Levin, Daniel Quartet (Levin / Maneri / Moran / Zetterberg)
Live at Firehouse 12
Cellist Daniel Levin's sophisticated jazz quartet with Mat Maneri (viola), Matt Moran (vibes), and Torbjorn Zetterberg (double bass) are captured live at Connecticut's Firehouse 12 for a superb album of modern improv with great skill, depth and style.
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Label: Clean Feed
Catalog ID: CF407CD
Squidco Product Code: 23386
Packaging: Cardboard Gatefold
Recorded on May 27, 2016 by Greg DiCrosta at Firehouse 12, New Haven. Mixed and mastered by Nick Lloyd at Firehouse 12, New Haven Produced by Daniel Levin.
Torbjorn Zetterberg-double bass
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1. Aquamarine 8:29
2. Lost & Found 7:53
3. Jumpman 7:36
4. Glacier 5:51
5. Mat/Daniel 4:26
6. Mat/Torbjorn 5:27
7. Myths & Legends 9:08
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NY Downtown & Jazz/Improv
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sample the album:
"Live At Firehouse 12 documents the Daniel Levin Quartet in live performance with its current working line-up, now featuring Mat Maneri on viola. The new palette of timbres and textures afforded by the change in instrumentation from trumpet to viola provides ample opportunities for the band to explore previously uncharted territory, and the musicians take full advantage here, producing music that sounds fresh and exciting. At the same time, there is a sense of familiarity, as the music often travels along several of the distinctly original sonic paths that Daniel Levin and his quartet have forged over many years.
In fact, with this recording, Levin chose to focus on four of the key compositional forms, or "archetypal images", that have been in consistent use by the quartet since its inception in 2001. To round out the program, there are fully improvised duos from Zetterberg and Moran, and also from Levin and Maneri, who can frequently be found working as a stand-alone duo, apart from the quartet.
The music that results from this unique combination of precedents and antecedents can be extremely subtle or epic; it can delight itself in the abstract marvels of timbre and texture; it can embrace the beauty of a melody while exploring rhythm in unexpected ways, but at its core, it's always lyrical. The mysteries and intricacies within the music invite us to keep coming back to it, in order to uncover yet another layer, another detail, to have another experience of enchantment."-Clean Feed
• Show Bio for Daniel Levin
"Daniel Levin is "one of the outstanding cellists working in the vanguard arena" (All About Jazz), "ridiculously fluent, virtually overflowing with ideas" (New York City Jazz Record) and "very much the man to watch." (Penguin Guide to Jazz). No matter what setting he plays in, cellist Daniel Levin occupies a musical space bordered by many kinds of music, but fully defined by none of them.
"Demonstrating an impressive breadth of texture and contrast, the cellist Daniel Levin comes well prepared for a career in jazz's contemporary avant-garde." (Nate Chinen, The New York Times).
Elements of European classical music, American jazz, microtonal and new music, and European free improvisation all figure prominently in his unique sound. As critic John Sharpe observes in The New York City Jazz Record, "he invokes all manner of musics with prodigious skill: jazz, classical, improv, noise, vocal chorus. His technique is unquestioned and he revels in the physicality of the instrument. Those with an adventurous streak or interest in the outer reaches of the cello universe will find much to savor."
