The Squid's Ear Magazine


Eisenstadt, Harris: September, Canada Day IV (Songlines)

Drummer Harris Eisenstadt continues his excellent NY quintet with Nate Wooley, Matt Bauder, Chris Dingman, and new bassist Pascal Niggenkemper, through 7 original compositions of lyrical modern jazz that leaves room for open-ended and extraordinary soloing.
 

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product information:

Personnel:



Nate Wooley-trumpet

Matt Bauder-tenor saxophone

Chris Dingman-vibraphone

Pascal Niggenkemper-bass

Harris Eisenstadt-drums, compositions


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UPC: 774355161425

Label: Songlines
Catalog ID: SGL1614-2
Squidco Product Code: 21038

Format: CD
Condition: New
Released: 2015
Country: USA
Packaging: Cardstock gatefold foldover
Recorded January 25, 2015 by Sean Kelly at Water Music, Hoboken, NJ.

Descriptions, Reviews, &c.

"Canada Day III made many best of 2012 lists. In the meantime, award-winning drummer Harris Eisenstadt launched a new group, Golden State (with two releases on Songlines). Now his longest-running band returns with its most accomplished album yet, a thoroughly entertaining, provocative program of original compositions that blends swinging modern jazz and spikier, off-center avant-jazz styles. The band's idionsyncratic sound world features close percussive/textural interplay between gorgeous vibist Dingman and Eisenstadt, who leads from the kit almost like a modern-day Art Blakey. Frontline soloists Wooley (whom Dave Douglas has called "one of the most interesting and unusual trumpeters living today") and Bauder (who recently toured for a year with Arcade Fire) play the whole jazz/improv tradition with great verve and character. Pascal Niggenkemper has taken over the bass chair, and the arrangements allow for many more small groupings than before. This eager, quick-witted bunch (highly respected bandleaders all) take full advantage of their opportunities with playing that frequently elicits smiles for its daring and abundant good humor. As Harris says, "I do think we're at our best when there's a palpable sense of high-wire negotiation of written and improvised materials happening. There's a congeniality amongst us that is also palpable. I value that looseness and trust within the group very much. If you're not enjoying yourselves together, why bother?"

Harris recaps the band's history and current direction: "Canada Day's first gig was at Jim Carney's Konceptions series in Brooklyn on July 1, 2007 ­- Canada Day. My original intention - really, what motivated me to move back to New York in 2005/2006 (I lived in New York from 1998-99 before moving to California for seven years) ­- was to have a working band. I wanted to find the folks who would work together well, stick with it and develop a group concept incrementally. The group concept has changed over time as I've changed over time, but the core principle has remained basically the same: a quintet of standard instrumentation (with vibraphone slightly less traditional than piano would be) that could be a long-term vehicle for a variety of compositional structures and improvisational strategies. For Canada Day IV I wanted to go deeper into the possibilities of solo, duo, trio and quartet spaces within the ensemble. And rather than have stand-alone small group pieces, I decided to incorporate these different pieces into larger wholes, to keep shifting amounts of sonic information, weight and scope. As for my drumming, I continue to draw inspiration from non-drumset rhythm concepts, polyrhythmic traditions of Africa and the Diaspora, and particularly Cuban batá drumming these last five years."

About Pascal Niggenkemper Harris has this to say: "Pascal is a fantastic interpreter, reader, creative pattern varier, and a very adventurous improviser. Playing grooves with him feels great, as does improvising textures. I would say his playing probably incorporates more extended techniques than the other Canada Day bassists. So he has this really far-reaching creativity plus that intangible thing which everybody loves about a great bass player: he makes the music feel good."

