Out of Stock
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 5.00 units
Sample The Album:
Personnel:
Click an artist name above to see in-stock items for that artist.
Descriptions, Reviews, &c.
Lou Gare-tenor saxophone
Click an artist name above to see in-stock items for that artist.
UPC: 502049206523
Label: Matchless
Catalog ID: MRCD65
Squidco Product Code: 5750
Format: CD
Condition: New
Released: 2005
Country: Great Britain
Packaging: Jewel Tray
Recorded at Firefly Studios, in Throwleight, Devon, England on April 13th and 20th, 2005, by Richard Knapp.
"Lou Gare was a founding member of AMM and played on their seminal early release Ammusic 1966 (Recommended Records) and their essential Matchless release, The Crypt. Surprisingly, these are the first recordings of his solo sax playing, 5 extended pieces including one dedicated to Sonny Rollins."-Matchless
Artist Biographies
• Show Bio for Lou Gare "Leslie Arthur "Lou" Gare (16 June 1939 - 6 October 2017) was a British free-jazz saxophonist born in Rugby, Warwickshire, England, perhaps best known for his works with the improvised music ensemble AMM and playing with musicians such as Eddie Prévost, Mike Westbrook, Cornelius Cardew, Keith Rowe and Sam Richards. " ^ Hide Bio for Lou Gare
9/11/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. No Strings Attached 20:56
2. Loose Blues 17:33
3. "Good Morning Mr Rollins" 6:02
4. Saxophonic 17:34
5. "There You Have It, Period." 12:18
Improvised Music
European Improvisation, Composition and Experimental Forms
February 2006
Search for other titles on the label:
Matchless.
Customers Who Bought This Item Also Bought:
 | Schmid, Silvan / Tom Wheatley / Eddie Prevost The Wandering One - High Laver Levitation Volume 2 (Matchless) |
| A live recording of freely improvised improv captured at All Hallows Church in High Laver, Essex in 2023 from the trio of AMM drummer and Matchless label-leader Eddie Prévost, Zürich and Maastricht trumpeter Silvan Shmid, and London double bassist Tom Wheatley of the group Widdershins, heard in three investigative conversations of great creative drive. | |
 | Dorham, Kenny Round About Midnight At The Cafe Bohemia To Matador - Revisited (ezz-thetics by Hat Hut Records Ltd) |
| Revisiting and remastering two essential albums from New York hard bop trumpeter Kenny Dorham, a tremendous musican who died much too young but left a legacy of 20 albums as a leader, here in his 1956 Blue Note album in a sextet that included Bobby Timmons and Kenny Burrell, and his 1963 United Artists Jazz album in a quintet with Jackie McLean, Bobby Timmons, Teddy Smith and JC. Moses. | |
 | Space (Ullen / Bergman / Lund) Embrace the Space (Relative Pitch) |
| A startlingly exciting album of piano trio jazz from three creative innovators, in the followup to the 2022 debut of the Swedish Space Trio of Lisa Ullen on piano, Elsa Bergman on double bass and Anna Lund on drums, recording in the studio for eight collective improvisations of extremely well matched, highly interactive and exhilarating modern improv. | |
 | Schlippenbach Quartet (Schlippenbach / Parker / Silva / Lovens) Anticlockwise [VINYL] (Cien Fuegos) |
| Reissuing pianist Alexander von Schlippenbach's 1983 FMP album with his quartet of Evan Parker on soprano & tenor saxophones, Alan Silva on double bass and Paul Lovens on drums & percussion, a fertile period for the group, as heard in the probing and incisive free jazz through two extended improvisations captured live at the Quartier Latin in Berlin, Germany in 1982. | |
 | Wilkinson / Prevost / Moore / Edwards + Catchpole Do Disturb (Concerts at Cafe OTO) (Matchless) |
| Capturing two exceptional concerts at London's Cafe OTO in 2021 & 2022, in the launch of a new quartet expanding the longstanding trio of NO Moore on electric guitar, John Edwards on double bass and Eddie Prévost on drums, with Alan Wilkinson on baritone & alto saxophones, and for one performance on each night, tenor saxophonist Nathaniel Catchpole joining. | |
 | Prevost, Eddie Collider: Or, Whose Drum is it, Anyway? (Matchless) |
| A series of impressive improvised solo drum performances by AMM/Matchless leader Eddie Prévost performed at Network Theatre in London, 2012, three pieces with each demonstrating a different characteristic of his remarkably creative and technically virtuosic playing, first with drum sticks, then with "Hands, brush, hands", and finally "Sticking it too". | |
 | Allbee, Liz / John Butcher / Ignaz Schick / Marta Zapparoli Lamenti Dall'infinito [VINYL] (NI-VU-NI-CONNU) |
| The 4th of NI-VU-NI-CONNU's 5-LP John Butcher series and part of a 2 night residency at ausland in Berlin coinciding with his 65th birthday, tenor & soprano saxophonist John Butcher is joined in a quartet by electroacoustic improvisers, trumpeter Liz Allbee, Ignaz Shick on turntables, sampler & electronics and Marta Zapparoli on tapes, reel-to-reel tape machines and antennas. | |
 | Agnel, Sophie / John Butcher La Pierre Tachee [VINYL] (NI-VU-NI-CONNU) |
| The 2nd of NI-VU-NI-CONNU's 5-LP John Butcher series, the duo of pianist Sophie Agnel and soprano & tenor saxophonist John Butcher is informed by previous collaborations as a duo and in a trio with cellist Márkos Albert, here in a superb 2019 concert of balanced tension and intense interaction captured at Ausland in Berlin, a meeting of two perfectly matched improvisers. | |
 | AMM Sounding Music (Matchless) |
| AMM's performance at the 2009 Freedom of the City Festival with AMM regular members Eddie Prevost and John Tilbury extended with John Butcher, Chritian Wolff and Ute Kanngiesser. | |
 | Schlippenbach, Alexander Von & Eddie Prevost Blackheath (Matchless) |
| Pianist von Schlippenbach and drummer Eddie Prevost on an album of two solo works each, and then together for a piece inspired by Thelonius Monk. | |
 | Fernandez, Agusti / Peter Kowald Sea Of Lead (Hopscotch Records) |
| The duo of late bassist Peter Kowald and inside-and-out pianist Agusti Fernandez in a set of extraordinary energetical, rhythmic and irrepressible improvisations. | |
 | Tsahar, Assif / Tatsuya Nakatani Come Sunday (Hopscotch Records) |
| Performing at Astor Place in the East Village, NYC every Sunday for 3 years prior to this recording created the unique sound and tight interactions of these remarkable recordings. | |
 | Tsahar, Assif ayn le-any (Hopscotch Records) |
| A freestyling solo album from NY/Israeli saxophonist Assif Tsahar, performing on tenor sax and bass clarinet in an exciting three-part improvisation of avant forms of technical dexterity and extended range through emphatic and sustained expression of long lines and cycling figures that shift and transform; a great example of Tsahar's skill and imagination. | |
