The Squid's Ear
Recently @ Squidco:

John Butcher / John Edwards:
This Is Not Speculation (Listen! Foundation (Fundacja Sluchaj!))

A remarkable live recording from Einstein Kultur in Munich, reuniting British free improvisation masters John Butcher on saxophones and John Edwards on double bass in four expansive, detailed, and often breathtaking duets, exploring abstract soundscapes with razor-sharp interplay, extended techniques, and an uncompromising sense of sonic exploration. ... Click to View


Jerome Deupree / Sylvie Courvoisier / Lester St. Louis / Joe Morris:
Canyon [2 CDs] (Listen! Foundation (Fundacja Sluchaj!))

Recorded at Firehouse 12 Studios, Canyon brings together four exceptional improvisers — drummer Jerome Deupree, pianist Sylvie Courvoisier, bassist Joe Morris, and cellist Lester St. Louis — for a double album of fluid, high-stakes interaction, balancing volatility and restraint as they carve out richly detailed sonic terrain with spontaneous precision. ... Click to View


Izumi Kimura / Lina Andonovska / Dominique Pifarely:
Seven Dreams (Listen! Foundation (Fundacja Sluchaj!))

Recorded live at Dublin's National Concert Hall, the trio of Izumi Kimura (piano), Lina Andonovska (flutes), and Dominique Pifarély (violin) weave a poetic and deeply intuitive improvisational performance, blending extended techniques and refined sensitivity into a dreamlike suite of tactile, intimate, and emotionally resonant sound worlds. ... Click to View


Lava Quartet feat. Almut Kuhne / Jordina Milla / Goncalo Almeida / Wieland Moller:
Ethereal Chant (Listen! Foundation (Fundacja Sluchaj!))

The debut from the international Lava Quartet — Almut Kühne (voice), Jordina Milla (piano), Gonçalo Almeida (bass), and Wieland Möller (percussion) — capturing the ensemble's dynamic interplay and fearless improvisation across two European venues, blending extended techniques, expressive freedom, and unconventional sonic textures in a deeply creative and spontaneous journey. ... Click to View


Joe McPhee / Susanna Gartmayer / John Edwards / Maria Portugal:
Monster (Klanggalerie)

Recorded live at the 2023 Music Unlimited Festival in Wels, Austria, this powerhouse quartet of Joe McPhee, Susanna Gartmayer, John Edwards, and Maria Portugal delivers an electrifying set of spontaneous composition, blending fierce improvisation, commanding technique, and bold interplay in a dynamic performance brimming with vitality and creative approaches to improv. ... Click to View


Kim Jae Jung:
Shamanism (Relative Pitch)

A powerful and ritualistic session from South Korea's free improvisation scene, with tenor and soprano saxophones (Jung-Jae Kim & Sunjae Lee) and dual drum kits (Junyoung Song & Sunki Kim) channeling ancestral Korean shamanic ceremony through raw, primal energy, breath-driven phrasing, and a spiritual aesthetic that bridges indigenous tradition and contemporary free jazz expression. ... Click to View


Signe Emmeluth / Ingebrigt Haker-Flaten / Axel Filip:
Hyperboreal Trio (Relative Pitch)

Drawing on deep collaborative history and shared risk-taking instincts, the trio of alto saxophonist Signe Emmeluth, bassist Ingebrigt Håker Flaten, and drummer Axel Filip deliver a debut of fierce, textural improvisation, recorded in Trondheim and shaped by dynamic interplay, shifting atmospheres, and a fearless drive to chart new sonic terrain. ... Click to View


Amy Cimini:
See You When I Get There (Relative Pitch)

The first solo album from West Coast violist Amy Cimini, blending amplified distortion, percussive textures, and spacious effects into a deeply personal and genre-blurring performance that channels experimental noise, tuneful abstraction, and the spirit of feminist rock and protest music into a resonant and evocative sonic journey. ... Click to View


Makoto Kawashima :
arteria (Relative Pitch)

A wild solo performance recorded at GOKsound in Tokyo by Japanese alto saxophonist Makoto Kawashima, whose intense and introspective improvisations balance fierce tonal expression with fragile silences, drawing from the lineage of Abe and Shiraishi while establishing his own haunting and highly individual voice in the realm of free improvisation. ... Click to View


Marco Eneidi Quintet (w / Johnston / Finkbelner / Smith / Anderson):
Wheat Fields of Kleylehof (Balance Point Acoustics)

