The Squid's Ear Magazine


Remote Viewers, The: Nerve Cure (Remote Viewers)

The Remote Viewers' 10th album, with David Petts, Caroline Kraabel, Sue Lynch, Adrian Northover, John Edwards, Rosa Lynch-Northover, and Adam Bohman, in mysterious works of dissonance and wonderfully idiosyncratic expression.
 

Price: $15.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Adam Bohman-bowed objects

John Edwards-doublebass, harp

Caroline Kraabel-baritone saxophone

Sue Lynch-tenor saxophone, flute

Rosa Lynch-Northover-piano, percussion

Adrian Northover-soprano saxophone, alto saxophone

David Petts-tenor saxophone


Click an artist name above to see in-stock items for that artist.




UPC: 752725030229

Label: Remote Viewers
Catalog ID: RV 9
Squidco Product Code: 15332

Format: CD
Condition: New
Released: 2011
Country: Great Britain
Packaging: Cardstock 3 page foldover
Recorded at Oxo Tower Studios, London, 2011.

Descriptions, Reviews, &c.

"Originally a trio formed of Adrian Northover (soprano and alto sax), Louise Petts (alto sax, voice and keyboards) and David Petts (tenor sax, keyboards), The Remote Viewers have been operating around the nucleus of Northover and David Petts since 2007, with regular contributors adding to the line-up over the years. The formation first appeared in the late nineties and released a string of albums as a trio between 1999 and 2003, most of which were published on improv label Leo Records, but things changed quite drastically with the 5CD set The Control Room, released in 2007 after a four year hiatus, as the band became a much looser entity, featuring a wide range of contributors, most of which have continued to work with Northover and Petts on a more or less regular basis.

The Remote Viewers' latest album, their tenth, comes on the back of two albums which saw them explore more beat-orientated compositions. Here though, Northover and Petts take on a much more angular and experimental approach. Leading a quintet formed of John Edwards (double bass, harp), Sue Lynch (tenor sax, flute) and Rosa Lynch-Northover (piano, percussion), with additional contributions from Adam Bohman (bowed objects) and Caroline Kraabel (baritone sax), the pair create a series of minimal cinematic avant jazz pieces. Whilst naturally centred around the sax, especially on pieces such as Hive Mind, War With The Outer Countries or Grids, where very little else has a place beside the four different saxophones found here, this album harbours some more elaborate instrumental formations, although these remain, for the most part, extremely contained. Edwards adds abrasive bowed sections on Full Universe, which are partly echoed later on when Bohman intervenes on Long Weekend, while sombre bass plucked touches give Forgotten Corners a definite earthy grounding.

Rosa Lynch-Northover weaves a delicate marimba backdrop, supplemented with occasional swirls of harp on Intricate With Spires, while three saxophones can be heard frolicking in the foreground. On "Full Universe" and "Nerve Cure", her contributions are sparser, alternating between marimba and piano on the former, focusing on piano and keyboards on the latter, each time adding an undeniable element of tension to the pieces.

It is however the saxophone which defines the sound of The Remote Viewers, and the exchanges between the various incarnations of the instrument can be in turn playful (Intricate With Spires, Hive Mind), gloomy and dense (Lost Weekend, War With The Outer Countries, Grids) or relatively peaceful (Forgotten Corners). Building from the wide sonic range found between soprano in the higher register and baritone in the lower, this album is a rich patchwork of tones which go much beyond jazz. Each of the four sax players brings their own texture and angle, and they all occupy a fairly equal space over the course of the record, which considerably opens up the possibilities of such confrontation.

Compared to its predecessors, Nerve Cure is a somewhat minimal affair. For the most part stripped of beat entirely, this gives the formation greater freedom to explore more extreme grounds, resulting in this album being, at times, quite a difficult offering, but it is also an extremely rewarding collection, which manages to continually surprise and impress."-The Milk Factory


Get additional information at The Milk Factory

Artist Biographies

"Adam Bohman has been operating on the outer fringes of underground music for decades. Working with home-built instruments, found objects, tape cut-ups, collages, ink drawings and graphic scores. Favouring acoustic sounds over electronics, he explores the minute tendrils of sounds coaxed from any number of non-musical instruments and objects. He is a member of British experimental groups, Morphogenesis, The Bohman Brothers, Secluded Bronte, and The London Improvisers Orchestra. Adam's music is unique and experimental, incorporating Fluxus japery, musique concrete, sound poetry and free improvisation."

