The Squid's Ear Magazine


Attias, Michael: Twines of Colesion (Clean Feed)

Alto saxophonist Michael Attias leads this quintet with Tony Malaby on tenor and soprano, Russ Lossing on piano, John Hebert on bass and Staoshi Takeishi on drums performing live at the Jazz ao Centro Festival.
 

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product information:

Personnel:



Michael Attias-alto saxophone

Tony Malaby-tenor and soprano saxophones

Rus Lossing-piano

John Hebert-bass

Satoshi Takeishe-drums, percussion


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UPC: 5609063001884

Label: Clean Feed
Catalog ID: CF188
Squidco Product Code: 13230

Format: CD
Condition: New
Released: 2010
Country: Portugal
Packaging: Cardstock Gatefold Sleeve
Recorded live at Salao Brazil as part of the "Jazz ao Centro" festival, Coimbra, by Joao Ferraz at Quinta de Musica Studios, Porto.

Descriptions, Reviews, &c.

"Graced individually by a list of partnerships that includes Anthony Braxton, Andrew Hill, Charlie Haden, and Paul Motian, the members of the Quintet had all played together previously in such bands as Michaël Attias' Renku and Clinamen, the collective Change of Time, John Hebert's Byzantine Monkey, Tony Malaby's Quartet and Novela, and many others. Building on the core trio of Renku, Twines of Colesion gathers the entwined trajectories and prismatic contributions of these powerful and original creative musicians (Tony Malaby, Russ Lossing, John Hebert and Satoshi Takeishi) in a collective exploration of mutable form and combustible narrative. Recorded live, the performances of the eight compositions on this album were picked from a series of three concerts played in Coimbra, Portugal during the same residency at the Jazz ao Centro festival that produced Attias' recent trio release Renku in Coimbra (Clean Feed). Notated sections flow in and out of spontaneously generated sub-groups, forms dissolve and reappear in ever renewed shapes and time-feels, transitions between the pieces become pieces in themselves. In a remarkable example of highly democratic 21st century jazz, each performance is an unique and unrepeatable journey through the written material and each player an agent of power and change in directing the dream-flow. Twines of Colesion sings the song of a very special and risky sort of molecular paradise."-Clean Feed


Artist Biographies

"Michaël Attias is a quietly fierce force on the international improvising scene. With a brisk and calming tone Attias is a thinker, traveler, questioner. Born in Israel, raised in Paris and the American Midwest, he has lived in NYC since 1994.

As a leader, Attias has released five critically-acclaimed albums since 2005: Credo, Renku, Renku in Coimbra, Twines of Colesion and, in 2012, Spun Tree. As a sideman, he has performed and recorded all over the world alongside some of today's most compelling musicians: Anthony Braxton, Paul Motian, Anthony Coleman, Masabumi Kikuchi, Tony Malaby, Ralph Alessi, Oliver Lake, Tom Rainey, John Hébert, Nasheet Waits, Sean Conly, Ken Filiano, Kris Davis, and many others.

His current projects include his long-standing trio Renku, with John Hébert and Satoshi Takeishi; Spun Tree, with Ralph Alessi, Matt Mitchell, Sean Conly, Tom Rainey; and the new Michaël Attias Quartet with Aruàn Ortiz, John Hébert and Nasheet Waits.

Michaël Attias has also established himself as creator of live musical scores and sound designs for theatre including, since 2008, five collaborations with legendary director Robert Woodruff: Chair, Notes From Underground, Battle of Black and Dogs, Autumn Sonata, and In a year With Thirteen Moons. These were produced at such prominent New York and regional theatres as Yale Repertory Theatre, La Jolla Playhouse, Baryshnikov Arts Center, and The Duke on 42nd Street.

Michaël Attias was named a 2000 Artists' Fellowship Recipient of the New York Foundation for the Arts and was awarded a MacDowell Arts Colony fellowship in Fall 2008. From 2003 to 2008, he curated the critically acclaimed and highly successful new music series, Night of the Ravished Limbs, at Barbès in Brooklyn, welcoming a wide array of established names such as Barre Philips, Tim Berne, Mark Helias, Jason Moran, as well as an impressive list of rising New York talent including Mary Halvorson, Eivind Opsvik, Gerald Cleaver, and many more.

Earlier

The product of migrations spanning North Africa, the Middle East, Western Europe and the American Midwest, Attias was born in Haïfa, Israel in 1968 and spent the first part of his childhood in Paris, where he attended the music conservatory and studied violin for a brief period. His family moved to Minneapolis in 1977. An early passion for the music of Miles Davis, Charlie Parker, Thelonious Monk, Ornette Coleman led him to start playing the alto saxophone at the age of 15 under the guidance of great Minneapolis saxophonist and composer Pat Moriarty, while attending the Children's Theatre School. Avid for adventure and experience, he graduated from high school as a junior and traveled for a year in Europe before enrolling at New York University as a Film and Music student. Somewhere in between, he had the great privilege of taking a couple of lessons with Lee Konitz. Judging that school was interfering with his education, he dropped out after the spring semester, went back to Paris for a year where he wrote a novel called Twines of Colesion (1000 pages thankfully destroyed), came back to the US for an eight-month cross-country trip that took him from New York City to San Francisco via Mexico, and returned to Paris in 1989 where he became bartender at the IACP, a music school founded by legendary bassist Alan Silva. There he met such heroes of the ex-pat scene as Steve Lacy, Sunny Murray, Frank Wright, Bobby Few and others. He recorded with a pianoless quartet dedicated to the music of Thelonious Monk, Four in One (In Situ 1992), made his first album as leader and composer with a quintet of French musicians (released on Igal Foni's For Elevators/Jazzis, 1993). In January 1993, at the prompting of Anthony Braxton, he moved back to the US, sat in on his classes at Wesleyan University for one semester and finally moved to New York the following winter."

-Michael Attias Website (http://www.michaelattias.com/html/about.php)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tony Malaby (born January 12, 1964 in Tucson, Arizona) is a jazz tenor saxophonist. Malaby moved to New York City in 1995 and has played with several notable jazz groups, including Charlie Haden's Liberation Music Orchestra, Paul Motian's Electric Bebop Band, Mark Helias's Open Loose, Fred Hersch's Trio + 2 and Walt Whitman project, and bands led by Mario Pavone, Chris Lightcap, Bobby Previte, Tom Varner, Marty Ehrlich, Angelica Sanchez, Mark Dresser, and Kenny Wheeler. Other collaborators have included Tom Rainey, Christian Lillinger, Ben Monder, Eivind Opsvik, Nasheet Waits, and Michael Formanek. His first album as a co-leader was Cosas with Joey Sellers."

-Wikipedia (https://en.wikipedia.org/wiki/Tony_Malaby)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"John Hebert was born in New Orleans, LA. He attended Loyola University from '90 to '92 where he was awarded with a complete scholarship. In 1992, John moved to the New York State area, completing his formal studies at William Paterson University in New Jersey; he graduated with a B.M. in Jazz Performance in 1994. After graduating, John moved to New York City where he quickly became a highly in demand bassist, both for live performances and studio sessions."

-Marc Mommaas (http://www.mommaas.com/JohnHebert.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. (New) Loom 16:20

2. Lisbon 10:23

3. Fenix Cluprit 6:24

4. Hunter 7:41

5. Le Puits Noir 11:16

6. The Very Thing 6:48

7. Vitesse de Laumiere 9:01

8. The Maze and The Loom 2:39

Related Categories of Interest:

Clean Feed

Improvised Music
Jazz
2010 Top 40
Quintet Recordings

Search for other titles on the label:
Clean Feed.


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The Squid's Ear Magazine

The Squid's Ear Magazine

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