A fiery and tightly woven 2004 quintet session led by alto saxophonist and composer Marco Eneidi, recorded before his move to Europe, with trumpeter Darren Johnston, guitarist John Finkbeiner, bassist Damon Smith, and drummer Vijay Anderson performing dynamic, sharply articulated compositions that balance exuberant improvisation with finely honed structure. ... Click to View


Eric Shorter:
Shorter Bendian Shields (577 Records)

A dynamic debut from multi-talented saxophonist Eric Shorter, joined by pianist David Shields and percussionist Gregg Bendian in a spirited trio session that replaces the traditional bass role with open, aleatoric freedom, creating an engaging interplay of spontaneous composition, expressive lyricism, and inventive harmonic exploration. ... Click to View


Ernesto Rodrigues / Ana Albino / Hernani Faustino / Carlos Santos:
A Glimpse To An End Of A Cycle (Creative Sources)

Recorded live in Lisbon in 2025, this quietly immersive quartet session from Ernesto Rodrigues, Ana Albino, Hernani Faustino, and Carlos Santos unfolds as a single extended movement of enigmatic timbral interplay, blending modular synth, electric guitar, viola and bass in a sparse, introspective soundscape shaped by mystery, fluidity, and subtle dynamic shifts. ... Click to View


Paula Sanchez:
Pressure Sensitive (Relative Pitch)

Recorded in Switzerland in 2021, Argentinian cellist and interdisciplinary artist Paula Sanchez pushes the cello to its sonic limits through six radical performances that merge acoustic and processed sound, combining cello, cellophane, and ring modulation to evoke a visceral, poetic, and at times merciless exploration of embodied sound and ephemeral transformation. ... Click to View


Camila Nebbia / Kit Downes / Andrew Lisle:
Exhaust (Relative Pitch)

Recorded live in Berlin, the debut from Camila Nebbia's working trio with Kit Downes and Andrew Lisle captures six dynamic, unrestrained pieces that navigate shifting textures and rhythms, fractured lyricism, and tightly woven interplay, avoiding individual soloing as the group explores contrast and transformation through raw energy, deep listening, and collective momentum. ... Click to View


Le Vice Anglais (Pires / Parrinha):
vas-y (4DaRecord)

A fiercely expressive debut from Portuguese duo Ricardo Guerra Pires and Bruno Parrinha, blending electric guitar, alto saxophone, subtle electronics, and noise-infused improvisation into a raw yet controlled exploration of sonic extremes, channeling the spirit of free jazz, punk energy, and avant-garde texture into six powerful and provocative pieces. ... Click to View


Marc Baron / Eric La Casa:
Contrefacons (Swarming)

Exploring the fragility of recorded memory and the processes of cinematic restoration, Marc Baron and Eric La Casa capture, manipulate, and recontextualize sounds from the Hiventy film laboratories, transforming them through analogue treatments and dynamic re-recording into a compelling meditation on representation, decay, and the shifting nature of perception. ... Click to View


Francisco Lopez :
Untitled (2021-2022) [2 CDs] (Bu Lang Tribute Cake)

A double CD of composed environmental sound works from Francisco López, assembling raw field recordings from locations including Tenerife, Eswatini, Israel, Georgia, Chile, and the southwestern USA, along with a film soundtrack and a collaboration with Felipe Otondo, creating immersive, abstract electroacoustic pieces with intentional silences and textural extremes. ... Click to View


Eventless Plot | Haarvol:
The Subliminal Paths [CASSETTE + DOWNLOAD] (Innovo Editions)

An intimate, restrained electroacoustic collaboration between Eventless Plot and Haarvöl, unfolding in two extended, meditative movements that explore a nuanced dialogue between piano, field recordings, tapes, and electronic expression, gradually revealing layered sonic detail and immersive depth through spacious, dramatic momentum. ... Click to View


Eternities:
Rides Again [CASSETTE] (Sacred Realism)

The duo of Katie Porter on bass clarinet and Bob Bellerue on electronics, zither, and feedback create rich, multidimensional drones through live performance, blending harmonic wind tones with resonant feedback and overtone manipulation in two expansive recordings from Berlin and NYC that explore the porous boundary between intention and indeterminacy. ... Click to View


Elka Bong (Margolis / Wright / Bouchard):
Without Walls (Love Earth Music)

