The Squid's Ear Magazine


Good, Kevin : Listen (Edition Wandelweiser Records)

Kevin Good organized this composition from four field recordings collected near Avon, CT, isolating sounds that he found interesting and then attempting to recreate them on other instruments, finally adding the human voice sparsely utilized throughout the piece, all to promote the idea of listeners actively paying attention to the sounds of their environment.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Kevin Good-composer, field recordings

Mike Jones-voice

Libby Cohen-voice

Sayun Chang-voice

Andrey Stolyarov-voice

Jean Carlo Urea Gonzalez-voice

Robert Carl-voice

Ken Steen-voice

Jianpeng Feng-voice

Yudong Wong


Click an artist name above to see in-stock items for that artist.




UPC: 4011778040987

Label: Edition Wandelweiser Records
Catalog ID: EWR 1711
Squidco Product Code: 24784

Format: CD
Condition: New
Released: 2017
Country: Germany
Packaging: Cardboard Gatefold 3 Panels
Recorded in Avon, Connecticut, on March 22nd, 2015.

Descriptions, Reviews, &c.

"notes on listen

recently, I have become interested in the idea of music blending with the environment the listener is in, rather than the music creating its own environment. In listen, I have recorded a balance of sounds that occur naturally throughout the day and others created intentionally in imitation of those sounds.

the piece is comprised of four field recordings, collected in an area near my current home (Avon, CT) at different times of the day. I listened to each of the recordings and isolated sounds that I found interesting and then attempted to recreate them intentionally. I accomplish this either by shutting a door, opening a mailbox, turning on a sink, etc.

I also imitate sounds by finding a similar instrumental sound (such as rubbing hands on a bass drum to create a wind-like sound). the instrumental sounds are mixed very low and may even been inaudible in most listening situations.the last compositional element is the human voice, sparsely utilized and becoming more so throughout the piece. none of the sounds have been electronically processed in any way. this work may be listened to in any environment.

listen was originally conceived as a headphone piece; however, using speakers or other playback methods may be interesting as well. it is my hope that listen can remind listeners to pay attention to their environment's sounds not only when listening to this piece but, when listening in general.

- Kevin Good. spring 2015


Artist Biographies

Kevin Good, born 1992, live in Las Vegas, NV. His works involve field recordings. He is a recording engineer, mixing, and mastering.

-Squidco 11/4/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Sayun Chang- Percussion

Multi-percussionist Sayun Chang's musical interests range from traditional and contemporary classical music to many diverse disciplines of world music. She has collaborated with Taiwanese indigenous dance groups on several occasions, and she has performed in international folk festivals throughout Turkey, Greece, Canada and Hungary.

In 2011, Sayun participated in the Summer Institute of Contemporary Performance Practice at New England Conservatory, Boston. Later that summer, she presented the world premiere of Che-Yi Lee's Fantasy on the Love of Shiao-Guei Lake for violin and marimba in MiaoLi, Taiwan.

During 2009 and 2010, she performed Anders Koppel's Marimba Concerto No. 1 with The Sound of the Spring Orchestra, and also gave the world premiere of Feng-Hsu Lee's percussion concerto, Love Songs from The Kalabai River, with the Evergreen Symphony Orchestra in Taipei, Taiwan.

Currently, Sayun is a doctoral student at The Hartt School, where she studies orchestral percussion with Ben Toth and multiple-hand drumming with Shane Shanahan.

She received her Master's Degree from The Hartt School and Bachelor's Degree from Taipei National University of the Arts. Her past teachers have included Ted Piltzecker (Jazz Vibes), Rogerio Baccato (Brazilian drumming), John Amira (Cuban and Haitian drumming), Joe Galeota (African drumming), Pei-Ching Wu, and Tzong-Ching Ju. She was a member of the Ju Percussion Group and Youth Concert Band in Taiwan."

