The Squid's Ear Magazine


Turbulence: Flow Across Scales (Evil Clown)

A larger than previous Boston collective's Turbulence ensemble with 6 of the regular horn players from Leap of Faith Orchestra, performing multi-reedist and instrumentalist PEK's extended framework, with drummer percussionist Yui Zbitnoff; the ensembe breaks down to three duos and guest saxophonist Bob O'Brien, captured live at Outpost 186, in Cambridge, MA in August 2018.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



David Peck (PEK)-bamboo soprano saxophone, tenor saxophone, bass saxophone, clarinet, contraalto clarinet, English horn, tarota, contrabassoon, alto flute, sheng, wind siren

Dan O'Brien-alto saxophone, tenor saxophone, clarinet, bass clarinet, flute, piccolo

Zack Bartolomei-alto saxophone, soprano saxophone, clarinet, flute, piano

Jim Warshauer-curved soprano, alto saxophone, whistles

Eric Dahlman-trumpet, pocket trumpet, flugelhorn, game calls, recorder, overtone voice

Bob Moores-trumpet, shofar, voice

Yuri Zbitnoff-drums, Tibetan bowls, gong


Click an artist name above to see in-stock items for that artist.




Label: Evil Clown
Catalog ID: 9189
Squidco Product Code: 27217

Format: CD
Condition: New
Released: 2018
Country: USA
Packaging: Digipack
Recorded at Outpost 186, in Cambridge, Massachusetts, on August 18th, 2018, by David Peck.

Descriptions, Reviews, &c.

"Three duets + Bob!! Sometimes people come to the Evil Clown Roster in Groups... This set, played by six of the main regular horn players from the Leap of Faith Orchestra and Yuri tearing it up on the drums, demonstrates the kind of focus and control that comes to players who improvise together frequently. The septet contains 3 different duets with significant history (PEK & Yuri, Dan & Zack, and Eric & Jim) joined by Bob, a veteran of over 20 sessions in the last few years... So, there's a lot of familiarity that goes along with the newness of the first time these players made music together in this exact unit.



I formed Turbulence in 2015 as I started to assemble players for the Leap of Faith Orchestra. Turbulence, the extended horn section for the Orchestra (along with guests on other instruments), also records and performs as an independent unit. As if this writing in May of 2018, we have had about 20 albums on Evil Clown with greatly varied ensembles. The only musician on all of them is myself. The sessions range from an early duet with Steve Norton and Myself (Vortex Generation Mechanisms) to a 5 horn band with bass and two percussionists (Encryption Schemes) to four albums by the side project Turbulence Doom Choir which feature myself, multiple tubas, percussion, electronics and signal processing.

Zack Bartolomei and Dan O'Brien joined the Evil Clown roster a while back and have played with Leap of Faith, Leap of Faith Orchestra, and other projects. They go way back with each other. I love it when I find a group of improvisers who have long history with each other who are eager to participate since the whole ensemble benefits from the prior experience of the previously established sub-units. Buoyancy is the third set by this trio version of Turbulence and is very tight due to the number of Evil Clown sessions with all three of us performing as part of the ensemble. In July 2017, we recorded the first of these trio sets, Agitation, and then in March 2018 we recorded the second, Incompressible Flow. This is a highly effective trio version of Turbulence that we plan do again in the future. Jim Warshauer and Eric Dahlman also came to EC with a lot of previous mutual experience. Their first set with us, Vorticity, was a quartet with myself and Yuri on the drums at Evil Clown Headquarters. They have since then been on a quintet Leap of Faith session with the core trio (myself, Yuri and cellist Glynis Lomon) and the performance by the Leap of Faith Orchestra of PEKs graphic frame notation score Cosmological Horizons.

This show is the first larger Turbulence ensemble bringing together these players. With a septet at Outpost 186, we were more cramped for space than usual, consequently we all traveled (relatively) light without many of the percussion and auxiliary instruments we often bring. So, this improvisation focuses on the sounds of all of the wind instruments in their various combinations."-Evil Clown


Artist Biographies

"PEK (aka David Peck) is a multi-instrument improviser who plays all kinds of instruments including saxophones, clarinets, double reeds, percussion, electronics and auxiliary sound making devices of all kinds.

