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Schindler, Udo / Ernesto Rodrigues / Guilherme Rodrigues : Mycelial Studies [2 CDs] (Creative Sources)

Two complete live performances in Munich at Galerie arToxin, and at Udo Schindler's Salon fur Klang + Kunst Krailing in 2018, with Schindler on bass clarinet, soprano saxophone and cornet, Ernesto Rodrigues on viola, and Guilherme Rodrigues on cello, balancing active and introspective dialog of advanced harmonics, (a)rhythmic approaches, and extraordinary technique.
 

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product information:


UPC: 609063 405941

Label: Creative Sources
Catalog ID: cs594
Squidco Product Code: 27603

Format: 2CDS
Condition: New
Released: 2019
Country: Portugal
Packaging: Cardboard Gatefold
CD 1 recorded live at Galerie arToxin in Munich, Germany on June 28th, 2018, by Gottfried Duren.

CD 2 recorded live at the 85th Salon fur Klang+Kunst Krailing/Munich, Germany on June 29th, 2018, by Udo Schindler.


Personnel:

Udo Schindler-bass clarinet, contra bass clarinet, soprano saxophone, cornet

Ernesto Rodrigues-viola

Guilherme Rodrigues-violoncello

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Artist Biographies:

"Udo Schindler is a German improvisation musicians (bass clarinet, contrabass clarinet, saxophone, flute, cornet, also accordion, guitar, percussion, analog synthesizer) and architect. Schindler was active in the 1970s in Franconia first as rock and rock jazz musician before he had flute lessons at the conservatory Nuremberg. Subsequently, he studied architecture at the Technical University of Munich and worked as an architect. In the 1990s he turned to contemporary music (Arch.Ensemble) and improvised music (Schindler.Interferenz.3). In addition to the single tube instruments (saxophones and clarinets), he studied the cornet. In addition to his sound research, he also worked as a director, performer, musician and composer for various theater productions. In the following years he performed with solo and duo projects at new music festivals (Musica Viva, Klangaktionen, etc ...), jazz, experimental music, among others. This led to collaborations with musicians like Hubert Bergmann, Gerry Hemingway, Eddie Prevost, Sebi Tramontana, Georg Wissel, John Russell, Blaise Siwula, Frank Gratkowski, Hans Koch, Urs Leimgruber, Elisabeth Harnik, Katharina Weber and Frank Paul Schubert. In addition to his activities in solid cast he initiated in Munich a series of concerts to free improvisation in ad hoc to test instrumentation."

-Wikipedia (translated by Google and Squidco) (https://de.wikipedia.org/wiki/Udo_Schindler)
12/4/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
12/4/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
12/4/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


CD1



1. Artoxin_1st Mycelium 13:58

2. Artoxin_2nd Mycelium 9:19

3. Artoxin_3rd Mycelium 13:04

4. Artoxin_4th Mycelium 13:11

5. Artoxin_5th Mycelium 12:59

6. Artoxin_6th Mycelium 10:01

CD2



1. Salon_1st Mycelium 16:18

2. Salon_2nd Mycelium 7:42

3. Salon_3rd Mycelium 11:44

4. Salon_4th Mycelium 7:50

5. Salon_5th Mycelium 8:35

6. Salon_6th Mycelium 8:51
sample the album:








descriptions, reviews, &c.

"Sometimes the legendary abundance of Creative Sources releases can be a double-edged sword. While it does warrant the awareness of diverse lexicons introduced by artists of varying renown and extraction, the risk is also high of overlooking precious stones amidst the mass. Mycelial Studies - staged on June 28 and 29, 2018 in Munich by Udo Schindler (bass clarinet, soprano saxophone and cornet), Ernesto Rodrigues (viola) and Guilherme Rodrigues (cello) - potentially belongs in that category. The concerts are now immortalized on a 2-CD set comprising about 130 minutes of music that appears surrounded by a halo of importance (for lack of a better word).

""""

The latter trait is suggested by several factors. To begin with, Schindler and the Rodrigueses exude rigorousness, reflected in each fragment of what they play. The trio acts as seriously as a speechless gathering of monks prior to a ritual. The most crucial aspect in such a typology of performance is the capacity of dissecting the timbral grain to collect every penny of substance and gravity. The inquisitive listener perceives individual notes, the superimpositions and permutations, and - naturally - the resulting impulsive counterpoint. But even in the parts where the propagations of tones and phrases promotes severe intricacy, the original silence from which everything comes is always discernible. You can feel the molecules in the air before they start to vibrate after the triggering gesture.

""""

Having said that, there are moments that literally verge on dramatic, the parallelism of urgencies pushing the interplay towards areas of (still elegant) pre-explosiveness. Three men dance barefoot in between strident clusters, serpentine lines, sharp harmonics. In total control of dynamics and pigmentations, their ears are perennially perked up to catch the infinitesimal motion. The marriage of chronic arrhythmia and imperturbable atonality symbolizes the sort of equality/equanimity only achievable through a dispassionate analysis of the problems presented by a conversation. However, where regular folks inevitably fall - namely, placing the ego firmly in charge in a growingly pointless chit-chat - musicians at this level of perception keep indicating methods for fortifying a healthy rationalism, without forgetting the necessary visionary hues."-Massimo Ricci, Touching Extremes


Get additional information at Touching Extremes
Related Categories of Interest:


Creative Sources
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