The Squid's Ear
Recently @ Squidco:

Daniel Sarid Trio: Leventuruos (OutNow Recordings)

Adventurous/Leventuruos is a good description of the articulate, sophisticated, and exciting trio work that Israeli pianist Daniel Sarid, double bassist Gilad Abro, and drummer Ziv Ravitz present, in 8 dynamic pieces that balance free, rapid and lyrical jazz. ... Click to View


Josh Sinton / Dominic Lash: Signal Gain (OutNow Recordings)

Multi-reedist Josh Sinton and double bassist Dominic Lash spent a year researching early forms of free-form playing, inviting guests Nate Wooley, Indrid Laubrock, Kyoko Kitamura, and Alex Ward to record the results with them, heard in this outstanding set of recordings from duo to sextet. ... Click to View


Frank Gratkowski / Sebi Tramontana: Live At Spanski Borci (Leo)

A wonderfully playful and buoyant duo between trombonist Sebi Tramontana and reedist Frank Gratkowski performing on bass clarinet, clarinet, and alto saxophone, performing livea at Spanski Borci Theatre, in Ljubljana, Slovenia in 2016 over 15 concise and compelling dialogs. ... Click to View


Ivo Perelman / Karl Berger / Gerald Cleaver: The Art Of The Impov Trio Volume 1 (Leo)

Saxophonist Ivo Perelman is the anchor for the 6 volumes of "The Art of the Improv Trio", here with Karl Berger on piano and Gerald Cleaver on drums in a lyrical album that flows with grace and thoughtfulness, from ballad introspection to uptempo excitement, an impressive start to the series. ... Click to View


Ivo Perelman / Mat Maneri / Whit Dickey: The Art Of The Improv Trio Volume 2 (Leo)

The second volume of New York/Brazilian saxophonist Ivo Perelman's 6-part series "The Art of the Improv Trio" is the most unique of the set, with Mat Maneri on viola and Whit Dickey on drums for a series of thirteen shorter and more intricate works of great range and diversity. ... Click to View


Ivo Perelman / William Parker / Gerald Cleaver: The Art Of The Impov Trio Volume 4 (Leo)

The 4th volume in Brazilian/New York saxophonist Ivo Perelman's exemplary 6-part series "The Art of the Improv Trio" bring together bassist William Parker and drummer Gerald Cleaver for a 3-part set of free improvisation, beautifully flowing dialog of masterful playing. ... Click to View


Joelle Leandre: No Comment (Fou Records)

Two exemplary solo sets from the truly distinctive and commanding French double bassist and vocalist Joelle Leandres recorded at Vancouver Jazz Festival, Western Front, Vancouver, Canada, in June 1995 and at The Ibleo Jazz Festival in Ragusa, Italy in October, 1994. ... Click to View


Willem Breuker Kollektief: Angouleme, 18 Mai 1980 [2 CDs] (Fou Records)

The late Willem Breuker Kollektief's was an ensemble focusing on jazz roots in theatrical and dramatic performances, emphasing the fun aspects of historic jazz bands with energetic orchestration and soloing, described as a "mix of circus music, jazz and improvisation". ... Click to View


Peter Kowald / Daunik Lazro / Annick Nozati: Instants Chavires (Fou Records)

Recordings from 2000 at Instants Chavires in Montreuil, France from the free improvising trio of Peter Kowald on double bass, Daunik Lazro on alto & baritone sac, and Annick Nozati on voice, in a uniquely informed dialog representing the only time this masterful trio performed. ... Click to View


Tiziano Tononi And Southbound: Trouble No More... All Men Are Brothers (Long Song Records)

Italian drummer and percussionist Tiziano Tononi leads a large ensemble performing the music of American Rock Band The Allman Brothers, who Tononi cites as a major influence in his life for both their style, incorporating jazz, blues, southern rock and New Orleans cross-rhythms. ... Click to View


Sirom: I (Amorfon)