-Sylvanus Ensemble Website (https://sylvanusensemble.wordpress.com/musiciansandcomposers/)
11/4/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Andrey Stolyarov is a Russian-born American composer, conductor, singer, and educator. Most recently, he was chosen as a finalist in the Young New Yorkers' Chorus New Music Competition, and was commissioned to write a new piece, Found, for the YNYC Women's Ensemble, which was premiered in April of 2017, In 2016, his work Out of the depths for mixed choir, treble choir, organ, and orchestra won the 2016 John Kuzma Young Composers Award. His piece Ebb & Flow won first prize at the 2014 ISAM Festival Joseph Dorfman International Composition Competition in Ochsenhausen, Germany. Additionally, Andrey was a finalist in the 2016 and 2014 ASCAP Morton Gould competitions, the 2014 Khorikos ensemble's ORTUS competition, an honorable mention in the 2015 American Prize choral division, and a semifinalist in the 2015 American Prize chamber division. Andrey is currently pursuing doctoral studies in music composition at The Hartt School in West Hartford, CT. He is Co-director of The Hartford New Music Festival, Director of Music at West Avon Congregational Church in Avon, CT, Artistic Director of NoteNova Publishing, and is currently a substitute adjunct music theory professor at The Hartt School. Previously, a he was a graduate music theory teaching fellow and the director of the Composer's Ensemble Chorus at The Hartt School, as well as Composer-in-Residence at The Unitarian Society of Hartford. He is an active professional singer in the Greater Hartford area, currently performing with CONCORA, Voce, and Novi Cantori and is a private voice instructor and Connecticut Music Educators Association (CMEA) judge. To listen to his music, look for Andrey on Youtube and Soundcloud. Andrey is published under Darushkii Publishing and NoteNova Publishing."

-Andrey Stolyarov Website (http://www.andreystolyarov.com/)
11/4/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Robert Carl (born July 12, 1954 in Bethesda, Maryland) is an American composer who currently resides in Hartford, Connecticut, where he is chair of the composition department at the Hartt School, University of Hartford.

Carl studied with Jonathan Kramer, George Rochberg, Ralph Shapey, and Iannis Xenakis. From each respectively, the composer has commented that he feels he learned about time, history, counterpoint/phrasing, and form. His music finds its roots in the spirit of eclectic juxtapositions, transcendentalism, and experiment embodied in the output of Charles Ives and other American "ultramodernists", including Carl Ruggles.

CarlŐs music until 1997 tends to explore different styles, and to create unusual syntheses thereof. A history major as an undergraduate at Yale University, he has felt that the musical past is a fertile source to be manipulated for new expressive purposes. Duke Meets Mort (1992) is a saxophone quartet that interprets the harmonic changes of Duke EllingtonŐs Mood Indigo in the voice of Morton Feldman. Time/Memory/Shadow (1988) is a double trio (piano quintet and harp) based on a march written in the composerŐs adolescence, which is slowly ŇexcavatedÓ in the course of the piece, and only revealed at the end.

From 1998 on, starting with Open for string trio, CarlŐs music has become less referential. Since 2001 he has developed a technique of basing his harmonies on the overtone series, with common partials above different fundamentals serving as pivots for progressions and modulations. In American Music in the Twentieth Century, critic Kyle Gann described Carl's more recent style: "(he) has settled into a more serene, meditative idiom, but still with a dissonant edge." More recent works that represent this approach include The WindŐs Trace Rests on Leaves and Waves (2005) for string quintet (premiered by the Miami String Quartet and Robert Black), Marfantasie (2004) for electric guitar and large ensemble, Shake the Tree for piano four-hands (2005), A Musical Enquiry Into the Sublime and Beautiful (2006Đ07) for chamber orchestra, La Ville Engloutie (2007) for wind ensemble, Fourth Symphony (2008), and Piano Quintet "Search" (2012). Carl also frequently collaborates with sculptor Karen McCoy, creating sound components of installation art works, including pieces for the Sculpture Key Festivals of 2009 and 2010, and the 2013 Wintergreen Festival.

Carl's music has been released by Innova Recordings, New World Records, and Centaur Records, among others."

-Wikipedia (https://en.wikipedia.org/wiki/Robert_Carl)
11/4/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ken Steen is a composer, sound artist and educator living in Glastonbury, CT. His music sits squarely on the frontier between the acoustic and electronic domains of musical expression; often combining traditional orchestra, chamber ensemble or soloist with electronic instruments or processed sound and noise. He has received numerous awards for composition including an ISCM Boston Composition Award, an American Symphony Orchestra League New Music Project with the Saint Louis Symphony Orchestra conducted by Leonard Slatkin, grants from The Connecticut Commission on the Arts, The New England Foundation for the Arts, Meet the Composer, The Roberts Foundation, The American Composers Forum Continental Harmony Encore Project, The Margaret Fairbanks Jory Copying Assistance Program of the American Music Center as well as fellowships to The Millay Colony for the Arts, the Artists' Enclave at I-Park and The MacDowell Colony.