A few notes on some of the pieces and their titles: "I started writing "After Several Snowstorms" one morning during the winter of 2014 when New York was getting dumped on. The opening bass line (which quickly morphs during the opening tenor solo and returns briefly at the beginning of the full ensemble material) has three groups of two notes... a series of one-two punches. "Sometimes It's Hard to Get Dressed in the Morning" and "Let's Say it Comes in Waves" both reference our son Owen, and the challenges of parenting. "Life's Hurtling Passage Onward," What Can be the Set to the Side" and "What's Equal to What" all come from the same Richard Ford passage that "The Arrangement of Unequal Things," the first track on Golden State II, came from. "Meli Melo" is actually the French name for a Canadian snack mix called (in English) "Bits and Bites." I started writing the book for Canada Day IV with a bunch of short pieces - some of which became duet pieces within longer structures, and two that ended up making up this last piece on the record - and they all had the title "Bits and Bites" with numbers assigned to them. As I tried to find a title for these last two parts that came together as one piece, for some reason an image of the red bag with "Bits and Bites" on one side and "Meli Melo" on the other came into my mind. Shreddies, peanuts, pretzels, and cheese crackers all mixed up together and over-salted. A little Canadian nostalgia, I guess." "-Songlines


Artist Biographies

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Reedist and composer Matt Bauder draws upon jazz, free jazz, avant-garde, rock, and pop in his own music, as well as turning to literary and visual arts for inspiration. He studied at the University of North Texas and the University of Michigan where he earned a bachelor of fine arts in Jazz and Contemporary Improvisation. He then spent two active years on the vibrant Chicago music scene before attending Wesleyan University and receiving a masters' degree in composition under the guidance of the legendary Anthony Braxton and Alvin Lucier.

Now based in Brooklyn, Bauder is the leader of Day in Pictures, a creative jazz quintet; Paper Gardens, a chamber quartet; White Blue Yellow and Clouds, which is experimental Doo-Wop and R&B, and he is part of the collaborative trio Memorize the Sky. He has performed with Anthony Braxton, Bill Dixon, Fred Anderson, Roscoe Mitchell, Jeff Parker, The SEM Ensemble, Ken Vandermark, and Phil Minton, among others. As a sideperson he plays and records with Rob Mazurek, Harris Eisenstadt, Taylor Ho Bynum, Jason Ajemian, Neil Michael Hagerty, His Name is Alive, and Bill Brovald. His recordings as a leader and co-leader on 482 Music, Clean Feed and Eye & Ear Records have received wide critical acclaim."

-Jazz Right Now (https://jazzrightnow.com/artists/artists-alphabetical/bauder-matt/)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Chris Dingman is a vibraphonist and composer known for his distinctive approach to the instrument: sonically rich and conceptually expansive, bringing listeners on a journey to a beautiful, transcendent place. He has been profiled by NPR, the New York Times, DRUM magazine and many other publications, and has received fellowships and grants from the Chamber Music America, the Doris Duke Foundation, New Music USA, and the Herbie Hancock Institute (formerly the Thelonious Monk Institute).

Dingman has done significant work with legendary artists Herbie Hancock and Wayne Shorter as well as next generation visionaries such as Jen Shyu, Ambrose Akinmusire, Steve Lehman, and many others, performing around the world including India, Vietnam, and extensively in Europe and North America. Hailed by the New York Times as a "dazzling" soloist and a composer with a "fondness for airtight logic and burnished lyricism," the fluidity of his musical approach has earned him praise as "an extremely gifted composer, bandleader, and recording artist." (Jon Weber, NPR).

Education

While growing up in San Jose, California, Dingman began piano and percussion studies at an early age. He went on to attend Wesleyan University, where he received his B.A. with honors in music. While at Wesleyan, he studied intensively with vibraphonist Jay Hoggard, drummer Pheeroan AkLaff, composer/multi-instrumentalist Anthony Braxton, and mridangist David Nelson. During this time, he was heavily involved in the study of many of the world's musical cultures, including South Indian, West African, Korean, Afro-Cuban, and Brazilian music. In the summer of 2000, his studies brought him to Kerala, India to delve further into mridangam and South Indian classical music.

In 2005, Dingman was one of only seven musicians selected by Herbie Hancock, Wayne Shorter, and Terence Blanchard to participate in the Thelonious Monk Institute of Jazz Performance at the University of Southern California (USC) in Los Angeles. At the Institute, he studied with Terence Blanchard, Ron Carter, Benny Golson, Jimmy Heath, Jerry Bergonzi, Wynton Marsalis, Jason Moran, Lewis Nash, Hal Crook, Stefan Harris, John Magnussen, Vince Mendoza, Russell Ferrante, and many others. He received his Master of Music degree from USC and the Monk Institute in 2007.

During his time at the Monk Institute, Dingman had the opportunity to perform extensively with Herbie Hancock and Wayne Shorter. In November of 2005, they traveled with the Monk Institute ensemble on a U.S. State Department tour of Vietnam. The ensemble gave concerts and master classes in Hanoi and Ho Chi Minh City. In January of 2007, he traveled again with Hancock, Shorter, and the Monk Institute ensemble, this time to Mumbai, Calcutta, New Delhi, and Agra, India, where they performed for capacity crowds and presented clinics at the Ravi Shankar Institute in Delhi and St. John's School in Mumbai.Teaching

In addition to performing, Chris is an active educator, working with students of all ages and levels for the past 15 years. His extensive teaching experience includes presenting master classes at conservatories and schools both nationally and internationally (including Miami-Dade College, Trinity College, Vancouver Jazz Festival, the National Conservatory of Vietnam, Staffeldsgate College in Oslo, Norway, and more), directing a summer music camp for students ages 11-18, leading jazz ensembles at the high school and middle school levels, and teaching group percussion classes for both children and adults."

-Chris Dingman Website (https://www.chrisdingman.com/bio/)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"New York City-based German-French bassist, composer and improviser Pascal Niggenkemper is a performing and recording artist active on the creative music scene in the US and in Europe.

From 1999-2005 he was musicaly active in Cologne having studied jazz & classical double bass at the Hochschule für Musik. In 2005 he received the DAAD award and moved to New York.

From 2008 to 2010 Pascal led the PNTrio with Tyshawn Sorey and Robin Verheyen. (CD "pasàpas" Konnex 2008 & "urban creatures" JazzHausMusik 2010). The trio toured extensively in Europe performing at the Jazzcologne Festival, Jazzherbst Konstanz and at the Kennedy Center in Washington. Recordings for the WDR and the BR Radio.

In cooperation with Jazzdor Strasbourg-Berlin, Pascal formed the septet vision7 that performed at Jazzdor Strasbourg-Berlin, Vive le Jazz in Cologne, Jazz à la Cité in Paris and at the Pori Jazz in Finland. (CD 'Lucky Prime' clean feed records Sept 2013)

In September 2011 Pascal released with Simon Nabatov and Gerald Cleaver the CD/LP upcoming hurricane on NoBusiness Records which is listed among 'Albums of the year' 2011 in the 'The New York City Jazz Record'. The trio performed in Canada and the USA.

He recently recorded a new solo program called: 'look with thine ears' music for bass & preparations was premiered at the Jazzdor Festival in Strasbourg in November 2013. The CD was released in March 2015 on clean feed records. He performed for the France Musique radio broadcast by Anne Montaron called 'a l'improviste'.

In 2014 he presented the double trio 'le 7eme continent' with the program 'talking trash' at the Vive le Jazz festival in Cologne, Germany and the concert was broadcast by WDR3 radio. Their CD was released in May 2016 on clean feed records and the group performed in France, Belgium and Germany.

Pascal is co-leading the groups baloni with Frantz Loriot viola and Joachim Badenhorst clarinets (CD 'fremdenzimmer' 2011, 'Belleke' 2014 & 'Ripples' 2015 clean feed records) PascAli a duo for two prepared basses with Sean Ali (CD 'suspicious activity' creative sources 2012) and Miner's Pick with Thomas Heberer. (CD 'miner's pick' FMR records 2014)

With friends, he curates in NY the house concert series ze couch, where every month artists meet to present their work.

Festival presence includes: Jazzdor Strasbourg-Berlin, Vision Festival New York, Umbrella Festival Chicago, Banlieues Bleues Paris, Strade del Cinema Aosta, météo Mulhouse, Jazzcologne, JIGG Lisbon, Taktlos Zurich, Jazz à la Cité in Paris, ESCUCHA Madrid, Washington DC Jazz Festival, Pori Jazz Festival, Middelheim Antwerp, Grenzenlos Köln, undead Jazzfest NYC, D'Jazz Nevers, NewAdits Klagenfurt, Font New York, Music Unlimited Wels, Vive le Jazz Cologne, GONG Aarau, Konfrontationen Nickelsdorf, Ljubljana Jazz Festival etc...

