The Squid's Ear Magazine


Banabila, Michel: Tapu Sampler 2016 (Tapu Records)

Michel Banabila's excellent melodically experimental electroacoustic label Tapu in their 2016 double CD sampler, with tracks from Banabila, Asid & Banabila, Banabila & Van Geel, Banabila & Machinefabriek, Banabila & Erker, and Banabila/Erker/Samson.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 4.00 units

Sample The Album:





product information:

Personnel:



Michel Banabila

Salar Asid-violin

Mete Erker-clarinet

Oene van Geel-viola

Anton Goudsmit-guitar

Joost Kroon-drums

Rutger Zuydervelt-electronics

Ernst Reyseger-cello

Joshua Samson-percussion

Hannes Vennik-electronics

Eric Vloeimans-trumpet


Click an artist name above to see in-stock items for that artist.




UPC: 75390986785

Label: Tapu Records
Catalog ID: 0001TR16
Squidco Product Code: 21503

Format: 2 CDs
Condition: New
Released: 2015
Country: Netherlands
Packaging: Digipack - 3 panel

Descriptions, Reviews, &c.

"Science fiction writer and visionary Philip K. Dick once stated that the ultimate in paranoia would be that things are turning in on you. Not my boss, but my boss's phone is plotting against me. Dick died in 1982, the same year that Blade Runner came out, the movie based on his novel 'Do Androids Dreams of Electric Sheep?' that would eventually turn him into a cult hero. But that's beside the point. What matters is that Philip K. Dick made his statement long before every new phone update sends us to a state of frenzy.

Michel Banabila, not born yesterday, must have intuitively understood Dick's notion a long long time ago. In a sense he's a classical electronic composer, if there is such a thing, who has a knack for the most sweeping melodies and can branch out in any style that might fit his ideas. A versatile musician, no doubt, but at the core of his art lies a slight distrust of things as they are, a certain doubt that gives his music no uncertain edge. It's that edge that makes Banabila's music not just good, but extraordinary.

Tapu Records is Banabila's very own label, taking its name from his cat, and also indicating a Polynesian traditional concept denoting something holy or sacred. The Tapu Sampler 2016 you hold in your hands collects mostly his recent tracks, some conceived with others, some solo. The sheer range of music alone is impressive. The introvert and intense mixture of viola (played by Oene van Geel) and sinus tones that make up 'Sinus en Snaar' sits uneasily next to the occasionally frantic 'Jump Cuts', recorded with drummer Joost Kroon, and the breezy 'Narita', performed with Machinefabriek (Rutger Zuydervelt). However, all of them have something essential in common: they conjure up strong images. This is music you can almost see.

A recurring element in the music of Michel Banabila is still the voice, no surprise for long time admirers who remember the infamous VoizNoiz series. It's in the YouTube-samples that give 'Take Me There' its eerie feeling, in 'In Other Words' where he uses fragments of text to create a new language, in 'E.T.', in which Banabila treated his own voice into some otherworldly sound, a piece that featured recently in a mix by renowned French DJ Rone, next to tracks by Autechre and Caribou. In his urge to always seek new ways Michel Banabila's music seems constantly out of place when it is just as much of the times, whereof this collection is living proof."-David Kleijwegt, November 2015

Tracks from:

Jump Cuts (Michel Banabila)

Amal (Asid & Banabila)

Music for viola and electronics (Banabila & Van Geel)

Travelog (Banabila & Machinefabriek)

Big Data Poetry (Michel Banabila)

Viewpoint (Banabila, Erker, Samson)

Route Planner (Banabila & Erker)

In Other Words (Michel Banabila)

Music for viola and electronics II (Banabila & Van Geel)

Banabila & Machinefabriek (Banabila & Machinefabriek)

Traces (Michel Banabila)

Hilarious Expedition (Michel Banabila)

The Latest Research From The Dept. Of Electrical Engineering (Michel Banabila)

Gorlice 2014 live (Michel Banabila)

Artist Biographies

"Salar Asid (born 14 November in Erbil, Iraq), is a professional Kurds violinist and composer who specializes in middle eastern and western classical music. Salar is best known for his musical contributions in over 60 albums, both as a soloist and composer for various artists and orchestras. He has performed live for famous singers, such as Kadim Al Sahir, Assi El Hallani, Majid Al Mohandis, ivan Perwer, and more. He joined the band Oxford Maqam in 2017, and together worked on Walt Disney's Aladdin (2019 film) movie soundtrack and featured in the palace scene of the movie as the musical band in the background. He has also contributed musically to the movies, Son of Babylon and Kavoka Spi.

