The Squid's Ear Magazine
Squidco Distribution Price Sale! Feb 6 - 9, 2025



Lytton / Wooley + Ikue Mori and Ken Vandermark: The Nows [2 CDs] (Clean Feed)

Nate Wooley and Paul Lytton continue their collaborations, extending their new duo recordings with live tracks from The Stone in NYC with Ikue Mori, and at Chicago's Hideout with Ken Vandermark.
 

Price: $15.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Paul Lytton-percussion

Nate Wooley-trumpet, amplifier

Ikue Mori-computer

Ken Vandermark-bass clarinet, clarinet, tenor saxophone, baritone saxophone


Click an artist name above to see in-stock items for that artist.




UPC: 5609063002607

Label: Clean Feed
Catalog ID: CF260
Squidco Product Code: 16841

Format: CD
Condition: New
Released: 2012
Country: Portugal
Packaging: 2 CDs in gatefold cardstock foldover
CD 1 recorded live at the Stone, NYC on March 2nd, 2011. CD 2 recorded live at the Hideout, Chicago on March 16th, 2011.

Descriptions, Reviews, &c.

"The duo of the veteran and pioneer Paul Lytton and the innovative newcomer Nate Wooley is one of the most powerful and intriguing of these last years. They managed to revalue this old instrumental format, seeing it not only as the most basic structure of interactive improvisation but also as a kind of metonymy of all the processes and lexical resources possible in this field.

That's why after one masterpiece like "Creak Above 33" and a deeper and deeper application of their "one-to-one seeming more" ideas, they invited other musicians to join them. On stage people of several generations of the improv scene like Fred Frith, C Spencer Yeh, Ben Hall, Evan Parker and John Russell, among others, and on record musicians of the relevance of Christian Weber ("Six Feet Under") and David Grubbs ("The Seven Storey Mountain"). At John Zorn's The Stone they played in 2011 with Ikue Mori and two weeks later they stepped at Chicago's Hideout with Ken Vandermark, besides presenting the original duet.

The recordings of those dates are now reunited in a double album that enables you to fully understand that the Lytton/Wooley partnership is the same when only the two are involved and when there's a "special guest". The trios with Vandermark and Mori aren't duos plus one, and neither the duos aren't a return to the essentials: everything is in perspective, accomplishing the old aspiration to create collective music in which the individuality of the participants isn't damaged in any way. What a lesson!"-Clean Feed



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Paul Lytton (born 8 March 1947, London) is an English free jazz percussionist.

Lytton began on drums at age 16. He played jazz in London in the late 1960s while taking lessons on the tabla from P.R. Desai. In 1969 he began experimenting with free improvisational music, working in a duo with saxophonist Evan Parker. After adding bassist Barry Guy, the ensemble became the Evan Parker Trio. He and Parker continued to work together into the 2000s; more recent releases include trio releases with Marilyn Crispell in 1996 (Natives and Aliens) and 1999 (After Appleby).

A founding member of the London Musicians Collective, Lytton worked extensively on the London free improvisation scene in the 1970s, and aided Paul Lovens in the foundation of the Aachen Musicians' Cooperative in 1976.

Lytton has toured North America and Japan both solo and with improvisational ensembles. In 1999, he toured with Ken Vandermark and Kent Kessler, and recorded with Vandermark on English Suites. Lytton also collaborated with Jeffrey Morgan (alto & tenor saxophone), with whom he recorded the CD "Terra Incognita" Live in Cologne, Germany.

He played also on White Noise's pioneer electronic pop music album An Electric Storm in 1969."

-Wikipedia (https://en.wikipedia.org/wiki/Paul_Lytton)
2/5/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
2/5/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ikue Mori moved from her native city of Tokyo to New York in 1977. She started playing drums and soon formed the seminal NO WAVE band DNA, with fellow noise pioneers Arto Lindsay and Tim Wright. DNA enjoyed legendary cult status, while creating a new brand of radical rhythms and dissonant sounds; forever altering the face of rock music.

