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© 2002-2018, Squidco LLC


Gjerstad, Frode / Hamid Drake / William Parker: [4-CD BOX SET] (Not Two)

4 essential albums from the trio of Frode Gjerstad on saxophones and reeds, William Parker on double bass, and Hamid Drake on drums; CD 1 presents "Ultima" originally released in 1997 on Cadence Jazz; CD 2 presents "Remember To Forget" from 1998 on Circulasione Totale; CD 3 "The Other Side" from 2006 on Ayler Records; and CD 4 "On Reade Street" from 2008 on FMR.
 

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product information:


UPC: 5906395187287

Label: Not Two
Catalog ID: MW968-2
Squidco Product Code: 25889

Format: 4 CDs
Condition: New
Released: 2017
Country: Poland
Packaging: Cardstock Foldout in Plastic Sleeve w/ 4 CDs in individual paper sleeves and booklet
CD 1 recorded at the Ultima Festival, in Olso, Norway, on October 8th, 1997.

CD 2 recorded at Cafe Sting, in Stavanger, Norway, on October 9th, 1997, by Frode Gjerstad.

CD 3 recorded at Airwave studios, in Chicago, Illinois, on January 20th, 2000.

CD 4 recorded at Piano Magic, in New york, on January 24th, 2006, by Frode Gjerstad.


Personnel:

Frode Gjerstad-reeds

Hamid Drake-drums

William Parker-bass

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Artist Biographies:

"Frode Gjerstad was born in Stavanger, Norway, 24-03-1948. He started trying to play improvised music as a trumpeter in 1968. When he moved to Lund in Sweden (1971 to 1975) he got a chance to meet, talk and play with musicians interested in this music. He had at that time started playing tenor saxophone (1969).

After he came back to Stavanger in 1975 he started collaborating with keyboardist Eivin One Pedersen. Together, they explored many different aspects of improvised music, as a duo or with others, but it was not until 1981, when they first played with John Stevens, that he had a real chance to feel what a dedicated musicians can do to the music-making.

At the early stage of his career, he choose mainly to play with international musicians because there was no tradition in Norway for the free music. However, after the club Blå opened in Oslo in 1996, a good number of younger musicians are now picking up on the music.

His relationship with British drummer, John Stevens which started in -81 and lasted up until his death in -94, was of great importance both musically as well as on a personal level. Through Stevens, he was introduced to some of the finest British improvisers and got to know their way of playing. Together, they led the trio "Detail" starting with Johnny Dyani on bass. And after Johnny died in -86, with Kent Carter.

He has also been active, running a larger group of mostly Norwegian musicians, the Circulasione Totale Orchestra. He started the group using electric instruments and modern rock-oriented rhythms. He has used the band to present his own compositions as well as a workshop and a place for young people to get to know free music. The band presented a commissioned work at the Molde Festival in -89 with a 13 man band combining free improvisations, compositions as well as rapping and scratching.(Three horns, three bassists, three drummers, accordeon, guitar a rapper and a DJ). The Circulasione Totale Orchestra is a powerful ever-changing band.

But it´s not easy to keep such a big group together. In 1998 he decided to keep the core of the band which at that time was Paal Nilssen-Love on drums and Øyvind Storesund on bass and try to develop that sound. It became Frode Gjerstad Trio. So far the trio has toured Norway, Sweden, Denmark, Polen, Italy, Austria, Portugal, England, Canada and the United States.

He has received several grants from various foundations and has been very active in the Norwegian Jazzmusicians Federation as well as in the committee for the Norwegian Contemporary Music Federation. Voted Jazz Musician of the Year in Norway, 1997. Part of the price was a concert where he could freely choose which musicians to use. This was the first meeting with Hamid Drake and William Parker. The concert became a tour of Scandinavia in -97 and the US in 2000.

US Pianist Borah Bergman has also been important to Frode. They first met in -94 and have played as a duo and also as trio with Evan Parker and later Peter Brøtzmann. Borah has been a great inspiration and a challenge over the years!

English bassist Nicholas Stephens first played with Frode in 1984. He played electric bass at the time, but it was not until after John Stevens died in 1994 that they started working together as "Calling Signals". First with a tour of England in 1995 with Paul Rutherford and Terje Isungset. And in 1996 with Louis Moholo and Danish guitarist, Hasse Poulsen. The latest version of the group has been with accordionist Eivin One Pederesen and Paal Nilssen-Love or Tony Marsh on drums. Frode also met and worked with US percussionist Kevin Norton in 2004 and they have found a common ground. They have a trio with Nicholas Stephens: Instinctual Eye.

Electronic music started to make an impact when he met Lasse Marhaug. They have played some concerts together and made some recordings. Lasses sounds have opened up a whole new territory of possibilities and came at a time when Frode started playing clarinets. A very fruitful combination!

Another side of the electronic thing was the group Ultralyd which was Frodes idea: to bring in a loud powerful electric bass with drums, guitar and reeds. After about a year, he left the band because the sound level was unbearable for the old man.! And he left it to the youngsters to decide how loud the band should be. Still, he has continued playing with Morten, Anders and Kjetil in other projects."

-Frode Gjerstad Website (http://frodegjerstad.com/?page_id=162)
11/14/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. He lives in Chicago, IL but spends a great deal of time touring worldwide. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and avant improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free-jazz improvisers. Drake also has performed world music; by the late 70s, he was a member of Foday Musa Suso's Mandingo Griot Society and has played reggae throughout his career.

Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in a large number of lineups)

He studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks; using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and flair. Drake's questing nature and his interest in Caribbean percussion led to a deep involvement with reggae."

-Wikipedia (https://en.wikipedia.org/wiki/Hamid_Drake)
11/14/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."

In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.

Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."

-William Parker Website (http://www.williamparker.net/)
11/14/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


CD1



1. Ultima, Part 1 15:30

2. Ultima, Part 2 12:22

3. Ultima, Part 3 18:48

4. Ultima, Part 4 11:48

CD2



1. Remember Part I 12:52

2. Remember Part II 11:35

3. Remember Part III 13:46

4. Forget Part I 10:54

5. Forget Part II 11:10

6. Forget Part III 7:22

CD3



1. First Cut 17:44

2. The Duo 9:48

3. This Side 15:40

4. Williams Bass 6:50

5. The Other Duo 5:58

CD4



1. The Street 21:42

2. The Houses 11:19

3. The People 23:58
sample the album:








descriptions, reviews, &c.

"Remember to Forget and Ultima were recorded during our first Scandinavian tour in October 1997. The Other Side was a studio recording from Chicago during our North-American tour in January 2000. And On Reade Street was recorded in New York, January 2006.

Hamid and William are two very nice people who also play their music very well. I think my fascination for their art partly lies in the fact that they have played a lot together. They have a certain thing they bring to the table and it's quite a challenge both to go with it and also to go against it because it's a very strong thing and it's very personal. They will sometimes invite me into territories that I normally stay away from - the jazz thing. To me, this is both frightening and exciting. I feel like walking on the edge with one foot in open air!"-Frode Gjerstad

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Free Improvisation
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