The Squid's Ear Magazine


Boubaker / Rodrigues / Moimem: Le Beau Deviant (Creative Sources)

Deviant beauty from the trio of Heddy Boubaker (sax), Ernesto Rodrigues (viola) and Abdul Moimeme (prepared electric guitar), dark and sinister improv using extended techniques and a quietly turbulent approach.
 

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product information:

Personnel:



Heddy Boubaker-alto saxophone, bass saxophone

Ernesto Rodrigues-viola

Abdul Moimeme-prepared electric guitars


Click an artist name above to see in-stock items for that artist.




UPC: 5609063401943

Label: Creative Sources
Catalog ID: CS194
Squidco Product Code: 15032

Format: CD
Condition: New
Released: 2011
Country: Portugal
Packaging: Jewel Tray
Recorded at tcha3 by Joel Conde on October 17th, 2010.

Descriptions, Reviews, &c.

"[...] Released on Creative Sources (disc 194!) the album is titled Le Beau Déviant. I listened again on my way home from work, and then again a couple of times properly this evening on a decent stereo through which I could never have mistaken it for Michael Pisaro...

Le Beau Déviant [deviant beauty] is indeed a quite good title for this release. Its a set of six straight-up improvisations of three instruments played non-melodically, non-conventially and yet sounding much like we might expect, a mix of squealing, slithering reeds, rasping and groaning strings and the less predictable humand crack of electric guitar. Moimeme's contributions here, perhaps unsurprisingly form the main branching-out point for this music, as his sounds barely resemble a guitar, instead having the feel of an intimate form of industrial or mechanical processes, all thuds and fizzes and various other points in between. Its all a quite aggressive affair, not really loud or dynamically confrontational, but somehow the music feels like a tussle over important issues, a hot headed debate rather than anything soft and beautiful. Things rasp and wail and bubble around one another, not too fast and not without a sense of space, but this equally isn't a subdued affair. I'm not sure as to how much the musicians had played together at the time of this recording in October last year, but there does seem to be a nice balance here, perhaps formed in part from the mix of instrumentation which brings a little of everything to the equation.

While there is a confidence to the playing though, and no sign of any "feeling out" of the musical scenario it does't all just build to some kind of climax. The trio tussle and tubule around each other at an even pace and with considerable thought throughout.I can't make any great claims of this disc to be any more than it isa CD of a well chosen improvising trio producing a disc that is a pleasure to wallow in, thoroughly engaging to sink your ears into.

As I spend more and more time with his music, I find myself enjoying Ernesto Rodrigues' work more and more though. Its not that anything he appears on attempts to rewrite the rules, and it often sounds how you imagine it might, but my enjoyment of his music, and also of Le Beau Déviant comes out of this factor. We can put innovation to one side here, and just spend some time listening to musicians lock horns and find a way to make music together. The end result is a pleasing, well recorded set of six works, but the journey we follow as listeners here, perhaps trying to break apart the music in our heads to figure out which sound comes from where, perhaps doing the opposite and trying to meld it all together is what makes listening to this release so worthwhile. One of these days I will try and narrow down the albums of Ernesto Rodrigues to four or five I can really recommend, but when I do I suspect that several from this recent rich vein of form will be on the list. None of them though, sound like Michael Pisaro."-Richard Pinnell, The Watchful Ear



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Get additional information at The Watchful Ear

Artist Biographies

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Abdul Moimême was born in Lisbon, in 1959, moving at an early age to New Mexico and later to Dublin, Ireland. He began studying the guitar at the age of 11, studying under various private teachers, in Madrid, Spain.

In 1979 he moved to Boston to study architecture, finally completing his degree at the University of Lisbon.

In the 90's he began studying the tenor saxophone with Patrick Brennan. In this period he became actively involved with Lisbon's improvised and alternative rock scenes, performing frequently with the Variable Geometry Orchestra since it's creation in 2003, as well as with various other local projects.

His main musical partners are from Lisbon and Porto, but he has also performed in public concerts with such artists as Gale Brand, George Haslam, Jon Raskin, Ken Filiano, Patrick Brennan, Steve Adams, and Wade Matthews.

In 1999 he started writing about jazz in various Portuguese publications and is currently a permanent collaborator of Jazz.pt magazine, and Publico newspaper, as a critic.

In 2006 he created Freemusic (http://freemusic.podomatic.com), a space exclusively dedicated to the promotion of Portuguese improvised music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Le Chant De La Pluie 9:06

2. Singulier Grain De Sable 6:19

3. L'arbre Qui Ne Cache 9:28

4. Tempête Éteinte Des Passions 10:50

5. L'échec Des Machines Formidables 5:32

6. Un Beau Matin, La Déchirure 10:07

Related Categories of Interest:


Improvised Music
Electro-Acoustic
Electro-Acoustic Improv
European Improv, Free Jazz & Related
Free Improvisation
Creative Sources
Trio Recordings
Instruments with Preparations

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
Rodrigues, Ernesto / Nuno Torres / Johannes von Buttlar
Cosmic Collision
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Frequent collaborators Ernesto Rodrigues on viola & crackle box and Nuno Torres on alto saxophone join with Berlin percussionist Johannes von Buttlar, a member of the Altered Forms Trio who have collaborated with Fred Frith, Raymond McDonald, &c., for four "Cosmic Collisions", highly interactive improvisations with impressive inertia and extraordinary technique.
Rodrigues / Rodrigues / Madeira / Taylor / Parrinha / Taubenfeld / Carmelo / Trinite
A Tale Unfolds
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In four parts this primarily acoustic octet of Lisbon improvisers evolve a deceptive narrative of collective interaction, highly textured through rich combinations that emerge and subside throughout the natural development of their converstations; with Ernesto & Guilherme Rodriguez, João Madeira, Noel Taylor, Bruno Parrinha, Ziv Tuabenfeld, Guilherme Carmelo and Monsieur Trinite.
Bechegas, Carlos / Ernesto Rodrigues / Carlos Santos
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Lisbon contemporary flutist and improviser Carlos Bechegas, an associate of Carlos Zingaro and his electroacoustic trio, joins violist Ernesto Rodrigues and long-time collaborator Carlos Santos in a uniquely electronic, chamber-oriented, mysteriously crepuscular improvisation captured live at Casa do Comum, Lisbon, Portugal during the 2024 "SpectraLx" event.
Baars, Girilal / Ernesto Rodrigues / Carlos Santos / Monsieur Trinite
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Three surreal improvisations with an hallucinatory edge, drawn into a dreamlike nature by the free vocals of Girilal Baars (Girilal Baars Trio, Äijä), from a 2024 concert at COSMOS in Lisbon, PT with Ernesto Rodrigues on viola & crackle box, Carlos Santos on electronics and Monsieur Trinite on percussion; unconventional electroacoustic incantatory interactions.
Rodrigues, Guilherme / Ben Bennett / Ernesto Rodrigues
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An extraordinary meeting in Berlin, where Portuguese cellist Guilherme Rodrigues resides, with Creative Sources label leader and long-time collaborator as a father/son duo, violist Ernesto Rodrigues, joining as a trio with US percussionist Ben Bennett, known for his work with Michael Foster and Jack Wright, for an incredibly well-balanced album of unorthodox technique and creative expresion.
Rodrigues, Ernesto / Luisa Goncalves / Flak / Bruno Parrinha / Miguel Mira
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The title an apt description of this dreamlike improvisation guided by the piano of Luisa Gonçalves, in a quintet with Flak on acoustic guitar & ebow, Bruno Parrinha on bass clarinet, Miguel Mira on cello and Ernesto Rodrigues on viola & crackle box, the latter adding crepuscular bird calls and whispers to this nuanced nocturnal meditation of dark ambiance and furtive encounters.
Uebele, Gerhard / Ernesto Rodrigues / Guilherme Rodrigues
Con versa tions
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Recordings from the Maeng Museum in Berlin, Germany from the free improvising string trio of father/son collaborators Ernesto Rodrigues on viola and Guilherme Rodrigues on cello with Berlin musicologist and violinist Gerhard Uebele, very much in a sophisticated chamber jazz mode that borrows from contemporary classical approaches and free improvisation.
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On the active and experimental side of Creative Sources' acoustic configurations organized by label leader and violist Ernesto Rodrigues, this energetic chamber quartet with Carlos Bechegas on piccolo, flute & alto flute, Joao Madeira on double bass and Monsieur Trinite on percussion, explore the three-part title work through rapid action and highly textured reflection.
Okura / Rodrigues / Rodrigues / Buder
Your Dramatic Joy
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Father and son string improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello join with Berlin improvisers Fumio Okura (Ensemble 222) on violin and Hannes Buder on guitar for six collective chamber free improvisations using extraordinary technique and focus, creating parallel and converging conversations that build and recede in vigorous momentum.
Rodrigues, Ernesto / Nuno Torres / Guilherme Rodrigues / Eric Bauer / Stephen Flinn
Letters to Milena
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Referencing the book Letters to Milena (Briefe an Milena) by Franz Kafka of his intense love affair with Czech journalist & writer Milena Jesenská, through four lettered parts of a subtly sophisticated set of improvisations by Ernesto Rodrigues (viola), Nuno Torres (alto sax), Guilherme Rodrigues (cello), Eric Bauer (electronics) and Stephen Flinn (percussion).
Suspensao
Serendipity
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The trio of violist Ernesto Rodrigues, cellist Guilherme Rodrigues and clarinetist Bruno Parrinha on alto & bass clarinets are captured live at Lisboa Incomum, during the 2022 Festival DME, performing two sophisticated chamber improv works, their titles translating to "The aging skies - it's all illusion" and "Pass The Bridges If It's Windy - The Flame Of The Solemnity".
Rodrigues / Parrinha / Flak / Levine
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While theremin & synth specialist Andrew Levine was on a 2023 tour of Portugal he met with a core trio of Creative Sources improvisers--Ernesto Rodrigues on viola & Crackle Box, Bruno Parrinha on bass clarinet & objects, Flak on electric guitar & effects--meeting in Flak's countryside studio for one detailed, extensive improvisation and 6 short works of differing sonic characters and colour.
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An intense album of pyschedelic and subliminally detailed electroacoustic improvisation from the Portuguese quintet of Miguel A. Garcia on electronics, Abdul Moimeme on guitar & metals, Alex Reviriego on double bass, Ernesto Rodrigues on piano harp & viola and Carlos Santos on electronics, a powerful live set recorded in 2018 at Le Larraskito Kluba in Rekalde, Bilbao.
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(Creative Sources)
The title an apt description of the furtive intercourse between these three Portuguese improvisors -- Ernesto Rodrigues on viola & crackle box (an electronic sound generator), Bruno Parrinha on bass clarinet & alto saxophone, Johannes von Buttlar on percussion -- recording in the studio for 10 improvisations of understated but highly detailed free improvisation.
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Cosmic Collision
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(Creative Sources)
In four parts this primarily acoustic octet of Lisbon improvisers evolve a deceptive narrative of collective interaction, highly textured through rich combinations that emerge and subside throughout the natural development of their converstations; with Ernesto & Guilherme Rodriguez, João Madeira, Noel Taylor, Bruno Parrinha, Ziv Tuabenfeld, Guilherme Carmelo and Monsieur Trinite.
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(Creative Sources)
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Rodrigues, Ernesto / Dirk Serries / Joao Madeira / Jose Oliveira
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Ululo
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Rodrigues / Parrinha / Madeira
Into the Wood
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Working together in a variety of setting and ensembles--Variable Geometry Orchestra, Suspensao, groupings with Hernani Faustino & Jose Oliveira, with Michel Stawicki, and with onsieur Trinite--the core trio of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet and Joao Madeira on double bass, is heard in three studio improvisations of dark woods explorations.
Variable Geometry Orchestra
There's Always Someone Who Says No
(Creative Sources)
One of the largest ensembles associated with Creative Sources, merging acoustic and electronic improvisers, this conduction by violist Ernesto Rodrigues at Torre Do Tombo in Lisbon in 2023 was the opening for an exhibition about the struggle of college students against the Portuguese dictatorship during the years 1970-74, leading to the Carnation Revolution.
dis/con/sent (Petzold / Rodrigues / Rodrigues / Bauer)
Munchen
(Creative Sources)
A double opus of improvised String Quartets in four movements each, using impressive technique and exquisite pacing in this live recording captured at the Offene Ohren, in Munich, Germany, 2023 by Dietrich Petzold on violin, tenor violin, clavichord & bowed metal, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Matthias Bauer on double bass.



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