In the mid 80's Ikue started in employ drum machines in the unlikely context of improvised music. While limited to the standard technology provided by the drum machine, she has never the less forged her own highly sensitive signature style. Through out in 90's She has subsequently collaborated with numerous improvisors throughout the US, Europe, and Asia, while continuing to produce and record her own music. 1998, She was invited to perform with Ensemble Modern as the soloist along with Zeena Parkins, and composer Fred Frith, also "One hundred Aspects of the Moon" commissioned by Roulette/Mary Flagler Cary Charitable Trust. Ikue won the Distinctive Award for Prix Ars Electronics Digital Music category in 99.

In 2000 Ikue started using the laptop computer to expand on her already signature sound, thus broadening her scope of musical expression. 2000 commissioned by the KITCHEN ensemble, wrote and premired the piece "Aphorism" also awarded Civitella Ranieri Foundation Fellowship. 2003 commissioned by RELACHE Ensemble to write a piece for film In the Street and premired in Philadelphia. Started working with visual played by the music since 2004. In 2005 Awarded Alphert/Ucross Residency.

Ikue received a grant from the Foundation for Contemporary Arts in 2006. In 2007 the Tate Modern commissioned Ikue to create a live sound track for screenings of Maya Deren's silent films. In 2008 Ikue celebrated her 30th year in NY and performed at the Japan Society. Recent commissioners include the Montalvo Arts Center and SWR German radio program and Shajah Art foundation in UAE. Current working groups include MEPHISTA with Sylvie Courvoisier and Susie Ibarra, PHANTOM ORCHARD with Zeena Parkins, project with Koichi Makigami and various ensembles of John Zorn. New duo Twindrums project with YoshimiO  workshop/lecture in various schools include University of Gothenburg, Dartmouth Collage, New England Conservatory, Mills Collage, Stanford University, The School of the Art Institute of Chicago"

-Ikue Mori Website (http://www.ikuemori.com/bio.html)
2/5/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
2/5/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



CD 1

1. Free Will, Free Won't 35:13

2. Abstractions and Replications 14:58

3. Berlyne's Law 10:33

CD 2

1. Men Caught Staring 18:18

2. The Information Bomb 4:04

3. Automatic 16:17

4. Destructive To Our Proper Business 5:29

5. The Ripple Effect 4:17

Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Electro-Acoustic
Electro-Acoustic Improv
Nate Wooley
Mori, Ikue
Staff Picks & Recommended Items
Clean Feed
Recordings featuring brass instruments - trumpets, trombones, tubas, other horns
Quartet Recordings
Instant Rewards

Search for other titles on the label:
Clean Feed.