Silom is a Slovenian creative music trio using a variety of string, percussive, and melodic percussive instruments, focused on the acoustic aspects of complex evolving works that combine composed and improvised aspects to create rich music with ancient ethnic overtones. ... Click to View


Yoshio Machinda : Tender Blues (Amorfon)

Japanese Steelpan player Yoshio Machida's 11th solo album, performed on the metal slit drum, made from a small gas tank tuned to the C scale over 2 octaves, which he takes into warm territories of rich overtones and melodic invention influenced by Kora, Gamelan, Kulintang and Myanmar musics. ... Click to View


Matt Mitchell plays Tim Berne: Forage (Screwgun)

Pianist Matt Mitchell, a member of saxophonist Tim Berne's Snakeoil, releases a solo album of Berne compositions, taking the reedist's typically frenetic material into unexpected territory, revealing dark beauty and intensely introspective aspects to Berne's music. ... Click to View


Trouble Kaze (Fujii / Agnel / Tamura / Pruvost / Lasserre / Orins): June (Helix Circum-Disc)

Drummer Peter Orins expands the Kaze quartet of trumpeters Natsuki Tamura and Christian Pruvost and pianist Satoko Fujii, with a second drummmer--Didier Lasserre--and a second pianist--Sophie Agnel--for a live recording of a 5-part suite of magnificently epic collective improv. ... Click to View


Nuova Camerata : Chant (Improvising Beings)

Lisbon's Nuova Camerata brings together a mix of improvisers and contemporary classical players--Carlos Zingaro, Joao Camoes, Ulrich Mitzlaff, Miguel Leiria on string with Pedro Carneiro on marimba--for a set of improvisations bridging both disciplines in passionate and unexpected ways. ... Click to View


MarsaFouty (Jean-Luc Foussat / Fred Marty): Concerts (Fou Records)

Synth improviser Jean-Marc Foussat and double bassist Fred Marty join their names and playing together for an absolutely impressive album of exploratory improv, Foussat taking their music into hallucinatory territories while Marty provides both a solid anchor and flights of textural nuance; supberb. ... Click to View


John Cage : Cartridge Music (Edition Wandelweiser Records)

A 2003 recording from The Ensemble Daswirdas performing John Cage's 1960 composition "Cartridge Music", described as: "For amplified small sounds; also amplified piano or cymbal; any number of players and loudspeakers; parts to be prepared from score by performers." ... Click to View


Luigi Nono / Jurg Frey: Works For Violin Duos (Edition Wandelweiser Records)

Two works from two distinctive composers from different periods--Jurg Frey and Luigi Nono--both for two violins, Frey using the two violins in parallel to emphasize their distinction; Nono using powerful gestures of divergence and contrast in a dream-like duo. ... Click to View


Luke Martin: So Softly That It Came, A Wild Dim Chatter, Meaningless (Edition Wandelweiser Records)

Luke Martin began this work with a field recording at Mentryville Park in Southern California, which was transcribed by himself and Amy Golden, Ben Levinson, Davy Sumner, and Ryan Gaston using Martin's system of notating silence, then combined into the final score for this recording. ... Click to View


I Am Three (Eberhard / Neuser / Marien): Mingus Mingus Mingus (Leo)

Saxophonist Silke Eberhard leads her trio with Nikolaus Neuser on trumpet and Christian Marien on drums, through a distillation of well known and lesser known Mingus tunes, restricting each tune to its essence in 3-4 minute renderings focusing on Mingus' compositional strength. ... Click to View


Simon Nabatov: Monk 'N' More (Leo)

Pianist Simon Nabatov plays the music of Thelonious Monk in a live concert from 1995, alternating those recordings with a 2013 concert of solo electroacoustic work, an unusual approach that focuses the melodic aspects of Monk while highlighting his eccentricity and intrepidity ... Click to View


Trio Kimmig (Kimmig / Studer / Zimmerline / John Butcher): Raw (Leo)