PEK was born in 1964 and started playing clarinet and piano in elementary school. In 7th grade he started saxophones, first on alto, then switching to tenor in high school. He spent 10 years playing in rock bands and studying classical and jazz saxophone with Kurt Heisig in the San Jose CA area before moving to Boston in 1989 to attend Berklee where he studied performance with George Garzone. While Berklee was an excellent place to study harmony, voice training and other important aspects of a conventional formal music training course of study, it was not a very good environment for learning contemporary (or pure) improvisation (apart from his work with George). PEK did find, however, that Boston had a thriving improvisation scene, and it was here that he developed his mature pure improvisation language.

During the 90s, PEK performed with many notable improvisers including Masashi Harada, Glynis Lomon, William Parker, Laurence Cooke, Eric Zinman, Glenn Spearman, Raqib Hassan, Charlie Kohlhase, Steve Norton, Keith Hedger, Mark McGrain, Sydney Smart, Matt Samolis, Martha Ritchey, Larry Roland, Dennis Warren, Yuri Zbitnov, Craig Schildhauer, Keith Fullerton Whitman, Leslie Ross, Rob Bethel, Wayne Rogers, Eric Rosenthal, Taylor Ho Bynum, Tatsuya Nakatani, James Coleman, B'hob Rainey and George Garzone.

PEK met cellist Glynis Lomon when they played together in the Masashi Harada Sextet which existed between 1990 and 1992. They developed a deep musical connection which they continued following the MHS; first with the Leaping Water Trio for a few years and then with the first version of Leap of Faith in 1994. Leap of Faith was very active in Boston from that time until 2001 and went through a series of several core ensembles which always included both PEK and Glynis. Other key Leap of Faith core members during this period were Mark McGrain (trombone), Craig Schildhauer (double bass), Sydney Smart (drums), Yuri Zbitnov (drums) and James Coleman (theremin). Leap of Faith was always a very modular unit with constantly shifting personnel and many different guests. The early Leap of Faith period concluded in 2001 with a dual bill at an excellent room at MIT called Killian Hall with George Garzone's seminal trio the Fringe.

At this time, PEK changed careers for his day gig, returning to college for a computer science degree and beginning to work in the structural engineering industry at Simpson Gumpertz & Heger. He became far too busy to continue the heavy music schedule, and preferring not to do music casually, he entered a long musically dormant period.

Flash forward to early 2014. PEK was a regular mail order customer of Downtown Music Gallery, the premiere specialty shop in Manhattan for free jazz, contemporary classical and other new music. While in New York on SGH business, he went down to DMG and had a lengthy conversation with proprietor Bruce Lee Gallanter about the early Leap of Faith period. He then sent Bruce a package of about 15 CD titles from the 90s and was pleasantly surprised when Bruce managed to sell nearly all of it. This public interest in the old catalog spurred PEK into getting back into performance. He reformed Leap of Faith with Glynis Lomon (cello, voice, aquasonic), Yuri Zbitnov (drums) and newcomer Steve Norton (clarinets and saxophones) and started to record and perform in early 2015.

Now having access to financial resources always absent in the early period, PEK began to accumulate a huge collection of instruments both for himself and also to expand the palate of Leap of Faith and the other projects soon to follow. He acquired new recording equipment and many new saxophones, clarinets, double reeds, metal and wooden percussion instruments, electronic instruments, signal processing equipment and other sound-making devices from many cultures. He revived his old record label, Evil Clown, and created reissues and new releases for much of the early period work by Leap of Faith and many of his other projects to sell at shows, DMG and the internet (around 100 archival titles).