Asid started playing the violin at an early age. He completed his Bachelor's degree in Music at Fonty's Academy of Music and Performance Arts in the Netherlands where he resided in the past. Salar completed his Master's at the Salahaddin University (Fine arts) in Erbil. He currently resides in London, United Kingdom."

-Wikipedia (https://wikitia.com/wiki/Salar_Asid)
6/12/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dutch saxophone player Mete Erker is renowned for his rich and warm sound, strong drive, and his very personal style and expressive way of playing: a combination of raw energy and lyricism, at times reminiscent of the great jazz tenors of the '60's.

Throughout the years he's worked with music masters like Peter Erskine, David Liebman, senegalese master drummer Doudou N'Diaye Rose, southafrican jazz legend Winston Mankunku, and russian piano virtuoso Simon Nabatov.

He released 50+ albums and toured the world in a variety of settings, ranging from a modern dance choreography by the hungarian Reka Szabo to popular dutch crossover acts like New Cool Collective and Zuco 103.

Currently Mete Erker is working with his own Mete Erker Trio and his duo with pianist Jeroen van Vliet, the Artvark Saxophone Quartet and dutch-impro-group Estafest."

-Mete Erker Website (http://www.mete.nl/?page_id=28)
6/12/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Violist / composer Oene van Geel (1973) is a true adventurer in music. Influenced by jazz, chamber music, Indian music and free improvisation, he has applied his virtuoso improvisation skills and his composition talents to a wide scope of musical activities. He toured in Europe, India, Japan, the USA and Canada.

As a player he is currently active with: Zapp4, Estafest, The Nordanians, Haanstra & van Geel and a duo with Matteo Mijderwijk. Besides these groups he is regularly invited as an improvising guest soloist.

He has won the Boy Edgar Award (2013), the Sena Performers Toonzetters Award (2012, with Zapp4) Kersjes Award (2005, with Zapp4), the Deloitte Jazz Award (2002), Dutch Jazz Competition (2001) and the Jur Naessens Music Award (2000).

Oene composes for his own groups, but also writes for other ensembles / soloists such as:

The David Kweksilber Big Band, Osiris Trio, New European Ensemble, Calefax, Ensemble Black Pencil, Amstel Quartet, Steven Kamperman Quintet, Frederieke Saeijs, Remy van Kesteren & Eric Vloeimans, Eric Bosgraaf, Jeugd Orkest Nederland, Amsterdam Sinfonietta, Matangi Quartet, Tetzepi bigtet, Ricciotti Ensemble, Nikolay Shugaev, David Braid and many others.

In 2015 Oene wrote his first viola concerto for Emlyn Stam and the New European Ensemble (premiered 18 December at the Bimhuis, Amsterdam).

Oene often gets commissions by festivals such as: Het Nederlands Vioolconcours (2016), Cello Biennale Amsterdam (2016 and 2008), 25 years Osiris Trio (2014), Storioni Festival (2013), Orlando Festival (2012), North Sea Jazz Festival (2005), SJU Jazz Festival (2002), Marathon Festival Oosterpoort (2002).

As a player and / or composer he was involved in theatre productions with the following companies / directors: Silbersee, Holland Opera, Marcel Sijm, Hollands Diep, Boukje Schweigman, Eric Vaarzon Morel, Saartje van Camp, Tafel van Vijf (Herman van Baar), De Wereldband and the Sonnevanck theatre.

Oene has a special interest in dance: he often works with dancer/ choreographer Kenzo Kusuda, dancer/ choreographer Heather Ware and he will do a collaboration with choreographer Kalpana Raghuraman in 2018."

-Oene van Geel Website (http://oenevangeel.com/biography/)
6/12/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Anton Goudsmit: "Amsterdam based guitarist and composer Anton Goudsmit is a whirlwind of creativity, capable of thrilling the audience with his irresistable groove and unique musical personality.

His inventiveness and joyfulness make Anton a much sought after performer; every concert is a thrilling ride for the audience, his colleagues, and himself."

-Anton Goudsmit Website (https://antongoudsmit.nl/)
6/12/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joost Kroon (Rotterdam, 11 September 1981) is a Dutch drummer. At the age of 11, Kroon had already made his debut in the professional circuit, as a percussionist with the Rotterdam Volkstheater. There he played three seasons. He graduated at the Rotterdam Conservatory on 24 June 2003 with a 10 cum laude. In that year Kroon already played at New Cool Collective. Kroon plays in the bands, Kane, Candy Dulfer, Sven Hammond, Sinas, Benjamin Herman Quartet, Hans Teeuwen, Carice van Houten, Trijntje Oosterhuis, Ken Stringfellow, among others.Matt Simons, Ruben Hein, JB Meijers and Ladies Of Soul. In the studio he works with producers such as Gordon Groothedde, Tjeerd Oosterhuis, Holger Schwedt, JB Meijers, Ken Stringfellow, Rob van Donselaar and Sven Figee. He is a teacher at the conservatories of Amsterdam and Haarlem."

-Wikipedia (Translated by Google) (https://nl.wikipedia.org/wiki/Joost_Kroon)
6/12/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Machinefabriek is the alias of Rutger Zuydervelt. Rutger's music combines elements of ambient, noise, minimalism, drone, field recordings and electro-acoustic experiments. His pieces can be heard as an attempt to create sonic environments for the listener to dwell in. Finding tension in texture, tone and timing, the result can be very minimalistic at first glance, but reveals itself upon closer listening. The devil is in the details.

Rutger was born in 1978 in Apeldoorn (The Netherlands) and now resides in Rotterdam. He started recording as Machinefabriek in 2004. After a series of self released cd-rs, his official debut Marijn was issued in 2006, with great critical acclaim. Since than, a solid stream of music was released on labels such as Type, Important, Home Normal, 12K, Entr'acte, Dekorder, Miasmah, Consouling Sounds, Experimedia and Staalplaat. He performed all over the globe, from Canada to Israel and from Russia to Japan.

Rutger collaborated (on record and/or live) with numerous artists, such as Steinbrüchel, Jaap Blonk, Aaron Martin, Peter Broderick, Frans de Waard, Mats Gustafsson, Steve Roden, Gareth Davis, Stephen Vitiello, Michel Banabila, Dirk Serries and Dead Neanderthals, amongst many others.

He frequently works with film makers, like Makino Takashi, Mike Hoolboom, John Price, Paul Clipson and Chris Teerink, for whom he composed a soundtrack for his documentary about Sol LeWitt. Rutger also recorded the music for the Canadian drama The Cold and the Quiet from 2014. Furthermore, his music was used in Edward Burtynsky's Watermark, the drama Stone (with Robert DeNiro and Edward Norton) and Josh Fox' influential Gasland and Gasland Part II documentaries. Besides films, Rutger also composes music for dance pieces, like Alix Eynaudi and Kris Verdonck's EXIT (premiéred at the Haus der Kulturen der Welt, Berlin), Alexander Whitley's The Measures Taken (for the Royal Opera in London) and Beheld (for Candoco Dance Company), and multiple pieces by Spanish/Dutch choreographer Iván Pérez. Then there's Rutgers installation work, in which the dialogue with the environment plays an important role. He did projects for Stedelijk Museum Amsterdam, NAi (Dutch Architecture Institute), the new Armando Museum MOA, Sounds Like Audio Art in Saskatoon (Canada), the Into the Great Wide Open Festival, Netwerk in Aalst (Belgium) and children's museum Villa Zebra in Rotterdam."

-Machinefabriek Website (http://www.machinefabriek.nu/about/biography)
6/12/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



CD1



1. Take Me There 05:11

2. Amal 08:13

3. Jump Cuts 09:13

4. Sinus en Snaar 11:44

5. Narita 06:20

6. Crowds (Big Data Poetry Mix) 06:34

7. Unfinished Business 05:40

8. Deep In The Forest 08:08

9. IOW web SDR mix 08:09

CD2



1. Hephaestus 12:49

2. Flares 02:32

3. E.T. 02:23

4. Ramgana 07:22

5. I Won't Play Your Game 03:55

6. Gorlice 2014 41:00

Related Categories of Interest:


Electro-Acoustic
Various Artists & Compilations
Electronic Forms
Electro-Acoustic Improv
Improvised Music
Electronica
New in Experimental & Electronic Music

Search for other titles on the label:
Tapu Records.


Recommended & Related Releases:
Banabila, Michel
The Unreal Realm
(Tapu Records)
A collection of works from Netherlands composer Michel Banabila, including a piece developed with saxophonist Dave Liebman and previously released only digitally; a work with Rutger Zuydervelt (Machinefabriek); a work with Pierre Bastien; and excerpts from scores for Yin Yue's choreography in two works: "Somewhere" for New York Live Arts and "Timeless Tide" for BalletMet.
Almeida, Goncalo / Rutger Zuydervelt
Eventual
(gusstaff records)
The first full-length collaboration between Portuguese double bassist Gonçalo Almeida and Netherlands sound artist Rutger Zuydervelt, aka Machinefabriek, born from the soundtrack to Lex Reitsma's documentary about photographer Koos Breukel, including additional recordings to create this beautiful long-form drone merging rich electronics with Gonçalo's powerfully textured harmonics.
Duplant, Bruno / Rutger Zuydervelt
Edge Of Oblivion
(Machinefabriek)
The third collaboration between sound and electronic artists Bruno Duplant and Rutger Zuydervelt (Machinefabriek) is a darkly heavy and dramatic work of subtle motion that slowly unfolds and shifts through vast sonic environments, fueled by acousmatic sources that take the listener to the edge of darkness and then pulls them back in warm waves or rich ambiance.
Zuydervelt, Rutger
Kites (music for a performance by Roshanak Morrowatian)
(Machinefabriek)
Music for a solo dance piece performed by Roshanak Morrowatian and composed by Netherland electronic artist Rutger Zuydervelt, the subject of the dance reflecting on the experience of young asylum seekers forced from their native countries to grow up somewhere unfamiliar, the music in seven parts weaving fragments of Iranian popular music into Zuydervelt's abstract electronics.
Hydra Ensemble (w/ Rutger Zuydervelt)
Aguas
(Cylinder Recordings )
The third collaboration of the Dutch Hyrdra Ensemble of Lucija Gregov on cello, Nina Hitz on cello, Goncalo Almeida on double bass and Rutger Zuydervelt (aka Machinefabriek) on electronics, performing live at De Pletterij in Haarlem (NL), released on bassist Gonçalo's DIY label Cylinder Recordings, focused on free improvised and experimental music.
Zuydervelt, Rutger
Kaleiding (music for a performance by Lily&Janick)
(Machinefabriek)
Music by Dutch sound artist Rutger Zuydervelt, aka Machinefabriek, for a performance by Lily Schlinker and Janick Kremer, known as the contemporary circus company Lily & Janick, this performance using light, reflections and new perspectives onto partner acrobatics performed over a long mirror to create hypnotic, kaleidoscopic images, aptly complemented in Zuydervelt's music.
Zuydervelt, Rutger
Kadans [3'' CD]
(Machinefabriek)
Rutger Zuydervelt, aka Machinefabriek, returns to rhythmic electronic solo work with his fourth mini-CD release after Hinkelstap (2022), Tuimelval (2022) and Haast (2023), in this seven-part work Kadans (translating to "Cadence"), each track using a unique rhythmic foundation under warm electronics, plus a violin sample from collaborator Anne Bakker.
Machinefabriek
+
(Machinefabriek)
Trying to strike a balance between composition and the challenges of being a young parent, Rutger Zuydervelt, aka Machinefabriek, created a series of short tracks that could be developed quickly with invited collaborators, a concept that worked so well that in little time he found 52 enthusiastic and diverse musicians to develop the expanse of this impressive collection.
Machinefabriek w/ Anne Bakker
Wisps
(Not On Label (Machinefabriek Self-released))
The followup to their album Oehoe, electroacoustic composer Rutger Zuydervelt (Machinefabriek) developed this set of 10 tracks from improvised recordings on violin, viola and voice by Anne Bakker, creating a fascinating and succinct set of compositions through the deconstruction of her virtuosic playing and Zuydervelt's electronic additions.
Hydra Ensemble (Almeida / Hitz / Gregov / Zuydervelt)
Vistas
(A New Wave of Jazz)
The second album from the Hydra Ensemble (Goncalo Almeida on double bass, Lucija Gregov on cello, Nina Hitz on cello, Rutger Zuydervelt on electronics) is a live recording with no audience from the Worm club in Rotterdam during the pandemic, reaching deeper into their masterful world of darkly intense chamber improv and electronics, slowly yielding to a spaciously brighter ending.
Machinefabriek / Matt Wand / Nick Storring / Phil Macguire
Prisma+
(Machinefabriek)
Unique to the vast catalog of Rutger Zuydervelt, aka Machinefabriek, this album was developed with Zuydervelt original material and then remixed by Matt Wand, Nick Storring and Phil Maguire, presenting the original highly rhythmic electronics at the base of "Prisma", then 4 remixes: "Scarlett's Blood Bubbles"; "Tactile Debt"; "Thigh Slapping Without Tears"; and "Wheats Flats".
Hydra Ensemble (Almeida / Hitz / Gregov / Zuydervelt)
Voltas
(Inexhaustible Editions)
Featuring cellists Nina Hitz and Lucija Gregov, double bassist Goncalo Almeida and Rutger Zuydervelt (Machinefabriek) on electronics, recording in Old Church, in Rotterdam Charlois for six pensive improvisations, a collective conversation of concurrently layered, minimalist melodic and textural lines expanded with drones, evoking the mythical Greek multi-headed monster.
Bakker, Anne / Rene Aquarius / Rutger Zuydervelt
Hallucine
(Consouling Sounds)
Composed from a combination of violin, percussion, vocals, field recordings & electronics by Rutger Zuydervelt, who initially merged unrelated recordings from violinist Anne Bakker (also on harmonica, kazoo & saw) and percussionist & sound artist Rene Aquarius, all three then overdubbing and editing the work to create this fascinating tapestry of hallucinogenic sound.
Nobuka (Michel van Collenburg)
Reiko [VINYL w/ DOWNLOAD & BOOKLET]
(esc.rec.)
The pre-apocalyptic intertwining story of a woman named Reiko, living in a city scarred by climate change and burdened with the imminent threat of viruses, wandering the streets haunted by demons, abstractly envisioned in sound through stunningly effective electronics, field recordings, and developed in parts with Michel Banabila and Rutger Zuydervelt (Machinefabriek).
Machinefabriek
CM_30 (Music for a performance by Kolja Huneck)
(Not On Label (Machinefabriek Self-released) )
Music written to accompany a light & juggling performance by German contemporary circus artist Kolja Huneck, Rutger Zuydervelt developing the compositions of these works using only short looping structures that weave and develop into a tapestry of sound, inspired by the repetitive motions of Kolja's performance and the 30 centimeter round discs with which he performs.
Machinefabriek
With Drums [VINYL + DOWNLOAD]
(esc.rec.)
Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.
Selva, The + Machinefabriek (Jacinto / Almeida / Morao + Zuydervelt)
Barbatrama
(Shhpuma)
The Selva trio of Ricardo Jacinto on cello, Goncalo Almeida on double bass and Nuno Morao on drums join with Rutger Zuydervelt of Machinefabriek who adds unique electroacoustic transformations to their fusion of free improvisation and hydrid world elements, resulting in this wonderfully dark venture inside a virtual jungle of contrasting darkness and refined acoustic beauty.
Machinefabriek
With Drums
(Machinefabriek)
Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.
Machinefabriek / Anne Bakker
Short Scenes
(Zoharum)
While developing a soundtrack with violinist and violist Anne Bakker, Rutger Zuydervelt aka Machinefabriek, began editing a series of Bakker's improvisations, creating new works from those recordings by layering them into succinct short works or "scenes"--twenty of them in the end--that he sequenced into this album of confidently dramatic and delicately beautiful episodes.
Machinefabriek
Wendingen (selected remixes 2005-2015)
(Zoharum)
A selection of Machinefabriek's (Rutger Zuydervelt) favorite remixes made between 2005 and 2015 of his reworks and reinterpretations of tracks by Mensenkinderen, Wouter Van Veldhoven, Fieldhead, Aaron Martin, Coppice, de la mancha, The Moi Non Plus, Djivan Gasparyan, Amon Tobin, Gareth Hardwick, Fiium Shaarrk, Vladimir and Red Stars Over Tokyo.
Machinefabriek / Anne Bakker
Oehoe
(Where To Now?)
The fourth collaboration between electronic composer Rutger Zuydervelt, aka Machinefabriek, and violinist, violist and vocalist Anne Bakker, in a work that merges and contrasts Bakker's string work and wordless vocals with soundscape, obscured field recordings and concrete sounds, using consonance and dissonance to create emotional pressure and release.
Zuydervelt, Rutger
Porcelain (soundtrack for the film by Jenneke Boeijink)
(Machinefabriek)
The soundtrack for Dutch/Belgium/Italian co-production "Porselein" (Porcelain), a psychological drama by Jenneke Boeijink, recorded with cellist Francesco Guerri and using a motif from Henry Purcell's "The Fairy Queen", the album release including 12 additional tracks; powerful, emotional and passionate music of great tension and brilliant performances from Guerri.
DNMF (Machinefabriek + Dead Neanderthals)
Smelter [VINYL]
(Moving Furniture)
The DNMF collaboration of Netherland's sonic experimenter Machinefabriek (Rutger Zuydervelt) and the Dead Neanderthals duo of saxophonist Otto Kokke and drummer Rene Aquarius, in their second album of heavy, droning style, reveling in a resonant, high-volume, long-form work of hypnotic sound merging metal, drone and dark ambience.
DNMF (Machinefabriek + Dead Neanderthals)
Smelter [CD]
(Moving Furniture)
The DNMF collaboration of Netherland's sonic experimenter Machinefabriek (Rutger Zuydervelt) and the Dead Neanderthals duo of saxophonist Otto Kokke and drummer Rene Aquarius, in their second album of heavy, droning style, reveling in a resonant, high-volume, long-form work of hypnotic sound merging metal, drone and dark ambience.
Machinefabriek
As Much As It Is Worth [7-inch VINYL]
(Machinefabriek)
Rutger Zuydervelt, aka Machinefabriek, in a 7" release of two tracks developed for a piece commissioned by Marta Alstadsaeter and Kim-Jomi Fischer for their dance piece "as much as it is worth" in 2017, the first an edited version of the final music used for the piece, a complex yet upbeat and bouncy work, the second side expanding and darkening the music.
Machinefabriek
Dwaal/Wold+
(Moving Furniture)
Two contrasting works composed for the tape label Dauw by Rutger Zuydervelt, exercises in creating an auditory space or sphere rather than sculpting a structured composition; "Dwaal" presents orchestral washes amidst a barrage of radio static and erratic noise; "Wold" is a dream-like work of pianos, subtle hiss and field recordings; plus remixes of each.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC