The Squid's Ear
Recently @ Squidco:

Misha Mengelberg / Sabu Toyozumi:
The Analects Of Confucius (NoBusiness)

Previously unreleased, this remarkable 2000 duo performance from Dutch pianist Misha Mengelberg and Japanese drummer Sabu Toyozumi captures their playful and philosophical interplay in two extended improvisations, a Monk tribute, and a touching solo dedicated to Mengelberg's wife, blending wit, dynamic textures, and deep mutual respect in a session Toyozumi calls a personal tribute to his "guru." ... Click to View


Amy Denio:
Variete (Klanggalerie)

A sophisticated and delightful cinematic work from Seattle multi-instrumentalist Amy Denio, who composes and leads a 12-piece ensemble in a dynamic new soundtrack to the 1925 silent film Varieté, blending electric guitar, accordion, voice, and hammered dulcimer with a chamber orchestra of woodwinds, strings, and percussion in a rich, genre-defying studio recording. ... Click to View


FDF Trio:
Possibility And Prejudices From Within A Cup [VINYL] (Konnekt)

A fiercely expressive trio of drummer Nicolas Field, saxophonist John Dikeman, and pianist Thomas Florin, delivering a raw and evolving session of free improvisation, recorded in Geneva with a spirit of spontaneity and shared energy, channeling aggression, nuance, and dynamic interplay into a collective sound that values connection and honest interaction. ... Click to View


Re-Ghoster Extended:
The Zebra Paradox [VINYL] (Konnekt)

Expanding the Re-Ghoster trio of Nicolas Field on drums, Thomas Florin on piano, and Valerio Tricoli on revox and electronics with the addition of Nate Wooley on acoustic and amplified trumpet and Fritz Welch's visceral vocal work, the group explores surreal electroacoustic improvisation through dense, transdimensional soundscapes, fractured time, deranged textures, and ritualistic intensity; incredible! ... Click to View


Jim Denley / Dale Gorfinkel / Peter Farrar:
Vents (Relative Pitch)

An unconventional Australian trio exploring breath, vibration, and material resonance, as flutist Jim Denley, airdrum inventor Dale Gorfinkel, and sonic sculptor Peter Farrar create a richly textured world of wind, water, and pressure in two improvised pieces of organic, immersive sound, recorded in Sydney and shaped by the physical vitality of their experimental instruments. ... Click to View


Bristle (McKean / Wright / Campbell / Mezzacappa):
Archimera (Queen Bee Records)

Ten years after their last release, Northern California’s Bristle returns with a richly inventive chamber jazz album blending virtuosic improvisation and playful composition, as saxophonists Randy McKean and Cory Wright join violinist/oboist Murray Campbell and bassist Lisa Mezzacappa in a dynamic, Threadgill-esque ensemble sound full of counterpoint, wit, and imaginative sonic twists. ... Click to View


ukya (Bo / Lien / Sorenmo):
We Come For An Experience Of Presence (Nakama Records)

The debut from Norwegian trio ükya — trombonist Emil Bø, guitarist Kristian Enkerud Lien, and drummer Michael Lee Sørenmo — offers a lyrical yet rigorous exploration of just intonation, European art music, minimalism, and British free improvisation, blending intuitive interplay with sonic precision in a strikingly original and deeply present studio recording. ... Click to View


Jimmy Bennington / Paul Blaney / Julian Prister:
Blue Veils And Bright Stars (ThatSwan!)

Recorded in 2005 and dedicated to Sun Ra and His Arkestra, this dynamic and lyrically inclined trio session brings together legendary trombonist Julian Priester with Canadian bassist Paul Blaney and drummer Jimmy Bennington, weaving spontaneous improvisations, expressive modern jazz, and a soulful rendering of “Mood Indigo” into a deeply rooted and timeless recording. ... Click to View


Sam Rivers:
The Quest (Red Records)

A reissue of Sam Rivers' powerful 1976 trio session with bassist Dave Holland and drummer Barry Altschul, capturing the group's remarkable chemistry in four extended pieces that move fluidly between searing swing, freeform expression, and percussive intensity, with Rivers shifting between tenor, soprano, flute, and piano in a virtuosic and deeply spontaneous studio performance. ... Click to View


Money :
Money 2 [2 CDs] (Love Earth Music)

An enigmatic 2-CD release of glacial dark ambient and pulsing glitch from the elusive project Money, where each track-titled simply "money" — unfolds like a slow-moving tectonic shift, sculpting ominous, hollow textures with unsettling momentum; a minimalist package and a deeply immersive sonic enigma of brooding presence and uneasy stillness. ... Click to View


AMM with Sachiko M:
Testing (Matchless)

A rare meeting between Japanese minimalist Sachiko M and AMM's Eddie Prévost and John Tilbury, recorded in 2004 at London's Museum of Garden History, where sine wave precision meets tactile percussion and spacious piano in an intricate electroacoustic improvisation that explores silence, texture, and the fragile tension of deep collective listening. ... Click to View


Eddie Prevost:
Material Consequences (Matchless)

An engrossing solo statement from AMM percussionist Eddie Prévost, recorded in 2001, using bowed cymbals, found objects, resonant drums, and extended techniques to explore a wide sonic palette, transforming his percussion into a nuanced instrument of texture, tone, and timbral abstraction in a focused, contemplative, and remarkably expressive improvisation. ... Click to View


Izumi Kimura / Gerry Hemingway:
How The Dust Falls (Auricle)

The second duo release from pianist Izumi Kimura and drummer/percussionist Gerry Hemingway —also known for their powerful trio collaborations with bassist Barry Guy —furthers their exploration of structured improvisation through patient, intricately shaped performances, including an evocative reimagining of Blind Willie Johnson's "Dark Was the Night", blending lyrical depth with dynamic sonic experimentation. ... Click to View


Wallace / Vazquez / Von Schultz:
Siesta (577 Records)

Recorded during an ambitious 15-day, 14-show European tour, this debut from pianist Eli Wallace, bassist Pablo Vazquez, and drummer Marcelo von Schultz captures the spontaneous chemistry of a trio forged in motion, weaving explosive rhythmic interplay, extended techniques, and melodic nuance into a vibrant and unpredictable tapestry of creative improvisation. ... Click to View


Mira Trio (Furioso / Mira / Gibson):
Machinerie (4DaRecord)

Blending cellist Miguel Mira's structural premeditation with the spontaneity of free improvisation, the trio of Mira, saxophonist Yedo Gibson, and drummer Felice Furioso crafts a richly textural and architectonically inspired session, recorded in Lisbon, where extended techniques and expressive interplay shape a dynamic sonic vision of figurative expressionism in sound. ... Click to View


Japp Blonk:
Kurt Schwitters Ursonate (Corbett vs. Dempsey)

Dutch vocal artist Jaap Blonk performs Kurt Schwitters' iconic Dada sound poem Ursonate with deeply internalized precision and theatrical nuance, drawing on decades of experience to present a vivid, expressive interpretation of the four-movement work, including both an improvised and written Kadenz, in this definitive 2024 studio recording. ... Click to View


Various Artists:
Music is a Message From Space [VINYL] (Corbett vs. Dempsey)

A cosmic tribute to Sun Ra's legacy, this limited-edition LP opens with a rare 1950s home recording of Ra performing a cappella, followed by archival and new works from Joe McPhee, Raymond Boni, Jason Adasiewicz, Wolfgang Voigt, and Spaceways Inc. (Ken Vandermark/Nate McBride/Hamid Drake) with Zu, reimagining Ra's soundworld through homage, remix, and exploratory improvisation. ... Click to View


Henry Kaiser / Kurt Newman:
After (Fractal)

Guitarists Henry Kaiser and Kurt Newman engage in free improvisations inspired by classic songs they love — not covers, but intuitive commentaries recorded after listening to tracks by Pink Floyd ("See Emily Play"), The Who, ZZ Top, Fleetwood Mac, Richard Thompson, &c. — creating spontaneous, exploratory duets that reinterpret familiar sonic memories through raw, imaginative abstraction. ... Click to View


Eventless Plot | Yorgos Dimitriadis:
Entanglements [CASSETTE + DOWNLOAD] (Innovo Editions)

A rich electroacoustic dialogue recorded in Greece, Entanglements teams the hybrid percussion/modular-objects trio Eventless Plot with Berlin sound sculptor Yorgos Dimitriadis, layering responsive drum gestures, electronics, tape, samplers, and modular synth in a live performance that blurs composition and improvisation into immersive, intricate sonic interplay. ... Click to View


Evan Johnson (Marco Fusi):
Dust Book (Another Timbre)

Composed for violist Marco Fusi and performed on viola d'amore, Evan Johnson's most extended work to date unfolds with extreme precision and delicate fragmentation, where hushed gestures, suppressed resonance, and micro-detailed silences create a hauntingly expressive sonic terrain of particulate texture and introspective, dust-like lyricism. ... Click to View


Joe Morris / Elliott Sharp:
Realism (ESP)

A powerful meeting of guitar luminaries Joe Morris and Elliott Sharp, recorded at Park West Studios in Brooklyn, where the duo delve into an intricate and exploratory dialogue of free improvisation and expanded sonic vocabulary, blending effects, electronics, and their singular guitar languages in a session that bridges avant-garde jazz, experimentalism, and raw creative spontaneity. ... Click to View


AGogol / NaabtalDeath / Ernesto Rodrigues / Guilherme Rodrigues:
Mistika Jpeg Oscillations (Creative Sources)

In a surreal electroacoustic encounter recorded live in Hannover, the quartet of AGogol, NaabtalDeath (Jerome Noetinger), Ernesto Rodrigues, and Guilherme Rodrigues deconstructs chamber music into a visceral, alchemical performance of modified strings, electronics, and crackling noise, blending absurd vocalizations, brutal textures, and delicate atmospheres into a raw, dreamlike sound theater. ... Click to View


Stefan Keune / Sandy Ewen / Damon Smith:
Two Felt-Tip Pens: Live At Moers (Balance Point Acoustics)

An explosive and intricately balanced trio performance dedicated to the late bassist Hans Schneider from sopranino and alto saxophonist Stefan Keune, guitarist Sandy Ewen, and bassist Damon Smith, recorded live at the Moers Festival, where jagged breathwork, meticulous micro-noise, and deep-string abstraction collide in a fiercely expressive set of free improvisation. ... Click to View


Bloomers (Efternoler / Dybbroe / Goodwin):
Cyclism (Relative Pitch)

Exploring free improvisation with a fierce political undertone, the Copenhagen-based trio Bloomers — trumpeter Anne Efternøler and reedists Maria Dybbroe and Carolyn Goodwin — are captured live in fifteen distinct locations around the globe, engaging in dynamic, textural dialogs that honor historic milestones in women's liberation through a poignant series of sonic vignettes blending abstraction, dissonance, and innate lyricism. ... Click to View


Jackie Myers:
What About The Butterfly [VINYL] (577 Records)

Pianist and vocalist Jackie Myers delivers a lyrically rich and microtonally innovative album recorded with an exceptional ensemble, including Bobby Watson, Rich Wheeler, Trent Austin, and members of the Fountain City String Quartet, blending spectral composition, soulful jazz vocals reminiscent of Billie Holiday, and detailed arrangements into an expressive and compelling release. ... Click to View


Laura Steenberge :
Piriforms (Sacred Realism)

Exploring the ethereal resonance of chant through intimate compositions for solo to quartet voice and bass flute, Laura Steenberge draws on the mysticism of medieval music, performed by Rebecca Lane, Catherine Lamb, Julia Holter, Yannick Guédon, and Evelyn Saylor in nuanced layers that reveal harmonic shadows, breath-bound relationships, and otherworldly sonic artifacts. ... Click to View


Philip Gayle :
Sunrise Crazy (Public Eyesore)

A richly textured exploration of acoustic and electronic soundscapes, fully displaying Philip Gayle's multi-instrumental prowess alongside contributions from Japanese vocalists and woodwind artist Shogo Oshima, at times with a number of improvising vocalists, culminating in a collaborative work that blurs the lines between folk, avant-garde, and ambient music. ... Click to View


MNE (Mikawa / Numata / Escalante):
MNE Is Not NME (Love Earth Music)

The trio of Toshiji Mikawa on electronics, Jun Numata (Doubtmusic) on guitar & electronics and Martin Escalante on saxophone for a superbly noisy and chaotic attack captured in Tokyo at Bar Isshee in 2023, two all-out assaults of clear electronic mayhem that would sit shoulder-to-shoulder with Borbetomagus and their kind; terrifyingly awesome! ... Click to View


Eva Novoa:
Novoa / Kamaguchi / Cleaver Trio - Vol. 2 [VINYL] (577 Records)

Barcelona-born pianist Eva Novoa leads bassist Masa Kamaguchi and drummer Gerald Cleaver in their second trio release for 577 Records, recorded in 2020 and blending melodic density with contrapuntal dialogue through a boldly experimental set on piano, Fender Rhodes, Chinese gongs, and improvisation, deepening the trio's inventive, textural interplay. ... Click to View


GPS (Guillermo Gregorio / Jeff Pearring / Charley Sabatino):
Directions + Destinations (577 Records)

A fascinating debut from the trio GPS — clarinetist Guillermo Gregorio, saxophonist Jeff Pearring, and bassist Charley Sabatino — recorded in two sessions a year apart where they capture fourteen dynamic tracks of composed and spontaneous collective improvisation, blending intuitive interplay and diverse genre influences into a distinct, uncategorizable sound. ... Click to View



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The Squid's Ear
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The Bottom Shelf is where artists keep the records in their collections that they might not want you to see. Revealing early influences, unusual appetites or just guilty pleasures, we offer a peek at the shelves of some of our favorite musicians.


  Ron Anderson  

I still have a lot of the records from my adolescence, some of my favorites were lost when about fifty or so were stolen by a roommate about eight years ago. One LP that I miss to this day, maybe my favorite record from that time, is Frank Zappa's Lumpy Gravy. That record really changed my life or at least my ideas about what music could be. I now have about 300 or 400 records (I still buy records sometimes), and went though the shelves and pulled out five that might surprise you. (To put this in the proper perspective, note that at the moment I'm listening to 5 pieces for Orchestra by Anton Webern conducted by Pierre Boulez.)

Chicago - Live at Carnegie Hall Before I knew anything about electric guitar, except the Hendrix songs that you would hear on Top 40 radio, the first guitarist to make a big impression on me was Terry Kath of the band Chicago. And the record was Live at Carnegie Hall recorded in 1971. Lots of long wah-wah guitar solos, with some great drumming by Danny Seraphine. But of course it was the guitar that got to me, fast, sometimes loose, and powerful. Needless to say, you have to skip through the record to avoid hearing all the saccharine pop songs.

Jan Akkerman - Profile Jan Akkerman was the guitar player from the Dutch rock band Focus and he put this record out in 1972. One side is pretty much just cheap blues, some classical Etudes, really cheesy. But the other side is a long, free-rock freak out. That side opens with a very short quiet intro followed by incredibly fast and brutal riffs over a scorching drum-and bass-groove. Really unbelievable. I have played this for many people over the years, and not one has ever even come close to guessing the date of the record, never mind the musician. The last person I played it for was Will Redmond who I was working with in PAK at the time. He is still bugging me to make him a tape.

Gentle Giant - Acquiring The Taste I really think that this band had some great ideas and made some complex rock music. Really. Like the first track Pantaguel's Nativity and the second track Edge of Twighlight, strange vocal harmonies, percussion sections that sound like they were lifted from Edgar Varese, and odd meters that groove.

Van Der Graaf Generator - Still Life Lyrics are based somewhat on the novel by Arthur C. Clark, Childhood's End. Most of the writing is very dark, just check out title track, Still Life. But I just love the overall sound of the record, the way the saxophones are mixed with the bass and the keyboards. There is also a great live Van Der Graaf record, Vital where they sound more like a punk band, released in 1978, two years after Still Life. As a side note: John Lydon of the Sex Pistols lists Peter Hammill (composer and leader of Van Der Graaf) as a main influence.

Lew Davies and his Orchestra - Strange Interlude 1961 About eight or ten years ago I started to buy a lot of thrift store records. In Oakland, CA, at that time, you could find some real gems for under a dollar. The title of this one says it all, with great arrangements using ondioline ("an electrically operated keyboard instrument which, unlike most other instruments such as the piano, can play only one note at a time. It is relatively small-only about a yard wide - and on its sides there are levers used for switching to such things as a woodwind sound or an electronic beep-beep that can be set at any tempo," according to the liner notes), cymbalum, theremin, contrabass clarinet in bizarre combinations. Really great and lots of fun. If you're ever lucky enough to see this record somewhere buy it.



Ron Anderson calls himself an "intuitive music maker." His primary instrument is electric guitar, but he has a fascinationwith old keyboards, recording effects and "anything that can make a sound." He has released 40 records under his name and with his groups Rat At Ratr, The Molecules and Ronruins (with Tatsuya Yoshida), among others, and has recorded or performed with Ulan Bator, Fred Lonberg-Holm, James Chance, Marc Ribot, Elliott Sharp, The Sun City Girls, Shelly Hirsch, Otomo Yoshihide, Gino Robair, Yamamoto Seiichi, Jack Wright, John Zorn, Donald Miller, Hoppy Kamiyama, Daniel Carter, Haco and Terrie Ex. His current project is the fast-cut rock band PAK.




Previous Bottom Shelf Articles:
Our Own Bottom Shelves
Anthony Coleman's Bottom Shelf
Gary Lucas


The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
independent writers.

Squidco

Recent Selections @ Squidco:


Sam Rivers:
The Quest
(Red Records)



Re-Ghoster Extended:
The Zebra Paradox
[VINYL]
(Konnekt)



Amy Denio:
Variete
(Klanggalerie)



The Sleep
Of Reason
Produces Monsters(
Rasmussen/
Mitelli/
Rezaei/
Koenig):
The Sleep
Of Reason
Produces Monsters
(Corbett vs. Dempsey)



Bristle (
McKean/
Wright/
Campbell/
Mezzacappa):
Archimera
(Queen Bee Records)



Wallace/
Vazquez/
Von Schultz:
Siesta
(577 Records)



Izumi Kimura/
Gerry Hemingway:
How The Dust Falls
(Auricle)



Eventless Plot |
Yorgos Dimitriadis:
Entanglements
[CASSETTE + DOWNLOAD]
(Innovo Editions)



Japp Blonk:
Kurt Schwitters
Ursonate
(Corbett vs. Dempsey)



AMM with Sachiko M:
Testing
(Matchless)



AGogol/
NaabtalDeath/
Ernesto Rodrigues/
Guilherme Rodrigues:
Mistika Jpeg
Oscillations
(Creative Sources)



Stefan Keune/
Sandy Ewen/
Damon Smith:
Two Felt-Tip Pens:
Live At Moers
(Balance Point Acoustics)



Sophie Agnel:
Song
(Relative Pitch)



Sylvain Kassap/
Steve Swell/
Benjmain Duboc/
Chad Taylor:
Edges
(RogueArt)



Brass Clouds:
Escape Vessels
(Bathysphere Records)



GPS (
Guillermo Gregorio/
Jeff Pearring/
Charley Sabatino):
Directions +
Destinations
(577 Records)



Berlin Art Quartet (
Schubert/
Bauer/
Muller/
Bruggemann):
Live At MIM
(Unisono Records)



Jimmy Lyons:
Rivbea Live! Series,
Volume 3
(NoBusiness)



Erik Klinga:
Elusive Shimmer
(thanatosis produktion)



Erik Klinga:
Elusive Shimmer
[VINYL]
(thanatosis produktion)







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