The Arsenal of equipment has a grand purpose: To establish a large scale aesthetic problem to use the instruments to make long form broad palate improvisations with dramatic transformation and development. The very broad palate enables the long improvisations to evolve with very different movements and pronounced development over their length. PEK started the Leap of Faith Orchestra, a greatly expanded Leap of Faith, to achieve this purpose along with a number of smaller ensembles which are sub-units of the full orchestra including String Theory (focusing on orchestral strings), Metal Chaos Ensemble (focusing on metallic percussion), Turbulence (horn players), Mekaniks (electronics) and Chicxulub (space rock). In all, the Evil Clown roster includes over 40 musicians who contribute to one or more of the various projects, with PEK participating in all of them. Leap of Faith has also had some special guests like Steve Swell (trombone), Thomas Heberer (trumpet), Jeremiah Cymerman (clarinet) and Jim Hobbs (alto sax). The Leap of Faith Orchestra happens whenever several of these groups play together at the same time, or the ensemble exceeds 7 or 8 players. The Full Orchestra is a special case discussed below.

The current roster is comprised in part of: - Core Leap of Faith: PEK, Glynis Lomon, Yuri Zbitnov (Steve Norton has since left to go to Graduate School) - Percussion: Andria Nicodemou (vibes), Kevin Dacey (perc), Joe Hartigan (perc), Syd Smart (drums) - Strings: Jane Wang (cello), Clara Kebabian (violin), Tony Leva (bass), Mimi Rabson (violin), Kirsten Lamb (bass), Brendan Higgins (bass), Silvain Castellano (bass), Rob Bethel (cello), Kit Demos (bass), Matt Scutchfield (violin), Helen Sherrah-Davies (violin) - Piano: Eric Zinman, Peter Cassino, Emilio Gonzales - Horns: Dave Harris (tuba, trombone), Charlie Kohlhase (saxes), Bob Moores (trumpet), Sara Honeywell (trombone), Forbes Graham (trumpet), John Baylies (tuba), Dan O'Brien (woodwinds), Zack Bartolomei (woodwinds), Kat Dobbins (trombone), Steve Provizer (trumpet, baritone horn), Matt Samolis (flute) - Electronics: Greg Grinnell, Jason Adams (electric bass, electronics) - Guitar: Dru Wesely, Grant Beale, Chris Florio - Voice: Dei Xhrist

Evil Clown is documenting the ongoing solutions to this aesthetic challenge by creating limited CD editions and digital download albums of every performance and studio session by this array of ensembles. Interested audience can track the development of the grand scale project over the many releases - over 80 albums recorded and released so far between Jan of 2015 and March of 2017. All of the bands are highly modular, changing personnel and instrumentation with each meeting. The result is an enormous amount of music that shares the same fundamental improvisational language but differs from event to event greatly both in sonority (overall sound) and specific detail.

For the full Leap of Faith Orchestra, PEK composes a graphic notation score to guide the improvisation. The full Orchestra is comprised of roughly 20 players from the roster and performs twice a year. Two performances have occurred to date - The Expanding Universe in June of 2016 and Supernovae in November of 2016. Composition for Possible Universes is completed and the work will be performed on May 28, 2017 with another performance (score not yet begun) scheduled for November.

The scores use a device called Frame Notation where written English descriptions of the overall sonority desired and simple graphic symbols are given durations for each player on their part along with direction on when to play and when not to play. The directions are put in little boxes called frames which are arranged on a timeline and are simple enough to be immediately understood by the performers. Horizontal lines, called Duration Bars, extend across the page indicating when each Event (the Frame + the Duration Bar) begins and ends. An Event can be intended for the full ensemble, a defined group within the ensemble (for example, Metal Chaos Ensemble), a custom group (for example, Tubas), or an individual (for example, Andria Feature).

Parts are the full score annotated with Hiliters so that each player's instructions stand out. They can clearly see their individual instructions, but can also see the big picture, enabling far more knowledge about the pending actions of the rest of the ensemble than typical in pure improvisation. The players track the elapsed time on a very large sports clock. There is no melodic, harmonic or rhythmic information specified. This system allows PEK to compose detailed Ensemble Events without having to notate pitches or rhythms which would require significant rehearsal to accurately achieve."