In addition to composing concert music in many forms, Steen has composed a wide variety of works both acoustic and electronic for sound installation, dance, theater and web-distribution. His music and soundworks have been featured on concert and radio programs throughout the U.S.A., Canada, Italy, Belgium, Romania, Australia, Cuba and Japan among others. His work has recently been part of: the Sonic Residues 02 Festival, Festival of Electro-Acoustic Music: Spring in Havana, the Currents in Electro-acoustic Music Festival and the 60X60 International Project. Recent premiere performances and sound installations in such diverse locations as Xi'an, China, Fortaleza-Ceará, Brazil, Spring in Havana Festival, Havana, Cuba, Merkin Concert Hall in NYC and the Australian Centre for Contemporary Art in Melbourne, Australia, confirm that his work is steadily attaining international recognition.

Steen's music can be found on the Capstone, Vienna Modern Masters, Auralit and CRI CD labels, as well as at www.kensteen.com, and is published by University of Arizona Publications, Harrock Hall Music as well as American Composers Edition.

Some of his soundworks can be found at www.noisefarm.org.

Steen is currently Professor of Composition and Theory, and director of Studio D at the Hartt School, University of Hartford."

-Ken Steen Website (http://www.kensteen.com/kensteen.htm)
11/4/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jianpeng Feng (b.1989) is an active percussionist. During his 20 years music career, he has performed in Japan, Germany, The United States, and throughout China as a solo, chamber and orchestral musician. The major organizations he has been working with include Minnesota Ballet, Duluth Opera, China Movie Symphony Orchestra, and China Central Traditional Symphony Orchestra. As a solo percussionist, he has won several competitions. The major achievement include The Winner of PAS KoSA NYU Marimba Competition (2013), The Winner of the 3rd Chinese International Percussion (Snare Drum) Competition (2011) and The Winner of the 3rd Chinese International Percussion (Marimba) Competition (2011).

Jianpeng's career goal is to contribute to the cultural exchange of western and traditional Chinese percussive arts. Since 2012, he has been working with China Conservatory and the Secondary School Attached to China Conservatory during the summer. He has been working with and introducing Gene Koshinski, Ted Piltzecker, Andrew Beall, Benjamin Toth, Tim Broscious, Adam Mason and Joe Porter to China and coaching traditional Chinese percussion pieces at University of Minnesota Duluth and The Hartt School of Music.

Jianpeng got his B.M. degree from University of Minnesota where he studied with Dr. Gene Koshinki. Recently, he is finishing his master degree and going to do a doctoral degree at The Hartt School of Music under Professor Benjamin Toth. In addition, his major teachers include Joe Galeota(African Drumming specialist), John Amira(Latin Percussion specialist), Rogerio Boccato (Brazilian Percussion and Drum set specialist), Ted Piltzecker (Jazz specialist), Shane Shanahan (Mid-Eastern hand drumming specialist), Jiguang Jin (Orchestral percussionist), Jiaxun Wang (Marimba virtuoso) and Xin Tian (Traditional Chinese Percussion specialist). Currently, He is a member of the honor chamber group 20/20 with full scholarship and is working as a graduate teaching assistant at The Hartt School.

-Jianpeng Feng Website (http://www.jianpengfeng.com/html/about.php)
11/4/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Listen 1:01:00

Related Categories of Interest:


Compositional Forms
Field Recordings
Spoken Word
lowercase, reductionist, micro-improv, sound improv, onkyo sound
Electroacoustic Composition
New in Compositional Music

Search for other titles on the label:
Edition Wandelweiser Records.