The Swiss string trio led by violinist Harald Kimmig, with Daniel Studer on bass and Alfred Zimmerlin on cello, is joined by UK saxophonist John Butcher for a set of improvisations that build with a unique percussive vitality and burning intensity. ... Click to View


John Zorn: The Garden Of Earthly Delights (Tzadik)

Composer John Zorn's Simulacrum ensemble of Trevor Dunn (bass), John Medeski (keyboards), Kenny Grohowski (drums), Matt Hollenberg (guitar), and Sara Serpa (voice) in their 6th album of heavy improv, celebrating the 500th anniversary of the passing of painter Hieronymus Bosch. ... Click to View


Jack Wright / Roughhousing: You Haven't Heard This Yet (Spring Garden Music)

The trio of Jack Wright on sax, Evan Lipson on double bass, and Zachary Darrup on guitar and objects, from a long history of camaraderie have developed a rough-neck style of interacting, here in long recording, released with 7 solo sax recordings from Wright. ... Click to View


Harris Eisenstadt : Recent Developments (Songlines)

NY Composer and percussionist Harris Eisenstadt furthers his exploration into long-form composition and unusual instrumentation in his 20th release as a bandleader, with a spectacular improv ensemble including Nate Wooley, Jeb Bishop, Han Roberts, Anna Webber, &c. &c. ... Click to View


Jean-Marc Foussat / Sylvain Guerineau / Joe McPhee: Quod (Fou Records)

Experimental improvisation from three masterful players --Joe McPhee on soprano sax, Sylvain Guerineau on tenor saxophone, and Jean-Marc Foussat on synthesizer and voice--recording in France in 2010 for two extended works of concentrated and diverse dialog. ... Click to View


Derek Bailey / Joelle Leandre / George Lewis / Evan Parker : 28 Rue Dunois Juillet 1982 (Fou Records)

A superb encounter from France in 1928 between four masters in a fertile and creative period: Derek Bailey (guitar), Joelle Leandre (double bass), George Lewis (trombone), and Evan Parker (saxophone), each bringing incredible experience to their enduring collective music. ... Click to View


Cecile & Jean-Luc Cappozzo: Soul Eyes (Fou Records)

A delicate album of melodic free playing from trumpeter Jean-Luc Cappozzo and his partner Cecile Cappozzon piano, covering the work of Charles Mingus ("Pithecantropus Erectus", "Goodbye Porkpie Hat") and Mal Waldron ("No More Tears," "The Seagulls of Kristiansund"). ... Click to View


Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff): Elements [VINYL] (Cien Fuegos)

In 1971 the quartet of Peter Brotzmann on tenor sax, Fred Van Hove on piano, Han Bennink on drums, and Albert Mangelsdorff on trombone took the stage at The Free Music Market in Berlin to perform this aggressive and informed album of prime European Free Improvisation. ... Click to View


Brotzmann / Van Hove / Bennink (w/ Albert Mangelsdorff): Couscouss de la Mauresque [VINYL] (Cien Fuegos)

The early 70s trio of tenor saxophonist Peter Brotzmann with Fred Van Hove on piano, Han Bennink on drums is joined by trombonist Albert Mangelsdorff for a live recording at Free Music Market, in Berlin for two extended and fiery improvisations of incredible skill and drive. ... Click to View


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Op-Ed (Opinions and Editorials)


  Musical Activism: An Open Call  
By Marc Ribot

On tour in Europe during the first twelve days of the recent invasion of Iraq, I witnessed something close to bereavement among audience members at the apparent consent of most Americans to Bush's agenda of war and empire.

It was exhausting, in addition with all the other pressures of performance, to deal with expectations to represent "America" in this situation. Although it felt strange to speak about the war during performances - I'm a guitarist, not a lecturer - it felt even stranger not to. The one thing about which I felt certain was that the incredible level of anger and opposition I witnessed was no longer simply about one lousy political decision, but had become a critique of the legitimacy of the power of empire, and it wasn't going to stop when the war ended.

Indeed, it hasn't. It remains nearly impossible to get on stage without addressing (or failing to address) the context within which, whether we like it or not, our music is now heard.

This database project described below was conceived as a means through which artists and musicians will be able to say what needs to be said politically in the formats where it will do the most good, to help to change a political context which, simply put, has become intolerable.

We're inviting touring artists to participate in a pilot project version to be launched around February 1, 2004. Anyone can back out at any time, but expressions of interest/commitment (along with brief bios if possible) are needed to apply for grants to build the database.

Best regards, Marc Ribot Musicians Solidarity Database [correspondence may be sent to msolidarity@squidco.com]



WHAT: The Musicians Solidarity Database will connect internationally touring recording artists/musicians with anti-war and global justice organizations local to their touring dates.

The Database is an initiative of the Musicians Solidarity Network (MSN). Although open and useful to all artists regardless of origin or tour destination, the actual possibilities will probably reflect the current touring routes. The intent is for participating artists to be able to integrate whatever degree of activity on behalf peace/democracy/social justice organizations they feel able to commit to into their regular tour itineraries with a minimum of effort, and for the organizations to benefit from cultural support.

HOW: Touring artists enter their upcoming tour schedules, tech needs, and other necessary info and preferences into the database. Major peace/ democracy/social justice organizations access the info and cross-reference the dates of their planned events with touring artists' availability. The organizations then send the musicians/artists a set of proposals (for example: to speak or perform at a demonstration). The artist accepts whichever proposals they choose, and forward their acceptance along with whatever time or tech specs apply back to the organizations. The organizations confirm the date.

Even if tour schedules are too tight to allow for an artist's participation in outside events, artists can arrange, through the data bank, to make merchandise/ literature table space available to organizations they support.

Great care will be taken to make the data-base user friendly to both artists and organizations.

WHY?: An enormous divide has opened in political understanding between the US and most of the rest of the world, particularly in Europe. Most touring artists and musicians are already well aware of this.

But artists who speak out against Bush's agenda of war and empire, particularly in the US, run the risk of alienating fans or even being subjected to radio and other forms of blacklisting.

In Europe, things are different, at least for the time Being. Manu Chao's "Clandestino" was a hit because of, not in spite of, his close identification with the social forum movement. Whether this will always be true is difficult to say: the same forces that created Bush are also pushing Europe steadily rightward. But it's true now.

The database is a way to turn this political differential into a force for progressive change in the US, enable artists who want to be active to do so, provide organizations against war and for global justice with a constant stream of performing artist support, and build a global network of artists and activists.

It will help artists to limit the economic risks of activism by connecting them with activists and audiences who share their views.

For example, contact with non-US activists and anti-war audiences will enable US musical/cultural figures (and global cultural figures who wish to sell in the US market) to speak out. It's no accident the Dixie Chicks spoke out against the war while in Europe.

As more artists risk opinions outside the US mainstream, it will change the political math that has discouraged dissent by encouraging fans to question their mass-media enforced opinions. And contact between US audiences and European/international artists willing to speak out will help break the US media censorship of the depth of world opposition to war and empire.

Of course, the issues affecting us all aren't confined to the US: the same political/economic forces that put Bush in power in the US are alive and well in Europe and elsewhere. The problems are global and gestures of solidarity from touring musicians are needed to keep the spirit of opposition global as well.

A secondary benefit of the database involves musicians and artists rights issues. There are some issues of interest from anti-war, cultural, and labor perspectives. For example, the role of the Clear Channel monopoly in censoring opposition to the war, blacklisting anti-war artists, and even organizing pro-war demonstrations in the US is both an anti-war issue, and an infringement on artists' freedom of expression.

SPECIFICATIONS Filters, both passive/automatic and active/human will ensure that participating orgs are major and respected, and that participating artists are at a sufficiently professional level to be of use to them.

  • Access to the database will be strictly limited to approved organizations.
  • Contact between artists and organizations will take place within a database 'mailbox' so that artists/managers run no risk of having personal/business email accounts flooded with requests.
  • Whatever form of participation the artist chooses - be it a gig, a single song, or a brief statement - the database format will ensure that all necessary technical requirements and conditions are met, without extensive back and forth between artists, managers and organizations.
  • Artists will have access to full information about events they are being invited to participate in and about the organizations asking them to participate.
  • Artists' participation in the database will be confidential (although at this stage, we may need to list participating artists in grant applications) unless the artists themselves choose to make it public.




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In Brief: Sleepytime Gorilla Museum, Kato Hideki, People Like Us
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AECO: Fifth Decade
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Cheek to Cheek Misdemeanors - NYC's Cabaret Laws: Infracting Cheek to Cheek
Musical Activism: An Open Call
The Upside of Dowloading
Ameri-chord: Johnny Cash Remembered - Skip Heller - Amer-chord - Johnny Cash & June Carter
The Zorn Non-Interview - Ah, John, We Hardly Knew Ye
Hope for the Snowballs - The 2003 Jazz Journalists Association Awards
A Stone Turned - Irving Wilson Stone, 1922-2003
Knit One, Pearl Zero
Support Live Strangers - An Open Invitation for New Yorkers to Take a Freakin' Chance, or a Chastisement
London's Burning - Marc Ribot


The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
independent writers.

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Recent Selections @ Squidco:


Trouble Kaze (
Fujii /
Agnel /
Tamura /
Pruvost /
Lasserre /
Orins):
June
(Helix Circum-Disc)



MarsaFouty (
Jean-Luc Foussat /
Fred Marty):
Concerts
(Fou Records)



Matt Mitchell plays Tim Berne:
Forage
(Screwgun)



I Am Three (
Eberhard /
Neuser /
Marien):
Mingus Mingus Mingus
(Leo)



Simon Nabatov:
Monk 'N' More
(Leo)



Derek Bailey /
Joelle Leandre /
George Lewis /
Evan Parker :
28 Rue Dunois
Juillet 1982
(Fou Records)



Brotzmann /
Van Hove /
Bennink (
w/ Albert Mangelsdorff):
The End
[VINYL]
(Cien Fuegos)



Michel Banabila :
Sound Years
[VINYL]
(Tapu Record)



Harris Eisenstadt :
Recent Developments
(Songlines)



Johannes Bauer /
Peter Brotzmann:
Blue City (
Live At
Blue City Osaka /
Japan 16.
October 1997)
(Trost Records)



Will Guthrie:
People Pleaser
[VINYL]
(Black Truffle)



Bucher /
Tan /
Countryman:
Acceptance - Resistance
(Improvising Beings)



Ruins:
Burning Stone
[REISSUE]
(Magaibutsu Limited)



Brotzmann /
Van Hove /
Bennink (
w/ Albert Mangelsdorff):
Couscouss de
la Mauresque
[VINYL]
(Cien Fuegos)



Brotzmann /
Van Hove /
Bennink (
w/ Albert Mangelsdorff):
Elements
[VINYL]
(Cien Fuegos)



Neukollner (
Denzler /
von Schlippenbach /
Grip /
Johansson):
Sektion 3-7
[2 CDs]
(Umlaut Records)



Jean-Marc Foussat :
L'oiseau
(Fou Records)



Michael Pisaro (
w/ Didier Aschour /
Stephane Garin):
Resting in
a Fold of
the Fog
(Potlatch)



Jean-Marc Foussat :
L'oiseau
[VINYL]
(Fou Records)



Sylvain Guerineau /
Kent Carter /
Itaru Oki /
Makoto Sato:
D'Une Rive A L'Autre
(Improvising Beings)







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