-All About Jazz (https://musicians.allaboutjazz.com/pek)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in 1990, Dan O'Brien discovered a joy of sound and music throughout his early childhood listening to film scores and his parents' CD collection. At the age of nine he picked up his father's tenor saxophone, taking advantage of all the opportunities he could find in the Canton, CT public school instrumental music program, while starting on a journey into the world of improvisation by listening to his first musical idols, Stan Getz and Sonny Rollins, and composing short pieces that he would record with friends around town. By high school he was studying with local jazz educator John Mills and writing arrangements for the Canton High School jazz combo and big band, in which he was also playing saxophone and clarinet.

Dan's education continued at Western Connecticut State University in Danbury, CT, where he earned the Bachelor of Science in Music Education degree in May 2012. He also completed the BM Jazz Studies coursework and took advantage of the broad experience of the school's faculty, studying saxophone with Dan Goble, Andrew Beals, and Javier Oviedo, composition with Kevin Jay Isaacs and Jamie Begian, clarinet with Paul Garment and Jo-Ann Sternberg, and flute with Dave Noland. As a standout student in the jazz program, he had opportunities to learn from and perform with master guest artists throughout his time at WestConn, including having his big band arrangement of "Joy Spring" critiqued by Maria Schneider, opening for Darcy James Argue's Secret Society, and participating in masterclasses and performances with Benny Golson, Rich Perry, Dave Liebman, John Scofield, Robert Glasper, Rufus Reid, and Dafnis Prieto.

Following WestConn, Dan pursued graduate studies at the University of North Texas, earning the Master of Music in Jazz Studies degree in May 2014, with a concentration in Composition and Arranging. Two years of dedicated study with Rich DeRosa allowed him to explore many compositional media and expand his concept and output beyond standard classifications of genre. His master's recital included a range of work from arrangements of jazz standards to original compositions incorporating free improvisation, an original narrated setting of Connie Wanek's poem "After Us" for small wind ensemble to a passacaglia treatment of Wayne Shorter's "Nefertiti" for chamber orchestra. In March 2014, his arrangement of Duke Ellington's "Come Sunday" was performed at Carnegie Hall by Chris Washburne's SYOTOS Band as one of three winners of the Carnegie Hall Musical Exchange "Arranging Ellington" competition. Beyond these accomplishments, his studies with John Murphy along with access to the enormous music collection at the UNT Willis Library allowed Dan to expand his musical conceptions through in-depth exploration of music by Tim Berne, Anthony Braxton, Igor Stravinsky, Karlheinz Stockhausen, John Corigliano, Duke Ellington, George Lewis, George Russell, Henry Threadgill, and many other artists who have made profound contributions to music.

After graduating from UNT, Dan returned to Connecticut to take an Artist Instructor position at the Greater Hartford Academy of the Arts, directing the award-winning Jazz Ensemble 3, arranging for and co-directing "The Real Ambassadors" Jazz Choir, and teaching courses in harmony/eartraining/jazz theory, improvisation, and jazz history. He has continued his studies, taking lessons with Ellery Eskelin (improvisation/solo saxophone) and Darcy James Argue (composition), and regularly attending the Improvisations series at Real Art Ways in Hartford to learn about free improvisation from Stephen Haynes and Joe Morris with guest artists. Dan is a member of the George Mastrogiannis Quintet playing woodwinds and plays tenor saxophone with the Nobuki Takamen Quartet. With fellow WCSU graduates Grant Beale, Silvain Castellano, and Dave Campbell he has co-founded the group Dagrasida, which has an emphasis on free improvisation and original composition."

-Dan O'Brien Website (http://www.deohbimusic.com/bio-epk.html)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Zachary Bartolomei teaches saxophone and flute for all ages and experience levels, as well as beginner piano, guitar, and bass guitar. He holds a Bachelor of Music degree in Jazz Studies from The Hartt School's Jackie McLean Institute, as well as a Master of Music degree in Jazz Composition & Arranging from the University of Massachusetts, Amherst, where he taught jazz ensembles as a Graduate Teaching Assistant. He takes a holistic approach to teaching, giving a solid foundation in technique and theory while also emphasizing improvisation and creativity. He is active as a performer across many genres in the Pioneer Valley and beyond, as a member of Shokazoba and World Eaters, as well as his own jazz and creative music projects."

-Downtown Sounds (http://downtownsounds.com/teachers/zack-bartolomei/)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Jim Warshauer is a saxophonist and multi-reed player in the Boston area. He runs the JWSax store selling vintage saxophones and mouthpieces.

-Squidco 12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"- Performed with free jazz icon Hal Russell & his NRG Ensemble, Aardvark Jazz Orchestra, Travis Chandler Philharmonic, Auddity, Rakalam Bob Moses, DMJE quartet and DME trio. Dahlman has appeared on Fugazi drummer Brendan Canty's Discovery Channel soundtrack "Bridges".

- Music appears in the documentary film "The Bear Cult" (2015 Hyperion).

- Studied with Ingrid Monson, Dave Frank, Anthony Davis & John Luther Adams."

-Evil Clown (http://www.evilclown.rocks/bio-eric-dahlman.html)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bob Moores Having spent most of his life flying under the radar working on obscure projects that may some day come to the light of day, trumpeter/guitarist/composer/improviser/artist/photographer/poet/conceptualist Bob Moores has finally started to emerge into the light playing in the free improvisation collective Fable Grazer and through his solo project Resonator.

Having played every kind of music imaginable on trumpet in every kind of setting from classical to funk to blues to R&B to pop punk and metal to jazz, in small and large ensembles, Bob has settled on playing only freely improvised music at this stage of his evolution, both in group situations and as a solo artist. Moores is an exponent of what he calls unschooled primitive coloristic guitar having started to play in earnest with Fable Grazer.

He has been composing music since he was a child and composes and arranges for a variety of ensembles types, instrumentations and genres."

-Evil Clown Website (http://www.giantevilclown.com/bio-bob-moores.html)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Yuri Zbitnoff is a drummer/composer/arranger who has been simultaneously providing cutting edge musical entertainment and fomenting revolution of the mind for over 20 years.

Yuri can be heard playing in Atompunk Go-Go Jazz pioneers Mission Creep as well as jazz/rock powerhouse, Axemunkee.

Yuri is perhaps best known for his nearly 10 year stint with the roiling cauldron of apocalyptic cosmic jazz thunder known as Enuma Elish.

From 2000 to 2008, Yuri ran Lithiq, a label dedicated to promoting music at the nexus of electronic music, jazz and rock. During this time, Yuri released albums by both Enuma Elish and Sky Saw and performed with SpiralZero, Caduceus, and many others.

Yuri's association with PEK dates back to the late 90's and includes numerous performances with Raqib Hassan's ensembles as well as Leap of Faith. All of these recordings are available on Evil Clown."

-Evil Clown Website (http://www.giantevilclown.com/bio-yuri-zbitnov.html)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Flow Across Scales 1:10:28

Related Categories of Interest:


Improvised Music
Free Improvisation
Septet recordings
Recordings by or featuring Reed & Wind Players
Boston Area Improvisers

Search for other titles on the label:
Evil Clown.


Recommended & Related Releases:
Neurodivergent Orchestra
Monsters Keep Interrupting My Science
(Evil Clown)
Blending the playful spontaneity of improvised banter with the experimental ethos of Evil Clown, Neurodivergent Orchestra (AKA The Wacky Banter Orchestra) expands to a nine-member ensemble — featuring bass, drums, horns, electronics, and auxiliary instruments — to deliver a dynamic and transformative performance driven by both humor and adventurous collective improvisation.
Perturbations
Asymptotic Series
(Evil Clown)
Evil Clown's most recent ensemble led by PEK and Joel Simches focuses on trio configurations to highlight Simches' real-time signal processing; this session features PEK, Michael Caglianone, and John Fugarino on horns, auxiliary percussion, and electronics, delivering dynamic transformations across sonorities under the influence of Simches' manipulations.
Simulacrum
Replacing Reality with Representation
(Evil Clown)
A Metal Chaos Ensemble offshoot featuring PEK, Eric Woods, and Bob Moores, focuses on heightened electronic elements while omitting drums, typically expanding to larger groups; this quintet session included a rhythm section using extensive instrumental doubling across brass, reeds, percussion, and electronics, resulting in a slower-moving yet richly textured exploration.
Metal Chaos Ensemble
One Step Beyond Logic
(Evil Clown)
Exploring chaotic metallic rhythms, this ensemble has become one of Evil Clown's most prolific groups, blending gongs, chimes, Tibetan bowls, and horns spanning a dynamic range of sounds, here in a sextet configuration with drummer Steve Niemitz and special guest Chris Alford on guitar, offering a powerful fusion of rock elements within the ensemble's electroacoustic approach.
Expanse
Bailiwick
(Evil Clown)
This session at Evil Clown Headquarters brings together a sextet featuring PEK, Michael Knoblach, Robin Amos, Bob Moores, Tony Leva, and Jonathan LaMaster, blending horns, strings, electronics, and percussion to create a richly textured improvisational journey, highlighting deep connections within the Boston improvisation scene and showcasing dynamic interactions shaped by both past collaborations and new encounters.
Leap of Faith
Logical Consequences
(Evil Clown)
Originally planned as an Axioms session, this Leap of Faith performance features PEK, Glynis Lomon, Chris Alford, Albey onBass, Vance Provey, Jose Arroyo, and Michael Knoblach, who transformed a dynamic sextet improvisation into a rich exploration of sonorities, blending wind, strings, percussion, and electronics to create a spontaneous, evolving soundscape marked by deep listening and adaptability.
Axioms
Extensions To Infinity
(Evil Clown)
Axioms is based around the core trio of Boston multi-reedist, percussionist and composer David Peck, and Cecil Taylor associates Albey onBass (on bass) and poet Jane SpokenWord, here in a performance with collective core cellist & aquasonic performer Glynis Lomon, and guest improviser from New Orleans, Chris Alford on guitar, stomp box and percussion.
Metal Chaos Ensemble
Insanity Is Contagious
(Evil Clown)
Metal Chaos Ensemble was formed in 2015 by reedist & percussionist David Peck and drummer Yuri Zbitnov as a working project to explore chaotic rhythms on metallic instruments with a rock sensibility; drummer Steve Niemitz now holds the drum chair, and the band is a prolific sextet with saxophonist Michael Caglione, trumpeter Bob Moores, synth player Eric Woods and guitarist Mike Gruen.
Leap of Faith
Spooky Action at a Distance
(Evil Clown)
An acoustic septet edition of the Leap of Faith, the core duet of David Peck on clarinets, saxophones, double reeds & flutes, and Glynis Lomon on cello, aquasonic & voice, joined by Michael Caglianone on saxophones, flute, clarinet, melodica & water bottle, John Fugarino on trumpet, slide trumpet & flugelhorn, Tom Swafford on violin, Kit Demos on bass, and Eric Rosenthal on drums.
Expanse
Reach
(Evil Clown)
CORNER CUT PROMO
Evil Clown Shorties
Volume 2 (2023-2024)
(Evil Clown)
CORNER CUT PROMO
Perturbations
That's Where the Unknown Is
(Evil Clown)
CORNER CUT ON SLEEVE
Leap Of Faith
Emergent Spacetime
(Evil Clown)
CORNER CUT ON SLEEVE