Integrating live coding, field recordings, IFM synthesis, and an array of electroacoustic instrumentation, the trio of Al Margolis, Walter Wright, and Sara Bouchard craft an unbounded and exploratory work that embraces technological transformation and sensory disruption, channeling Marshall McLuhan's insights into a richly layered and prophetic sonic landscape. ... Click to View


Karl Evangelista Quintet feat. Bobby Bradford and William Roper:
Solace Angles (Asian Improv)

A heartfelt tribute to Los Angeles and its resilient creative community, guitarist Karl Evangelista leads a stellar quintet with Bobby Bradford on cornet and William Roper on tuba, blending both lyrical and eclectic improvisation, deep-rooted West Coast traditions, and a spirit of resistance into an evocative and deeply personal album that honors place, legacy, and the power of collective expression. ... Click to View


Sleep Of Reason Produces Monsters, The (Rasmussen / Mitelli / Rezaei / Koenig):
The Sleep Of Reason Produces Monsters (Corbett vs. Dempsey)

An electrifying session of genre-defying free improvisation from the international quartet of Gabriele Mitelli (trumpet & electronics), Mette Rasmussen (sax), Mariam Rezaei (turntables), and Lukas Koenig (drums & bass synth), delivering an explosive, high-energy album that blurs the lines between noise, jazz, and avant-electronic intensity with visceral spontaneity and tightly channeled chaos. ... Click to View


Akmee:
Sacrum Profanum (Nakama Records)

Recorded in Oslo's Toyen Kirke, this spiritually resonant second album from the Norwegian quartet Akmee explores acoustic possibilities with lyrical counterpoint, trance-like repetition, and intuitive improvisation, as trumpeter Erik Kimestad Pedersen, pianist Kjetil Jerve, bassist Erlend Olderskog Albertsen, and drummer Andreas Wildhagen stretch melody and rhythm into expressive, otherworldly forms. ... Click to View


Ernesto Rodrigues / Guilherme Rodrigues / Maximilian Glass:
Beyond The Mist And The Unforeseen Encounters (Creative Sources)

An intimate, texturally rich trio session recorded in Berlin between Ernesto Rodrigues on viola & crackle box, Guilherme Rodrigues on cello, and Maximilian Glass on percussion, navigating misty lowercase atmospheres, glitch-box coloration, and finely balanced interactions that unveil subtle surprise and collective improvisation within a tight, exploratory sound world. ... Click to View


Sveio:
Latent Imprints (577 Records)

A fascinating exploration of human-machine collaboration from UK trio Sveio — James Mainwaring on saxophone, Federico Reuben on laptop improvisation and live coding, and Emil Karlsen on drums — using AI in real-time to generate uncanny textures and forms, resulting in a spontaneously composed and constantly evolving electroacoustic sound world. ... Click to View


Kommun:
Kalpa (thanatosis produktion)

Expanding to a sextet, Swedish guitarist Finn Loxbo's Kommun deepens its exploration of cyclical time and collective improvisation, weaving acoustic steel-string guitar, piano, strings, and percussion into evolving, harmonically rich phrases that merge individual lines into fluid, slow-burning forms — meditative, intricate, and poised between structure and dissolution. ... Click to View


Various Artists:
Archipelago (Bathysphere Records)

A benefit compilation in support of marine restoration through ORAI, this diverse collection features 13 experimental and ambient works — including evocative soundscapes by Scott Solter, Cristina Cano, and others — each track a donation from artists celebrating the sea’s mystery, fragility, and power through deeply personal sonic reflections. ... Click to View


Mat Watson:
Reflective Hits (Eternal Music Projects)

Extracted from archival sessions at Imaginary Sound Fields in Melbourne, Australian synthesist Mat Watson assembles a limited-edition set of vivid modular compositions — ranging from library-inspired cues to exploratory electronic abstractions — capturing the tactile nuance of a Eurorack modular as he sculpts asymmetrical, colorful soundscapes that blur nostalgia, experimentation, and inner space. ... Click to View


Unredeemable (Tracy Lisk / Andrea Pensado):
Preverbal (Love Earth Music)

A dynamic, spontaneous duo collaboration by percussionist Tracy-Lisk and multi-disciplinary performer Andrea-Pensado, this LEM-347 release unfolds through drumming, cymbal washes, voice and live electronics into a fluid, improvisatory dialogue that balances rhythmic sensitivity and textural exploration within an intimate, acutely reactive sound world. ... Click to View


+DOG+:
Our Beloved..... (Love Earth Music)

A fierce and immersive set of three extended noise pieces from the six-member experimental collective of Steve Davis, Bobby Almon, Chuck Foster, Edward Giles, LOB, and Mackenzie Kourie, recorded in multiple locations, blending dense textures, static-laced improvisation, and electroacoustic intensity into a raw and unapologetically visceral listening experience. ... Click to View



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The Squid's Ear
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The Bottom Shelf is where artists keep the records in their collections that they might not want you to see. Revealing early influences, unusual appetites or just guilty pleasures, we offer a peek at the shelves of some of our favorite musicians.

Gary Lucas' Bottom Shelf

credit: André Grossmann
One record I used to listen to frequently (well, semi-regularly) on acid whilst in high school I only recently found out was by the one and only Raymond Scott--it's a 78 rpm kiddie record entitled Rocket to the Moon, and it is the most delightful sort of demented take on '50s sci-fi, with narration, a vocal chorus, and honest-to-God actual lyrics like "Rocket Awaaaay! Rocket Awaaay! By Rocket to the Moon! In just 6 minutes, the Earth behind us, looks like a giant ballooooon!". Plus a tootling saxophone that reminds me of some of John Zorn's contributions on my Jewish kiddie album Busy Being Born. Fantastic stuff, I still laugh my ass off at the thought of this record and have been pestering Raymond Scott/outsider music maven Irwin Chusid for a cdr of it to play for Rockette Morton at the upcoming Magic Band reunion rehearsals/recording out in the Mojave Desert.

Also in this vein, here's one I gave to Zorn as a gift after he invited me and Walter Horn to play The Golem at his first Radical Jewish Culture fest in Munich in summer 1992 - the one and only Beat of the Traps, that collection of "Send us your money and we'll put your lyrics to music" studio demos compilation that one of the guys from NRBQ put together, featuring the golden pipes and way-off-the-wall arrangement sensibilities of Rod Keith (Ellery Eskelin's dad!). Zorn later put out more of this stuff out on Tzadik on a thing called "I Died Today"; let us just say, I was the first to inflict this shit on him. "Do You Know the Difference between Big Wood and Brush?" is my fave cut and boasts one of the greatoff-the-cuff anti-Semitic throwaway lyrics ever ("Jew came along /got into the house/got his clothes and was g one") describing a cheating Jewish adulterer (ahem...). The most p otent remedy for depression I know.

The coolest electronica album I've ever heard was the Electrosoniks Electronic Music album on Phillips from 1960 or thereabouts. It's actually by a sadly deceased Dutch avant composer named Tom Dissevelt and his partner Kid Balkan (actually Dick Rajmakkers), and is an extremely dense, erotic, tuneful, avant/pop mixture of tape-manipulated musique concréte, some normal instrumentation (Willem Breuker told me he did an arrangement for jazz band and electronic tape on this; probably "Twilight Ozone"), ring modulators and electronic keyboards. Bits and pieces floated up for years as background music on various '60s regional and national TV programs (Chiller Theater- type shows - and I even once heard a cue from this album on Red Skelton's program!). Fantastic action-painting album cover, probably by Karl Appel. If you loved the "White Noise" album (David Voorhaus), you'll adore this. I used it for years on Halloween mix tapes, which Walter Horn and I played back hiding over the front doorstep of my house in Syracuse to astonish trick or treaters. Best cut: "The Ray Makers". Basta are supposed to be releasing a Tom Dissevelt compilation album later this year, and it's about fucking time.

Arch Oboler's Drop Dead album (Capitol) was the source of Bill Cosby's "Chicken Heart" routine, herein not played for laughs. A collection of eldritch and horrific spoken word tales, done in Oboler's infamous "Lights Out!" radio-play style (think Suspense - anyone here old enough to remember that one? Was on the Mutual Broadcasting System for years through the mid-60's.). Arch Oboler invented 3-D (check out "Bwana Devil"). He schooled and employed fabulous voices in his radio productions like Mercedes McCa mbridge (the voice of Linda Blair in "The Exorcist") and Hal Peary ("The Great Gilder slee ve"-- here featured in the role of an avenging cuckolded dentis t who drills a hole in the head of a patient he knows has been cheating on his wife). Another good 'un for Halloween (or Walpurgisnacht).

< p> Alfred E. Neumann's "She Got a Nose Job" is a cardboard flexi-disc that was included as a free Mad Magazine giveaway around 1962. Later compiled on the Mad vinyl album compilation they put out a year later ("Mad 'Twists' Rock 'n Roll"), to capitalize on the dance craze 'o the day with more cheesy greasy rock 50's rock-type filler and snide lyrics (sample: "She got a nose job/She got a nose job/ It's now turned up/ instead of hangin' down/ She got a nose job/ She got a nose job/ and now she's the prettiest gal in town!"). In a vocal arrangement reminiscent of The Ravens, with a great basso profundo intoning "Nose Job!" ever now and then. But most likely, an Italian doo-wop group. Righteous, Retro, and Retroussee...

Another Side of Jonathan Winters (Verve) is quite possibly the funniest comedy album of all time (well, "The Weird, Wide World of Shorty Peterstein" comes close...) He still cracks me up (he must be about 70 or so today), and he's still certifiably out there. "Broadway Musical" puts that genre in a blender and the result is corn puree ("We'll put that STAMP on the aluminum!/ send that plane up in the blue!"- try humming this one while we bomb Baghdad). "Prison Movie" roasts that genre to a fine crispy crust. Winters' improv routines are the height of the airiest wit, like the best jazz. Jonathan Winters - and Don Van Vliet as well, also a superb humorist - both make me really glad to be alive in this world.





Gary Lucas Items on Sale at Squid co!




Previous Bottom Shelf Articles:
Our Own Bottom Shelves
Anthony Coleman's Bottom Shelf
Ron Anderson


The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
independent writers.

Squidco

Recent Selections @ Squidco:


Kim Jae Jung:
Shamanism
(Relative Pitch)



Joe McPhee/
Susanna Gartmayer/
John Edwards/
Maria Portugal:
Monster
(Klanggalerie)



Signe Emmeluth/
Ingebrigt Haker-Flaten/
Axel Filip:
Hyperboreal Trio
(Relative Pitch)



John Butcher/
John Edwards:
This Is
Not Speculation
(Listen! Foundation (
Fundacja Sluchaj!))



Izumi Kimura/
Lina Andonovska/
Dominique Pifarely:
Seven Dreams
(Listen! Foundation (
Fundacja Sluchaj!))



Jerome Deupree/
Sylvie Courvoisier/
Lester St. Louis/
Joe Morris:
Canyon
[2 CDs]
(Listen! Foundation (
Fundacja Sluchaj!))



Marc Baron/
Eric La Casa:
Contrefacons
(Swarming)



Francisco Lopez:
Untitled (
2021-2022)
[2 CDs]
(Bu Lang Tribute Cake)



Eventless Plot |
Haarvol:
The Subliminal Paths
[CASSETTE + DOWNLOAD]
(Innovo Editions)



Akmee:
Sacrum Profanum
(Nakama Records)



Karl Evangelista Quintet
feat. Bobby Bradford and
William Roper:
Solace Angles
(Asian Improv)



Sveio:
Latent Imprints
(577 Records)



The Sleep Of Reason
Produces Monsters (
Rasmussen/
Mitelli/
Rezaei/
Koenig):
The Sleep Of Reason
Produces Monsters
(Corbett vs. Dempsey)



Dan Brown/
Dan Reynolds:
Live At
The Grange Hall
[unauthorized][CASSETTE]
(Sacred Realism)



Matt Mitchell:
Sacrosanctity
(Obliquity)



Das B (
Mazen Kerbaj/
Mike Majkowski/
Magda Mayas/
Tony Buck):
Love
(thanatosis produktion/
Corbett Vs Dempsey)



Das B (
Mazen Kerbaj/
Mike Majkowski/
Magda Mayas/
Tony Buck):
Love
[VINYL]
(thanatosis produktion/
Corbett Vs Dempsey)



Mary Halvorson Septet:
Illusionary Sea
[2 LPS]
(Firehouse 12 Records)



Darius Jones:
Legend of e'Boi (
The Hypervigilant Eye)
[VINYL + DOWNLOAD]
(Aum Fidelity)



Irene Schweizer/
Rudiger Carl/
Johnny Dyani/
Han Bennink:
Irenes Hot Four
(Intakt)







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