The Squid's Ear
Recently @ Squidco:

Georg Graewe Quintet:
Amsterdam, October 1998 (Random Acoustics)

Recorded in concert at Amsterdam's Stedelijk Museum in 1998, legendary pianist Georg Graewe's Quartet with Frank Gratkowski on alto saxophone & clarinet, Kent Kessler on double bass, and Hamid Drake on drums present a tour-de-force of passion, technique and creative drive in an epic 53 minute improvisation from high energy to reflective stretches; superb! ... Click to View


Georg Graewe:
Stills And Stories (Random Acoustics)

German pianist and Euro Free Jazz stalwart Georg Graewe in his first solo release in more than a decade, a remarkable set of succinct compositions balancing astonishing technical skills with beautifully expressive playing, presented in several series of "stills" and "stories". ... Click to View


Frederick Galiay (Viard / Sebastien / Boudart / Galiay):
Time Elleipsis (Ayler)

Dramatic, darkly thrilling with moments of sheer beauty, from French electric bassist Frederick Galiay and his Camaeleo Vulgaris ensemble, a sextet performing Galiay's compositions in a potent mix of electric guitar, electrified baritone sax, synthesizer, and two drummer/percussionists, recorded after a dozen live concerts honing the material to this riveting studio version. ... Click to View


Francois Carrier / Tomek Gadecki / Matcin Bozek / Michel Lambert:
Wide (FMR)

A burning album of collective free jazz from Canadian compatriots Francois Carrier on alto saxophone and Michel Lamber on drums, on a spring tour of Europe, performing at Polands MOZG in Byrgoszcz, hope of the MOZG Festival, with Polish tenor saxophonist Tomasz Gadecki amd bassist Mracin Bozen, also on French Horn, in an exhilarating set of three extended improvisations. ... Click to View


Thollem / Parker / Cline:
Gowanus Sessions II [VINYL] (ESP)

Free collective improvisation with an electronic edge from the trio of Nels Cline, double bassist William Parker and pianist Thollem McDonas, following up on their 2012 "Gowanus Session I" recorded in the same studio space, here expanding on the 1st session's shorter works with two large and evolving improvisations that balance reflective moments with intensive playing. ... Click to View


Werner Dafeldecker :
Parallel Darks [VINYL] (Room40)

Viennese-born, Berlin-based electro-acoustic composer Werner Dafeldecker (Polwechsel, Fennesz, &c) creates an intense and beautiful musique concrete and acousmatic journey in two parts, examining "perspective, extreme subjectivity and the specters that haunt our auditory worlds" through mysterious sound and enveloping sonic construction, a profound and riveting work. ... Click to View


Skeleton Crew (Frith / Cora):
Learn to Talk [VINYL] (ReR Vinyl)

Reissuing the first of two albums from the NY collaboration of guitarist Fred Frith and cellist Tom Cora, both providing vocals, percussion, violin, & bass, in a classic example of Downtown NY genre-merging of improvisation and rock with a vicious edge, in smart songs and even smarter instrumental sections, an insanely inventive and intelligent album as vital now as it was then. ... Click to View


Acid Mothers Temple & The Melting Paraiso U.F.O.:
Minstrel In The Galaxy [VINYL + DOWNLOAD] (RIOT SEASON)

... Click to View


Leap Of Faith:
Cosmic Distance Ladder (Evil Clown)

The core trio of the Leap of Faith Orchestra comprising multi-reedist & wind player David Peck, also on percussive devices, with Glynis Lomon on cello, aquasonic and voice, and Yuri Zbitnoff on drums & percussions, with special guests Kat Dobbins on trombone and Bob Moores on trumpet & flugelhorn, in an evolving set of strong harmonic, percussive & lyrical interaction. ... Click to View


Gen Montgomery Ken:
Endogeny [CASSETTE] (Tribe Tapes)