Born in Burlington, Vermont, he began playing the cello at the age of six. In 2001, he graduated with a degree in Jazz Studies from the New England Conservatory of Music, and arrived on New York City jazz scene shortly therafter. Since then, Daniel has developed his own unique voice as a cellist, improviser, and composer. Ed Hazell noted upon release of Levin's first record as a leader, "Cellist Daniel Levin is a major new voice on his instrument and in improvised music." He has performed and/or recorded with Billy Bang, Borah Bergman, Tim Berne, Anthony Braxton, Gerald Cleaver, Andrew Cyrille, Mark Dresser, Ingebrigt Haker Flaten, Tony Malaby, Mat Maneri, Joe Morris, William Parker, Ivo Perelman, Warren Smith, Ken Vandermark, and many others. Daniel is the recipient of a 2010 Jerome Foundation award."-Daniel Levin Website (http://daniel-levin.com/about)
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• Show Bio for Mat Maneri
"Mat Maneri was born in 1969, and started studying violin at age five. He studied privately with Julliard String Quartet founder Robert Koff, and with bass virutuoso Miroslav Vitous. Mat received a full scholarship as the principal violinist at Walnut Hill High School, but left school to pursue a professional career in music. By 1990, Mat founded the critically acclaimed Joe Maneri Quartet with Randy Peterson. Mat started releasing records as a leader in 1996, and has developed four working ensembles. Pianists Paul Bley, Cecil Taylor, Matthew Shipp, and Borah Bergman have called upon Matt to perform with them in such venues as the Montreal Jazz Festival, the Library of Congress, and concert stages across Europe. Mat also enjoys a strong relationship with bassists Ed Schuller, Mark Dresser, William Parker, Michael Formanek, Barre Phillips, and John Lockwood. Never to be boxed in, Mat has also worked with Joe Morris, John Medeski, Tim Berne, Cecil McBee, T.K. Ramakrishnan, Franz Kogelman, Roy Campbell, Spring Heel Jack, Draze Hoops, and appears on an Illy B Eats remix CD. Mat presently teaches privately and through the New School / NYC, and performs and records worldwide."-Aum Fidelity (http://www.aumfidelity.com/maneri.html)
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• Show Bio for Matt Moran
"Matt Moran received a Master's degree in jazz composition from New England Conservatory in 1995. At NEC he studied with the visionary composer and multi-instrumentalist Joseph Maneri, and has continued to learn from Maneri through performances with him. Since moving to New York in 1995 he has performed both as leader and sideman, including billings for the Knitting Factory's What Is Jazz? Festival, the JVC Jazz Festival, the Panasonic Village Jazz Festival, Lincoln Center Out-of-Doors, and the Vision Festival, as well as leading tours in the U.S. and Europe.
Also active as a performer, teacher, and curator in the Balkan folk music scene, Moran plays traditional percussion with artists such as Lefteris Bournias, Raif Hyseni, Demetri Tashie, and other master musicians from the Balkans who have immigrated to New York. With Slavic Soul Party!, he sparked "Balkan Cabaret", a downtown music series for Balkan and Balkan-inspired music.
Moran currently leads the groups Sideshow and Slavic Soul Party! He is also active performing and recording with John Hollenbeck's Claudia Quintet, the Mat Maneri Quintet, Theo Bleckmann, Dan Levin, Nate Wooley, Kavala Brass Band, and Zlatne Uste Balkan Brass Band.
Vibraphonist and tunesmith Matt Moran "plays the vibraphone like a speed-chess master, always darting off into flurries of ingenious, unexpected activity" (Village Voice). He has performed and recorded with artists as diverse as Mat Maneri, Lionel Hampton, Combustible Edison, Ellery Eskelin, and Saban Bajramovic. Moran's sound is integral to an innovative group of New York musicians who blur the boundaries of composition, improvisation, and folk traditions."-Matt Moran Website (http://www.mattmoran.com/bio.html)
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• Show Bio for Torbjorn Zetterberg
"Torbjörn Zetterberg (born 10 May 1976) is a Swedish jazz musician (double bass) and composer, known from collaborations with Jonas Kullhammar.
Zetterberg attended Södra Latin och Fridhems Folkhögskola in Svalöv but was first recognised as bassist when he studied at Kungliga Musikhögskolan in Stockholm still very young. Here he studied bass under guidance of Jan Adefelt. Soon he joined drummer Fredrik Norén's band together with the saxophonist Jonas Kullhammar. Already at this point one could sense that he would become a prominent figure in the Swedish jazz scene. Now his name is firmly rooted in the vibrant progressive selection as the new jazz generation.
He went through a personal crisis and did not record as a bandleader for more than seven years. Zetterberg was uncomfortable with his career and in 2010 he decided to leave the urban life including his bass, and moved to a Buddhist temple. There he resided for a year and still spends half of his time there in 2016. This existential crisis led to the production of the album Och Den Stora Frågan ("And the Big Question" in Swedish) in 2014. Here he collaborated with well known musicians from his earlier career, like the Portuguese trumpeter Susana Santos Silva and drummer Jon Fält, known from albums with pianist Bobo Stenson's trio. The album is "charged with joyful urgency, shiny optimism and confident flowing energy, despite the doubts and uncertainties that accompany any creative, artistic process", the reporter of All About Jazz stated in 2014."-Wikipedia (https://en.wikipedia.org/wiki/Torbj%C3%B6rn_Zetterberg)
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