Recommended & Related Releases:
Other Recommended Releases:
Lytton, Paul / Georg Wissel
Loose Connections
(Confront)
An unusual and engrossing concert of free dialog using tightly controlled technique between two legendary free jazz improvisers: percussionist Paul Lytton performing on tabletop percussion and "bits and pieces", and saxophonist Georg Wissel performing on augmented alto saxophone and tenor saxophone, from reserved intricate detail to forcefully passionate expression.
Parker's, Evan Transatlantic Trance Map
Marconi's Drift
(False Walls)
Bringing together two groups of spectacular improvisers versed in free and electroacoustic improvisation for a live transatlantic performance, one group of seven musicians primarily from The UK & Europe performing from The Hot Tin venue in Faversham, Kent, UK, the other group of six musicians performing from Roulette, New York City, for this stunningly impressive group improvisation.
Phantom Orchard (Ikue Mori / Zeena Parkins)
Hit Parade of Tears
(Tzadik)
Distilling their ensemble to its original duo configuration, New York improvisers Zeena Parkins and Ikue Mori reflect on the stories of Japanese author Izumi Suzuki through ten mysteriously eclectic and beautifully developed compositions of harp (acoustic and electric), electronics, percussion, harmonium, ondes martenot, and much more; wonderful, imaginative and evocative work.
NRG Ensemble (directed by Mars Williams)
Hold That Thought
(Corbett vs. Dempsey)
The 1st of three archival albums from saxophonist Mars Williams' vaults, this 1996 concert in Utrecht with the NRG Ensemble--the band that Williams' carried forward after Hal Russell's passing in 1992--in an unrestrained concert of original material from Williams and fellow saxophonist Ken Vandermark, with Kent Kessler on bass, Steve Hunt on drums, and Brian Sandstrom on bass, guitar & trumpet.
Bica, Carlos (Erdmann / DJ Illvibe / Barradas)
Playing with Beethoven
(Clean Feed)
Commissioned by Cineteatro Louletano to respond creatively to the musical legacy of Ludwig van Beethoven, double bassist Carlos Bica developed ten compositions that draw on Beethoven's original works, performing them with saxophonist Daniel Erdmann, accordionist João Barradas and DJ Illvibe on turntables, a truly unique take on some of the renowned composer's most famous works.
Fujiyama, Yuko / Graham Haynes / Ikue Mori
Quiet Passion
(Intakt)
A beautiful trio album of compositions from pianist Yuko Fujiyama and presented in a mix of solo pieces and duets & trios with cornetist Graham Haynes and electronic improviser Ikue Mori, for a subtle set of elegant improvisations balancing spacious moments with responsively relaxed interplay rich with anticipation, punctuated with two poems by Shutaro Tankikawa.
Carolino, Sergio
Below 0
(Clean Feed)
Known from the TGB trio and work with Bernardo Sassetti, Portuguese deep brass player Sergio Carolino turns from his typical tuba for a solo album on a new instrument of his own invention--the lusophone--a standing tuba based on the Jazzophon, a trumpet in the shape of a saxophone, here built from parts of frontal bell tubas and demonstrated in an impressive, extended improvisation.
Parker, Evan ElectroAcoustic Ensemble (w/ Sainkho Namtchylak)
Fixing the Fluctuating Idea
(Les Disques Victo)
Evan Parker's Electroacoustic Ensemble, merging reeds, strings and percussion with live signal processing to create something indescribably transformative is further amplified with the addition of free improvising vocalist and Tuvan throat singer Sainkho Namtchylak, adding an unearthly layer of interaction and transmogrification to this incredible 1996 FIMAV performance.
Wooley, Nate
Battle Pieces 4
(Relative Pitch)
"Battle Pieces" uses trumpeter Nate Wooley's "social music" system, where each piece is constructed for a soloist who improvises with no score while the remaining player choose at will from over 75 compositions over which the soloist must find their path; here at Roulette in NYC with Nate Wooley, Sylvie Courvoisier, Ingrid Laubrock, & Matt Moran.
Arthurs / Khroustaliov / Sartorious
Hangkerum
(Clean Feed)
An album of alien soundscape and un-anticipatable rhythm with seductive brass sonority floating above, from the Swiss trio of trumpeter Tom Arthurs, Isambard Khroustaliov on electronics, and Julian Sartorious on drums & percussion, contrasting complex and strangely aberrant sonic and rhythmic environments with lyrically virtuosic trumpet work.
Wooley, Nate / Daniele Martini / Joao Lobo
Legacy of Ashes
(Creative Sources)
A free jazz session recorded in Brussells between trumpeter Nate Wooley and half of the Daniele Martini Quartet--saxophonist Martini himself and drummer Joao Lobo--stepping in and out of modal jazz with a contemplative approach, using extended techniques to great effect, Lobo handling the foundation and rhythm in absolutely impressive ways.
Hocevar, Dre
Collective Effervescence
(Clean Feed)
Freely improvised collective with an electroacoustic inclination and chamber music reserve from the quintet of Dre Hoceva (drums), Bran De Looze (piano), Lester St. Louis (cello), Chris Pitsiokos (sax) and Philip White (electronics & signal processing).
Levin, Daniel Quartet
Friction
(Clean Feed)
Cellist Daniel Levin Quartet leads his quartet with Nate Wooley on trumpet, Matt Moran on vibes, and Torbjorn Zetterberg on bass, in open-minded modern compositions that blend jazz, chamber, and experimental improvisation of reserved and riveting character.
Parker, Evan / Joe Morris / Nate Wooley
Ninth Square
(Clean Feed)
The extraordinary trio of three masterful players from different generations who have broken with convention while playing within free forms--Evan Parker on sax; Joe Morris on guitar; and Nate Wooley on trumpet--performing live at Firehouse 12 in Connecticut, 2014.
Lytton, Paul
?!
(Pleasure of the Text Records)
The first solo electronics and percussion album by radical and legendary British improvisor Paul Lytton since 1979, recorded in the studio in Germany, and using a wealth of homemade instruments, laptop, percussive devices, objects, and electro-mechanical devices.
Wooley, Nate & Seymour Wright
About Trumpet and Saxophone
(Fataka)
New York-based trumpeter Nate Wooley and London-based saxophonist Seymour Wright in a series of 9 duos using the fringes of their instruments in exploratory and introspective dialog of great depth and intensity.
Trumpets and Drums (Wooley / Evans / Black / Lytton)
Live in Ljubljana
(Clean Feed)
Two drummers - Jim Black & Paul Lytton - and two trumpeters - Nate Wooley & Peter Evans - came together at the 53rd Ljubljana Jazz Festival to record these extended improvisations, demonstrating the phenomenal skill and compatibility of these outstanding players.
Wooley, Nate Sextet
(Sit in) The Throne of Friendship
(Clean Feed)
Unique approaches to modern jazz from NY trumpeter Nate Wooley's Sextet with Josh Sinton (reeds), Matt Moran (vibes), Eivind Opsvik (bass), Dan Peck (tuba) and Harris Eisenstadt (drums), extraordinary music from exceptional players.
Mori, Ikue / Steve Noble
Prediction and Warning
(Fataka)
Drummer Steve Noble assaults his drum kit in a way that excellently parallels Ikue Mori's electronics, producing an enthralling blend of acoustic and electronic music.
Revis, Eric's 11:11,
Parallax
(Clean Feed)
Eric Revis (double bass, composition) brings together Ken Vandermark (sax, clarinet), Jason Moran (piano), and Nasheet Waits (drums) for his new avant-garde quartet, 11:11, a jazz supergroup with a stellar first album.
Haker-Flaten New York Quartet, Ingebrigt (McPhee / Wooley / Morris)
Now Is
(Clean Feed)
Bassist Ingebrigt Haker-Flaten is joined by key improvisers Joe McPhee (sax), Joe Morris (guitar) and Nate Wooley (trumpet) for this improvised studio recording, free improvisation with the influence of swing and blues.
RED Trio + Nate Wooley
Stem
(Clean Feed)
NY trumpeter Nate Wooley and Portugal's Red Trio (Rodrigo Pinheiro, Hernani Faustino & Gabriel Ferrandini), recorded after their live performance at the 2010 Clean Feed Festival in NYC; powerful and thought-provoking modern improvisation.
Parker / Guy / Lytton + Peter Evans
Scenes in the House of Music
(Clean Feed)
The classic European Free Improv trio of Evan Parker, Barry Guy and Pual Lytton is joined by New York trumpeter Peter Evans for an incredible live concert at Casa de Musica, Portugal.
Morris,Joe / Nate Wooley
Tooth and Nail
(Clean Feed)
Guitarist Joe Morris continues his duet parternships on Clean Feed, here with the innovative and amazing trumpeter Nate Wooley in an album of brilliant spontaneous improv.
Wooley, Nate
Wrong Shape to be a Story Teller
(Creative Sources)



Customers Who Bought This Item Also Bought:
Coleman, Steve & Five Elements
PolyTropos / Of Many Turns [2 CDs]
(Pi Recordings)
Drawn from two absolutely energetic and exciting concerts in France, saxophonist and composer Steve Coleman's Five Elements ensemble — Jonathan Finlayson on trumpet, Sean Rickman on drums, and new electric bassist Rich Brown — blend spontaneous rhythmic and tonal transformations with Coleman's inventive, biologically-inspired compositions; exhilarating!



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC