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© 2002-2018, Squidco LLC


Hall's, Ben Racehorse Names (w/ Joe Morris): The New Favorite Thing Called Breathing (Relative Pitch)

Out and unusual compositions from drummer Ben Hall and his sextet with Mick Dobday on electric piano & organ, Anthony Levin Decanini on electronics, Ronnie Zawadi on percussion, John Dierker on reeds, Mike Khoury on viola & violin, and joined by Joe Morris on guitar, for 6 "Spines", free compositions using odd compositional structures leading to superb solo and group playing.
 

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product information:


UPC: 5902249000771

Label: Relative Pitch
Catalog ID: RPR 1062
Squidco Product Code: 25318

Format: CD
Condition: New
Released: 2018
Country: USA
Packaging: Digipack
No recording data listed.


Personnel:

Ben Hall-drums

Joe Morris-guitar

Mick Dobday-electric piano, organ

Anthony Levin Decanini-electronics

Ronnie Zawadi-percussion

John Dierker-reeds

Mike Khoury-viola, violin

Highlight an artist name or instrument above
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track listing:


1. Spine 02 15:49

2. Spine 04 8:14

3. Spine 08 11:14

4. Spine 16 12:43

5. Spine 32 10:02

6. Spine 64 11:32
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Sextet Recordings
New in Improvised Music
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Staff Picks & Recommended Items

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descriptions, reviews, &c.

Out and unusual compositions from drummer Ben Hall and his sextet with Mick Dobday on electric piano & organ, Anthony Levin DEcanini on electronics, Ronnie Zawadi on percussion, John Dierker on reeds, Mike Khoury on viola & violin, and joined by Joe Morris on guitar, for 6 "Spines", free compositions using odd compositional structures leading to superb solo and group playing. Each Spine presents a unique sonic world, from aggressive playing to abstract and sonically fascinating interludes, with performers extending their instruments or taking non-traditional approaches to each. The pacing of these Racehorses is unpredictable and inspired, leading the listener on a wild and unexpected journey, presenting a great cross-section of modern creative improv and territory uniquely belonging to Hall.

Ben Hall is a highly-accomplished percussionist, label honcho, and gospel record archivist, among other things. His wide-ranging collaborative work include Graveyards (with John Olson), New Monuments (with Don Dietrich & C Spencer Yeh), "Weight/Counterweight" with the late great Bill Dixon and Aaron Siegel, duos with Joe Morris, C Spencer Yeh, Mike Khoury, and Wally Shoup, &c.


Artist Biographies:

Detroit-based percussionist Ben Hall is a member of groups Burning Graveyard Lights, Cass Chamber, Death Knell, Graveyards, Hell And Bunny, Jack Wright Nonet, KillDevilHills, Machine Yardz, Mêlée, Psalm Alarm, The New Monuments, Traum, and Trauma, and leads his own Ben Hall's Racehorse Names.

-Discogs 10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joe Morris was born in New Haven, Connecticut on September 13, 1955. At the age of 12 he took lessons on the trumpet for one year. He started on guitar in 1969 at the age of 14. He played his first professional gig later that year. With the exception of a few lessons he is self-taught. The influence of Jimi Hendrix and other guitarists of that period led him to concentrate on learning to play the blues. Soon thereafter his sister gave him a copy of John Coltrane's OM, which inspired him to learn about Jazz and New Music. From age 15 to 17 he attended The Unschool, a student-run alternative high school near the campus of Yale University in downtown New Haven. Taking advantage of the open learning style of the school he spent most of his time day and night playing music with other students, listening to ethnic folk, blues, jazz, and classical music on record at the public library and attending the various concerts and recitals on the Yale campus. He worked to establish his own voice on guitar in a free jazz context from the age of 17. Drawing on the influence of Coltrane, Miles Davis, Cecil Taylor,Thelonius Monk, Ornette Coleman as well as the AACM, BAG, and the many European improvisers of the '70s. Later he would draw influence from traditional West African string music, Messian, Ives, Eric Dolphy, Jimmy Lyons, Steve McCall and Fred Hopkins. After high school he performed in rock bands, rehearsed in jazz bands and played totally improvised music with friends until 1975 when he moved to Boston.

Between 1975 and 1978 he was active on the Boston creative music scene as a soloist as well as in various groups from duos to large ensembles. He composed music for his first trio in 1977. In 1980 he traveled to Europe where he performed in Belgium and Holland. When he returned to Boston he helped to organize the Boston Improvisers Group (BIG) with other musicians. Over the next few years through various configurations BIG produced two festivals and many concerts. In 1981 he formed his own record company, Riti, and recorded his first LpWraparound with a trio featuring Sebastian Steinberg on bass and Laurence Cook on drums. Riti records released four more LPs and CDs before 1991. Also in 1981 he began what would be a six year collaboration with the multi-instrumentalist Lowell Davidson, performing with him in a trio and a duo. During the next few years in Boston he performed in groups which featured among others; Billy Bang, Andrew Cyrille, Peter Kowald, Joe McPhee, Malcolm Goldstein, Samm Bennett, Lawrence "Butch" Morris and Thurman Barker. Between 1987 and 1989 he lived in New York City where he performed at the Shuttle Theater, Club Chandelier, Visiones, Inroads, Greenwich House, etc. as well as performing with his trio at the first festival Tea and Comprovisation held at the Knitting Factory.

