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John Butcher / John Edwards:
This Is Not Speculation (Listen! Foundation (Fundacja Sluchaj!))

A remarkable live recording from Einstein Kultur in Munich, reuniting British free improvisation masters John Butcher on saxophones and John Edwards on double bass in four expansive, detailed, and often breathtaking duets, exploring abstract soundscapes with razor-sharp interplay, extended techniques, and an uncompromising sense of sonic exploration. ... Click to View


Jerome Deupree / Sylvie Courvoisier / Lester St. Louis / Joe Morris:
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Izumi Kimura / Lina Andonovska / Dominique Pifarely:
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Lava Quartet feat. Almut Kuhne / Jordina Milla / Goncalo Almeida / Wieland Moller:
Ethereal Chant (Listen! Foundation (Fundacja Sluchaj!))

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Joe McPhee / Susanna Gartmayer / John Edwards / Maria Portugal:
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Kim Jae Jung:
Shamanism (Relative Pitch)

A powerful and ritualistic session from South Korea's free improvisation scene, with tenor and soprano saxophones (Jung-Jae Kim & Sunjae Lee) and dual drum kits (Junyoung Song & Sunki Kim) channeling ancestral Korean shamanic ceremony through raw, primal energy, breath-driven phrasing, and a spiritual aesthetic that bridges indigenous tradition and contemporary free jazz expression. ... Click to View


Signe Emmeluth / Ingebrigt Haker-Flaten / Axel Filip:
Hyperboreal Trio (Relative Pitch)

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Amy Cimini:
See You When I Get There (Relative Pitch)

The first solo album from West Coast violist Amy Cimini, blending amplified distortion, percussive textures, and spacious effects into a deeply personal and genre-blurring performance that channels experimental noise, tuneful abstraction, and the spirit of feminist rock and protest music into a resonant and evocative sonic journey. ... Click to View


Makoto Kawashima :
arteria (Relative Pitch)

A wild solo performance recorded at GOKsound in Tokyo by Japanese alto saxophonist Makoto Kawashima, whose intense and introspective improvisations balance fierce tonal expression with fragile silences, drawing from the lineage of Abe and Shiraishi while establishing his own haunting and highly individual voice in the realm of free improvisation. ... Click to View


Marco Eneidi Quintet (w / Johnston / Finkbelner / Smith / Anderson):
Wheat Fields of Kleylehof (Balance Point Acoustics)

A fiery and tightly woven 2004 quintet session led by alto saxophonist and composer Marco Eneidi, recorded before his move to Europe, with trumpeter Darren Johnston, guitarist John Finkbeiner, bassist Damon Smith, and drummer Vijay Anderson performing dynamic, sharply articulated compositions that balance exuberant improvisation with finely honed structure. ... Click to View


Eric Shorter:
Shorter Bendian Shields (577 Records)

A dynamic debut from multi-talented saxophonist Eric Shorter, joined by pianist David Shields and percussionist Gregg Bendian in a spirited trio session that replaces the traditional bass role with open, aleatoric freedom, creating an engaging interplay of spontaneous composition, expressive lyricism, and inventive harmonic exploration. ... Click to View


Ernesto Rodrigues / Ana Albino / Hernani Faustino / Carlos Santos:
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Paula Sanchez:
Pressure Sensitive (Relative Pitch)

Recorded in Switzerland in 2021, Argentinian cellist and interdisciplinary artist Paula Sanchez pushes the cello to its sonic limits through six radical performances that merge acoustic and processed sound, combining cello, cellophane, and ring modulation to evoke a visceral, poetic, and at times merciless exploration of embodied sound and ephemeral transformation. ... Click to View


Camila Nebbia / Kit Downes / Andrew Lisle:
Exhaust (Relative Pitch)

Recorded live in Berlin, the debut from Camila Nebbia's working trio with Kit Downes and Andrew Lisle captures six dynamic, unrestrained pieces that navigate shifting textures and rhythms, fractured lyricism, and tightly woven interplay, avoiding individual soloing as the group explores contrast and transformation through raw energy, deep listening, and collective momentum. ... Click to View


Le Vice Anglais (Pires / Parrinha):
vas-y (4DaRecord)

A fiercely expressive debut from Portuguese duo Ricardo Guerra Pires and Bruno Parrinha, blending electric guitar, alto saxophone, subtle electronics, and noise-infused improvisation into a raw yet controlled exploration of sonic extremes, channeling the spirit of free jazz, punk energy, and avant-garde texture into six powerful and provocative pieces. ... Click to View


Marc Baron / Eric La Casa:
Contrefacons (Swarming)

Exploring the fragility of recorded memory and the processes of cinematic restoration, Marc Baron and Eric La Casa capture, manipulate, and recontextualize sounds from the Hiventy film laboratories, transforming them through analogue treatments and dynamic re-recording into a compelling meditation on representation, decay, and the shifting nature of perception. ... Click to View


Francisco Lopez :
Untitled (2021-2022) [2 CDs] (Bu Lang Tribute Cake)

A double CD of composed environmental sound works from Francisco López, assembling raw field recordings from locations including Tenerife, Eswatini, Israel, Georgia, Chile, and the southwestern USA, along with a film soundtrack and a collaboration with Felipe Otondo, creating immersive, abstract electroacoustic pieces with intentional silences and textural extremes. ... Click to View


Eventless Plot | Haarvol:
The Subliminal Paths [CASSETTE + DOWNLOAD] (Innovo Editions)

An intimate, restrained electroacoustic collaboration between Eventless Plot and Haarvöl, unfolding in two extended, meditative movements that explore a nuanced dialogue between piano, field recordings, tapes, and electronic expression, gradually revealing layered sonic detail and immersive depth through spacious, dramatic momentum. ... Click to View


Eternities:
Rides Again [CASSETTE] (Sacred Realism)

The duo of Katie Porter on bass clarinet and Bob Bellerue on electronics, zither, and feedback create rich, multidimensional drones through live performance, blending harmonic wind tones with resonant feedback and overtone manipulation in two expansive recordings from Berlin and NYC that explore the porous boundary between intention and indeterminacy. ... Click to View


Elka Bong (Margolis / Wright / Bouchard):
Without Walls (Love Earth Music)

Integrating live coding, field recordings, IFM synthesis, and an array of electroacoustic instrumentation, the trio of Al Margolis, Walter Wright, and Sara Bouchard craft an unbounded and exploratory work that embraces technological transformation and sensory disruption, channeling Marshall McLuhan's insights into a richly layered and prophetic sonic landscape. ... Click to View


Karl Evangelista Quintet feat. Bobby Bradford and William Roper:
Solace Angles (Asian Improv)

A heartfelt tribute to Los Angeles and its resilient creative community, guitarist Karl Evangelista leads a stellar quintet with Bobby Bradford on cornet and William Roper on tuba, blending both lyrical and eclectic improvisation, deep-rooted West Coast traditions, and a spirit of resistance into an evocative and deeply personal album that honors place, legacy, and the power of collective expression. ... Click to View


Sleep Of Reason Produces Monsters, The (Rasmussen / Mitelli / Rezaei / Koenig):
The Sleep Of Reason Produces Monsters (Corbett vs. Dempsey)

An electrifying session of genre-defying free improvisation from the international quartet of Gabriele Mitelli (trumpet & electronics), Mette Rasmussen (sax), Mariam Rezaei (turntables), and Lukas Koenig (drums & bass synth), delivering an explosive, high-energy album that blurs the lines between noise, jazz, and avant-electronic intensity with visceral spontaneity and tightly channeled chaos. ... Click to View


Akmee:
Sacrum Profanum (Nakama Records)

Recorded in Oslo's Toyen Kirke, this spiritually resonant second album from the Norwegian quartet Akmee explores acoustic possibilities with lyrical counterpoint, trance-like repetition, and intuitive improvisation, as trumpeter Erik Kimestad Pedersen, pianist Kjetil Jerve, bassist Erlend Olderskog Albertsen, and drummer Andreas Wildhagen stretch melody and rhythm into expressive, otherworldly forms. ... Click to View


Ernesto Rodrigues / Guilherme Rodrigues / Maximilian Glass:
Beyond The Mist And The Unforeseen Encounters (Creative Sources)

An intimate, texturally rich trio session recorded in Berlin between Ernesto Rodrigues on viola & crackle box, Guilherme Rodrigues on cello, and Maximilian Glass on percussion, navigating misty lowercase atmospheres, glitch-box coloration, and finely balanced interactions that unveil subtle surprise and collective improvisation within a tight, exploratory sound world. ... Click to View


Sveio:
Latent Imprints (577 Records)

A fascinating exploration of human-machine collaboration from UK trio Sveio — James Mainwaring on saxophone, Federico Reuben on laptop improvisation and live coding, and Emil Karlsen on drums — using AI in real-time to generate uncanny textures and forms, resulting in a spontaneously composed and constantly evolving electroacoustic sound world. ... Click to View


Kommun:
Kalpa (thanatosis produktion)

Expanding to a sextet, Swedish guitarist Finn Loxbo's Kommun deepens its exploration of cyclical time and collective improvisation, weaving acoustic steel-string guitar, piano, strings, and percussion into evolving, harmonically rich phrases that merge individual lines into fluid, slow-burning forms — meditative, intricate, and poised between structure and dissolution. ... Click to View


Various Artists:
Archipelago (Bathysphere Records)

A benefit compilation in support of marine restoration through ORAI, this diverse collection features 13 experimental and ambient works — including evocative soundscapes by Scott Solter, Cristina Cano, and others — each track a donation from artists celebrating the sea’s mystery, fragility, and power through deeply personal sonic reflections. ... Click to View


Mat Watson:
Reflective Hits (Eternal Music Projects)

Extracted from archival sessions at Imaginary Sound Fields in Melbourne, Australian synthesist Mat Watson assembles a limited-edition set of vivid modular compositions — ranging from library-inspired cues to exploratory electronic abstractions — capturing the tactile nuance of a Eurorack modular as he sculpts asymmetrical, colorful soundscapes that blur nostalgia, experimentation, and inner space. ... Click to View


Unredeemable (Tracy Lisk / Andrea Pensado):
Preverbal (Love Earth Music)

A dynamic, spontaneous duo collaboration by percussionist Tracy-Lisk and multi-disciplinary performer Andrea-Pensado, this LEM-347 release unfolds through drumming, cymbal washes, voice and live electronics into a fluid, improvisatory dialogue that balances rhythmic sensitivity and textural exploration within an intimate, acutely reactive sound world. ... Click to View


+DOG+:
Our Beloved..... (Love Earth Music)

A fierce and immersive set of three extended noise pieces from the six-member experimental collective of Steve Davis, Bobby Almon, Chuck Foster, Edward Giles, LOB, and Mackenzie Kourie, recorded in multiple locations, blending dense textures, static-laced improvisation, and electroacoustic intensity into a raw and unapologetically visceral listening experience. ... Click to View



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Op-Ed (Opinions and Editorials)


  Matt Mitchell 
  The Squid's Ear Interview
Matt Mitchell
Photo by John Rogers

"Matt Mitchell is a pianist and composer whose creative practice exists in a nexus between myriad strains of acoustic, electric, composed, and improvised new music. He has released several forward-thinking, critically acclaimed, and influential albums as a leader on Pi Recordings, Screwgun Records, and Out of Your Head Records, and together with Kate Gentile he runs Obliquity Records. In addition to co-leading Snark Horse with Kate Gentile, he also fronts several ensembles featuring many of the foremost improvisers on the scene, including Kim Cass, Kate Gentile, Jon Irabagon, Ava Mendoza, Miles Okazaki, Mariel Roberts, Sara Serpa, Sara Schoenbeck, Brandon Seabrook, Ches Smith, Chris Tordini, Anna Webber, Dan Weiss, and Miguel Zenon.

He is a member of several significant and acclaimed creative music ensembles, including Dan Weiss's Starebaby and Even Odds, Miles Okazaki's Trickster, Ches Smith's We All Break, Kate Gentile's Find Letter X, Anna Webber's Simple Trio, Jon Irabagon's Outright!, Miguel Zenon's Golden City, Sara Serpa's Intimate Strangers, and Yuhan Su's Liberated Gesture. He has a longstanding association with Tim Berne, and has played extensively in the ensembles of many major figures in improvised music, including Dave Douglas, Steve Coleman, David Binney, John Hollenbeck, Miguel Zenon, Rudresh Mahanthappa, Linda May Han Oh, Jonathan Finlayson, Mario Pavone, Dave King, and Darius Jones. He has also performed the music of John Zorn, and has played with Donny McCaslin, Chris Lightcap, JD Allen, David Torn, Marc Ducret, Gordon Grdina, Kenny Wheeler, and Lee Konitz. He has also received several awards and fellowships including the Pew Fellowship in the Arts, the Doris Duke Impact Award, and a Shifting Foundation grant."


How would you describe music?

The intentional organization of sound in time.

What is your relationship to music?

It has shaped my entire life.

What draws you to the instrument(s) you play, and/or to composing?

I started on piano quite young and just kept going, and it got more fun for me the more I improved, and especially once I started being interested in jazz and improvising around age 12. This was when I got interested in composing as well. It has remained incredibly challenging to be as good at it as I want to be, so I figured that my time was best spent focusing on one instrument. I did flirt with playing drums for several years, and I even played a couple gigs, but it actually still wasn't as satisfying for me as piano, though I still wonder what an alternate-universe version of me who stuck with drums sounds like now.

What deceased performer(s), improviser(s), or composer(s) would you most like to have a conversation with?

So many. Eric Dolphy, Cecil Taylor, Frank Zappa, Iannis Xenakis, Morton Feldman, Tony Williams, Sam Rivers, Chopin, Bach, Wayne Shorter, Andrew Hill, Monk, Muhal Richard Abrams, Sun Ra, Sorabji, Duke Ellington

What musician most influenced your approach to music?

All of the above, plus Miles Davis, John Coltrane, Bud Powell, Herbie Hancock, Keith Jarrett, Paul Bley, Ornette Coleman, Sonny Rollins, Don Cherry, Jack DeJohnette, Tim Berne, Steve Coleman, John Zorn, Bill Frisell, Anthony Braxton, Evan Parker, Tony Oxley, Stravinsky, Bartok, Scriabin, Debussy, Ravel, Messiaen, Wolfgang Rihm, Harrison Birtwistle, Brian Ferneyhough, Merzbow, Autechre, Bernard Parmegiani, Roland Kayn, Pierre Henry, Beatles, Jimi Hendrix, Stevie Wonder, Zawinul, Henry Cow, This Heat, Gentle Giant, Yes, Genesis, XTC, Cardiacs, Prince, Living Colour, Fishbone, Pixies, Frank Black, Sonic Youth, Robert Pollard, Bad Brains, Napalm Death, Gorguts, Portal, Defeated Sanity, Bob Drake, Deerhoof, etc.

Who or what influences you most outside of music?

Visual art, fiction, poetry, science, mathematics, comedy, the unknown, the barely known, the misunderstood, the arcane and obscure, the uncanny, the ridiculous

What advice would you give to a young musician entering your field?

Stay off of social media, stay off of Spotify. Practice and compose as much as possible, of course.

What do you hope audiences take away from experiencing your music?

I hope they enjoy it somehow! Or, if they don't enjoy it in any way, I hope they really hate it, rather than feel totally neutral. But I make music first and foremost for myself, so when anyone at all ever enjoys my music in any way, I am grateful.

Where are you currently located or musically associated with?

I live in Brooklyn. Musical associations: Kate Gentile, Kim Cass, Chris Tordini, Ches Smith, Dan Weiss, Miles Okazaki, Brandon Seabrook, Tim Berne, Jon Irabagon, Anna Webber, John Hollenbeck, Sara Serpa, Tyshawn Sorey, Miguel Zenon, Steve Coleman, Anthony Tidd, Sean Rickman, Sara Schoenbeck, Mariel Roberts, Miranda Cuckson, John Hebert, Ralph Alessi, Jonathan Finlayson, Yuhan Su. Many more.

What is your musical education or background?

Started piano age 5, played classical music until I was 12, heard The Best of Thelonious Monk [Columbia] and Wynton Marsalis J Mood and wanted to play jazz, studied jazz, ear training, composition [jazz and otherwise] alongside the classical music until I finished high school. Also got my first synthesizer around age 13 or so and got into programming my own sounds, also making tunes on an Alesis sequencer. Attended Indiana University, finished in 3 years, did a masters at Eastman School of Music. Moved to NYC for a year, hated it and moved to Philadelphia for 15 years, the first 10 of which I had day jobs, during which time I played in free improv formations and went deeper into electronic music and noise, 4 track recording, pedals, then laptop/plugins, etc. Quit my day job in 2009, commuted to NYC for 5 years during which I finally made inroads as a pianist in the NYC jazz and improvised music scene, then moved to Brooklyn in 2014.

What is your favorite recording by another musician or group?

Probably 100-200 items could be on this list.

What is your favorite recording that you have made?

This feels like what I imagine choosing a favorite child would feel like. That said, I'm especially proud of my two recent solo piano albums: Illimitable and Sacrosanctity . A Pouting Grimace and Phalanx Ambassadors seem like they came from a past life and part of me can't believe I pulled them off. Snark Horse with Kate Gentile feels pretty monumental to me also. Fiction , Vista , Accumulation , Oblong Aplomb , Zealous Angles - they all hold special places for me. Each of these albums seems to have particular fanbases, and I don't think I have one album that has received significantly more feedback than any other one does. My duo albums with Tim Berne, my duo with Anna Webber Capacious Aeration , my upcoming duo with Sara Serpa End of Something - I'm exceedingly proud of these as well.

As a sideman, Kate Gentile's Find Letter X is a major personal achievement that I think stands somewhat alone in scope and depth, and it deserves greater attention.


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Squidco

Recent Selections @ Squidco:


Kim Jae Jung:
Shamanism
(Relative Pitch)



Joe McPhee/
Susanna Gartmayer/
John Edwards/
Maria Portugal:
Monster
(Klanggalerie)



Signe Emmeluth/
Ingebrigt Haker-Flaten/
Axel Filip:
Hyperboreal Trio
(Relative Pitch)



John Butcher/
John Edwards:
This Is
Not Speculation
(Listen! Foundation (
Fundacja Sluchaj!))



Izumi Kimura/
Lina Andonovska/
Dominique Pifarely:
Seven Dreams
(Listen! Foundation (
Fundacja Sluchaj!))



Jerome Deupree/
Sylvie Courvoisier/
Lester St. Louis/
Joe Morris:
Canyon
[2 CDs]
(Listen! Foundation (
Fundacja Sluchaj!))



Marc Baron/
Eric La Casa:
Contrefacons
(Swarming)



Francisco Lopez:
Untitled (
2021-2022)
[2 CDs]
(Bu Lang Tribute Cake)



Eventless Plot |
Haarvol:
The Subliminal Paths
[CASSETTE + DOWNLOAD]
(Innovo Editions)



Akmee:
Sacrum Profanum
(Nakama Records)



Karl Evangelista Quintet
feat. Bobby Bradford and
William Roper:
Solace Angles
(Asian Improv)



Sveio:
Latent Imprints
(577 Records)



The Sleep Of Reason
Produces Monsters (
Rasmussen/
Mitelli/
Rezaei/
Koenig):
The Sleep Of Reason
Produces Monsters
(Corbett vs. Dempsey)



Dan Brown/
Dan Reynolds:
Live At
The Grange Hall
[unauthorized][CASSETTE]
(Sacred Realism)



Matt Mitchell:
Sacrosanctity
(Obliquity)



Das B (
Mazen Kerbaj/
Mike Majkowski/
Magda Mayas/
Tony Buck):
Love
(thanatosis produktion/
Corbett Vs Dempsey)



Das B (
Mazen Kerbaj/
Mike Majkowski/
Magda Mayas/
Tony Buck):
Love
[VINYL]
(thanatosis produktion/
Corbett Vs Dempsey)



Mary Halvorson Septet:
Illusionary Sea
[2 LPS]
(Firehouse 12 Records)



Darius Jones:
Legend of e'Boi (
The Hypervigilant Eye)
[VINYL + DOWNLOAD]
(Aum Fidelity)



Irene Schweizer/
Rudiger Carl/
Johnny Dyani/
Han Bennink:
Irenes Hot Four
(Intakt)







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