-Cafe OTO (https://www.cafeoto.co.uk/artists/adam-bohman/)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"After taking up the bass, around 1987, John Edwards co-formed The Pointy Birds who went on to win awards for their music for The Cholmondeleys and Featherstonehaughs dance troupes. The group appeared at festivals in Glasgow, Edinburgh, Moers, Leverkusen, Copenhagen. Around 1990, Edwards played his first gigs with London improvisers such as Roger Turner, Lol Coxhill, Maggie Nicols, Phil Minton.

Between 1990 and 1995 Edwards was a member of three touring groups simultaneously: B-Shops For The Poor, The Honkies and GOD. During this period he also became an increasingly regular player on the London improvised music scene and performed his first solo gigs; he composed and performed music theatre with the bass and cello duo The Great Explorers, street-busked a lot and appeared at many more festivals in Germany, Estonia, France, Italy, Czech, etc.

Since 1995 John Edwards has become a "mainstay" of the London scene, playing with just about everybody, an activity that has seen him clocking up between 150 and 200 gigs a year. He has become regular player with Evan Parker, in many groupings, and with Tony Bevan, Veryan Weston, and Elton Dean, often in collaboration with Mark Sanders on percussion. He has become a more frequent player on the European (and festival) scene, appearing at Taktlos, Ulrichsburg, Nickelsdorf, Budapest, New Zealand and in the USA. He continues to work on solo performances."

-EFI (http://www.efi.group.shef.ac.uk/musician/medwards.html)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Caroline Kraabel (born 1961 in Torrance, California) is a London-based American composer, improviser and saxophonist. She is known for her research into the implications of electricity related to recording, synthesis and amplification.

After living in Seattle, Kraabel moved to London while in her teenage years, at the end of the punk era.[1] There she took up the saxophone and became active in London's improvised music scene, eventually developing a style based on the physicality of the instrument, extended techniques and acoustics. She has performed solo and collaborated with John Edwards, Veryan Weston,[2] Charlotte Hug, Maggie Nicols,[3] Phil Hargreaves, and the London Improvisors Orchestra[4] among others. She has also organized and conducted pieces for Mass Producers-a 20-piece, all-female saxophone/voice orchestra[5] and for Saxophone Experimentals in Space-a 55-piece group of young saxophonists, as well as with her two children during walks through the streets of London.

Recordings include Transitions with Maggie Nichols and Charlotte Hug,[6] Five Shadows with Veryan Weston, Performances for Large Saxophone Ensemble 1 and 2 and Performances for Large Saxophone Ensemble 3 and 4 with Mass Producers and a solo work Now We Are One Two.

Caroline Kraabel has been hosting a weekly radio show on London's Resonance FM[7] and is the editor for the London Musicians Collective's magazine Resonance."

-Wikipedia (https://en.wikipedia.org/wiki/Caroline_Kraabel)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Sue Lynch runs 'The Horse Improvised Music Club' with Adam Bohman and Hutch Demouilpied. www.horseimprovclub.wordpress.com/.Since 2014, The horse has been based at IKLECTIK Art Lab, so this and other projects have been in conjunction with Eduard Solaz. Lynch is currently a member of David Petts-'Remote Viewers',with John Edwards, Mark Sanders, Caroline Kraabel , Adrian Northover and David Petts. She also performs with Adam Bohman, Eddie Prevost,Hutch Demouilpied,Richard Sanderson,Steve Noble and Sharon Gal. Sue Lynch is organiser and arranger for Hogcallin' a Mingus tribute ensemble, performing at the London 2016 Jazz Festival.

In 2015 she performed with Maria Vatentina's opera 'Mannequin'. She has recently performed as part of Tarek Atoui's 'Reverse Collection' at The Tate Modern, with Pat Thomas,Mark Harwood, Angharad Davies + Luke Younger. Sue Lynch is currently one of the featured musicians in Julie Kjaer's Interviews with Female Musicians on The London Improv Scene for The British Music Collection."

-Sue Lynch Website (https://suelynch.wordpress.com/)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"ADRIAN NORTHOVER - saxophones, Played and recordings with B Shops for the Poor, The Remote Viewers, Sonicphonics (with Billy Bang), The London Improvisers Orchestra, Ensemble Trip-Tik, Anna Homler, Ricardo Tejero, The Custodians, Sabu Toyozumi, Terry Day, Tristan Honsinger and JJ Duerinckx ,duo CDÕs with Adam Bohman, Tasos Stamou, Daniel Thompson and others. Current projects include ÔHard EvidenceÕ with John Edwards and Steve Noble, playing the music of Thelonious Monk, Vladimir MillerÕs Notes from Underground, ÔHogcallinÕ - a septet playing the music of Charles Mingus, and a trio with Marcio Mattos and Marilza Gouvea. This year (2016) has also seen collaborations with Neil Metcalfe(flute), Jean-Michel Van Schouwburg (voice), Vladimir Tarasov (drums), and Marcello Magliocchi (drums) and Daniel Thompson(guitar). Adrian is also involved with Indian music (Jazz Thali ) and works with live music for film (Ensemble Kino)."

-Adrian Norhover Website (http://www.adriannorthover.co.uk/Marchtrio.html)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

UK saxophonist David Petts is the leader and composer of The Remote Viewers, releasing more than 15 albums since 1999.

11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Full Universe 6:46

2. Intricate with Spires 3:52

3. Hive Mind 3:28

4. Long Weekend 6:00

5. Forgotten Corners 3:35

6. War with the Outer Countries 4:23

7. Grids 7:49

8. Nerve Cure 8:37

Related Categories of Interest:


Improvised Music
European Improvisation and Experimental Forms
Free Improvisation
Septet recordings
Objects and Home-made Instruments

Search for other titles on the label:
Remote Viewers.


Recommended & Related Releases:
Chemical Expansion League, The (Bohman / Lynch / Northover / Mengersen)
Salute To The Rabid Raspberry
(Creative Sources)
The UK-based Chemical Expansion League of Adam Bohman (prepared strings, voice), Adrian Northover (sax, theremin, wasp synth), Sue Lynch (sax, clarinet, flute), and Ulf Mengersen (bowed & prepared double bass) present thirteen mostly succinct and eccentric improvisations that oscillate between sanity and absurdity, punctuated by industrial elements, bent tones, and surreal soundscapes.
Edwards, John / Emil Karlsen / Dominic Lash
Action Theory
(Spoonhunt)
A new take on the classic guitar, bass & drums trio line-up, bringing together three generations of improvising musicians--John Edwards on double bass, Emil Karlsen on drums and Dominic Lash, more typically a double bassist, here on a Telecaster electric guitar--in five studio recordings of great intensity and varying direction fueled by a minute attention to detail.
Buck, Tony / Elisabeth Harnik / John Edwards / Harri Sjostrom
Flight Mode: Live In Berlin 2023
(Listen! Foundation (Fundacja Sluchaj!))
Finnish saxophonist and improviser Harri Sjöström assembles this quartet with some of the most innovative and in-demand players in Europe, the UK & Australia--Tony Buck from The Necks on drums & percussion, John Edwards on double bass, and Elisabeth Harnik on piano--captured live at Panda Platforma in Berlin in 2023 for a stellar concert of collective improvisation.
Yarde / Wright / Wilkinson / Smith / Lynch / Chat
A Company of Others
(Matchless)
To celebrate drummer/percussionist Eddie Prévost's 80th birthday, Café Oto hosted four concerts once a week in June, 2022, each a differing configuration from Prévost's history; this first concert brings together Prévost with four horn players, NO Moore on guitar and Marcio Matttons on double bass, for varying duos, trios and full ensemble performances.
Remote Viewers, The
This Strange Place
(Remote Viewers)
Continuing the sense of film noir and consummate conceptual compositions, Dave Pett's Remote Viewers ensemble of four saxophones--Adrian Northover, Sue Lynch, Caroline Kraabel & David Petts--and the powerful and often drum-like double bass of John Edwards, continue their journey in this strange place with 10 new solidly crepuscular and complex works.
Dikeman, John / Pat Thomas / John Edwards / Steve Noble
Volume 1 [VINYL]
(577 Records)
The first of two planned volumes from the quartet of John Dikeman on tenor saxophone, Pat Thomas on piano, John Edwards on bass and Steve Noble on drums, bringing the American saxophonist working throughout Europe together with this nearly telepathic collaborative grouping of UK frequent collaborators, captured in concert at Cafe OTO in 2019 for two absorbing improvisations.
Dunmall, Paul / Liam Noble / John Edwards / Mark Sanders
One Moment
(FMR)
Some of the finest London and Birmingham improvisers, the free improvising quartet of saxophonist Paul Dunmall with pianist Liam Noble, drummer Mark Sanders and bassist John Edwards, continue their work together with this exceptional live performance at the Eastside Jazz Club, Birmingham Conservatoire in an extended, far-ranging and engaging collective concert.
Ladisa, Stefania Strutture (w/ Adrian Northover / Marcello Magliocchi)
Dal'Introspezione All'Interazione
(FMR)
Two live performances at Sala Castello di Sannicandro di Bari and at Sala Auditorium Accademia Cinema Ragazzi in Bari, Italy from violinist & violist Stefania Ladisa's trio Strutture with drummer Marcello Magliocchi and saxophonist Adrian Northover (LIO, Remote Viewers, Runcible), using the resonance of the performances spaces in spacious free interaction.
Dikeman, John / Pat Thomas / John Edwards / Steve Noble
Volume 2 [VINYL]
(577 Records)
The second of two volumes from the quartet of John Dikeman on tenor saxophone, Pat Thomas on piano, John Edwards on bass and Steve Noble on drums, bringing the American saxophonist working throughout Europe together with this nearly telepathic collaborative grouping of UK frequent collaborators, captured in concert at Cafe OTO in 2019 for two absorbing improvisations.
Wilkinson / Prevost / Moore / Edwards + Catchpole
Do Disturb (Concerts at Cafe OTO)
(Matchless)
Capturing two exceptional concerts at London's Cafe OTO in 2021 & 2022, in the launch of a new quartet expanding the longstanding trio of NO Moore on electric guitar, John Edwards on double bass and Eddie Prévost on drums, with Alan Wilkinson on baritone & alto saxophones, and for one performance on each night, tenor saxophonist Nathaniel Catchpole joining.
Schlippenbach, Alexander Von / Francois Carrier / John Edward / Michel Lambert
Unwalled
(Listen! Foundation (Fundacja Sluchaj!))
A first meeting between two incredible improvised pairings--Canadians Francois Carrier on alto saxophone and Michel Lambert on drums, and Euro/UK improvisers Alexander von Schlippenbach on piano and John Edwards on double bass-- recording live in the studio in Berlin for seven improvisations of profound creative intent and inventive conversation.
McPhee, Joe / John Edwards
Tell Me How Long Has Trane Been Gone (for James Baldwin And John Coltrane)
(Klanggalerie)
The incredible first meeting between legendary saxophonist Joe McPhee and double bassist John Edwards is this performance at the 2019 Artacts festival in Austria, a powerfully reflective free jazz concert with McPhee speaking & preaching about the loss of giants John Coltrane, Albert Ayler and James Baldwin, as they stand upon their shoulders through free music.
McPhee / Edwards / Kugel
Existential Moments
(Not Two)
The 3rd album from the touring trio of Joe McPhee on trumpet & tenor sax, John Edwards on double bass and Klaus Kugel on drums, following their previous NotTwo releases A Night In Alchemia and Journey To Parazzar, here captured live at FreeJazzSaar 2019, in Saarbrucken, Germany for a boisterously exciting set of three collective improvisations, including a tip of the hat to Charles Gayle.
Gordoa / Malfon / Edwards / Narvesen
Substantial Myths
(Listen! Foundation (Fundacja Sluchaj!))
Vibraphonist Emilio Gordoa leads this superb quartet with Don Malfon on alto & baritone saxophones, John Edwards on double bass and Dag Magnus Narvesen on drums, in an incredible live performance at the 2019 Alte Gerberei Artacts Festival in Austria, a captivating set of creative techniques yielding well-controlled passages of both intense activity and unique introspection.
Big Bad Brotzmann Quintet
Bambule!
(Euphorium)
An intense concert of collective European Free Jazz in two extended improvisations recorded at naTo in Leipzig, German in 2019 from the quintet of Peter Brotzmann on tenor saxophone, clarinet & tarogato, Oliver Schwerdt on grand piano, percussion & little instruments, John Edwards and John Eckhardt on double bass, and Christian Lillinger on drums & percussion.
Dikeman, John / Pat Thomas / John Edwards / Steve Noble
Volume 1
(577 Records)
The first of two planned volumes from the quartet of John Dikeman on tenor saxophone, Pat Thomas on piano, John Edwards on bass and Steve Noble on drums, bringing the American saxophonist working throughout Europe together with this nearly telepathic collaborative grouping of UK frequent collaborators, captured in concert at Cafe OTO in 2019 for two absorbing improvisations.
Big Bad Brotzmann Trio (feat John Edwards / John Eckhardt)
Hot Ass / Sexy Legs [3'' MINI CD]
(Euphorium)
Two recordings from naTo in Leipzig, Germany, the first an energetic free jazz romp from the Big Bad Brötzmann Trio of Peter Brötzmann on tenor sax & taragato, Oliver Schwerdt on piano & percussion and Christian Lillinger on drums & percussion; then a furtively powerful double bass duo between John Edwards and John Eckhardt, a tour de force of extended technique and deep sound.
Parker, Evan / John Edwards / Tony Marsh
Medway Blues
(FMR)
A superb 2009 concert at Command House, in Chatham, UK from the trio of saxophonist Evan Parker, double bassist John Edwards, and late drummer/percussionist Tony Marsh, a single 36 minute improvisation of cohesive and energetic free jazz where all three pull together as a nearly telepathic unit, plus two extended duo sections between Edwards and Marsh and a Marsh solo.
Dunmall, Paul / Simon Thoumire / John Edwards / Phillip Gibbs
Brothers In Music
(FMR)
2021 reissue of this 2004 release on the DUNS label bringing together a uniquely voiced quartet with Paul Dunmall on tenor & soprano saxophones, virtuoso concertina player Simon Thoumire, John Edwards on double bass and Philip Gibbs on guitar, with both Dunmall & Thoumire performing on bagpipes on two tracks; a welcome reissue to a distinctive and thought-provoking album.
Edwards, John / N.O. Moore / Eddie Prevost / Alan Wilkinson
EMPoWered
(577 Records)
A live performance from London's I'klectik by British musicians John Edwards (double bass), N.O. Moore (guitar), and Eddie Prévost (drums), who have a long-standing history as a trio known for both energetic playing and extraordinary introspection, here expanded with saxophonist Alan Wilkinson for two outstanding performances of technical mastery and deep communication.
Chrysakis, Thanos / Dawid Frydryk / Edward Lucas / Sue Lynch / Adrian Northover
Five Shards
(Aural Terrains)
The edges of electroacoustic improviser and composer Thanos Chrysakis' shards are sharpened by the quartet of Dawid Frydryk on trumpet & electronics, Edward Lucas on trombone, Sue Lynch on flute & tenor saxophone and Adrian Northover on soprano saxophone, as Chryaskis generates evocative sonic environments over which the four horns mysteriously interact.
New Old Luten Quintet
Big Pauer
(Euphorium)
Opening with a powerful solo set from pianist Elan Pauer, this album was released on the occasion of Pauer's 80th birthday, revealing itself to be the incredible free jazz quintet of of Pauer, Ernst-Ludwig Petrowsky on clarinet & shepherds' flutes, both John Edwards & Robert Landfermann on double bass, and Christian Lillinger on drums & percussion.
New Old Luten Trio
Short Night [3'' CD]
(Euphorium)
A 3" CD-EP of the New Old Luten Trio, expanded into a quintet by the addition of two double bassists--John Edwards and Robert Landfermann--to the lineup of Euro Free Jazz reedist Ernst-Ludwig Petrowsky, pianist Elan Pauer (aka Oliver Schwerdt) and drummer/percussionist Christian Lillinger, in the warm-up set before the concert yielding the album Tumult!.
New Old Luten Quintet
Tumult!
(Euphorium)
A tumultuously wonderful free jazz epic recorded in Leipzig in 2013 from original New Old Luten founders, saxophonist & clarinetist Enrst-Ludwig Petrowsky and drummer Christian Lillinger, the band configured as a quintet with Elan Pauer taking on the piano role plus percussives, and the dual and powerful double bassists John Edwards and Robert Landfermann.
New Old Luten Quintet
Krawall!
(Euphorium)
One year after the 2013 recording by New Old Luten Quintet, Tumult!, the exceptional free jazz grouping of Ernst-Ludwig Petrowsky on sax & clarinet, Elan Pauer on grand piano & percussion, John Edwards & Robert Landfermann on double bass and Christian Lillinger on drums, took the stage at naTo, in Leipzig to record this energetic and strongly percussive followup.
New Old Luten Septet
Remmidemmi!
(Euphorium)
This evolutionary project titled as "loud, colorful hustle & bustle" started with the trio of wind & reed player Ernst-Ludwig Petrowsky, pianist Elan Pauer and drummer Christian Lillinger (Radau!), then expanded to a quintet with two double bassists-John Edwards & Robert Landfermann--and here as a septet with saxophonist Urs Leimgruber and trumpeter Axel Dšrner.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC