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Ivo Perelman / Matthew Shipp:
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Jerome Deupree / Sylvie Courvoisier / Lester St. Louis / Joe Morris:
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Signe Emmeluth / Ingebrigt Haker-Flaten / Axel Filip:
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Amy Cimini:
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Makoto Kawashima :
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Marco Eneidi Quintet (w / Johnston / Finkbelner / Smith / Anderson):
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Eric Shorter:
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Ernesto Rodrigues / Ana Albino / Hernani Faustino / Carlos Santos:
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Paula Sanchez:
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Camila Nebbia / Kit Downes / Andrew Lisle:
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Le Vice Anglais (Pires / Parrinha):
vas-y (4DaRecord)

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Marc Baron / Eric La Casa:
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Francisco Lopez :
Untitled (2021-2022) [2 CDs] (Bu Lang Tribute Cake)

A double CD of composed environmental sound works from Francisco López, assembling raw field recordings from locations including Tenerife, Eswatini, Israel, Georgia, Chile, and the southwestern USA, along with a film soundtrack and a collaboration with Felipe Otondo, creating immersive, abstract electroacoustic pieces with intentional silences and textural extremes. ... Click to View


Eventless Plot | Haarvol:
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An intimate, restrained electroacoustic collaboration between Eventless Plot and Haarvöl, unfolding in two extended, meditative movements that explore a nuanced dialogue between piano, field recordings, tapes, and electronic expression, gradually revealing layered sonic detail and immersive depth through spacious, dramatic momentum. ... Click to View


Eternities:
Rides Again [CASSETTE] (Sacred Realism)

The duo of Katie Porter on bass clarinet and Bob Bellerue on electronics, zither, and feedback create rich, multidimensional drones through live performance, blending harmonic wind tones with resonant feedback and overtone manipulation in two expansive recordings from Berlin and NYC that explore the porous boundary between intention and indeterminacy. ... Click to View


Elka Bong (Margolis / Wright / Bouchard):
Without Walls (Love Earth Music)

Integrating live coding, field recordings, IFM synthesis, and an array of electroacoustic instrumentation, the trio of Al Margolis, Walter Wright, and Sara Bouchard craft an unbounded and exploratory work that embraces technological transformation and sensory disruption, channeling Marshall McLuhan's insights into a richly layered and prophetic sonic landscape. ... Click to View



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  Charlotte Keeffe 
  Right Here, Right Now
  (Discus) 


  
   review by John Eyles
  2022-01-10
Charlotte Keeffe: Right Here, Right Now (Discus)

A comparatively new figure on the London music scene, trumpeter and flugelhorn player Charlotte Keeffe first came to the attention of many London musicians when, not long after achieving her M.Mus. degree, she was an early attendee at the weekly Mopomoso workshop that was set up by the late great guitarist John Russell, in the summer of 2016. Although she was soon a lynchpin of the workshop, Keeffe was often absent as she was involved in an impressively eclectic range of other musical activities. Despite her ability to turn her hand to many styles, it was soon apparent that jazz, improv and experimental music were her favourites and fortes.

It was not long until Keeffe was a member of the London Improvisers Orchestra (LIO), not just featured as a player but also as a leader of conductions. In addition to solo performances, she was soon recruited by none other than clarinettist and guitarist Alex Ward to be a key member of his groupings Item 4 and Item 10, impressive given Ward's eye for talented bandmates. She also formed her own foursome, the Charlotte Keeffe Quartet (CKQ) which gave a sell-out performance at the 2019 Lancaster Jazz Festival. With so much musical activity in her life, it is not surprising that this album, Right Here, Right Now — her second appearance on Martin Archer's Discus label — should be a compilation of nine tracks from 2016 to 2019 which include two solo pieces, one trumpet/guitar duo improvisation, three CKQ Keeffe-composed pieces and three LIO conductions; along the way, those tracks include milestones such as melodies and compositions Keeffe wrote as a teenager, her first freely improvised trumpet solo and her first LIO conduction.

In the wrong hands, such diversity could easily have become an incoherent pot pourri of contrasting, or even conflicting, styles. To the credit of Keeffe and the other musicians here, that does not happen. At root, the reason is clear and simple; Keeffe's own playing runs through the entire album like a golden thread, providing a clear reference point and a coherent vision. The message is plain and simple: Keeffe has arrived and she is going to be around for a very long time; yes, she is one to watch out for...



Charlotte Keeffe: Right Here, Right Now
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