartet Scatter with Phil Minton, Roger Turner and Dave Tucker; funded by the Arts Council they toured the UK in 1993 and again at the beginning of 1997. On the 'Festival circuit', Pat Thomas has appeared at: the Young Improvisors Festival at the Korzo Theatre, Den Haag (with Jim O'Rourke, Mats Gustafsson and Alexander Frangenheim); Angelica 95 in Bologna, Italy; the Stuttgart 5th Festival of Improvised Music 96 (with Fred Frith, Shelly Hirsch, Carlos Zingaro and others); and the 3rd International Festival 96 in Budapest (with Evan Parker, Phil Minton, John Russell and Roger Turner). ^ Hide Bio for Pat Thomas • Show Bio for Dominic Lash "Born Cambridge, England, in January 1980; played bass guitar since 1994; studied with Hugh Boyd and Pascha Milner and at Basstech (London) with Rob Burns, Terry Gregory and others. Played double bass since 2001; basically self taught, with grateful thanks to Simon H. Fell. First class BA in English Literature from Oxford University (2002). Received MA Composition from Oxford Brookes University in 2003, having studied with Paul Whitty, Ray Lee and others. Received PhD from Brunel University in 2010, having studied the work of Derek Bailey, Helmut Lachenmann and JH Prynne and been supervised by Richard Barrett and John Croft." ^ Hide Bio for Dominic Lash • Show Bio for Tony Orrell UK drummer Tony Orrell is a long-time collaborator with saxophonist Paul Dunmall, having played together in the 70's band Spirit Level in Bristol. They have continue to play together over the years. Orrell is also known for the band The Jellilalas. ^ Hide Bio for Tony Orrell
11/5/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/5/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
SIDE A
1. Aloof 10:01
2. The Blessing 7:03
3. In a Sentimental Mood 7:08
SIDE B
1. Ida Lupino 12:15
2. BleySchool 5:59
Vinyl Recordings
Improvised Music
Free Improvisation
Jazz
London & UK Improv & Related Scenes
Trio Recordings
Jazz & Improvisation Based on Compositions
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577 Records.