Sound and Visual artist Gen Ken Montgomery released this album on cassette on the Directions Music label in 1990, here reissued in 2020; the two side-long pieces were performed live and then remixed, using a mixture of tapes, concrete and mechanical sounds alongside love instrumentation of percussion, violin, voice, &c, sometimes stark, always fascinating. ... Click to View


Jean Derome:
Somebody Special (Ambiances Magnetiques)

Drawing on Steve Lacy's quintet, Montreal saxophonist Jean Derome pays homage to the late saxophonist through a selection of 9 Lacy pieces with lyrics from Brion Gysin, Lao Tseu, Herman Melville, &c, in a quintet with Derome on alto sax, bass flute & voice, Karen Young providing vocals, Alexandre Grogg on piano, Normand Guilbeault on double bass, Pierre Tanguay on drums. ... Click to View


Ensemble SuperMusique / Symon Henry:
voir dans le vent qui hurle les étoiles rire et rire (Ambiances Magnetiques)

Montreal's true supergroup since 1998 of some of the city's essential Musique Actuelle performers and composers, directed by Danielle Palardy Roger and including Jean Derome, Joane Hetu, Scott Thomson, Lori Freedman, Alexander St. Onge, &c. &c., take on Quebec composer Symon Henry's piece, performed in an exceptional and impressive concert in the Chapel in Bon-Pasteur. ... Click to View


Gabriel Dharmoo :
Quelques fictions (Ambiances Magnetiques)

Stunningly unusual vocal music from composer, music researcher and vocalist based in Montreal, Gabriel Dharmoo, collecting works from 2012 to 2019, performed with small and large ensembles using almost completely wordless voice, utterance, guttural sound, swoops and, melodic flights, augmented with physical percussion like stamping and clamping; brilliant and enthralling. ... Click to View


Prevost / Solberg / Pettersen / Moore / Brice / Hardie-Bick:
Plumes of Ash in Moonlight [2 CDs] (Split Rock Records)

Bringing together two innovative improvising percussionists--Eddie Prevost of AMM fame, and Stale Liavik Solberg (VCDC, John Butcher)--for a studio album of wide-ranging and sometimes hair-raising electroacoustic improvisation, recorded live and unedited with Olie Brice on double bass, Tony Hardie-Bick on piano & tapes, Ed Pettersend on lap steel, and NO Moore on guitar. ... Click to View


Ken Vandermark / Paal Nilssen-Love Duo:
AMR (NO LABEL)

The long-running duo of Chicago saxophonist and clarinetist Ken Vandermark and Norwegian drummer/percussionist Paal Nilssen-Love are heard in this live concert at AMR in Geneva, Switzerland in 2018, performing the first four letters of the alphabet ("A", "B", "C" & "D"), each letter a unique creative approach in evolving their remarkable and enthralling dialogs. ... Click to View


Decoy (Alexander Hawkins / John Edwards / Steve Noble) With Joe McPhee:
AC/DC (Otoroku)

The UK Decoy trio of John Edwards (bass), Steve Noble (drums) and Alexander Hawkins (keys) joins forces with pocket trumpet and saxophone player Joe McPhee during McPhee's residency at London's Cafe OTO, recording these two huge sets of brilliant free improv, Hawkins performing on organ adding a unique and soulful tone to the set that balances powerful energy with innate lyricism. ... Click to View


John Carter Octet:
Dauwhe [VINYL] (Black Saint Vinyl)

A much-needed reissue of John Carter's 1982 LP "Dauwhe", the first chapter in his "Roots and Folklore" saga, a 5-part epic through African American heritage, performed with Carter himself on clarinet, Bobby Bradford (cornet), James Newton (flute), Charles Owens (sax, oboe & clarinet), Red Callender (tuba), Roberto Miranda (bass), William Jeffrey (drums), and Luis Peralta (percussion). ... Click to View


Philip Samartzis / Eric La Casa :
Captured Space [CASSETTE] (Cronica)

Kruger National Park in the north-east corner of South Africa is the subject of Eric La Casa and Philip Samartzis's audio exploration, using field recordings made over 10 days in and around the park, and taking them into the studio to organize them into an aural representation of the park's exotic mystery, placidity and tension, with a tinge of the modern world nearby. ... Click to View


Laboratorio Della Quercia:
Laboratorio Della Quercia [VINYL 2 LPs] (Alternative Fox)

Documenting the 12-day Italian experimental jazz festival at the ancient amphitheater Tasso della Quercia in 1978, revolving around Italian improvsers Tommaso Vittorini, Eugenio Colombo, Maurizio Giammarco, Alberto Corvini, Danilo Terenz, with visiting players Steve Lacy, Steve Potts, and Evan Parker, trombonist Roswell Rudd, pianist Frederick Rzewski, and drummer Noel McGhee. ... Click to View


Turbulence:
Eddy Flux (Evil Clown)

The extended horn section for the Leap of Faith Orchestra from the Boston-area collective led by reedist/multi-instrumentalist David Peck, here with PEK on an assortment of saxophones, clarinets, flutes, game calls and percussion, the other horns from Michael Caglianone on sax, game calls, wind sirens and percussion, with drums, bells, bowls and other percussion from Yuri Zbitnoff. ... Click to View


Ratchet Orchestra:
Coco Swirl (Ambiances Magnetiques)

Active since the early 90's, the superb Montreal super-group Ratchet Orchestra under the direction of Nicolas Caloia with 19 performers presents 10 works including the title track, with soloists including Jean Rene, Lori Freedman, Jean Derome, Ellwood Epps, Sam Shalabi, Craig Petersen, Yves Charuest, Joshua Zubot, Scott Thomson, Isaiah Ceccarelli, &c. ... Click to View


Chris Pitsiokos :
Speak In Tongues And Hope For The Gift Of Interpretation (Relative Pitch)

Dedicating his pieces to Charlie Parker, Anthony Braxton, Roscoe Mitchell, Ornette Coleman, Eric Dolphy, and John Zorn, NY alto saxophonist Chris Pitsiokos is heard live at this solo concert in New Haven, CT in 2019, reflecting on the history of jazz through his intense playing style that deploys incredible technique balanced with abstraction and rapid lyricism. ... Click to View


Raoul Bjorkenheim :
Solar Winds (Long Song Records)

Paying tribute to his musical inspiration John Coltrane, Finnish/NY electric guitarist Raoul Bjorkenheim leads a quartet with Silvia Bolognesi on contrabass, Tiziano Tononi on drums & percussion, and Emanuele Parrini on violin, as they perform five Coltrane compositions and two Bjorkenheim originals, a superlative homage to technical brilliance and conceptual vision. ... Click to View


Eugene Chadbourne / Duck Baker / Randy Hutton :
The Guitar Trio In Calgary 1977 (Emanem)

A concert recording from 1977 in Calgary, CA captured during Eugene Chadbourne's time in Canada prior to his move to NYC, from the guitar trio of Duck Baker, Randy Hutton & Eugene Chadbourne, performing on acoustic guitars, using a variety of approaches to improvising in trio, duo and solo configurations, with original work, an Ornette Coleman mashup, and a piece by Charlie Haden. ... Click to View


Company:
1983 [VINYL 2 LPs] (Honest Jons Records)

Unreleased recordings from Derek Bailey's Company project, recorded at the BBC in 1983 with a stellar set of performers including Evan Parker (clarinet), Hugh Davies (electronics), Jamie Muir (percussion), Joelle Leandre (bass), J.D. Parran (winds), John Corbett (trumpet), Vinko Globokar (trombone), Ernst Reijseger (cello), and Peter Brotzmann (reeds). ... Click to View


Muhal Abrams Richard:
Celestial Birds [VINYL] (KARLRECORDS)

A compilation of works from the late Chicago multi-reedist, experimenter, and AACM founder Muhal Richard Abrams, focused on his widely unknown electronic compositions, in four recording from 1968-1995 with collaborators including Anthony Braxton, Leroy Jenkins, Amina Claudine Myers, Roscoe Mitchell, Maurice McIntyre, Yousef Yancey, Thurman Barker, &c. ... Click to View


Eric La Casa:
L'inspir du Rivage part 2&3 [VINYL 7-inch] (Povertech / Joe Colley)

First stock of this 1999 7" from French sound artist Eric La Casa created as part of Joe Colley's "Explorer" series, the title translating to "the shore breathing" where each composition develops from field recordings of water, the first part more naturalist and adhering to the initial recordings, the second using sound processing to create something unique and mesmerizing. ... Click to View


Rachel Musson / Naoko Saito / Audrey Lauro:
The Region Of Braille Responsibility [CD with English Braille Sheet] (Armageddon Nova)

Three female saxophonist from around the world--Rachel Musson (UK), Naoko Saito (Japan) and Audrey Lauro (Belgium)--in a compilation of solo saxophone works, two extended pieces from Musson and Satio, and four shorter works from Laura, with a CD insert with English Braille characters, and a QR code that, when scanned, plays the audio information for the album. ... Click to View


Musica Elettronica Viva:
United Patchwork [VINYL 2 LPs] (Alternative Fox)

A reissue of Musica Elettronica Viva's innovative 1978 open-structured album of free improvisation, United Patchwork, with the core performers of Frederic Rzewski on piano & electric piano, Richard Teitelbaum on synthesizer & conch shells, Alvin Curran on synthesizer & keys, plus Karl Berger on keys & vibraphone, Garrett List on trombone, and Steve Lacy on soprano sax. ... Click to View


Karkhana:
Bitter Balls [VINYL] (Unrock)

LP-only, no 7" single. The second full-length album from Karkhana, a septet featuring members of Dwarfs Of East Agouza, A "Trio", Konstrukt, Chicago Tentet, Land of Kush, among others in four compositions of "crystal clear and deep, dark, distorted unrock compositions" in both electric and acoustic instrumentation, an international genre-crossing album. ... Click to View


  •  •  •    Join Our Mailing List!



The Squid's Ear
Squidco Sales



  Sound in the Balance  

Amplify 2003: Elemental


By Nirav Soni (photo credit: Nirav Soni) 2003-03-25
:  () Why it has taken so long for me to write this review:

1. Naming

The very first problem for the sort of music that was played at the AMPLIFY festival is what to call it. Many have proposed names to encompass the range of approaches that musicians as diverse as Toshimaru Nakamura, Jason Lescalleet and Tim Barnes take to their instruments, but as of now, none really satisfy me. The one that I hear most often is "Electro-Acoustic Improv"; it is likely the most commonly used because of the discussion list (http://groups.yahoo.com/group/Electroacoustic/) of the same name. Jon Abbey, founder of Erstwhile Records at one time called what he releases "dangerous improv." He now prefers to use "balanced improv" to describe his curatorial decisions. Electroacoustic-improv doesn't apply to everything that it covers; during this festival the first set was entirely acoustic, with the musicians forgoing all electronics, even amplification. The acronym "EAI" also refers to the organization Electronic Arts Intermix, who are a group of people devoted to preserving the legacy of video and multimedia art. I'm tired of confusing the two. "Balanced improv" makes a little more sense to me about the means of producing of this music, and more about what happens to the space.

Maybe one could call this "room improv. " In his essay, "Towards an Ethic of Improvisation" (found in Treatise Handbook, London: Edition Peters, 1971) Cornelius Cardew says, "it is impossible to record with any fidelity a kind of music that is actually derived in some sense from the room in which it is taking place- it's shape, acoustical properties, even the view from the windows.....The natural context provides a score which the players are unconsciously interpreting in their playing."

When I read this quote, I understood why it seemed to me like the set that Greg Kelley and Bhob Rainey ( collectively comprising the band nmperign) played with Le Quan Ninh sounded like it could have been composed. The form that I heard in the playing was not that of a pre-determined score, but a conforming,RWD, TK an adaptation of personal style to circumstance, in this case the venue Tonic, on a frosty winter evening, with a very respectful audience. That one could detect this form within the music speaks volumes about the maturity of the players, and their immense discipline, focus and concentration

2. Profundity:

Amplify 2003: Elemental

Wednesday, Feb: 6th (Diapason Gallery)
Tim Barnes/Okkyung Lee/Toshio Kajiwara
Toshimaru Nakamura/Tetuzi Akiyama/Ben Watson

Thursday: Feb 7th (Tonic):
Lê Quan Ninh/Greg Kelley/Bhob Rainey
Günter Müller/Keith Rowe
Tim Barnes/I-Sound
Keith Rowe/Toshimaru Nakamura

Friday: Feb 8th (Tonic):
Keith Rowe/ Lê Quan Ninh
Günter Müller/Greg Kelley/Bhob Rainey
Toshimaru Nakamura/Tim Barnes/Tetuzi Akiyama
Günter Müller/Lê Quan Ninh

Saturday: Feb. 9th (Engine 27):
Günter Müller /Tetuzi Akiyama
Greg Kelley/Bhob Rainey/Jason Lescalleet
Keith Rowe/Toshimaru Nakamura
On the Tuesday before the festival, Keith Rowe held a discussion at Columbia. Rowe introduced the talk with an excerpt from a work by Jean Cassanea de Mondonville, a French composer from the baroque period. After playing the music on a small stereo that betrayed the size of the music, he asked whether or not electronic music can approach the level of profundity that the piece by Mondonville did. During the discussion, I was the only person who mentioned religion (being a non-musician, I have a tendency to talk about other thing s in the way of my talking about music). It seemed to me that profundity is not a quality that music (or for that matter, anything, really) can possess; one instead has a relationship that is profound, with a piece of music, a painting, a cat, or a dish that only mom cooks just so.

Rowe mentioned Mark Rothko during the discussion, which got me to thinking about the relationship of the abstract and the profound. What strikes me upon reflection on all of the artwork I've come across by Rowe (which can be seen on a number of album covers, including his discs with AMM and on Erstwhile) is how so little of it is entirely abstract. His paintings certainly aren't, and one can easily look at his use of the radio as a way of distancing the listener from the sensual surface of the music. Rowe's radio brings the music towards the exterior, towards the social, but always in a tangential, distant, often fleeting way. He seems to be, both in his words and in his music, alluding to the ethical, to the engaged.


3. Performance

I was eagerly awaiting the Keith Rowe/Le Quan Ninh performance on the 8th after seeing such intense performances by both of them the night before. Upon reflection, it makes sense that the collaboration was less than harmonious. Where Rowe's sound-image recalls for me the moral and the conscientious, Ninh's style is very different. His performances were more about the erotics of the "surrounded bass drum". His playing is supremely graceful, precise, delicate, and extraordinarily sensual. One cannot help but reference the libidinal when you watch him rubbing his thumb across the skin of the drum.

It is entirely appropriate that it was Ninh who was touring with butoh dancer Yukiko Nakamura. Nakamura performed onstage during the during the first and last sets of the Tonic nights. I would comment about her role during the first show, with Ninh, Kelley and Rainey, but she spent the vas t majority very low to the stage, and thus obscured to me by a friend's head. I do recall that somewhere around a third of the way into the set, she dramatically rolled onto the floor, whereupon I completely lost sight of her. During the Müller/Ninh performance, she was completely visible. She went through a series of very, very slow movements, which made it seem like she was crumpling to the ground in slow motion. It was, however, bristling with tension and intensity, entirely in key with the tenor of the music.

I am generally critical of visual accompaniments to music, and, possibly because of that, my favorite person to watch play during the festival was Tim Barnes. Barnes is the perfect foil to Ninh. Where the latter is classical grace and fluidity, eminently measured and controlled, the former's gestures are more intently muscular, more about the grain of the kit; coarseness. Watching him slowly scrape the cymbals across his kit was pure pleasure, it had the same visual rhythm as a turnstile.

4.Günter Müller

I do not understand how this man is completely capable of making almost every situation I've heard him play in work. I've been worrying about how to write about what he does for weeks, and I give up now.


Instead of attempting to describe the music played, I ask you to accept this list of adjectives that I will append to the bottom of this review, in correspondence with the performance they apply to:

Lê Quan Ninh/Greg Kelley/Bhob Rainey - open
Günter Müller/Keith Rowe- earthy
Tim Barnes/I-Sound- split
Keith Rowe/Toshimaru Nakamura- still

Keith Rowe/ Lê Quan Ninh- discordant
Günter Müller/Greg Kelley/Bhob Rainey- near
Toshimaru Nakamura/Tim Barnes/Tetuzi Akiyama- spare
Günter Müller/Lê Quan Ninh- thick

Günter Müller /Tetuzi Akiyama- long
Greg Kelley/Bhob Rainey/Jason Lescalleet- wide
Keith Rowe/Toshimaru Nakamura- de e p

Relevant links:
http://www.l-m-c.org.uk/texts/rowe.html
http://eir.library.utoronto.ca/rpo/display/poem1751.html



The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
independent writers.

Squidco

Recent Selections @ Squidco:


Georg Graewe Quintet:
Amsterdam,
October 1998
(Random Acoustics)



Werner Dafeldecker:
Parallel Darks
[VINYL]
(Room40)



Skeleton Crew
(Frith /
Cora):
Learn to Talk
[VINYL]
(ReR Vinyl)



Frederick Galiay
(Viard /
Sebastien /
Boudart /
Galiay):
Time Elleipsis
(Ayler)



Decoy
(Alexander Hawkins /
John Edwards /
Steve Noble) With Joe McPhee:
AC/DC
(Otoroku)



Prevost /
Solberg /
Pettersen /
Moore /
Brice /
Hardie-Bick:
Plumes of Ash
in Moonlight
[2 CDs]
(Split Rock Records)



Ensemble SuperMusique /
Symon Henry:
voir dans le vent
qui hurle les
étoiles rire
et rire
(Ambiances Magnetiques)



Jean Derome:
Somebody Special
(Ambiances Magnetiques)



Raoul Bjorkenheim:
Solar Winds
(Long Song Records)



Ratchet Orchestra:
Coco Swirl
(Ambiances Magnetiques)



Company:
1983
[VINYL 2 LPs]
(Honest Jons Records)



Muhal Abrams Richard:
Celestial Birds
[VINYL]
(KARLRECORDS)



Rob Burke /
Ben Monder /
Tom Rainey /
Ben Grayson:
Slip Sliding
(FMR)



Astroturf Noise
(Harmet /
Nagano /
Swanson /
Martin /
Bernstein):
Astroturf Noise
(577)



Quatuor Bozzini:
Ana Sokolovic: Short Stories
(Collection QB)



Brunhild Ferrari /
Jim O'Rourke:
Le Piano Englouti
[VINYL]
(Black Truffle)



Will Guthrie:
Nist-Nah
(Black Truffle)



Luigi Archetti /
Bo Wiget:
Weltformat
(Die Schachtel)



Michael Formanek
Very Practical Trio
(w/ Tim Berne /
Mary Halvorson):
Even Better
(Intakt)



Aly Keita /
Jan Galega Bronnimann /
Lucas Niggli:
Kalan Teban
(Intakt)







Squidco
Click here to
advertise with
The Squid's Ear






The Squid's Ear pays its writers.
Interested in becoming a reviewer?




The Squid's Ear is the companion magazine to the online music shop Squidco !


  Copyright © 2016 Squidco. All rights reserved. Trademarks. (26822)