He received the following scholarships/grants: DAAD, Henry Mancini Institute, North Rhine-Westphalia composition stipend."

-Pascal Niggenkemper Website (http://www.pascalniggenkemper.com/bio_english.html)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"One of only a handful of drummers equally well known for his work as a composer, Brooklyn-based Harris Eisenstadt (b. Toronto, 1975) is among the most individual and prolific musicians of his generation. His resume includes studies with some of the most respected names in jazz and improvised music, West African and Afro-Cuban drumming, and performance credits in jazz, film, theater, poetry, dance, contemporary concert music and opera.

Eisenstadt has performed all over the globe, received grants from organizations such as Meet The Composer, American Composers Forum, Canada Council for the Arts, and appeared on more than 60 recordings since 2000, including twenty as a leader. Recordings of his compositions often appear on the Songlines, Clean Feed, No Business, and 482 Music labels, and are consistently included on critics' best-of lists. Recent honors: Rising Star Percussion Percussion, Arranger, and Composer categories of the Downbeat international critics poll; Best Album, Drummer, Composer categories of the El Intruso international critics poll.

His first work for orchestra, Palimpsest, was premiered by the American Composers Orchestra, as part of the Jazz Composers Orchestra Institute at Miller Theater, Columbia University (2011). Eisenstadt's second orchestral work, Four Songs, commissioned by the Brooklyn Conservatory Community Orchestra, was premiered at the Brooklyn Museum (2013). His first string quartet, Whatever Will Happen, That Will Also Be, was premiered as part of Eisenstadt's twelve-set residency at The Stone in NYC (2015). As a writer and radio producer, he has contributed to National Public Radio and AfroPop Worldwide. Eisenstadt is also an active AfroCuban batá drummer in New York and a longtime researcher in African and diaspora vernacular traditions. He has travelled to West Africa twice (Gambia, Senegal) to research Mandinka and Wolof music, and to Cuba twice (Matanzas, Havana) to research Afro-Cuban music."

-Harris Eisenstadt Website (http://www.harriseisenstadt.com/bio/)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. After Several Snowstorms 7:12

2. Sometimes It's Hard to Get Dressed in the Morning 4:29

3. Let's Say It Comes in Waves 7:38

4. Life's Hurtling Passage Onward 9:09

5. What Can Be Set to the Side 4:08

6. What's Equal to What 10:27

7. Meli Melo 7:50

Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
Quintet Recordings
Nate Wooley
Melodic and Lyrical Jazz
Staff Picks & Recommended Items
Jazz & Improvisation Based on Compositions

Search for other titles on the label:
Songlines.


Recommended & Related Releases:
Other Recommended Releases:
Eisenstadt, Harris (w/ Wooley / Hawkins / Niggenkemper)
Canada Day Quartet Live
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While staying in the village Poschiavo in Switzerland at the Uncool Artist Residency program with his wife and son, drummer/composer Harris Eisenstadt composed more than 50 single-line, three-system unison compositions and multi-voice tunes, flexible to be arranged for any size group, as heard in this all-star quartet configuration of his Canada Day ensemble.
Fictive Five, The (Ochs / Wooley / Filiano / Niggenkemper / Eisenstadt)
Anything Is Possible
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Niggenkemper, Pascal: 7eme Continent
Talking Trash
(Clean Feed)
With 2 clarinetists--Joris Ruhl and Joachim Badenhorst--and 2 prepared pianists--Eve Risser and Philip Zoubek--plus flutist Julian Elvira, leader/bassist Pascal Niggenkemper explores his "different twins" concept in 9 uniquely orchestrated and impressive improvisations.
Eisenstadt, Harris (Bishop / Malaby / Roebke / Eisenstadt)
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New York drummer Harris Eisenstadt revives his trio with trombonist Jeb Bishop and bassist Jason Roebke, adding tenor saxophonist Tony Malaby, recording in the studio after two concerts at John Zorn's venue The Stone in 2015, heard in here in momentous and heartfelt jazz.
Eisenstadt, Harris September Trio
The Destructive Element
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(Clean Feed)
Drummer Eisenstadt in a NY based African influenced quintet with trumpeters Taylor Ho Bynum and Nate Wooley, Mark Taylor on French Horn and Josh Sinton on baritone sax.



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