The Squid's Ear
Recently @ Squidco:

Rempis / Karayorgis / Heinemann / Harris:
Truss (Driff Records)

Three label leaders come together for this extraordinary 2023 concert at Elastic Arts in Chicago--Aerophonic's Dave Rempis on alto, tenor & baritone saxophones; Driff Records' Pandelis Karayorgis on piano; Amalgam Records' Bill Harris on drums--along with bassist Jakob Heinmann, this exceptional free jazz performance cementing the bond between Boston and Chicago with a hope for more! ... Click to View


Ensemble SuperMusique :
Musiques Emeraude (Ambiances Magnetiques)

An overview of Montreal's Ensemble Supermusique celebrating their 40th anniversary, drawing on works from founders Joane Hétu, Diane Labrosse, and Danielle Palardy Roger and their projects including Wondeur Brass, Les Poules, Justine, &c., realized by 40 instrumentalists in 8 groups of 3 to 8 players; masterful sophistication with a sense of humor and wonder — exceptionnelle! ... Click to View


Paul Paccione:
Distant Musics (Another Timbre)

Influenced by the New York School of composers (Cage, Feldman, &c.), composer Paul Paccione revisits and revises five of his compositions written 40 years prior, performed by a 10-piece configuration of London's Apartment House; beautifully contemplative pieces linked together through common threads, the momentum of individual moments absorbed by the presence of the larger work. ... Click to View


Birgit Ulher / Carol Genetti / Eric Leonardson:
Horizontal Shift (Amalgam)

An international electroacoustic improvising trio of German trumpet player Birgit Ulher, also on radio, speaker & objects, and two Chicago outside improvisers--Carol Genetti on voice & objects, and Eric Leonardson on his unique self-built instrument the springboard, objects & electronics-- heard in a live performance at Elastic Arts, in Chicago, Illinois in 2018. ... Click to View


Peter Evans Being & Becoming (Evans / Ross / Jozwiak / Ode):
Ars Memoria (More Is More)

The second album from New York trumpeter Peter Evan's band Being and Becoming stretches out his concepts in five extended works that dovetails superb contemporary jazz — integrating extended techniques and solid vibraphone work — with beautifully rich and explorative passages, masterfully performed with Joel Ross (vibes), Nick Jozwiak (bass) and Michael Shekwoaga (drums). ... Click to View


Peter Evans Being & Becoming (Evans / Ross / Jozwiak / Ode):
Ars Memoria [VINYL 180gm + DOWNLOAD] (More Is More)

The second album from New York trumpeter Peter Evan's band Being and Becoming stretches out his concepts in five extended works that dovetails superb contemporary jazz — integrating extended techniques and solid vibraphone work — with beautifully rich and explorative passages, masterfully performed with Joel Ross (vibes), Nick Jozwiak (bass) and Michael Shekwoaga (drums). ... Click to View


Ivo Perelman (Fowler / Workman / Cyrille):
Embracing the Unknown (Mahakala Music)

Recording with the legendary rhythm section of bassist Reggie Workman and drummer Andrew Cyrille, tenor saxophonist Ivo Perelman and stritch & saxello player Chad Fowler perfectly complement each other as they play off and complete each other's lines and phrases under the support of astute foundational support, an exemplary album of collective, cross-generational free improvisation. ... Click to View


Gregorio / Smith / Bryerton:
The Cold Arrow (Balance Point Acoustics)

The second trio release from clarinetist Guillermo Gregorio, double bassist Damon Smith and Jerome Bryerton on gongs, selected metal & cymbals (but no drums), in a sophisticated album of eight collective improvisations numbered as "The Planar Effect" and two Gregorio compositions, an absolutely impressive set that obscures the line between "spontaneous" and "composition". ... Click to View


Andre Duchesne:
Ch'val (Ambiances Magnetiques)

Montreal composer, guitarist and arranger Andre Duchesne developed the pieces on this solo album as a tribute to his sister Carole, "the one who dreamed of horses," who passed in 2010, his pieces incorporating elements of rock, improvisation and compositional forms, a sincere tribute developed by recording daily over a month as a virtual rock band of guitar, bass and drum programming. ... Click to View


Leap of Faith:
Resonance Energy (Evil Clown)

Joining the Boston duo Leap of Faith, the core duet of David Peck on reeds, percussion, the kitchen sink and everything in between, and Glynis Lomon on cello, aquasonic & voice, is bassist Scott Samenfeld from Turbulence Orchestra, drummer Jared Seabrook, and brass player John Fugarino, with Joel Simches capturing the recording and manipulating the stream in real time. ... Click to View


Neurodivergent:
Cosmic Collisions (Evil Clown)

A new ensemble emerging out of the Boston collective band Expanse with David Peck on reeds, percussion and innumerable instruments, Count Robot on voice & tapes, DNA Girl on guitars & mandolin, Tim Mungenast on guitar, and Michael Caglianone on reeds & winds, all adding percussion and electronics from the Evil Clown arsenal, exploring aspects of group improvisation. ... Click to View


Bill Harris:
MACRODOSE (Amalgam)

Combining acoustic drums, percussion and electronics, the third solo album from Chicago drummer Bill Harris delves deeper into the sonic aspects of his improvisations while providing them in discrete segments through eleven succinct recordings, a diverse set demonstrating unique approaches to rhythm and sound, enhanced on some pieces through studio techniques. ... Click to View


Dante Boon (Beuger / Boon / Elina / Holtkamp / Schuppe / Van der Ster):
Duos (Edition Wandelweiser Records)

A collection of works from pianist & composer Dante Boon in diverse duos and virtual duo compositions that reflect on John Cage's "inner clock" concept from "Two2", each of Boon's compositions directing the players through systems of notation and counting unique to each player, varying the rules of how the two players eventually synchronize their performances. ... Click to View


Joane Hetu / Ensemble SuperMusique:
Monnomest (Ambiances Jazz)

A fascinating work dedicated to improvising cellist Remy Belanger de Beauport written by Montreal composer Joane Hétu and performed by the large Ensemble SuperMusique with Jean Derome, Lori Freedman, Scott Thomson, Diane Labrosse, Danielle Palardy Roger, Pierre Tanguay, &c., commissioned and performed for the Ensemble's 40th anniversary and expanded for this studio edition. ... Click to View


Joelle Leandre / Pascal Contet:
Miniatures (Trost Records)

A collaboration that goes back 30 years, French improvising bassist Joëlle Léandre and avant accordionist Pascal Contet in their fifth album together, turning from their more typically extended conversations to a series of 10 "Miniatures", shorter and diverse dialogs recorded live in 2022 at the beautiful Arsenal Concert Hall in Metz, France. ... Click to View


Chad Fowler / Shanyse Strickland / Sana Nagano / Melanie Dyer / Ken Filiano / Anders Griffen:
Birdsong (Mahakala Music)

Highlighting the parallel to changes in birdsong in urban areas because of anthropogenic ambient noise, this diverse ensemble demonstrates the evolution of improv approaches through unique origins and backgrounds; with Chad Fowler (stritch, flute), Shanyse Strickland (French Horn), Sana Nagano (violin), Melanie Dyer (viola), Ken Filiano (bass) and Anders Griffen (drums). ... Click to View


Hal Russell NRG Ensemble:
The Hal Russell Story (ECM Records)

This 1996 recording of the Hal Russell NRG Ensemble of Mars Williams (reeds), Brian Sandstrom (bass, guitars, trumpets), Kent Kessler (bass, trombone) and Steve Hunt (drums & percussion) was recorded five week before Russell's passing, a wild parting gift of twenty succinct improvisations covering an incredible amount of territory with power, humor and amazing musical skill. ... Click to View


Ernesto Rodrigues / Dirk Serries / Joao Madeira / Jose Oliveira :
Dripping (Creative Sources)

One of the core Creative Sources trios of Ernesto Rodrigues on viola & crackle box, João Madeira on double bass and Jose Oliveira on percussion, is extended to a quartet with Netherland's New Wave of Jazz/Vidna Obmama archtop guitarist Dirk Serries, presenting the 9-part "Dripping" series of free chamber-oriented lowercase improvisation. ... Click to View


Friedl / Siewert:
Lichtung (KARLRECORDS)

Zeitkratzer director and pianist Reinhold Friedl meets with Martin Siewert (Radian, Fake the Facts, Dry Thrust) for three improvised explorations on piano, guitar and electronics, through the course of powerful transitions building from deep introspection into prickly, bellicose interaction, yielding to a brooding finale of subtle electronics and punctuation; profound. ... Click to View


Niels Lokkegaard Lyhne / Quatuor Bozzini:
Colliding Bubbles (Important Records)

Copenhagen composer Niels Lyhne Løkkegaard's long form work refers to units of compositional structure in systems of instruments, each a "bubble" that interacts and collides creating fluctuations, ruptures and tension release in an hypnotic sonic tapestry, performed by Montreal's Quatuor Bozzini on violins, viola, cellos and harmonica; mesmerizing. ... Click to View


Merzbow:
Cafe OTO [2 CDs] (Cold Spring Records)

A live and extended performance of brutal but shifting sonic assault performed before an appreciative audience at London's Cafe OTO in 2016, a solo performance from Japanese noise legend Masami Akita, AKA Merzbow, each of the 2 CDs in this set more than 50 minutes of tightly controlled electronic mayhem from the unremitting determination of one of the globe's masters of noise. ... Click to View


Charles Mingus:
Presents Charles Mingus To Pre Bird, Revisited (ezz-thetics by Hat Hut Records Ltd)

Three sides of Charles Mingus in this remastered reissue set: the 1961 Candid album Mingus Presents Mingus with the classic quartet of Eric Dolphy, Ted Curson and Dannie Richmond; then the Mercury release Pre-Bird from the same year, in ensembles performing the music of or influenced by Duke Ellington, along with the ambitious and brilliant through-composed work, "Half Mast Inhibition". ... Click to View


Franz Koglmann:
Near Blue - A Taste of Melancholy (ezz-thetics by Hat Hut Records Ltd)

Presented in two versions--a stereo mix and a binaural mix for headphones--flugelhorn improviser and composer Franz Koglmann leads his septet of exceptional players through 10 original Koglmann compositions, sophisticated works that show influences from Ellington to Franz Joseph Haydn or Johann Strauss, in pieces influenced by or tipping the hat to modern artists, musicians and writers. ... Click to View


Nikolaus Gerszewski :
3 Works For Strings, Giusto Chamber Orchestra (ezz-thetics by Hat Hut Records Ltd)

Giusto Chamber Orchestra performs three works for twelve strings by German composer and visual artist Nikolaus Gerszewski, whose music of shifting pitches, vibrations and volumes--compared with experimental sound & noise work--is influenced by composers Radulescu and Dumitrescu's spectral music, James Tenney's "swell form" and Cornelius Cardew's graphic scores. ... Click to View


Void Patrol (Sharp / Stetson / Martin / MacDonald):
Live @ Victo (Victo)

A wild and adventurous concert and one of the highlights of the 39th Festival International de Musique Actuelle de Victoriaville from the electric improvising quartet of Elliott Sharp on electric guitar & electronics, Colin Stetson on bass, alto & tenor saxophones, Billy Martin on drums & percussion and Payton Macdonald on marimba, vibraphone & African xylophone. ... Click to View


Federico Ughi (w / Leo Genovese / Brandon Lopez):
Infinite Cosmos Calling You You You, Vol. 1 (577 Records)

The first album under 577 label leader and drummer Federico Ughi's name in five years brings together the incredible bass skills of Brandon Lopez and expansive Argentinean keyboard sonics of Leo Genovese, the first of two planned volumes recorded in the studio for a boundary-less album of acoustic and electric improv influenced by the music and philosophy of Sun Ra. ... Click to View


Federico Ughi (w / Leo Genovese / Brandon Lopez):
Infinite Cosmos Calling You You You, Vol. 1 [VINYL] (577 Records)

The first album under 577 label leader and drummer Federico Ughi's name in five years brings together the incredible bass skills of Brandon Lopez and expansive Argentinean keyboard sonics of Leo Genovese, the first of two planned volumes recorded in the studio for a boundary-less album of acoustic and electric improv influenced by the music and philosophy of Sun Ra. ... Click to View


Sven-Ake Johansson / Alexander Von Schlippenbach:
uber Ursache und Wirkung der Meinungsverschiedenheiten beim Turmbau zu Babel [VINYL 2 LPs & PAL DVD] (Trost Records)

Documenting the 1994 avant music drama composed by pianist Alexander von Schlippenbach and accordionist Sven-Ake Johansson, uber Ursache und Wirkung der Meinungsverschiedenheiten beim Turmbau zu Babel (on the cause and effect of the disagreements over the building of the Tower of Babel) through a double LP, DVD, libretto and 16-page booklet in a solid box set. ... Click to View


Musicworks:
#147 Winter 2024 [MAGAZINE + CD] (Musicworks)

Winter 2024 issue of Canada's premiere new music magazine, with Saxophonist Andrew MacKelvie on the cover; plus features on Indonesia's Music Subculture; Sonny-Ray Day Ride; Solidaridad Tango; A History of the Canadian Electronic Ensemble; plus album reviews, essays and a CD of tracks from artists covered in the magazine. ... Click to View


Witches & Devils (Williams / Vandermark / Lonberg-Holm):
At the Empty Bottle (Knitting Factory Works)

Before his ecstatic Xmas series, An Ayler Xmas, Chicago saxophonist Mars Williams led the Witches & Devils quintet of Mars Williams on reeds, Ken Vandermark on reeds, Jim Baker on keyboards, Fred Lonberg-Holm on cello and Kent Kessler on bass, an incredible and passionate free jazz group paying tribute to the music of Albert Ayler, heard live at The Empty Bottle in 1997. ... Click to View



  •  •  •     Join Our Mailing List!



The Squid's Ear
Facebook: Squidco Sales

Travelogue


  James Pugliese's Travelogue  

Writing in Napoli 9/21/03

Well this keyboard is a little easier than the ones in Paris. Someday I’ll make a coffee table book of all the Internet Cafes in the world.

9/14/03
So we arrive in Venezia, nice chat with Sim Caine on the plane. Everyone is going to La Biennale. Zeena and Elliot arrive just before us and Mark Stewart was also on our plane. I’m here with Elliot Sharp’s Carbon. We get on a boat taxi to go to the hotel. Quite a ride, choppy and high volume. Of course Aunt Dolores calls my cell while we are on the boat. My first Italian cell call. I am very excited to have my own Italian phone number. The phone is in my pocket ringing and it takes a while for me to recognize that it is my phone. I am tired, no sleep so I’m not quite ready to discuss my plans for the day. Aunt Dolores is tuff, she wants information and I don’t have any. Here I am in Venezia yelling back and forth on my mobile with Aunt Dolores. A true Napolitano. I ask her if she can call me back at 5pm. What is my family doing in Venezia? Touring Italia. I promised to meet them here and it has to be today.

I get to the hotel take a nice shower then a great walk. Finally at around 5pm I wander over to Piazza San Marco where I know the family is wandering. Know that I am giving up a great dinner with Massimo Ungari, an old friend and big promoter in Venezia who always takes us to great restaurants. I get the big call and Aunt Dolores is yelling at me. She needs information and I better have it! Not only did I have it I was showered, suit jacket, fine haircut, feeling good and I had a plan. I chose the spot where we would meet and we did. We proceeded to have full blown, in your face, tourist fun. They had great stories about their trip to Castelanova di Conza (more on this later).

9/15/03
After a good sleep, next day, we rehearse and perform. Met old and new friends. Great food and great performing. You can’t go wrong when the band is Elliot, Zeena, Sim and myself. What fun. It was so late after the concert that we had to have the after-party in my room. Everyone else had small rooms with no light. Jim Pugliese gets big room with large windows overlooking the water. Elliot claims prejudice toward non-Italians, I agree. Tomorrow I am on my way to Napoli to meet with Marco Capelli (great guitarist) and also to visit the village where my grandparents were born. In conversation Elliot tells me that Max Neuhaus lives on the Island of Capri and that he can hook me up with him. As a young drummer/percussionist I idealized Max. His recording of Stockhausen’s Zyklus blew me away and is one of the reasons that I got into this avant thing.

9/16/03
I can’t believe that I’ve never been to Napoli. Napoli is fine. Difficult to describe but kind of what you would imagine old New York was around the turn of the century. A mix of new and old buildings, stray dogs everywhere, melting pot of the world and exciting. This is the central train station so I'll find more after wandering today. I could definately live here because the energy is incredible!! It's flooded with passion and petty con crime and street vendors like you've never imagined. In Rome you have the old stuff mixed with new and here the old stuff is kind of static, not changing, and I mean culturally not physically.

9/17/03
Yesterday walking along the Gulf of Napoli I've never seen the sky so blue or the sun so bright, hot sun healing sun, cool breeze off the water. Boats leave from here going to Greece, Tunisia, Corsica, Sicily, wow, the sun melts my brain dripping romance into my heart then my blood.

Last night, riding on the back of Marco's Vespa, stopping here, stopping there, red lights disappear, pedestrians, cars, vespas all become one big flow. The only laws are natural and they work perfectly together. Amazing Neopolitan dinner and then to a small quiet piazza. Every building a different color and in the middle an ancient church where on Friday Sept. 19th the miracle of San Genero will take place as it does every year on this date. His hardened blood will turn to liquid and thousands will come to see.

Now the moon is shinning brightly on the piazza and I'm sipping grappa with Marco and some newfound friends, musicians, architectural historian, lawyer and again I smile. Tomorrow I rented a car and I will drive to Castelanova di Conza.

Jim Pugliese - Cemetery
9/19/03
I just returned from Castelnuovo di Conza the village where my paternal grandparents were born. I left very early this morning and the ride was fantastic.

The view is spectacular. It literally sits on top of a peak surrounded by cliffs. I looked around and yes everything looked completely modern. This scared me a little. Because of the devastating earthquake that occurred in 1980. Some of my relatives were killed. When I got there no one was around. Empty! No shops, things still being built, shutters mostly closed. I saw a sign for the cemetary and Centro Storica so I headed up there.

I knew Guiseppina (my grandmothers cousin’s daughter) lived by the cemetary. I pass the municipal building on the way up. The sun is hot and still no one around. I go to the cemetary and there's lots of new marble and stones. Just a few old ones which scared me even more. A lot was lost in the quake. The last names on the stones read like my high school year book. There was one very old crypt. I could see inside and there were stacks of ancient coffins with no bodies and a lot of votive candles. Uprooted from the quake? Chills! I snap pictures of the Puglieses and the Annichiarricos, say a prayer and leave. I feel my body transforming in some weird way, floating, losing my senses. For some reason I began to walk back down the hill to the car as though I was going to leave. I had only been there an hour or so. I could't imagine meeting or speaking to anyone at this point. I arrived at the car and was just about to get in when Centro Storica flashed through my mind. I looked back up to the very top of the hill and saw crumpled stone or some kind of ruins at the top. I turned and went back up. I reached the top and heard two men talking softly. They were standing at the very peak of the hill up a set of earthquaked stairs and crumpled stone. I was a little scared to go up so I walked ahead just below them along an older, abandoned building separated by the quake sitting on a clilff.

Finally I got up the nerve to walk up the stairs. I greeted the two men and they returned the greeting. They seemed to be in a pensive mood. One of them asked what I was doing there. I asked if they speak English and they say no. My Italian is much better now so I was able to tell them that I am Jim Pugliese and that my grandparents were from Castelnuovo. They asked for their names and I told them Emiddio and Rachela.

One of them said “ah si”, looked to the other signore and said "Donato". The other man said “si si”. I asked about the quake. One of the men, Michele, was dressed nicely and seemed to be somewhat well-to-do. The other was "The Padre" and what they were staring at and talking about was a bunch of crumpled stones that were once the The Padre's church. November 19th 1980, 87 people died and every house, every building in this town collapsed. Only a handful were re-built, the rest of the village is brand new. Michele wanted to know where my grandparents house was.

I said that I didn't know. He said that he would show me pictures of the quake.

Michele, The Padre and myself got into Michele's car and were about to drive away when someone called, "Michele!"

" Ah Louie ho un Americano in la machhina," ("I have an American in my car.")

"Americano? Chi eh?" ("Who is it?")

"Pugliese"

"Pugliese! AH!"

Louie Grasso came up and introduced himself. He lived in Bellvelle and Bloomfield, NJ for a while and spoke English fairly well. Now the fun began.

Jim Pugliese & Mayor
[Jim Pugliese & The Major]
Louie is the former Major (mayor) of Castelanuovo. He got into Michele's car and now Michele, The Padre, Louie and I headed to the Municipal Building. I was going to meet the major, the head of the Polizia and Louie's brother who was in charge of the archives. Before I knew it I was in the building and Louie was introducing me to everyone. As he introduced me one by one they all followed us upstairs and talked about Lorenzo and Donato and Vincenzo and the earthquake. Louie's cousin went into one room and started looking through documents, meantime we all went to the Major's office. I had started a riot. All of the official pictures of the quake were spread out on the mayor's desk and everyone was yelling at each other. Lots of different arguments about who my relatives were. Then the picture of the church came up, taken just after the quake. The only thing left standing is an arched doorway with no door and directly in the middle of the arch standing straight up was a statue of the Madonna. They began yelling at each other about what happened to the Madonna. No one knew where it was. Meantime Louie's cousin was trying to Xerox birth records of my family on this old machine and Louie was trying to cut them on a paper cutter after they were xeroxed.

None of this was working of course. By now there were 10 or 12 people in the office all talking and yelling about different things. True Napolitanos.

Finally things calmed down and they took a picture of me with the Major under the official Coat of Arms of Castelnuovo. Louie said, "Adesso andiamo vedere Donato Pugliese." ("Now we go to see Donato."). I asked if we were related and he said of course, his father and my grandfather were first cousins. I said that no one knows about him. He said that is because he lived in Switzerland for many years and just returned 7 years ago.

So again Michele, The Padre, Louie and I got into the car and drive just around the corner. There was this beautiful little man with a trowel and some mud building this beautiful wall. Louie shouted from the window, "Eh, Pugliese I have a Pugliese from America here." Donato was a little startled. I got out of the car and introduced myself. I explained who I was and he told me stories about how my grandfather used to send money to his father and to Guiseppina from America. Louie said that Donato is a good man. Donato had heard through the grapevine that Dolores was here and he felt bad that they didn't try to find him. I explained that they didn't know about him. I asked if we could go to see Guiseppina. They all simultaneously made the sign of the cross and said "No!" Apparently she has lost her mind. Donato asked if I could stay for a few days, and that he had a house I could stay in. I said that I had to get the car back to Napoli tonight and we agreed that the next time I would come with my family and stay. He gave me his address and phone. After taking a picture with Donato, The Padre, Michele and Louie looked on as we hugged each other and kissed each other hard on both cheeks and tears ran down both of our eyes. I cried hard all the way down the mountain but it was a good cry, and now I physically understand "family."

Well, tomorrow back to New York. I guess there wasn’t much about music in all of these writings, but then again maybe there was.



The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
independent writers.

Squidco

Recent Selections @ Squidco:


Ensemble SuperMusique :
Musiques Emeraude
(Ambiances Magnetiques)



Rempis /
Karayorgis /
Heinemann /
Harris:
Truss
(Driff Records)



Paul Paccione:
Distant Musics
(Another Timbre)



Peter Evans
Being & Becoming (
Evans /
Ross /
Jozwiak /
Ode):
Ars Memoria
(More Is More)



Gregorio /
Smith /
Bryerton:
The Cold Arrow
(Balance Point Acoustics)



Michel Banabila /
Stijn Huwels /
Cok Van Vuuren :
One Moment
In Time
[CASSETTE]
(Tapu Records)



Chad Fowler /
Shanyse Strickland /
Sana Nagano /
Melanie Dyer /
Ken Filiano /
Anders Griffen:
Birdsong
(Mahakala Music)



Joane Hetu /
Ensemble SuperMusique:
Monnomest
(Ambiances Jazz)



Niels Lokkegaard Lyhne /
Quatuor Bozzini:
Colliding Bubbles
(Important Records)



Friedl /
Siewert:
Lichtung
(KARLRECORDS)



Joelle Leandre /
Pascal Contet:
Miniatures
(Trost Records)



Federico Ughi (
w /
Leo Genovese /
Brandon Lopez):
Infinite Cosmos Calling
You You You,
Vol. 1
(577 Records)



Sven-Ake Johansson /
Alexander Von Schlippenbach:
uber Ursache und
Wirkung der
Meinungsverschiedenheiten
beim Turmbau zu Babel
[VINYL 2 LPs & PAL DVD]
(Trost Records)



Charles Mingus:
Presents Charles Mingus
To
Pre Bird,
Revisited
(ezz-thetics by
Hat Hut Records
Ltd)



Franz Koglmann:
Near Blue -
A Taste of Melancholy
(ezz-thetics by
Hat Hut Records
Ltd)



Void Patrol (
Sharp /
Stetson /
Martin /
MacDonald):
Live @ Victo
(Victo)



Peter Brotzmann /
Paal Nilssen-Love:
Chicken Shit Bingo
(Trost Records)



Jean Derome:
La Chaleur De La Pensee
(Ambiances Magnetiques)



Giuseppe Doronzo /
Andy Moor /
Frank Rosaly:
Futuro Ancestrale
(Clean Feed)







Squidco
Click here to
advertise with
The Squid's Ear






The Squid's Ear pays its writers.
Interested in becoming a reviewer?




The Squid's Ear is the companion magazine to the online music shop Squidco !


  Copyright © Squidco. All rights reserved. Trademarks. (32637)