In 1989 he returned to Boston. Between 1989 and 1993 he performed and recorded with his electric trio Sweatshop and electric quartet Racket Club. In 1994 he became the first guitarist to lead his own session in the twenty year history of Black Saint/Soulnote Records with the trio recording Symbolic Gesture. Since 1994 he has recorded for the labels ECM, Hat Hut, Leo, Incus, Okka Disc, Homestead, About Time, Knitting Factory Works, No More Records, AUM Fidelity and OmniTone and Avant. He has toured throughout the U.S., Canada and Europe as a solo and as a leader of a trio and a quartet. Since 1993 he has recorded and/or performed with among others; Matthew Shipp, William Parker, Joe and Mat Maneri, Rob Brown, Raphe Malik, Ivo Pearlman, Borah Bergman, Andrea Parkins, Whit Dickey, Ken Vandermark, DKV Trio, Karen Borca, Eugene Chadborne, Susie Ibarra, Hession/Wilkinson/Fell, Roy Campbell Jr., John Butcher, Aaly Trio, Hamid Drake, Fully Celebrated Orchestra and others.

He began playing acoustic bass in 2000 and has since performed with cellist Daniel Levin, Whit Dickey and recorded with pianist Steve Lantner.

He has lectured and conducted workshops trroughout the US and Europe. He is a former member of the faculty of Tufts University Extension College and is currently on the faculty at New England Conservatory in the jazz and improvisation department. He was nominated as Best Guitarist of the year 1998 and 2002 at the New York Jazz Awards."

-Joe Morris Website (http://www.joe-morris.com/biography.html)
10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Pittsburgh based Anthony Levin Decanini performs on electroncis. In 2009 he released a solo album of electronics on the Editions Brokensearch label. He is a member of Ben Hall's Racehorse Names.

-Squidco 10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

John Dierker is a reed player, who has performed Baltimore's Microkingdom, with drummer Han Bennink, and is known for his work in both improvisation and rock.

-Squidco 10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.
"Palestinian-American musician Mike Khoury (1969) was raised in Mt. Pleasant, MI. He studied violin in the local school systems with instructors Kerry Goodwin and Nancy Smith. During his formative years, Khoury also played electric bass in several rock groups. Exposure to the visual arts, especially abstract expressionism, played a large role in Khoury's early years.An interest in alternative tunings and the desire to create sonically intense music reflective of his ethnic background and interest in psychedelia led Khoury to the Urban Farmers. With multiple shows under their belt, the all instrumental trio issued one full length CD and had several of their pieces issued on various compilations. Khoury was one part of the proprietorship that was Uprising Records with childhood friend and musician Greg Marten. Uprising Records issued records by many notable groups of the era.Upon migrating to the metro Detroit area, Khoury resumed his violin performance and private studies on the instrument with a focus on free improvisation. Studies with violinist/composer David Litven helped to shape his technique and approach. Performance and recording credits include those with Faruq Z. Bey, Luc Houtkamp, Le Quan Ninh, Maury Coles, Dennis Gonzalez, John Voigt, Gunda Gottschalk, John Butcher, Paul Lytton, and John Sinclair. In 1997, Khoury formed the Entropy Stereo Recordings music label where he documented new and archival works by improvisors. The label is still active today.In an effort to document his work on a personal level, Khoury formed the Detroit Improvisation label. Detroit Improvisation focused primarily on Khoury's journey as an improviser where his collaborations with other musicians were well documented including two DVDs of duets with dancer/choreographer Leyya Tawil. Khoury is a firm believer in learning the rules in order to break them, although the learning and breaking sometime happen simultaneously. His studies in improvisation parallel his work in studying traditional violin technique and music theory. He cites Halim El-Dabh, Lata Mangeshkar, Bill Dixon, Lucia Dlugoszewski, and Charlie Patton as influences. As a trained economist, Khoury's approach to improvisation and music theory is informed by his knowledge of statistics, mathematics and the behavioral sciences. Khoury has also curated a long standing Detroit creative music series and has composed or contributed to music for film, television and radioToday, Khoury conducts both ethnographical, sonic and historical research from his laboratory and studios in Redford, MI. He has authored a chapter on the composer Halim El-Dabh published in an anthology on the Arab Avant Garde by Wesleyan University Press. Khoury also divides his time between his improvisational work and the Redford Civic Symphony Orchestra of which he is a member of the first violin section. Current active projects include Inscribe (with members of Northwoods Improvisers and Wisaal), a duet with percussionist Ben Hall, a duet with dancer/choreographer Leyya Tawil, his work performing as an improvisational soloist and as the bass player for a garage rock band, the Confessions."-Mike Khoury Website (http://www.mikekhoury.com/bio.html)
10/12/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

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