The Squid's Ear Magazine


Sult: Bark (Bug Incision Records)

San Francisco' Jacob Heule (known for his work with Ettrick & Barn Owl) and Tony Dryer join Euro improvisers Havard Skaset and Guro Skumsnes Moe for seven free improvisations using extended techniques and unusual approaches to their instruments.
 

Price: $8.00



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 1.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Havard Skaset-guitar

Tony Dryer-doublebass

Guro Skumsnes Moe-doublebass

Jacob Felix Heule-percussion


Click an artist name above to see in-stock items for that artist.




Label: Bug Incision Records
Catalog ID: bim-54
Squidco Product Code: 16319

Format: CDR
Condition: New
Released: 2012
Country: Canada
Packaging: Paper foldover in a plastic sleeve
Recorded by Havard Skaset and Jacob Felix Heule.

Descriptions, Reviews, &c.

"Bug Incision is proud to be continuing our relationship with the San Francisco tag team of Jacob Heule (also known for his work with Ettrick and Barn Owl) and Tony Dryer. Earlier on in the Bug Incision game, we had the good fortune of releasing these two in conjunction with Jack Wright (bim-14), and also as part of a larger midwest-based ensemble called Storm of Corpses (bim-13).

Heule and Dryer have also maintained their own duo called Basshaters, and have a disc on Creative Sources from their trio with Jacob Lindsay. Over the years, they've managed to get themselves over to Europe a couple times, which is presumably where they hooked up with Håvard and Guro, two musicians who seem to have quite successfully overhauled their instruments' basic sonic identities.

It's kind of interesting how, for the most part, the melodic and harmonic activity in these pieces come from the basses (always a good instrument in plural, proven here), while the guitar seems to be content to exist as a sounding unit for all manner of physical manglings. The six-stringed playing on this record is in fact quite winning, coming across as a mixture of Christian Munthe's guitar anti-heroics (if you don't know him, do yourself a favour and look him up) and what Roger Smith might've sounded like if he'd forsaken his beloved nylon-string for a steel counterpart.

But back to the basses: while a lot of free-improvising double bassists automatically reach for upper end of their instrument's register, these two both share a fairly uncommon inclination towards the lower region of things. The reason that this is remarkable in a group context is that it means that our guitar and percussion overseers are exercising a wonderous amount of control, sensitivity, and a finely honed dynamic undertanding in order to make this work, not only in terms of a listener being able to hear everything, but also in their own abilities to communicate and react in the moment.

Jacob's effectiveness as a purveyor of avant-leaning percussive stylings is often evidenced in the frequent moments when it is a) not clear that there is a percussionist present at all, and b) very often it becomes very difficult indeed to make out who's doing what. As far and wide as Bug Incision has happily moved within the realm of improvised music, this is the kind of stuff we started out with, and continue to dig, wholeheartedly."-Bug Incision


Artist Biographies

"The Norwegian guitarist Håvard Skaset has been transcending musical borders in countless collaborations spanning from noise, sound based improv to noise rock. A dedicated artist from the Norwegian experimental music scene, whose work is a mix between raw primal sounds and the use of instrumental skills rather than effects.

Apart from his solo work, Skaset's main focus is the acoustic noise group SULT and the noise rock band MoE.The Norwegian trio is known for mixing minimalistic compositions with alternative and experimental approaches that fail to fit in the rock genre. Existing since 2008, MoE has released numerous 7"s and 12"s as well as two albums, before Fysisk Format got the chance to release their third album, "3". "3" was recorded and mixed in two days in Norway's well renown Athletic Sound Studio and features 7 tracks of raw and to-the-point music inspired by the band's far stretching tours through Mexico, Japan, South East Asia, Europe. Over the years MoE have collaborated with musicians and bands such as Okkyung Lee, John Hegre, The Observatory, Arabrot and Lasse Marhaug who, with his many talents, also did the artwork for the album. Loud and violent, they molest their instruments and bring the listener close to a healthy insanity.