Recommended & Related Releases:
Other Recommended Releases:
Bondi, Cyril
Ce Qu'il Nous Restera
(Edition Wandelweiser Records)
Insub.Meta director Cyril Bondi developed this work to question the life course of an artist--their starting point, daily routines and essence--realized through sound and narration in an intimate soundscape of six artists who converge, converse, accompany and answer each other, accompanied by sounds made during warm-ups, rituals and rehearsals.
Monach, Greta
Fonerga
(Edition Wandelweiser Records)
Playful in its seriousness, the sound poetry of Greta Monach (1928-2018), an early proponent of computer generated concrete poetry, and known for her notated sound poem series for four voices, "Fonerga", is performed by University of Victoria voice artists Cathy Fern Lewis, Laura Brandes, Daniel Brandes and Christopher Butterfield; awe-inspiring and exotically amusing.
Houben, Eva-Maria
John Muir Trails
(Edition Wandelweiser Records)
Four compositions depicting the John Muir Trails, a high-quality set of biking trails near Madison and Milwaukee two hours from Chicago, composed by Eva-Maria Houben and performed by the West Coast percussion duo DesoDuo of Katie Eikam and Kevin Good, portraying the trails through bowed cymbals, marimba & vibraphone along with field recordings from the outdoor ambiance.
Good, Kevin
Slow, Silent, Singing
(Edition Wandelweiser Records)
The centerpiece of composer Kevin Good's "Slow" series is this evening-length glockenspiel solo, performed by San Diego based glockenspiel player Michael Jones, the composition of slow, melodic fragments that are increasingly permeated by swathes of silence of increasing length, exploring how the expressivity of the melodies are perceived and framed by these silences.
Shepard, Craig
Broken Silence
(Music For Contemplation, Inc.)
The music to composer Craig Shepards performance work that presents listeners with text drawn from court testimony in the sex abuse scandal in the Catholic Church, here concentrating on the quiet long tones generated by wind instruments and ebow strings, where pure tones pass between the musicians to build a pulsating chord that then drops away tone by tone.
Schuppe, Marianne
Nosongs
(Edition Wandelweiser Records)
Marianne Schuppe continues to reimagine songs and their relation to tone and melody, here in a series of 11 songs realized with voice, lute, and uber bows, creating delicate accompaniment to her lucid movements between pure sound and words, singing and speaking her lyrics of succinct phrases rich in subtle intimation and evocative imagery; beautiful.
Ichiyanagi, Toshi with Eye Music
Sapporo
(Edition Wandelweiser Records)
Written in 1963 for up to 15 peformers plus a conductor who may also make sound, Japanese composer and Fluxus artist Toshi Ichiyanagi's score has 16 pages marked with combinations of lines, dots and letters indicating duration, number of events, and moments of restraint, each player using a different page, with certain options of switching pages with another player during performance.
Houben, Eva-Maria
Voice With Piano
(Edition Wandelweiser Records)
Three compositions for voice and piano from German composer Eva-Maria Houben, also performing on piano with soprano vocalist Irene Kurka--"Adagio" in three pieces; "Lyri"; and "Lieder Fur Die Insel (Songs for the Island)--with texts from poet Felix Timmermans (adagio) and Hilde Domin (lyrik); beautiful, stark, haunting music that presents at its own pace.
Winter, Michael
Approximating Omega
(Edition Wandelweiser Records)
Composer Michael Winter uses the "maximally complex, incomputable number" known as Chaitin's Constant, plus text adapted from Gregory Chaitin's 1994 book "The Limits Of Mathematics", samples from 36 creative musicians, the voice of Muirgen Eleonore Gourgues, plus cello from Judith Hamann and piano from Winters, to create this curious and compelling narrative work.
Pisaro, Michael
Sometimes
(Edition Wandelweiser Records)
The MaDam Electroacoustic Improvisation Collective based in Spain performs the first in Pisaro's 34 piece Harmony Series, which attempts to create the conditions for a harmonic situation without giving any actual notes, just numbers, durations of tones, and pauses; this work is based on "swell piece (for alison knowles)" (1967) by James Tenney.
Nono, Luigi / Jurg Frey
Works For Violin Duos
(Edition Wandelweiser Records)
Two works from two distinctive composers from different periods--Jurg Frey and Luigi Nono--both for two violins, Frey using the two violins in parallel to emphasize their distinction; Nono using powerful gestures of divergence and contrast in a dream-like duo.
Cage, John
Cartridge Music
(Edition Wandelweiser Records)
A 2003 recording from The Ensemble Daswirdas performing John Cage's 1960 composition "Cartridge Music", described as: "For amplified small sounds; also amplified piano or cymbal; any number of players and loudspeakers; parts to be prepared from score by performers."
Houben, Eva-Maria
Livres D'heures - Books Of Hours [2 CDs]
(Edition Wandelweiser Records)
Developed from the 13th & 14th century concept of a "book of hours", a prayer book for laymen, and particularly the book of the Duke of Berry (1340-1416) which describes relationships between people; performed by Andreas Feilen, Eva-Maria Houben, and Erik Carlson.
Korn, Christoph
Ich Spreche Diesen Text
(Edition Wandelweiser Records)
Two conceptual compositions from Christoph Korn: the first, "Ich Spreche Diesen" (I appeal to this) where spoken word is placed in a loop and then slowly erased by custom software using aleatory procedures; then "Stille" (Silent), a Cage inspired work.
Cage, John
Branches
(Edition Wandelweiser Records)
The Ensemble Daswirdas performs John Cage's "Branches" composition, which is based on a previous work, "Child of Tree", but here each performer plays an 8 minute variation of that work, which is performed on amplified pods, cacti, and other plant materials.
Cage . Pisaro . Frey . Beuger
Accordion Music [2 CDs]
(Edition Wandelweiser Records)
Four works interpreted for accordion performed by Edwin Alexander Buchhol, including John Cage's "Cheap Imitation"; Michael Pisaro-Liu's "Here (2)"; Jurg Frey's "Sam Lazaro Bros." and Antoine Beuger's "die geschichte des sandkorns".
Cage, John
Empty Words [2 CDs]
(Edition Wandelweiser Records)
John Cage's "Empty Words" (1974) is drawn from the Journals of Henry David Thoreau, written in four parts: Part I omits sentences, Part II omits phrases, and Part III omits words. Part IV, which omits syllables, leaves us nothing but a virtual lullaby of letters and sounds.
Frey, Beuger / Duo Contour
Duos
(Edition Wandelweiser Records)
The duo Contour of Stephen Altoff (trumpet) & Lee Forrest Ferguson (percussion) perform Antoine Beuger's "dedekind duos" dedicated to mathematician Julius Wilhelm Richard Dedekind; and Jurg Frey's "22 Sachelchen" or "small things", 22 focused miniature compositions.
Johnson, Tom
Counting Keys
(Edition Wandelweiser Records)
John McAlpine performs composer Tom Johnson's beautiful piano cycle "Counting Keys", using mathematical progressions to create the structure of its 5 movements; plus 8 parts from his "Organ and Silence for Piano"; and two other compositions using mathematical processes.
Wolff, Christian
Exercise 15
(Edition Wandelweiser Records)
Carl Ludwig Hubsch (tuba); Ole Schmidt (bass clarinet); Chris Weinheimer (bass flute); Robert Schleisiek (piano); and Tom Lorenz (vibraphone) interpret Christian Wolff's composition based on "Union Maid", a song from the 1920's, transforming the work through temporal expansion.



Customers Who Bought This Item Also Bought:
Shelton, Skeeter / Hamid Drake
Sclupperbep
(Two Rooms Records)
After meeting in Detroit when tenor saxophonist & flutist Skeeter Shelton subbed for a sick player in a duo concert with drummer/percussionist Hamid Drake, the two found a bond through Shelton's father, Ajaramu Shelton, who had been one of Drake's mentor at Chicago's AACM; the concert was so successful that this recording was immediately planned, based around many of Shelton's themes.
Bruckmann / Djll / Heule / Nishi-Smith
Brittle Feebling
(Humbler)
The title gives a sense of the unusual acoustic improvisation this West Coast collective perform, along with their description "prickles and bleats, an abrasive delicacy; fricative rasp and withheld breath seethe together in a discomfiting cuddle" — from Kyle Bruckmann on oboe & English horn, Tom Djll on trumpet, Jacob Felix Heule on floor tom, and Kanoko Nishi-Smith on koto.
Charles, Xavier / Bertrand Gauguet
Spectre
(Akousis Records)
Using the interference points of closely pitched sound, long-time collaborators Xavier Charles and Bertrand Gauguet use acoustic and amplified clarinets and saxophones to create frequency landscapes that change slowly, ringing with harmonics while finding unison and conflict in their tones, creating meditative aural environments of great beauty and reflection.
Branche, Sebastien
Lignes de Fuite [CASSETTE]
(Mappa)
Sebastien Branche (Insub Meta Orchestra, Miguel A. Garcia) uses the tenor saxophone as a sound source, meticulously applying extended techniques, circular breathing and the resonance of the saxophone itself during improvisation, using Supercollider software in a two-way collaboration where the instrument also transforms the sounds provided by the computer.
Olencki, Weston
Solo Works
(Creative Sources)
New York City-based trombonist/composer Weston Olencki, specializing in the performance and production of experimental music & art, presents four compositions for brass instruments exploring a sound-based and psychoacoustic approach to solo performance, applying extended instrument preparations and fundamental principles of sound synthesis to this acoustic medium.
Thomson, Scott
Murray - Trombone Solos
(Tour de Bras)
Trombonist Scott Murray (Monicker, AIMToronto) performed this installment of his "Trombone Solos at Odd Hours" series by paying homage after the passing of his friend, painter and drummer John Heward, recording this concert at Heward's studio in his home on Murray Street in Montreal, in a far-ranging and emotional solo performance of fascinating technique and expression.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC