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Charlie Parker :
Selections From The DIAL Recordings (ezz-thetics by Hat Hut Records Ltd)

The first of two volumes in celebration of legendary saxophonist Charlie Parker 100th birthday, here remastering his landmark recordings for the Dial label on the US West Coast between 1946-47, performing with jazz greats including Miles Davis, Lucky Thompson, Erroll Garner, Barney Kessel, Red Calender, JJ Johson, Max Roach, &c. for some of Parker's best known and essential compositions. ... Click to View


Charlie Parker :
Selections From The SAVOY Recordings (ezz-thetics by Hat Hut Records Ltd)

The second of two volumes in celebration of legendary saxophonist Charlie Parker 100th birthday, here remastering his landmark recordings for the Savoy label in New York City between 1945-48, performing with jazz greats including Bud Powell, Dizzy Gillespie, Miles Davis, John Lewis, Curley Russel, Max Roach, &c. for some of be-bop's finest and best known compositions. ... Click to View


Jubileum Quartet (Leandre / Parker / Fermandez / Kaucic):
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Celebrating 40 years of Zlatko Kaucic's professional career as a musician, the quartet of Joelle Leandre on acoustic bass, Evan Parker on tenor saxophone, Agusti Fernandez on piano, and Zlatko Kaucic on drums, objects are heard live at the 23th Cerkno Jazz Festival in 2018 for an extended and stunning set, from the most active to the most introspective of moments. ... Click to View


Angharad Davies / Klaus Lang / Anton Lukoszevieze:
Unfurling (Another Timbre)

Instigated by Simon Reynell and Ryoko Akama and recorded on the last day of a residency at at Dai Hall in Huddersfield in early 2020, the long-standing collaborative relationship of violinist Angharad Davies and cellist Anton Lukoszevieze are joined by Klaus Lang on harmonium, heard in this incredibly rich, mesmerizing and fascinating journey in pitch, tone & timbre. ... Click to View


Trevor Watts Quartet The (Veryan Weston / John Edwards / Marc Sander):
The Real Intention - Cafe OTO concert (Listen! Foundation (Fundacja Sluchaj!))

Drawing from four of the most active and prominent improvisers on the UK free improv scene, saxophonist Trevor Watts leads his quartet with pianist Veryan Weston, bassist John Edwards and drummer Mark Sanders through four free spirited, and exhilarating and comprehensive collective conversations captured live at Cafe Oto in London in 2019. ... Click to View


Guillermo Gregorio / Joe Fonda / Ramon Lopez:
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A collection of compositions from clarinetist Guillermo Gregorio alongside collective improvisations from the trio with bassist Joe Fonda and drummer Ramon Lopez, sophisticated chamber-oriented jazz from masterful players recording in the studio in New Jersey, as they explore the musical intersection of disparate cultural, geographic and life experiences. ... Click to View


The Croaks (Kuchen / Turner / Rogers):
One Of The Best Bears! (Listen! Foundation (Fundacja Sluchaj!))

An album of controlled cacophony and slippery improvisation from the trio of Martin Klapper on amplified objects, toys & small electronics, Martin Kuchen on sopranino & soprano saxophones, snare drum resonator & metal objects, and Roger Turner on drums, small cymbals, metal and plastic, recording in Stokholm as they apparently try to build a shooting bear. ... Click to View


Pierre Gerard:
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Extremely patient compositions for electronics, cello, guitar and tenor sax from French sound and visual artist Pierre Gerard: "Air" using recordings from his duo parter of tenor saxophonist Bertrand De Lamalle with long sections of silence; "Cavity" employs previously recorded guitar improvisations that interact with Gerard's live electronic improvisations. ... Click to View


Chefkirk:
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A collection of digital video artworks presented by Orgeon sound and noise artist Chefkirk, combining improvised drone and powerful electronics into energetic works, edited and sequenced with visuals by Obscura Film's Ryan Lewis (910 Noise), presenting 8 pieces of abstract and gripping sound with complementing colorful object and silhouette motion animation. ... Click to View


Okkyung Lee:
Yeo-Neun [VINYL] (SHELTER PRESS)

Yeo-Neun Quartet is an experimental chamber music ensemble founded in 2016 by Okkyung Lee on cello, with harpist Maeve Gilchrist, pianist Jacob Sacks, and bassist Eivind Opsvik, in a detailed album merging melodic contemporary composition with free improvisation and unusual technique, as Lee explores her musical history and experiences through ten dramatically elegant works. ... Click to View


Various Artists (Luigi Russolo / Chris Cutler / Nick Sudnick / Andrzej Karpinski / Alessandro Monti / Silvio Mix / Pietro Verardo:
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Four new commissioned works by Chris Cutler, Andzrej Karpinski, Nick Sudnik and Alessandro Monti performed on Futurist conceptualist Luigi Russolo's "Intonarumori", unique boxes capable of mechanically creating sounds including roars, thunderings, explosions, hissing, whistling, puffing, mumbling, muttering, gurgling, screeching, creaking, buzzing, crackling and scraping. ... Click to View


Give Guitars To People (NATuerlich / Arbeit / Rua):
The Look Of Silence, Vol 1 (Recommended Records)

The trio of guitarists Patricia Bateira (NATurlich), Jochen Arbeit (Einstürzende Neubauten) and Vitor Rua (Vitor Rua & The Metaphysical Angels) combine to create a new style of long-form electronic music, a richly continuous work seemingly without start or end, incorporating sustain, effects, & field recordings into a beautifully abstract aural environment. ... Click to View


Eddie Prevost:
An Uncommon Music For the Common Man [BOOK] (Matchless)

Percussionist, Improviser and AMM founding member Eddie Prévost's fourth book presents a fascinating series of reflections and challenging insights on music in its various forms, and the development of improvised music at the intersection of contemporary compositional and conceptual forms; alongside a personal history of Prevost's life and his relationship with music. ... Click to View


Xavier Charles / Bertrand Gauguet:
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Using the interference points of closely pitched sound, long-time collaborators Xavier Charles and Bertrand Gauguet use acoustic and amplified clarinets and saxophones to create frequency landscapes that change slowly, ringing with harmonics while finding unison and conflict in their tones, creating meditative aural environments of great beauty and reflection. ... Click to View


Charlemagne Palestine / John Kormeling:
Meet The Frogsichord [VINYL 2 LPs] (Staalplaat)

Architect John Körmeling and maverick musician Charlemagne Palestine collaborate on a whole new system of music, reworking the harpsichord to generate notes of Pythagorean ratios, Kormeling asking the visionary and idiosyncratic to composer create a set of recordings on the instrument that Palestine dubbed "The Frogischord". ... Click to View


Charlemagne Palestine / John Kormeling:
Meet The Frogsichord [VINYL 2 LPs FUR COVER] (Staalplaat)

Architect John Körmeling and maverick musician Charlemagne Palestine collaborate on a whole new system of music, reworking the harpsichord to generate notes of Pythagorean ratios, Kormeling asking the visionary and idiosyncratic to composer create a set of recordings on the instrument that Palestine dubbed "The Frogischord". ... Click to View


Rafael Toral:
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A long-form ambient composition from Portuguese composer and electroacoustic performer Rafael Toral, combining piano (Joana Gama), harp (Angelica V. Salve), vibraphone (Luis Bittencourt), clavinet (Joana Baulho), Rhodes (Riccardo Dillon), and sinewaves (Rafael Toral) a generative piece that avoids repetition while creating a floating and vast sense of reverberant space. ... Click to View


Merzbow:
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A 5-part concert and encore from Masami Akita, AKA Merzbow, performing in Australia at Room40's Open Frame Festival in 2019, a wrenching performance of distinctive yet diverse noise sources and textures revealed as a controlled tumult; all profits from this edition will be donated to assisting wildlife recovery in the wake of the Australia bushfire crisis of 2020. ... Click to View


Brandon Seabrook (w/ Cooper-Moore / Gerald Cleaver):
Exultations [CASSETTE w/ DOWNLOAD] (Astral Spirits)

The title aptly describes the intense excitement and exhilaration of NY guitarist Brandon Seabrook's second trio album on Astral Spirits, performed with rhythm giants Cooper-Moore on Diddley Bow (a single-string bass) and free jazz drum legend Gerald Cleaver, the two creating a percolating interactive foundation for Seabrooks powerfully expressive and investigative playing. ... Click to View


Brandon Seabrook (w/ Cooper-Moore / Gerald Cleaver):
Exultations (Astral Spirits)

The title aptly describes the intense excitement and exhilaration of NY guitarist Brandon Seabrook's second trio album on Astral Spirits, performed with rhythm giants Cooper-Moore on Diddley Bow (a single-string bass) and free jazz drum legend Gerald Cleaver, the two creating a percolating interactive foundation for Seabrooks powerfully expressive and investigative playing. ... Click to View


Liebman / Brecker / Copland / Alessi / Gress / Baron:
QuinT5T (Inner Voice Jazz)

Compatriots in bands over many years, the quintet of David Liebman on saxophones, Randy Brecker on trumpets, Marc Copland on piano, Drew Gress on bass and Joey Baron on drums, joined by trumpeter Ralph Alessi on 2 tracks, come together to bring joyfully lyrical enthusiasm and masterful skill to works by Liebman, Gress, Baron, Brecker, and Ellington. ... Click to View


Bob Drake:
The Gardens of Beastley Manor (Recommended Records)

Bob Drake takes his listeners on a 22 piece instrumental journey through a "Beastley" garden of confident melodic foundation anBob Drake takes his listeners on a 22 piece instrumental journey through a "Beastley" garden of confident melodic foundation and experimental forays, captured by day and night, at fountains or on balustrades, walking paths or in pavilions, Drake's concise and endearing vignettes painting aural images of wit, introspection, curiosity and wonder, a tour de force of conception and execution.d experimental forays, captured by day and night, at fountains or on balustrades, walking paths or in pavilions, Drake's concise and endearing vignettes paint aural images of wit, introspection, curiosity and wonder, a tour de force of conception and execution. ... Click to View


Sangliers (Dave Rempis / Keefe Jackson / Christine Wodrascka / Didier Lasserre / Peter Orins):
Minuscules (The Bridge Sessions)

The Bridge is a transatlantic network that connects improvisers across national boundaries, here connecting US Chicago-based musicians Keefe Jackson (saxophones & bass clarinet), Dave Rempis (saxophones), with French improvisers Christine Wodrascka (piano), Didier Lasserre (drums) and Peter Orins (drums) for a 2018 recording in Lille, France. ... Click to View


Eric La Casa :
Interieurs (Swarming)

A stunning exploration of interior architecture through recordings of the elements of three spaces including La Casa's own apartment, finding micro and macro-scopic sound in common elements that he uses to create fascinating compositions reflecting both the captivating fullness and stillness of each space, as the composer questions his relationship with each space. ... Click to View


Phill Niblock:
Music for Organs (Matiere Memoire)

Two massive drone works for organ and pre-recorded tracks commissioned by Musica Festival Strasbourg for organist Hampus Lindwall, with tapes by Emanuel Schmelzer-Ziringer, each piece titled anagrammatically (ie. Nagro = Organ) and recorded with the composer at the Manufacture d'orgues Thomas and Orgelbau Klais organ in the Collegiale Sainte-Waudru, in Mons, Belgium. ... Click to View


Nate Wooley / Torben Snekkestad :
Of Echoing Bronze (Listen! Foundation (Fundacja Sluchaj!))

Two trumpeters--Nate Wooley from New York City, and Torben Snekkestad from Norway, also performing on soprano sax--met in Copenhagen in 2015 for this live concert "KoncertKirken--Blagards Plads", a monumental meeting of exploratory and investigative improvisation, using unusual and unorthodox techniques on their instruments to present 3 unique and singular dialogs. ... Click to View


Joel Futterman / Greg Foster:
Alabama (Shipwreck)

Greg Foster has been merging poetry with music since the 60s, including work with Miles Davis, Art Blakey, and Thelonious Monk, here joins pianist Joel Futterman also on curved soprano saxophone and Indian flute, accompanying Foster's potent words and messages in 8 poems, including the 19 minutes "Alabama Exequy" examining the pain and horror of racism. ... Click to View


London Jazz Composers Orchestra:
That Time (Not Two)

Released for their 50th anniversary, The LJCO, in configurations of up to 21 musicians including Derek Bailey, Trevor Watts, Evan Parker, Peter Brotzmann, &c., perform works by Kenny Wheeler, Barry Guy, Paul Rutherford and Howard Riley, captured live at the Berliner Jazztage in 1972; at Donaueschingen Musiktage in 1972; in the studio in 1980; and London's Round House in 1980. ... Click to View


Dave Rempis / Elisabeth Harnik / Michael Zerang:
Triple Tube (Not Two)

Recording in Graz, Austria in 2019 at the club Tube's, Chicago alto saxophonist Dave Rempis and drummer Michael Zerang, frequent collaborators with Ken Vandermark and The Resonance Ensemble, joined with Austrian improvising and classical pianist Elisabeth Harnik to record three exuberant and incredibly informed improvisations: "Triple Tube" I through III. ... Click to View


Barre Phillips:
Thirty Years In Between [2 CDs] (Victo)

The title to be taken literally, these two solo concerts recorded in Canada by French-based US bassist Barre Phillips, the first recorded at Vancouver Western Front in 1989, the 2nd from the 35th International Festival Music Festival of Victoriaville in 2019, both exemplary concerts showing his masterful skills and ability to captivate then and now. ... Click to View



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  Ilia Belorukov/Gabriel Ferrandini 
  Disquiet  
  (Clean Feed) 


  
   review by Nick Ostrum
  2019-12-05
Ilia Belorukov/Gabriel Ferrandini: Disquiet (Clean Feed)

Ilia Belorukov is a saxophonist and electroacoustic artist at the helm of a young and apparently vibrant experimental scene in Saint Petersburg, Russia. Over the last decade, he has worked his way through the wax and wane of the netlabel phenomenon to releases on more established independents such as Mikroton, Intonema (co-founded by Belorukov), Creative Sources, and, on this release, Clean Feed. Gabriel Ferrandini is the indefatigable Portuguese percussion wild-man who has become the go-to drummer of the Lisbon free jazz scene. I am not sure their paths have crossed before this collaboration. Listening to Disquiet, however, one might suspect that Belorukov and Ferrandini have been playing together for years.

Disquiet, was recorded in Saint Petersburg in mid-December 2017. Presumably, the local environs a city with a deep, sometimes tragic history, an average December high temperature of just below freezing, and wintertime sunlight for just six hours per day inspired the title. Though intricate and at times rather cold and metallic, however, the music conveys a feeling quite different from disquietude. Instead, it sounds like two musicians fighting to break through the ice and stultifying cold, generating their own energy and warmth in the process. Despite some darker undertones, this album sounds surprisingly light and vibrant. Ferrandini is as exploratory and concerted as ever. At times, ("Without Facts" and "The Big Passages") he is restive and fierce. At others ("Fragmented Matter") he plays with more restraint, focusing on more frugal combinations of sounds. For his part, Belorukov runs a similar gamut of composed but aggressive blowing to airier extended techniques and electronic manipulations that have become requisite for European improv. In fact, I have not heard Belorukov sound this muscular and mature before. He does not overblow. He does not rely on tricks simply to produce odd sounds or fill space. He deploys dynamics, but generally avoids the extreme quiet he has plumbed elsewhere. Rather, he and Ferrandini strike a compelling balance between the virtuosic and the confidently spare.

In short, Disquiet flows. It has its peaks of activity and verges on free blowing, though Belorukov never quite reaches that full-throttle abandon. It has its spacious troughs of sonic landscapes peppered with intermittent clangs, scrapes, shrieks, hums, and susurrations. Between these poles are the rolling slopes that form the mortar of the album. And, indeed, the strength of this album comes from that mortar rather than its exceptional moments. Despite its variety and frills, it remains contemporary, curious free jazz at its heart. And that is what makes it so gratifying.



Ilia Belorukov/Gabriel Ferrandini: Disquiet
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