His long-term connection to California has resulted in several releases and US tours with groups like Bay/Oslo Mirror Trio and SULT. Sult is an acoustic noise ensemble with members from Oslo and the Bay Area. Their music reflects the noise genre's concern with layers of sonic texture, though completely performed on acoustic instruments. Individual sounds run precariously aside one another as independent streams, and alternately blur into a unified mass.

[...]

Håvard Skaset's discography contains electric as well as acoustic releases with musicians such as Frode Gjerstad, Hild Sofie Tafjord, Guro Skumsnes Moe and Lene Grenager. Skaset has also collaborated with artists like Fred Frith, Ikue Mori, Maja Ratkje, Okkyung Lee, Lasse Marhaug and Jacob Felix Heule. In addition to running the label Conrad Sound, Skaset curates Høyt&Lavt, a festival for borderless music in Oslo."

-Prepared Guitar Blogspot (http://preparedguitar.blogspot.com/2014/12/havard-skaset-13-questions.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Guro Skumsnes Moe (born 1983 in Hedemark, Norway) is a Norwegian Upright bass player, composer and singer. Dance, improvisation, rock, jazz and noise music, are all elements that are important to her expression.

Moe is a bassist and vocalist that has managed to make her mark on the Norwegian music scenes, both on and off stage. She has her musical background from the Music conservatory in Kristiansand and the Norwegian Academy of Music in Oslo, where she graduated 2007, she has distinguished herself as an active performer with wide field of interest on the Oslo's jazz and free impro music scene recent years. She has hosted jam sessions on "Belleville", runs the ÇMumle Vind KompaniÈ together with Yngvild Aspelid, play traditional music together with her sisters Eline and Jenny.

On her debut solo album It Pictures (2011) she collaborates in trio with drummer Sveinar Hoff and guitarist HŒvard Skaset. Kim-Erik Pedersen, Kjetil M¿ster, Lasse Marhaug also appears on selected tunes. The second album Oslo Janus (2013) is a true solo five pieces album. The third album 3 (2014) she again collaborates with HŒvard Skaset, but this time drummer Joakim Heib¿ replaces Sveinar Hoff."

-Wikipedia (https://en.wikipedia.org/wiki/Guro_Skumsnes_Moe)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jacob Felix Heule is a percussionist and electronic musician focused on sound-oriented improvisation following the traditions of electro-acoustic improv, noise, and 20th-century composition. His playing embraces both rough-edged intensity and disciplined instrumental technique."

-Bay Improviser (https://www.bayimproviser.com/EventView.aspx?e=10105)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. arkb 4:13

2. bkra 3:19

3. brak 2:51

4. rabk 4:22

5. krab 3:07

6. rakb 2:49

7. abrk 16:43

Related Categories of Interest:


Improvised Music
West Coast/Pacific US Jazz
European Improv, Free Jazz & Related
Free Improvisation
Quartet Recordings
Instant Rewards

Search for other titles on the label:
Bug Incision Records.


Recommended & Related Releases:
Other Recommended Releases:
Skumsnes Moe, Guro / Philippe Petit
Guro Skumsnes Moe & Philippe Petit
(Public Eyesore)
Bringing together two noise improvisers and experimenters, Guro Skumsnes Moe from Sult and MoE performing on octabass & electric bass, and Philippe Petit (who has albums on Aural Terrains, Monotype and Bolt) performing on synthesizer and turntables, both also providing vocal utterance, for two thick journeys of twisted, diverse and often deep sonics bridged by an abstract interlude.
MoE w/ Mette Rasmussen / Ikuro Takahashi
Painted
(Relative Pitch)
During their 2019 Japan Tour, the collaboration of the Norwegian experimental rock band MoE and alto sax virtuoso Mette Rasmussen extended their trio with legendary drummer Ikuru Takahashi to record this energetic, rough and tumble album exploring the boundaries between free improvisation, skronky rock, and other confrontational, conceptual crossover forms.
Bruckmann / Djll / Heule / Nishi-Smith
Brittle Feebling
(Humbler)
The title gives a sense of the unusual acoustic improvisation this West Coast collective perform, along with their description "prickles and bleats, an abrasive delicacy; fricative rasp and withheld breath seethe together in a discomfiting cuddle" — from Kyle Bruckmann on oboe & English horn, Tom Djll on trumpet, Jacob Felix Heule on floor tom, and Kanoko Nishi-Smith on koto.
Arrias / Munthe
Torso And Legs
(Bug Incision Records)
Free improvisation in the SME/Derek Bailey lineage from the duo of Stockholm-based John Arrias on sax and clarinet and Gothenburg-based Christian Munthe on acoustic guitar, using extended techniques with accessible language in unhurried and intertwining improvisations.
Seeded Plain (Day / Kreimer)
Provincial Stammer
(Bug Incision Records)
The duo of Bryan Day (Eloine, Shelf Life) and instrument builder Jay Kreimer in what they describe as "confrontational gamelan theatre", a form of amplified metal/object-based improvisation.
Epps, Ellwood / Joshua Zubot
Land of Marigold
(Bug Incision Records)
The debut recording from the duo of Montreal-based frequent collaborators, trumpeter Ellwood Epps and Joshua Zubot on violin and low octave violin, excellent extended dialog with elegant flair and great insight into each other's playing.
Bourgeois, Andre & Chris Dadge
Spaces Are The Place
(Bug Incision Records)
Chris Dadge (drums, percussion) and Andre Bourgeois (saxophones) play two sets of mostly straightforward free jazz with reasonably fixed outlines throughout the structure of each piece.
Dadge, Chris
Near and Distant Skies
(Bug Incision Records)
Drummer and percussionist Chris Dadge plays a personal set that was recorded live and includes a variety of percussive stylings varying from minimal ideas to junk-oriented textural play.
Brenders, Kyle / Brandon Valdivia
S/T
(Bug Incision Records)
Toronto creative improviser multi-reedist Kyle Brenders (AIMToronto, The Rent) in an unhurried and intuitive duo with the drummer & percussionist of his quartet Brandon Miguel Valdivia (Not The Wind, Not The Flag).
Burro
Burnt Monument
(Bug Incision Records)
Burro is the Calgary improvising trio of Whitney Ota (electric guitar), Stew Elton (bass) and Andrew Hume (drums), in a studio release of their intense and hard rock-oriented playing.
Leaney, Aaron & Chris Dadge
Continuity
(Bug Incision Records)
The Leaney-Dadge duo has been working together since 2006; this release is taken from a series of weekly sessions in Mount Pleasant, Calgary, using extended instrumentation including trumpet, percussion, zither, recorder, and piano.
Pink Saliva (Allen / Cote / St-Onge)
Hardcore: La Brique
(Bug Incision Records)
A live recording from the improvising trio of Gordon Allen, Michel F. Cote and Alexandre St-Onge, rendering acoustics and electronics in dark and unconventional techniques.



Customers Who Bought This Item Also Bought:
Dunmall, Paul / Keith Tippett / Philip Gibbs / Pete Fairclough
Onosante
(577 Records)
A 4-track collective improvisation project performed by Paul Dunmall (saxophones, fife & bagpipes), pianist Keith Tippett, guitarist Philip Gibbs and drummer Pete Fairclough, recorded at Victoria Rooms at the University of Bristol, UK in 2000 and originally issued on Dunmall's own DUNS label, here reissued 20 years later in the memory of Keith Tippett.
Wooley, Nate
Seven Storey Mountain VI
(Pyroclastic Records)
Composer & trumpeter Nate Wooley presents the 6th composition of his SSM series exploring music's ability to bring catharsis and ecstatic release to the performers and listeners, in a large ensemble of 11 musicians and voice, in a stunningly sophisticated large work of modern orchestration through acoustic and electronic/amplified instruments; a masterwork.
Tippett, Keith
Musician Supreme [4 CD BOX SET]
(FMR)
Collecting 4 albums with pianist Keith Tippetts: The Bern Concert, a 1993 live duo with Howard Riley; Linückea, a 2000 studio album with The Kreutzer String Quartet plus a narrated work; The Dartington Trio of Keith Tippett, Julie Tippetts & Paul Dunmall live in 2003; and The Dartington Trio Live at The Priory at the Southend International Jazz Festival.
VCA (Vilanova / Castrillon / Andean)
Ceres
(Creative Sources)
Electroacoustic improvisation from the trio of Marc Vilanova on saxophone, Sergio Castrillon on cello, and pianist James Andean also performing on objects and electronics, in nine collective improvisations of close-knit dialog balancing intense activity and silent space, building tension and releasing it in unexpected and wonderfully eccentric ways.
Wooley, Nate
Seven Storey Mountain V
(Pleasure of the Text Records)
The 5th of 7 large and inspiring works that began with a Festival of New Trumpet commission in 2007, here in an ensemble of 19 players including C. Spencer Yeh, Ben Vida, Ben Hall, Matt Moran, Chris Dingman, Dan Peck, Josh Sinton, Colin Stetson, the TILT brass octet, &c.
Gray / Hobbs / Hostetter / Braman
Lawnmower II
(Clean Feed)
The second take of Boston area drummer Luther Grays' project Lawnmower with Jim Hobbs on sax, Kaethe Hostetter on violin and Winston Braman on electric bass, excellent jazz with unique instrumentation and a diversity of approaches.
Amado, Rodrigo / Mota / Faustino / Ferrandini
Wire Quartet
(Clean Feed)
Saxophonist Rodrigo Amado in a quartet with 2/3's of Red Trio - bassist Hernani Faustino and drummer Gabriel Ferrandini - and guitarist Manuel Mota adding unusual angles to their exemplary blues-based free improvisation.
Revis, Eric / Taylor / McHenry / Jones / Branford Marsalis
In Memory of Things Yet Seen
(Clean Feed)
A superb modern jazz release from NY bassist Eric Revis with Chad Taylor (drums), Bill McHenry (sax) and Darius Jones (sax), plus special guest Branford Marsalis on two tracks.
Chrysakis, Thanos / Wade Matthews / Javier Pedreira
Garnet Skein
(Aural Terrains)
The trio of Thanos Chrysakis on synth, radio, gongs & laptop; Wade Matthews on synth & field recordings; and Javier Pedreira on guitar, in studio recordings of edgy electroacoustic improvisation using a wide sound palette of indescribable sources.
Dessen, Michael Trio
Resonating Abstractions
(Clean Feed)
West Coast trombonist and electronic artist Michael Dessen's electroacoustic trio with bassist Christopher Tordini and drummer Dan Weiss, balancing detailed compositions and radically open improvisation that equally embraces groove-based improv and soundscape.
Hebert, John Trio
Floodstage
(Clean Feed)
Bassist John Hebert continues to explore his Louisana/Cajun roots with his trio of Benoit Delbecq on piano (plus synth & electronics) and drummer Gerald Cleaver, challenging and enigmatic improvisation with a solid rhythmic center.
Bauder, Matt and Day in Pictures
Nightshades
(Clean Feed)
Known for his more abstract Memorize the Sky project, tenor saxophonist and clarinetist Matt Bauder's band Day in Pictures adheres to jazz traditions with the superb quintet of Nate Wooley (trumpet), Kris Davis (piano), Jason Ajemian (bass) and Tomas Fujiwara (drums).
Davis, Matt / Phil Durrant / Mark Wastell
Confront Collectors Series
(Confront)
Re-issue of one of the earliest Confront releases, the trio of trumpeter Matt Davis, violinist Phil Durrant and cellist Mark Wastell performing subtle and sophisticated free improvisation at St. Michael's and All Angels church, Chiswick, London in 2000.
Glasgow Improvisers Orchestra & George Lewis
Artificial Life 2007
(FMR)
The large Glasgow Improvisers Orchestra, led by Raymond MacDonald, met trombonist George Lewis in 2012 at CCA in Glasgow to record this two part work based on a set of instructions presented graphically, plus an extended free improvisation.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC