In Stock
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 5.00 units
EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs
Sample The Album:
Scott Fields-guitar, right channel
Jeff Parker-guitar, left channel
Jason Roebke-doublebass, left channel
Hans Sturm-doublebass, right channel
Michael Zerang-drums, left channel
Hamid Drake-drums, right channel
Click an artist name above to see in-stock items for that artist.
UPC: 5609063000887
Label: Clean Feed
Catalog ID: CF088
Squidco Product Code: 8574
Format: CD
Condition: New
Released: 2007
Country: Portugal
Packaging: Cardstock foldover
"The music on Dénouement — which was recorded 10 years ago and pressed on Scott Fields' obscure Geode label — is quite different from his first Clean Feed release, "Beckett." Although both projects, like virtually all of Fields' music, intentionally muddle up the written and improvised parts, one is a chamber jazz quartet interpreting word-for-word settings of Samuel Beckett plays while the other is mirror-image trios playing intertwined, but contrasting free-jazz compositions. The double band is a durable tradition in modern and avant-garde jazz. In this case it's a double trio, with two electric guitars, two double basses, and two drum kits. Other notable double bands include Ornette Coleman's double quartet on "Free Jazz," Ned Rothenberg's Double Band, the Barrage Double Trio, ROVA's Figure 8 project, and the Arcado / Trio de Clarinettes pairing. Even Max Roach did it, bonding a string quartet to his reeds-trumpet-bass-drums combo. Fields wanted twins because he conceived the music on "Dénouement" as two parts that would fit together like pistons in a cylinder, bolts in nuts, plugs in sockets. The musicians' playing would be thoroughly tangled but the trios would remain identifiable, like a plate of white and squid-ink spaghetti. Everything matches, even the contrasts, and those introduced by the personalities of the musicians involved: Fields playing the guitar for the right-channel trio, guitarist Jeff Parker — of Tortoise fame — on the left, bassists Hans Sturm for the right-channel trio and Jason Roebke for the left, and a pair of extraordinary drummers, Hamid Drake in the right-channel trio and Michael Zerang, left. But pay attention, there's a clockwork mechanism here: intermeshed rhythm patterns and tonal systems bind and separate the trios. Everyone knows what to do and when, and does it with an astonishing sense of fluidity. Don't miss it..."-Clean Feed
Artist Biographies
• Show Bio for Scott Fields "Scott Fields (born September 30, 1952 in Chicago, Illinois) is a guitarist, composer, and bandleader. He is best known for his attempts to blend music that is composed and music that is written and for his modular pieces (see 48 Motives, 96 Gestures and "OZZO"). He works primarily in avant-garde jazz, experimental music, and contemporary classical music. Fields was born and raised in Chicago, Illinois. He started as a self-taught rock musician but soon was influenced by the musicians of the Association for the Advancement for Creative Musicians (AACM), which was active in the Hyde Park neighborhood in which he grew up. Later he studied classical guitar, jazz guitar, music composition, and music theory. In 1973 Fields co-founded the avant-garde jazz trio Life Rhythms. When the group disbanded two years later, he played sporadically but soon was institutionalized for an extended period. He almost quit music until 1989. Since then he has performed and composed actively. His ensembles and partnerships have included such musicians as Marilyn Crispell, Hamid Drake, John Hollenbeck, Joseph Jarman, Myra Melford, Jeff Parker, and Elliott Sharp." ^ Hide Bio for Scott Fields • Show Bio for Jeff Parker "Jeff Parker (born April 4, 1967) is an American jazz and rock guitarist based in Los Angeles. Parker is best known as an experimental musician, working with avant-garde electronic, rock, and improvisational groups. Parker currently plays guitar in the post-rock group Tortoise and also was a founding member of the ensembles Isotope 217 and the Chicago Underground Trio in the 1990s and early 2000s. He is also a member of the Association for the Advancement of Creative Musicians, as well as working with musicians George Lewis, Ernest Dawkins, Brian Blade, Joshua Redman, Fred Anderson (musician) and Jason Moran. He has released three solo albums: Like-Coping, The Relatives and Bright Light in Winter." ^ Hide Bio for Jeff Parker • Show Bio for Jason Roebke "Jason Roebke is a double bassist, improviser and composer living in Chicago. He was born and raised in tiny Kaukauna, Wisconsin in 1974 and began playing electric bass at age 14. His first fascination was with Motown bassist James Jamerson. Roebke's first introduction to jazz was at a summer jazz camp run by local legend, pianist, John Harmon. Here he heard recordings of Charlie Parker and a life long fascination with music was begun. His high school band director had a small jazz CD collection which included Ornette Coleman's "The Art of the Improvisers" and Charles Mingus "Mingus Ah Um" which he listed to endlessly for years. Entering college at the University of Minnesota for an extremely short stay, he returned to Wisconsin, graduating from a small liberal arts university in 1996. Roebke moved to Madison, WI to study with legendary saxophonist and composer Roscoe Mitchell. There he worked as Mitchell's music copyist for 18 months, spending nearly everyday at Mitchell's home reworking orchestral and chamber music scores with the composer. In 1998, Roebke entered the University of Michigan where he studied with bassist Rodney Whitaker. In 1999, Roebke moved to Chicago and quickly began working with a new crop of young improvisers. There were early associations with saxophonists Aram Shelton, Dave Rempis and Matt Bauder (also a Michigan alumnus); drummers Tim Daisy and Frank Rosaly and cornetist Josh Berman. Soon after his arrival in Chicago, Roebke organized his first quartet with Bauder, guitarist Jeff Parker, and drummer Chad Taylor. He also began playing with a large improvising ensemble Chicago Improvisers Group with Ken Vandermark, Jeb Bishop, Michael Zerang, Jim Baker among others. He made his first recording as a leader in 2003 with "Rapid Croche" on 482 Music. A trio session with saxophonist Aram Shelton and drummer Tim Daisy, the recording was a critical success. Also during this time, Roebke began his long and continuing association with Fred Lonberg-Holm. Roebke played, toured and recorded with Lonberg-Holm's Terminal 4 and Valentine Trio. Roebke was the instigator of three recordings and a tour with the improvising trio tigersmilk, with cornetist Rob Mazurek and Vancouver drummer Dylan van der Schyff. In recent years, Roebke has been playing with Jason Adasiewicz's Rolldown, Jason Stein Trio, Jeb Bishop Trio, James Falzone's KLANG, Jorrit Dijkstra's Flatlands Collective, Pillow Circles, and The Whammies, Keefe Jackson, and Mike Reed's People, Places, and Things. The trio of Nate Wooley, Fred Lonberg-Holm and Roebke released two recordings "Throw Down Your Hammer and Sing" and an untitled LP. Roebke and Berlin-based tenor saxophonist Tobias Delius released a duo CD on Nottwo Records in 2012." ^ Hide Bio for Jason Roebke • Show Bio for Michael Zerang "Michael Zerang was born in Chicago, Illinois, and is a first-generation American of Assyrian decent. He has been a professional musician, composer, and producer since 1976, focusing extensively on improvised music, free jazz, contemporary composition, puppet theater, experimental theater, and international musical forms. Michael has collaborated with contemporary theater, dance, and other multidisciplinary forms and has received three Joseph Jefferson Awards for Original Music Composition in Theater, in collaboration with Redmoon Theater, in 1996, 1998, and 2000. As a percussionist and composer, Michael has over eighty titles in his discography and has toured nationally and internationally to 34 countries since 1981, and works with and ever-widening pool of collaborators. Michael founded and was the artistic director of the Link's Hall Performance Series in Chicago from 1985-1989 where he produced over 300 concerts of jazz, traditional ethnic folk music, electronic music, and other forms of forward thinking music. Michael has been a Board Member of Links Hall Since 1989. He continued to produce concerts at Cafe Urbus Orbis from 1994-1996, and at his own space, The Candlestick Maker in Chicago's Albany Park neighborhood, from 2001 - 2005. Michael has taught as a guest artist at The School of the Art Institute of Chicago in performance technique, sound design, and sound/music as it relates to puppetry; rhythmic analysis for dancers at The Dance Center of Columbia College, Northwestern University, and MoMing Dance and Arts Center; courses in Composer/Choreographer Collaborations at Northwestern University; music to children at The Jane Adams Hull House. Michael currently tours and holds workshops in improvisational music, and teaches private lessons in rhythmic analysis, music composition, and percussion technique. ^ Hide Bio for Michael Zerang • Show Bio for Hamid Drake "Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. He lives in Chicago, IL but spends a great deal of time touring worldwide. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and avant improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free-jazz improvisers. Drake also has performed world music; by the late 70s, he was a member of Foday Musa Suso's Mandingo Griot Society and has played reggae throughout his career. Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in a large number of lineups) He studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks; using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and flair. Drake's questing nature and his interest in Caribbean percussion led to a deep involvement with reggae." ^ Hide Bio for Hamid Drake
10/2/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
10/2/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
10/2/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
10/2/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
10/2/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1... her children ...
2... although each had married ...
3...the shots he missed...
4...the "genius" injections...
5...his late wife...
6...the man he killed...
7...nothing had been wrong...
Clean Feed
Improvised Music
Jazz
August 2007
Sextet Recordings
Chamber Jazz
Search for other titles on the label:
Clean Feed.