"Jair-Rôhm Parker Wells (born October 13, 1958) is an American jazz bassist. He is one of the founding members of the improvising band Machine Gun with Thomas Chapin and the founder of the Meeting Interdisciplinary Arts Festival in Stockholm, Sweden. He lived in Stockholm, Sweden, from 1985 until 2010.

He has been a promoter of improvised and experimental music and has collaborated with Bob Belden, Karl Berger, Daniel Carter, Jaron Lanier, John Sinclair, Riksteatern, and Tony Scott. In 2017, he was in residence at EMS in Stockholm where he began work on his opera #blacbuc. The work was composed on the Buchla 100 and 200e systems at the institute. Compositions from his Liberation cycle are featured as part of res·o·nant, the light and sound installation by artist Mischa Kuball at the Jewish Museum Berlin.

Raised in southern Germany, Jair-Rôhm moved to New York in 1978. After touring the United States for a year with a pop music band, he attended Tulane University in New Orleans. At Tulane he performed with local jazz and rhythm and blues musicians. He also performed as a member of Tulane University's Tulanians, met and studied with Richard Payne, and discovered the music of Harry Partch. In 1980 he returned to New York and started work-study with saxophonist Ken Simon. He met Anthony Braxton and studied his music. In 1982 he founded his experimental music theater group Glass Thought Theater Ensemble. Between 1982 and 1983 he was composer in residence at the New York Theater Ensemble, writing and producing a trilogy of progressive "operas". He received a Meet the Composer grant in 1983. During the next year, he lived in New Jersey and was a founding member of the New Brunswick Jazz Musician's Collective, for which he composed several works for ensembles. He has performed at Vahdat Hall (Tehran, Iran), Xinghai Conservatory of Music (Guangzhou, China), Tribeca Performing Arts Center (New York), Globen Arena (Stockholm), Saxophone Jazz Pub (Bangkok, Thailand), Cafe Oto (London, England) and the Domicil Jazz Club (Munich, Germany)."

"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.

Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.

Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."