Leap Of Faith
Scrying
(Evil Clown)
CORNER CUT ON SLEEVE
Leap of Faith / Kane Loggia Hypothesis
Interconnected by Testable Relations
(Evil Clown)
CORNER CUT ON SLEEVE
Turbulence Orchestra
Gust Loads
(Evil Clown)
Turbulence, the extended horn section for the Boston-based collective Leap of Faith Orchestra using label leader David Peck's Broad Palate Concept for large interactive improvisations, here in a 2023 session with three trumpets, trombone, two flutes, two saxophones, the Evil clown percussion arsenal, and two performers using real time signal processing.
Leap Of Faith
Graviton Propagates
(Evil Clown)
With two trumpeters--space trumpeter Bob Moores and slide trumpeter John Fugarino — and the exotic guzheng work of Jiaxin Wan — this edition of the Boston Based collective Leap of Faith with David Peck on reeds, winds, synth and percussion and Glynis Lomon on cello and aquasonic, hearkens to their Leap of Faith Chinese Orchestra as the quintet pursues Peck's broad palette improv concept.
Leap Of Faith
Scrying
(Evil Clown)
Turbulence Orchestra
Jet Stream
(Evil Clown)
One of the largest ensembles in the Boston collective roster, this exotic Turbulence Orchestra set is orchestrated with 4 brass horns--Bob Moores, Eric Dahlman & John Fugarino on trumpets, Duane Reed on double bell euphonium; two winds--David Peck on clarinets, saxophones & flute and Dennis Livingston on flute & recorders-- plus the rhythm section of Scott Samenfeld on bass & Michael Knoblach on drums.
Simulacrum
Archetypes
(Evil Clown)
One of the more electronic/ea ensembles from the Boston area collective led by David Peck, Simulacrum is an offshoot of Metal Chaos Ensemble, the core being Peck on reeds, percussion & electronics, Eric Wood on analog synth and Bob Moores on space trumpet & guitar, joined by Michael Caglianone (sax), Faruq Hassan (sampler), and Michael Knoblach (percussion).
Leap Of Faith
Cyclic Models
(Evil Clown)
A larger ensemble for the Boston-area collective Leap of Faith of David Peck on clarinets, saxophones & flutes, and Glynis Lomon on cello, aquasonic & voice, here extended with two horns, three strings, and drums including Cecil Taylor bassist Albey OnBass, plus John Fugarino on trumpets & brass, Tor Snyder on guitar and Eric Rosenthal on drums & percussion.
Leap of Faith / Kane Loggia Hypothesis
Interconnected by Testable Relations
(Evil Clown)
A split release between two essential duos from the Boston-area Evil Clown collective: first, the core duo of Leap of Faith — David Peck on reeds & percussion and Glynis Lomon on cellos, aquasonic & voice — in a trio with trumpeter John Fugarino; second, the Kane Loggia Hypothesis duo of Bonnie Kane on sax, flute & electronics and John Loggia on drums, in a trio with drummer Ben James.
Perturbations
That's Where the Unknown Is
(Evil Clown)
"Perturbed" by the sonic intervention of sound engineer and performer Joel Simches, who applies various effect processes to the continually morphing free improvisations of Boston collective players David Peck on reeds, percussion and synthetics, Michael Caglianone on soprano, alto & tenor saxophones, clarinet, flute & percussion, and Albey onBass on bass and percussion.
Evil Clown Shorties
Volume 2 (2023-2024)
(Evil Clown)
While typically performing and releasing extended improvisations that last an hour or more, before each of the Evil Clown's Livestreamed performances they record a short improvisation, referred to as "Shorties", taking approaches that yield unique character to the longer works, collected here in 15 recordings with permutations of regular collective members.
Leap Of Faith Chinese Orchestra
Magic Squares
(Evil Clown)
A unique and fascinating edition of the Leap of Faith Orchestra, bringing special guests Jimmy Zhao, Yazhi Gao, Jiaxin Winky Wan, Ziya Gao, and Kaixin Hou performing on Chinese instruments to join with the core duo of David Peck on clarinets, saxophones, clarinets & flutes, Glynis Lomon on cello, aquasonic & voice, along with percussionist/drummer Michael Knoblach and bassist Scott Samenfeld.
Turbulence Orchestra
Dynamos
(Evil Clown)
PROMO W/ CUT CORNER



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC