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Anthony Braxton / James Fei:
Duet (Other Minds) 2021 (Other Minds)

Composed for a performance at the 2021 OM 25 Festival in San Fransisco between saxophonist & composer Anthony Braxton and saxophonist James Fei, "Composition 429" uses Braxton's new music system Lorraine, a combination of traditional notation and color-coded symbols of the composer's design to indicate specific sound types or performance techniques. ... Click to View


Alexander Schlippenbach von :
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Wild, nearly unprecedented and an exhilarating direction in European Free Improvisation heard in the 1st recordings from 1966 of pianist Alexander von Schlippenbach's Globe Unity band, a 14-piece ensemble that included young saxophonists Peter Brötzmann, Gerd Dudek & Kris Wanders, bassist Peter Kowald, bass clarinetist Willem Breuker, trumpeter Manfred Schoof, &c. ... Click to View


Alexander Schlippenbach von :
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Wild, nearly unprecedented and an exhilarating direction in European Free Improvisation heard in the 1st recordings from 1966 of pianist Alexander von Schlippenbach's Globe Unity band, a 14-piece ensemble that included young saxophonists Peter Brötzmann, Gerd Dudek & Kris Wanders, bassist Peter Kowald, bass clarinetist Willem Breuker, trumpeter Manfred Schoof, &c. ... Click to View


Devin Waldman Brahja / Hamid Drake:
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Evoking the spirit of a seance experienced by alto saxophonist Devin Brahja Waldman, the duo of Waldman and drummer Hamid Drake are captured live at Elastic Arts, in Chicago, beginning as a mysteriously delicate concert of intricately introspective playing and spiritual reflection, building to a free jazz drum & sax duo of powerful and enthusiastic release. ... Click to View


Aonghus McEvoy :
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Beautifully flowing acoustic avant folk under a diverse set of influences from the Dublin five-piece band led by acoustic and electric guitarist Aonghus McEvoy, with George Brennan on electronics, David Lacey on drums, Sean Maynard Smith on upright bass and Ailbhe Nic Oireachtaigh on viola, evolving their tracks from pastoral to edgy agitation or ecstatic drone. ... Click to View


Artur Malecki & The Creature Trio (w/ Chmiel / Aftyka):
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Widoki, Polish for Views, is the debut album of the free improvising trio of Artur Malecki on drums, Michal Aftyka on double bass & electric bass and Przemylaw Chmiel on tenor & soprano saxophones, performing seven compositions from drummer Malecki and one collective improvisation, a strong and wide-ranging set of recordings from a band with a fresh perspective on creative jazz. ... Click to View


Cyprien Busolini / Bertrand Gauguet:
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An album of intensive listening through concentrated improvisation from the long-running collaboration of French improvisers, Cyprien Busolini on viola and Bertrand Gauguet on alto saxophone, both using unfaltering techniques as they metamorphose their instruments from delicate silence to forceful tones, oscillating and vacillating across two extended improvisations. ... Click to View


Tragic Assembly:
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The Durham, NC free improvising trio of Crowmeat Bob on alto & tenor saxophones, clarinet & guitar, Phil Venable on double bass and Charles Chance on drums notch up their playing, with Crowmeat Bob performing on both reeds and electric guitar as the band explores breaking down the barrier between subconsciousness and expression through collective improv. ... Click to View


Tatsuya Nakatani / Kyle Motl:
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Innovative Japanese percussionist Tatsuya Nakatani met with bassist Kyle Motl (Peter Kuhn Trio) at Nakatani Kobo Studio, in New Mexico to record these two extended improvisations, the 1st creating an aural environment through ringing metal and bowed contrabass, the 2nd a set of agitated and disruptive interactions through incredible technical skill and expressive dialog. ... Click to View


Bun Itakura / Mishio Ogawa :
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A flowing twilight electro-jazz cover of the standard "Stardust" from Japanese guitarist Bun Itakura and vocalist Mishio Ogawa, expanding the melody and Ogawa's phrasing with encompassing electronics and percussion from Takefumi Kobayashi; backed with an experimental "Mystery Making Factory" using paint brush, harmonic tone guitar, and mbira. ... Click to View


River People (Bucher / Countryman / Alegre / Hori):
Sol Expression (ChapChap Records)

Evoking images of Indigenous Filipinos through free improvisation, with titles referencing the rivers, rains and environment that define them, the multi-national River People quartet of Christian Bucher on drums, Johnny Alegre on guitar, Tetsuro Hori on bass and Rick Countryman on alto saxophone are captured in the studio in Manila for seven superb collective conversations. ... Click to View


Sana Nagano:
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A superb chamber jazz trio from NY improviser and violinist Sana Nagano, with Karl Berger on piano & vibraphone and Billy Martin on drums & percussion, Nagano having a long history with each through Berger's Improvisers Orchestra and with Martin through Creative Music Studio, their connections evident in their articulately energetic and confident collective conversations. ... Click to View


Sana Nagano:
Anime Mundi [VINYL] (577 Records)

A superb chamber jazz trio from NY improviser and violinist Sana Nagano, with Karl Berger on piano & vibraphone and Billy Martin on drums & percussion, Nagano having a long history with each through Berger's Improvisers Orchestra and with Martin through Creative Music Studio, their connections evident in their articulately energetic and confident collective conversations. ... Click to View


Hal Russell / Joel Futterman:
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Late Chicago saxophonist, trumpeter & vibraphonist Hal Russell (NRG Ensemble) and legendary pianist Joel Futterman, also on curved soprano saxophone & Indian flue, are heard in the complete recordings from their two day concert for the victims of the 1992 Great Flood of the Chicago River, presenting a five part work of flowing free jazz force and currents of creative power. ... Click to View


Blue Lines Trio (Scheen / van der Weide / Hadow):
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The free swinging Dutch piano trio of Michiel Scheen on piano, Raoul van der Weide on contrabass, synthesizer & objects and George Hadow on drums, in a set of buoyant and ebullient improvisations, a mix of composed and collective works that bring together tradition and freedom, melody and abstraction, while clearly enjoying their playful approach to creative jazz. ... Click to View


Magnus Granberg :
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The 6 piece Tya Ensemble of string, piano, percussion and vibraphone performs Swedish composer Magnus Granberg's beautifully delicate and dusky work, conceived from historic and recent song structures and written so that individual parts also may be performed as solo pieces, as heard in an extended ensemble version and four solo and one duo configuration. ... Click to View


Alex Zethson:
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The Residy, or remains of a unique variation on JS Bach's Goldberg Variation no. 21, performed live by pianist Alex Zethson who maintains the structure, rhythmic movement and note order of Bach's composition, while dispersing the notes and intervals into two synths and an E-bowed grand piano to evoke these meditative and expansive interpretations. ... Click to View


Gareth Davis / Machinefabriek:
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Frequent collaborators Rutger Zyderveldt (Machinefabriek) and bass & contrabass clarinetist Gareth Davis join together for five "Standards" through electronics, synthetics and unorthodox reed work, transmuting their instruments as they create variations from a few notes, some of them "misremembered", from jazz and contemporary classical standards. ... Click to View


Amelia Cuni / Alex Mendizabal:
Stimmen Aus Himmel Und Holle (ANTS Records)

Translating to "Voices from Heaven and Hell", the meeting of two Berlin artists--Amelia Cuni, whose vocal work is described as in/voluntary singing; and Alex Mendizabal, a sound artist who here electronically manipulates the voice of Cuni--using texts from poet Erin Honeycutt as the two apply diverse, fascinating and sometimes unnerving approaches to voice, utterance and expression. ... Click to View


Various Artists:
Free Percussion/Water [CASSETTE w/ DOWNLOAD] (Tsss Tapes)

Demonstrating the striking diversity modern solo percussionists present, the Italian tape label TSSS Tapes compiles an international set of solo works from explorers Tim Daisy, Jeph Jerman, Ted Byrnes, Wojtek Kurek, Clinton Green, Rie Nakajima, Emilio Berne, Shakeeb Abu Hamdan, Lucie Nezri, Karen Willems, Paolo Sanna, Li Qing, Carlos Godinho, and Rodrigo Vieira. ... Click to View


Dreamstruck (Crispell / Fonda / Sorgen):
With Grace In Mind (Fundacja Sluchaj!)

Officially taking their group name from the title of their first album, The Dreamstruck trio of Marilyn Crispell on piano, Joe Fonda on bass and Harvey Sorgen on drums are heard in this innately lyrical and masterfully controlled, concise set of studio recordings, with compositions from each performer and two collective improvisations, a remarkable example of the modern piano trio. ... Click to View


Rempis / Reid / Abrams:
Allium (Aerophonic)

The second release from the Chicago chamber-oriented, collective free jazz trio of Dave Rempis on alto & tenor saxophone, Tomeka Reid on cello, and Joshua Abrams on bass, expanding on their highly concentrative and contemplative approach to group dialog, a powerfully assured and seemingly composed set of nine impeccable improvisations. ... Click to View


Seabrook / Cleaver / Cooper-Moore:
In The Swarm [VINYL] (Astral Spirits)

The second album from guitarist Brandon Seabrook's Trio with Gerald Cleaver on drums & pulsating & punctuating electronics, Cooper-Moore providing massive and unconvential bass sounds on his Diddley Bow, and Seabrook himself playing banjo in inexplicably rapid and staccato runs or electric guitar with eccentric effects; rip-roaring, sometimes surreal, absolutely superb! ... Click to View


Horace Silver Quintet:
Live New York, Revisited (ezz-thetics by Hat Hut Records Ltd)

Recorded around the time of his most famous records, Song For My Father and The Cape Verdean Blues, lyrical hard bop/Blue Note pianist and composer Horace Silver's band is heard live at The Half Note in NYC and at "The Cork & Bib" on Long Island with his spectacular band including trumpeters Carmell Jones & Woody Shaw and saxophonist Joe Henderson. ... Click to View


Lionel Hampton Orchestra 1958:
The Mess Is Here, Revisited (ezz-thetics by Hat Hut Records Ltd)

An influence on the next generation of small band and bop players, vibraphonist and Band Leader Lionel Hampton's programs included both crowd-pleasers and sophisticatedly complex sections, heard here in this 1958 studio recording from Stuttgart, Germany while touring Europe, Ghana and Israel with his exceptional band expanded by three German jazz musicians. ... Click to View


The Work:
The Worst of Everywhere [2 CDs] (Ultragash)

Originally released by Woof Records in 1982 on cassette, this double CD reissues an essential lo-fi document from The Work (Bill Gilonis, Mick Hobbs, Tim Hodgkinson and Rick Wilson) in live performances from gigs and rehearsals assembled in cut-up form, adding new pieces and expanding on others, joined at times by Catherine Jauniaux, Bob Ostertag, Chris Cutler, &c. ... Click to View


Christian Wolfarth :
39 / Part I - III (Hiddenbell Records)

39 tracks make up this compelling 3-part solo percussion work from Swiss improviser and composer Christian Wolfarth, using a game approach where some sequences are determined by the roll of a dice for note values, rest and tempo, Wolfarth performing on dead wood, a drum or 39 pine cones, augmented with recordings of stones, water, footsteps, church bells, &c. ... Click to View


David Ryan (Crosby / Innocenti / Lash):
Fields And Refrains (Aural Terrains)

A collection of three modified solo pieces and one collective performance with a minimalist aesthetic through compositions by David Ryan, performed by William Crosby on guitar, Luca Innocenti on church organ & Hammond organ and Dominic Lash on contrabass, each score allowing for interpretation and improvisation, particularly the final collaborative piece. ... Click to View


Sage Harlow J :
Variations Without A Theme (Drones Ongs) (Edition Wandelweiser Records)

Australian sound poet and vocalist Sage J Harlow aka Sage Pbbbt, whose innovative vocal work takes inspiration from Tuvan and Mongolian overtone singing and Inuit throat singing, created this mysterious set of electroacoustic compositions on the unceeded lands of the Whadjuk People of the Noongar Nation, developing four works of spellbinding spectral ambience. ... Click to View


Samuel Blaser:
7th Heaven (Between The Lines)

Based in New York at the time of this recording, Swiss trombonist and composer Samuel Blaser's quartet with Thomas Morgan on double bass, Gerald Cleaver on drums and Scott Dubois on guitar explore rhythmic and tonal approaches to improvisation, bridging modern compositional forms with traditional jazz in energetic playing of an engagingly relaxed mood. ... Click to View



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  Lance Austin Olsen & Barry Chabala 
  A field of wildflowers for our lost souls  
  (Roeba) 


  
   review by John Eyles
  2021-11-11
Lance Austin Olsen & Barry Chabala: A field of wildflowers for our lost souls (Roeba)

The enforced lockdown brought about by covid-19 led many musicians to release recordings, old or new, via Bandcamp as a source of income in the absence of live gigs at which they had previously been able to sell CDs directly to concertgoers. The lack of social contact also meant that many of the new recordings were created single-handed or via long-distance collaborations, with audio files being sent back and forth electronically. Together or separately, Canada's Lance Austin Olsen and New Jersey-born Barry Chabala are particularly productive in posting new recordings on Bandcamp via their own labels, Infrequency (Olsen with Jamie Drouin) and Roeba (Chabala). Both are active in a variety of small groups, so the two recording together as a duo had a certain inevitability about it. They first collaborated in a trio with Bruno Duplant, the resulting album, Dark Before Dawn, being released on Roeba, in October 2019; their first duo album Patterns for a Future Human was released on Roeba in May 2020.

A field of wildflowers for our lost souls is recognisably from the same source as Patterns for a Future Human as the two both comprise multi-layered sound collages, although the soundscapes on the new release do not feature the studio chat heard on the earlier one. In each case, Olsen seems to have been the driving force; for example, A field of wildflowers for our lost souls carries the credit "concept, text score and cover painting by Lance Austin Olsen." Among other things, Olsen said this of his score, "I imagined an entire field of wild seeds resting in the ground waiting for the change that would allow each one to pop through the ground at a slightly different moment with a slightly different sound, like an audio version of a colour field painting." Chabala himself said of Olsen, "His concepts run so deep that it's so easy to just get lost in there somewhere and just let music pour out."

The album comprises three tracks; "Fallow Earth" plays for under six minutes and features Olson alone playing amplified objects; "Seeding and Growing" plays for eleven-and-a-half minutes and has Olsen on amplified objects plus trainer guitar, and Chabala on guitar; "Growing and Blooming" has Chabala alone on guitar for thirteen-and-a-half minutes, making the total playing time thirty-one minutes. The album's relative brevity is not an issue as its three tracks complement one another and work well together as a coherent piece. There is a narrative arc to the music; opening with Olsen's harsh-edged sounds (representative of the chaos and grief of covid), the gradual introduction of guitar tones reduces the harshness and signals regeneration as seeds are sown and grow, culminating in the soothing harmony of Chabala's guitar as they grow and bloom. Music with a message, but a universal one rather than it being tied to particular events.



Lance Austin Olsen & Barry Chabala: A field of wildflowers for our lost souls
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