The Squid's Ear
Recently @ Squidco:

Binker Golding / John Edwards / Steve Noble:
Moon Day [VINYL - Limited Edition] (Byrd Out)

UK saxophonist Binker Golding (Binker & Moses) in a new trio with the powerful rhythm section of frequent collaborators, double bassist John Edwards and drummer Steve Noble, in a powerful album of free playing with titles referencing Coltrane, conveying a strong sense of both 60s and modern free playing throughout, propelled by tight and near-telepathic interaction. ... Click to View


Mako Sica / Hamid Drake (feat Tatsu Aoki / Thymme Jones):
Ourania [VINYL + DOWNLOAD] (Feeding Tube Records)

The core of Chicago's Mako Sica--Brent Fuscaldo (electric bass, voice, harmonica & percussion) and Przemyslaw Krys Drazek (electric trumpet, electric guitar & mandolin)--join forces with Hamid Drake on drums & percussion, Tatsu Aoki on upright bass & shamisen and Cheer-Accident's Thymme Jones on keyboardsm trumpet, balloon and voice for a warmly spiritual album. ... Click to View


Phill Niblock:
NuDaf (XI Records)

An extended electroacoustic composition from composer Phil Niblock based on recordings captured at Marcus Schmickler's Piethopraxis studio in Koln of bassoonist Dafne Vicente-Sandoval, layering her playing and using multiphonics to create beautifully rich textures that slowly evolve, shifting in hypnotic ways as the pieces arches and descends through harmonic interaction. ... Click to View


Beatriz Ferreyra :
Canto+ [VINYL + DOWNLOAD] (Room40)

GRM alumnus and collaborator with Pierre Schaeffer & Francois Bayle, French electroacoustic, acousmatic and musique concrete composer Beatriz Ferreyra is heard in five works from 40 years of compositions, astonishing works of embraceable, radical, strange and inspired sound, including the amazing "Mad Man's Song" and works dedicated to Bayle & Bernard Bashet. ... Click to View


Bruno Duplant:
Deux Songes (Les Jours Sont Faits Pour Expliquer Les Nuits) (Meenna)

Two beautifully subtle works for an ensemble of strings and electric piano from French composer Bruno Duplant, realized by the Boston-based Ordinary Affects ensemble or Jordan Dykstra, Morgan Evans-Weiler, JPA Falzone, Luke Martin and Ashley Frith, the first a quintet and the second a string quartet, creating illusory affects of motion and space through abstraction. ... Click to View


David Birchall / Adam Fairhall / Michael Perrett / Yoni Silver / Otto Willberg:
Aggregate Glows In The Cold (Creative Sources)

Three fully free studio improvisations recorded in Manchester from the quintet of David Birchall on electric guitar, Adam Fairhall on accordion, Michael Perrett on bass clarinet, Yoni Silver on bass clarinet and Otto Willberg on double bass, all masterful performers using a wealth of creative approaches to create unusual motion in rich sonic interaction. ... Click to View


Mara Kolibri / Fredi Proll:
Primus 17 (Creative Sources)

A diverse set of conversations between Austrian improvisers, drummer/percussionist Fredi Pröll (Trio Now!, Lull) and free vocalist Mara Kolibri, recording in the studio for seven concise and far-ranging dialogs, from cantankerous interactions to controlled incoherence of absurdly implied vocalization punctuated with creative percussive reaction, often returning to lyrical jazz-influenced moments. ... Click to View


Fluke-Mogul / Liberatore / Mattrey / Mendoza :
Death In the Gilded Age [CASSETTE w/ DOWNLOAD (Tripticks Tapes)

Brought together by violinist Joanna Mattrey during the dark period of COVID lockdown, four NY free improvisers (Gabby Fluke on Mogul on violin, Matteo Liberatore on acoustic guitar, Joanna Mattrey on viola and Ava Mendoza on electric guitar) explore the implications of the pandemic through separation, loss and new life in 10 succinct and dynamic explorations. ... Click to View


Brainhack Musicbox (Bobrytsky / Lisovsky / Boldenko):
Brownarium (Brainhack Musicbox)

Each track named after a mythical Scottish character, the Ukrainian trio of Stanislav Bobrytsky on modular synth, Pavlo Lisovsky on tenor saxophone and Anton Boldenko on viola create a music merging free jazz principles with modular synthetic drone, creating an orchestral sound that still elucidates the detail of their uniquely orchestrated, rich sonic explorations. ... Click to View


Amalgamated (Bengsten / Newell / Klampe / Richards):
To (Aubjects)

Crossing experimental sound and rhythmic approaches that blend elements of electronic music, krautrock, noise, electronica and indescribable sonic environments, the quartet of Cory Bengtsen, Bob Newell, Phillip Klampe and Mike Richards are heard in their 6th full-length release, an embraceable and well-paced album of compelling beats and sonic surprises. ... Click to View


John Butcher / Dominic Lash / John Russell / Mark Sanders:
Discernment (Spoonhunt)

An album of perceptive free improvisation recorded live at London's Cafe OTO from the quartet of John Butcher on tenor & soprano saxophones, Dominic Lash on double bass, John Russell on guitar and Mark Sanders on drums & percussion, three "discerning" and one "discerned" dialogs of discriminating sophistication that only four such masterful and experienced musicians can convey. ... Click to View


Dominic Lash Quartet (w / Carmona / Tejero / Ward):
Limulus (Spoonhunt)

Honing their conversation in their third release as a band, British double bassist Dominic Lash's Quartet with Javier Carmona on drums & percussion, Ricardo Tejero on alto saxophone and Alex Ward on electric guitar are heard live at Cafe OTO in London, Lash providing all compositions and arrangements over six wide-ranging, edgy and innovative improvisations; outstanding! ... Click to View


Consorts:
Distinctions (Spoonhunt)

Composer Dominic Lash's Consort ensemble explores the possibilities of combining sustained-tone music, guided & free improvisation, and the relationship between acoustic and amplified sound, heard in this evolving, extended concert at Café Oto on Lash's 40th birthday, in a unique mix of acoustic & electronic instruments that even includes an amplified kitchen sink! ... Click to View


Mototeru Takagi Quartet:
Live At Little John, Yokohama 1999 (NoBusiness)

Three reed & wind players and a drummer from Japanese saxophonist Mototeru Takagi's collective free improvising quartet with fellow saxophonist Susumu Kongo, Nao Takeuchi on tenor sax plus flute & bass clarinet, and drummer Shota Koyama, recorded live in 1999 at Little John in Yokohama, Japan for three well-paced conversations of weaving winds and rhythmic intervention. ... Click to View


Itaru Oki Quartet:
Live At Jazz Spot Combo 1975 (NoBusiness)

Late Japanese free jazz trumpeter and flute player Itaru Oki, one of the significant and early free jazz players in Japan in the 1970s, moving to France in the mid-70s to seek more opportunities to play, recorded this concert at Jazz Spot Combon as part of his farewell tour, performing with winds player Yoshiaki Fujikawa, bassist Keiki Midorikawa ad drummer Hozumi Tanaka. ... Click to View


Bob Bellerue (feat. Brandon Lopez / Luke Stewart / Jessica Pavone):
Radioactive Desire [2 CDs] (Elevator Bath)

A fascinating work for free chamber music in feedback environments devised by sound artist Bob Bellerue and employing the talents of improvisers Brandon Lopez & Luke Stewart (double bass), Jessica Pavone (viola), Gabby Fluke-Mogul (violin) and Ed Bear (baritone sax), Bellerue performing on electronics, unattended instruments, feedback, suling gambuh, junk metal & cymbals. ... Click to View


Christian Ronn / Bob Bellerue :
Intoku Inversions (Anarchy Moon Recordings/Nishe)

Beautiful long-form drones and harmonic interactions develop and are then shaken up with sonic deformations and collisions, returning to beautiful environments and then reversed once again, from the duo of sonic explorers Bob Bellerue and Christian Ronn, recording in Copenhagen using organs, electronics, winds, and feedback to create these wonderfully alien domains. ... Click to View


David Myers Lee:
Reduced to a Geometrical Point (Cronica)

Using feedback matrices, oscillator banks and multi-processing, NYC sound and feedback artist David Lee Myers, A.K.A. Arcane Device, references the quote from metaphysics scholar Frithjof Schuon--"You must detach your life from an awareness of the multiple and reduce it to a geometrical point before God"--which he manifests in four focused works of rich, slowly evolving sound. ... Click to View


PEK Solo:
Completeness for Flutes and Double Reeds (Evil Clown)

Boston improviser and multi-instrumentalist David Peck (PEK) in a solo album using his Quartet of PEKs formats, improvising in the studio through four layers, presenting the final installment of a triptych of albums constrained to one or two woodwind instrument families - this one for flutes and double reeds, along with nadaswaram, shenai, goat horn, dizi, bass tromboon, &c &c. ... Click to View


PEK Solo:
Complex and Real Dimensions (Evil Clown)

Before initiating the live improvisation that makes up Complex & Real Dimensions, reedist and multi-instrumentalist David Peck built a foundation track including electro-acoustic instruments created by Tim Kaiser, particularly the loop-capable "Large Spring Box", creating tone, timbre and interludes over which PEK passionately performs. ... Click to View


Evan Parker Electroacoustic Quartet:
Concert in Iwaki (Uchimizu Records)

Requested to organize a Japanese tour focused on the electroacoustic aspects of Evan Parker's work, the saxophonist distilled his larger Electracoustic Ensemble to the quartet of himself, Paul Lytton on percussion & live electronics, Joel Ryan on computer and Lawrence Casserley on signal processing, heard here in the resonant space of the Iwaki City Art Museum in Fukushima. ... Click to View


Satoko Fujii:
Piano Music (Libra)

A stunning sound collage made from recorded fragments of Fujii's studio piano, captured inside and out using traditional piano sonorities and preparations that often microscopically detail the instrument, then edited into two electroacoustic compositions of startling and unexpected expansiveness and wonder; a unique and fascinating release in Fujii's large oeuvre. ... Click to View


Flying Luttenbachers, The:
Negative Infinity [VINYL] (ugEXPLODE / GOD Records)

Adhering to the tenets of "Dissonance, Speed, Aggression, Weirdness, and Singularity", Weasel Walter leads his Flying Luttenbachers in their 15th album of no wave, punk jazz & brutal prog, Weasel switching to guitar and yielding the drum chair to Sam Ospovat, as the band rips through ridiculously complex twists and turns, even taking on Albert Ayler's strange '66/'67 musical suites. ... Click to View


Forbes / Young / Walter:
Hard Living (ugEXPLODE)

Merging Tiger Hatchery's tenor saxophonist Michael Forbes and bassist Andrew Scott Young and newly arrived to NYC Flying Luttenbacher leader & drummer Weasel Walter, for classic hardcore free jazz of articulate and demanding improvisation; this a recently unearthed studio recording from 2010, captured two years after their first encounter in a quartet with Jeb Bishop. ... Click to View


Rodrigues / Carvalho / Rodrigues / Valinho:
Eclipse (Creative Sources)

Emulating a solar eclipse and a lunar eclipse in two evolving improvised chamber works that take the quartet of Guilherme Rodrigues on cello, Mariana Carvalho on piano, Joao Valinho on percussion and Ernesto Rodrigues (switching from viola to harp & deploying electronics) through mysterious soundwork that move from darkness to light in detailed and subtle ways. ... Click to View


Four Letter Words (Piet / Wark / Harris):
Pinch Point (Amalgam)

The first fully improvised album from the Chicago trio of Jake Wark on tenor saxophone, Matt Piet on piano and Bill Harris on drums, recording at Experimental Sound Studios in 2018 for seven numbered and concise improvisations, running the gamut from rapidly active yet controlled interaction and investigatory conversations of confident expression and creative drive. ... Click to View


Yoon-Ji Lee :
Padong (zOaR Records)

Five compositions from Yoon-Ji Lee, whose work employs unconventional and nonlinear structures that focus on quick transformations of language, noise, texture, and tonal color, here with five works, one performed by JACK Quartet & Mivos Quaret, a work for solo Saenghwang, a solo piano work, a string quartet, and a mixed chamber ensemble. ... Click to View


Ciao Ciao Cello:
Quiero Ver A Ese Monstruo (zOaR Records)

The Berlin-based trio of guitarist Beat Keller performing on feedbacker electric guitar & acoustic guitar, innovative tuba improviser Jack Adler-McKean and Spanish vocalist & performance artist Lorena Izquierdo Aparicio take on their monsters in five unique and disturbing improvisations recorded in the studio, as they "dance on the fine line between terror and joy". ... Click to View


Elliot Sharp :
Binibon (Henceforth)

A modern spoken opera by NY composer Elliott Sharp and librettist/narrator Jack Womack (Terraplane) with several narrators, reflecting the events surrounding a 1981 killing in New York's East Village, set in a darkly instrumental soundtrack developed by Sharp using guitars, saxophones, clarinets, synthesizers, bass, percussion, drums programming and samples. ... Click to View


GPS Trio (Chris Pitsiokos / Luke Stewart / Devin Gray):
Blast Beat Blues (Rataplan Records)

Hard-edged NYC free jazz in a limited EP CD release from the trio of alto saxophonist Chris Pitsiokos, bassist Luke Stewart and drummer & composer Devin Gray, who explains that the music reflects "the modern world we're all trying to live in, with that odd mix of the comfortable and uncomfortable", as heard in the edgy and dynamic power of his group. ... Click to View



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  12 Stories About John Zorn and One About A Fan  

Claudia Heuermann's Documentary Shows Musician and Filmmaker in Action


By Kurt Gottschalk 2003-09-03

Claudia Heuermann had found herself in a dilemma. The filmmaker was in the midst of making a self-funded documentary on John Zorn when her subject fell off the map. Calls were no longer returned and planned interviews weren't happening. She seemed to have nowhere to turn.

Nowhere to turn, that is, except to herself. During her onscreen interviews with the saxophonist, composer and avant entrepreneur, Zorn suggested that she put herself into the project, that she make the film her own. Halfway through production, he had left her with no other choice.

"Zorn suggested taking something that has to do with me, and I took that very literally," Heuermann said. In order to complete the project, she created a series of flashbacks that told the story of her own discovery of Zorn's music and of creating the film. "Somehow that put so many pieces in place. It took care of it all. That was quite a good tip I got from Zorn."

A Bookshelf On Top of the Sky: 12 Stories About John Zorn offers unique glimpses into the workings of one of the most prolific and influential musicians to come out of New York's downtown scene. Before he cut her off, Zorn granted Heuermann access to rehearsals and allowed her to film concerts. Scenes showing preparation for a performance of his complex game-piece Cobra especially offer a rare chance to see the enigmatic and often cloistered artist at work. She also managed to dig up some old Naked City live footage to include. But it's as much a film about a young German woman's arrival in New York, discovery of the overlapping Jewish and downtown improv scenes, and her move from listening to pure punk to punk-infused improvisational music. And despite the break in communications, Heuermann said Zorn had seen the movie and gave it a green light. "He was the first to get a copy," she said. "I asked him about edits, he said no changes have to be made."

Heuermann was a fan of classical music and hardcore punk and had studied violin when she moved to New York City in 1997. Her first exposure to Zorn's music was the brutal, extended Naked City piece Leng T'che (one of the scenes reenacted in the film). Although she was new to his work, the music felt "very, very, very familiar," she said. Despite the genre with which Zorn is most often associated, "jazz" wasn't a connection for her. "I do not listen really often to classic jazz," she said. "I'm not a jazz fan, which explains why there's not really an historical context in the film. I wasn't interested in that."

The film is also missing any voices other than her own and Zorn's; it's a very personal project, but limited by being so insular. Those wishing for the "definitive" documentary on Zorn's community and working methods will have to wait. But the 12 Stories does chart one person's musical explorations as guided by Zorn's work, a path many viewers will no doubt find familiar.

While speaking with frequent collaborators would have made for a more rounded documentary, Heuermann had already done that route. Her first film, Sabbath in Paradise was a broader project about Jewish music in New York City and included interviews with Roy Nathanson, Marc Ribot, Andy Statman, David Krakauer, Frank London and Michael Alpert. The film received the Prix du Long M?trage award at the Nyon documentary festival in 1997.

"When I made my first film, many people talked about Zorn, but it was what everybody knew already," she said. "I had the idea that I could not find out anything interesting by talking to them. Then I talked to Zorn and he also suggested I not talk to anyone else, so I thought I didn't need to talk anyone else because the music was there."

Prior to the New York premiere of 12 Stories in December 2002, the film received a dozen screenings in Europe, including showings in Switzerland, Munich, Portugal, Italy and three in Germany, and received the "Young Lion" award at the 2002 Munich Film Festival for best documentary. In 2003, the film has shown at the Karlovy Vary International Film Festival in the Czech Republic and the Toronto International Documentary Festival. Showings at the Leeds International Film Festival in England and a screening in Quebec are also in the works and Tzadik is planning to release the film on DVD next year.

Heuermann, 37, studied Art and Design at the FH Trier in Germany from 1985-1989 and Media Art and Film at the Academy of Media Arts in Cologne from 1990-1993. Her work in films also includes experimental video installations, several short films and documentaries and a self-produced video for Zorn's Leng T'che

She is currently developing plans for her next film, while continuing her work as an editor for German television, which is how she has funded her previous films. But next time, she said, she hopes to find some backing.

"I cannot do a project like that again, with all the self-financing," she said. "It's too difficult. My next film will not be a music film, and it will probably have to do with New York." She said she is considering a project about New Yorkers and their relationships with rats. "I'm curious about the meaning of rats in history. It's going to be a horror documentary."



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reviews about releases
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Recent Selections @ Squidco:


David Lee Myers:
Reduced to a
Geometrical Point
(Cronica)



Dominic Lash Quartet (
w /
Carmona /
Tejero /
Ward):
Limulus
(Spoonhunt)



John Butcher /
Dominic Lash /
John Russell /
Mark Sanders:
Discernment
(Spoonhunt)



Yoon-Ji Lee :
Padong
(zOaR Records)



Satoko Fujii:
Piano Music
(Libra)



Evan Parker
Electroacoustic Quartet:
Concert in Iwaki
(Uchimizu Records)



Elliott Sharp's
Terraplane:
Century
(zOaR Records)



John Coltrane:
Chasin The Trane,
Revisited
(ezz-thetics by
Hat Hut Records Ltd)



Ongon:
Exuvia
[WHITE VINYL]
(Loup editions)



The Flying Luttenbachers:
Negative Infinity
(ugEXPLODE)



Rodrigo Amado
Motion Trio /
Alexander von Schlippenbach:
The Field
(NoBusiness)



Joel Futterman:
Creation Series
[5CD BOX SET]
(NoBusiness)



John Cage /
Apartment House:
Number Pieces
[4-CD BOX SET]
(Another Timbre)



Daniel Carter /
Tobias Wilner /
Djibril Toure /
Federico Ughi:
New York United Volume 2
(577 Records)



Joseph Branciforte /
Theo Bleckmann :
LP1
[VINYL]
(Greyfade)



Kenneth Kirschner /
Joseph Branciforte:
From the Machine: Volume 1
[VINYL]
(Greyfade)



Kuzu (
Rempis /
Dorji /
Damon):
All Your Ghosts
in One Corner
(Aerophonic)



Sam Rivers Quartet (
feat. Jerry Byrd /
Rael Wesley Grant /
Steve Ellington) :
Archive series.
Volume 5 -
Undulation
(NoBusiness)



Werner Puntigam /
Beat Keller /
Georg Wilbertz:
UND JA, AND YES
(zOaR Records)



The J. & F. Band (
Fonda /
Tononi /
Durante /
Grissom /
Irabagon /
Parrini /
Rodgers /
Sharrard)N:
Me and the Devil
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