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Roscoe Mitchell / Montreal-Toronto Art Orchestra: Ride The Wind (NESSA)

Reedist and composer Roscoe Mitchell in a collaboration with the Montreal - Toronto Art Orchestra, an extraordinary group of improvising musicians comprised of 6 woodwind, piano, vibraphone, tuba, 2 each of trumpet, trombone, viola, string bass and drums plus Mitchell on sopranino saxophone, a profoundly elaborate and absorbing work for a large improvising ensemble. ... Click to View

Barre Phillips / Motoharu Yoshizawa: Oh My, Those Boys! (NoBusiness)

Two bass players--European free improv legend Barre Phillips and Japanese master Motoharu Yoshizawa--met at Cafe Amores in Yamaguchi, Japan in 1994, with Phillips on an amplified acoustic upright and Yoshizawa using an electric vertical 5-string bass of his own design of, as the two weave and merge their unique sounds and approaches in a brilliant concert. ... Click to View

Barre Phillips / Motoharu Yoshizawa: Oh My, Those Boys! [VINYL] (NoBusiness)

... Click to View

Samuel Blaser / Gerry Hemingway: Oostum [VINYL] (NoBusiness)

A fantastic album of free improvisation between two creative and versatile players captured live at Kerkje van Oostum, Groningen, The Netherlands in 2015--percussionist Gerry Hemingway and trombonist Samuel Blaser--both using immense talent and unorthodox approaches to their instruments as they shift from unexpected atmospheres to lyrical richness. ... Click to View

Martin Blume / Tobias Delius / Achim Kaufmann / Dieter Manderscheid: Frames & Terrains [VINYL] (NoBusiness)

A great example of collective free improvisation from the quartet of drummer/percussion ist Martin Blue, tenor saxophonist and clarinetist Tobias Delius, pianist Achim Kaufmann, and double bassist Dieter Manderscheid, performing live at the LOFT in Cologne, Germnay in 2016 for two extended intricate, melodic, and commanding performances of expressive and passionate free jazz. ... Click to View

Grant Weston Calvin : Improv Messenger [CD + DOWNLOAD] (577)

Performing on drums, trumpet, guitar, bass, moog bass, and keyboards from Philadelphia born and West Coast drummer/multi-instrumentalist Grant Calvin Weston, a member of Ornette Coleman's Prime Time Band, in an album or fierce drumming and powerful electronic sources balanced with beautifully paced sonic environments, 16 tracks of diverse and gripping music. ... Click to View

Elio Amberg / Christoph Baumann: Life In A Pond (Creative Sources)

Nine freely improvised introspections as "enlightening spots on different forms of life in a rather muddy environment" from Lucerne, Switzerland based tenor saxophonist Elio Amberg and pianist Christoph Baumann, wonderful miniatures of great style and skill, a diverse exploration of their fictional pond that's quite spellbinding and exciting. ... Click to View

Paul Morgan Khimasia : peoplegrowold (Confront)

Paul Khimasia Morgan is a British guitarist and sound artist who performs on a prepared acoustic guitar body and zither, using objects and electronics to create works of tones, interventions and transitions, here in four rich pieces of well-chosen sound delivered with patient pacing, keeping each piece active while exploring the potential of his instruments and devices. ... Click to View

Giacomo Salis / Paolo Sanna: Humyth (Confront)

Creative uses of percussion from Italian drummers Giacomo Salis and Paolo Sanna, who explore gesture, movement, listening, and the investigation of natural materials and found objects, in five studio tracks that present the results of their research in both rhythmic sections and sections of abstract sound, honed from concerts, studio albums, and a collaboration with Jeph Jerman. ... Click to View

Ame Zek: First Bow (Creative Sources)

Croatian guitarist and electroacoustic musician Ame Zek in an album of electroacoustic improvisation using prepared guitars, acoustic percussions, self made objects, contact microphones, analog modular synthesizer, amplified feedback speakers, magnetic field microphones and digital midi machines; an album of raw, raspy, dark and dissonant sound. ... Click to View

Derek Bailey & Company: Klinker [2 CDs] (Confront)

Derek Bailey's Company in recordings from 2000 at The Klinker in London, with four performers--Bailey on guitar, Simon H. Fell on double bass, Mark Wastell on violincello, and Will Gaines tap dancing--the concert presenting various permutations of these musicians improvising, with narrations from Bailey, Fell, Wastell and Gaines punctuating the recordings. ... Click to View

Phil Maguire / James L. Malone: Working Title (Confront)

Phil Maguire (Verz label) exchanges abstract electronics from a variety of lo-fi devices with glitch and aberrant guitarist James L. Malone, a London improviser who has worked with Eddie Prevost, Phil Durrant, Steve Beresford and Adam Bohman, as the two trade strange sonic disruptions, avoiding pandemonium, instead using noise in pointed discourse. ... Click to View

Phil Minton / Roger Turner: Scraps Of Heard (Confront)

London Free Improv Scene long-standing members, vocalist Phil Minton and drummer/percussionist Roger Turner's first album together, "Ammo", was released in 1984; the two have continued to record together, and this live recording from 2016 in Hanover, Germany shows the two continuing to create distinctly bizarre and wonderfully personal dialog unlike any other. ... Click to View

Golden Oriole: Golden Oriole (BeCoq)

Rough and ready, angular instrumental rock from this Stavanger, Norway-based instrumental duo of Kristoffer Riis on guitar and Thore Warland on drums, two parts of the power-trio Staer, here creating a massive dose of momentum as they push heavy rhythmic riffs with odd tonality and a great sheen of prickly effect layers, in a compelling and muscular album. ... Click to View

Loubatiere / Warnecke: Couleurs Chimeriques (BeCoq)

An album of rich aural environments contrasted with clamorous action and disintegrating sound from the duo of French percussionist Rodolphe Loubatiere performing on snare drum and Berlin-based sound sculptor Pierce Warnecke, their second album as a duo presenting a sophisticated and diverse set of compositions that both entrance and disrupt their listeners. ... Click to View

IKB: Apteryx Mantelli (Creative Sources)

IKB continue their series of albums graced with taxonomic latin names for animals, here with the North Island brown kiwi bird, as the string- and wind-heavy electroacoustic ensemble led by violist Ernesto Rodrigues present this extended improvisation of subtle motion and understated complexity live at O'Culto da Ajuda, in Lisbon, Portugal in 2017. ... Click to View

Finn Loxbo / Erik Blennow Calalv : Snow Country (Creative Sources)

A duo between Swedish guitarist Finn Loxbo (Fire! Orchestra) and bass clarinetist Erik Blennow Calalv, in a low-key, moody and tranquil album of improvisations with titles implying their unhurried approach to their dialog--"Clouds", "Moving, Dancing", and "Ryoanji"-- making a beautiful album of nearly ambient but decidedly determined music. ... Click to View

Kang Hwan Tae : Live at Cafe Amores (NoBusiness)

Korean free saxophonist Kang Tae Hwan recorded this album of sincere and satisfying solo improvisations in 1995 at Cafe Amores, in Hofu, Yamaguchi, Japan, two decades after forming his first free jazz trio of experimental improvisations, demonstrating powerful technical skills and a unique voice on the sax; a long-overdue distillation of his music. ... Click to View

Kang Hwan Tae: Live at Cafe Amores [VINYL] (NoBusiness)

Korean free saxophonist Kang Tae Hwan recorded this album of sincere and satisfying solo improvisations in 1995 at Cafe Amores, in Hofu, Yamaguchi, Japan, two decades after forming his first free jazz trio of experimental improvisations, demonstrating powerful technical skills and a unique voice on the sax; a long-overdue distillation of his music. ... Click to View

Jeph Jerman : The Bray Harp (White Centipede Noise)

Aural explorer Jeph Jerman reworks 20 years of source material into this large work of recurring sound, obscuring sources in a rugged mill that turns its sonic grist into a mesmerizing flow of ringing tones and resolute grit, constructed from Jerman's own recordings and tapes from Eric La Casa and Oskar Burmmel, and metal & wood from Ben Brucato. ... Click to View

Stephen O'Malley / Anthony Pateras: Reve Noir (Immediata)

Pianist Anthony Pateras and guitarist Stephen O'Malley (Sunn O))) performed a concert in 2011 at Instants Chavires in 2011, which they took into the studio to deconstruct and recompose on 1/4 inch tape, creating a compelling landscape of fractured musique concrete, introspective meditations, electro-acoustic textures and heavy guitar; includes a 20 page interview with O'Malley. ... Click to View

Rohan Drape / Anthony Pateras: Ellesmere (Immediata)

A founder of the Slave Pianos collective and co-organizer of the Inland Concert Series, Australian computer and synth artist Rohan Drap joins keyboardist Anthony Pateras for an extended exploration of interlocking vintage electric organs, allowing their tones and timbres to interact in microtonal richness as they create tonal environments and gradually unfolding progressions. ... Click to View

Max Eastley / Steve Beresford / Paul Burwell / David Toop: Whirled Music [VINYL] (Black Truffle)

Remastering a singular album of joyfully disruptive free improv recorded in England in 1979 at Ikon Gallery from the quartet of Max Eastley, Steve Beresford, Paul Burwell, and David Toop, their goal: to create music from instruments and objects that would be whirled to produce sound, performed behind a net and played with masks to protect the performers and audience. ... Click to View

Jean-Luc Guionnet / Daichi Yoshikawa: Intervivos [VINYL] (Empty Editions)

Recording at Empty Gallery in Hong Kong during a week residency, the duo Jean-Luc Guionnet (Ames Room) on saxophone and Daichi Yoshikawa (Eddie Prevost) using self-developed feedback of speakers, contact microphones & found objects, create intense yet constrained improvisations of impressive control, technique and exotic soundscape. ... Click to View

Matthew Shipp Quartet: Sonic Fiction (ESP-Disk)

Focusing on sound, warmth and exploration, pianist Matthew Shipp leads his quartet with saxophonist and clarinetist Mat Walerian, bassist Michael Bisio and drummer Whit Dickey through 10 tracks that explore a diverse set of moods and styles, allowing each player room for expressive solos, while never leaving the jazz and blues behind in this beautifully paced album. ... Click to View

Matthew Shipp: Zer0 aka Zero [2 CDs] (ESP-Disk)

New York pianist Shipp extends his infrequent solo career with this set of eleven solid studio recordings, taking us into the inner working of the influential pianist's approach to improvisation through lyrical, structured, enigmatic and unusual approaches to the keyboard; the first CD pressings include an hour talk "On Nothingness" that Shipp gave at The Stone. ... Click to View

Loren Connors: Pretty As Ever [VINYL] (Recital)

The Recital label continues its Loren Conners editions/reissue series with their 4th album of the guitarist's music, collecting and remastering tracks from out of print albums "Sails" and "Little Match Girl" in an album of ballads, complemented with a 12-page art-booklet of previously unpublished illustrations by Conners himself. ... Click to View

Sun Ra & His Astro-Ihnfinity Arkestra: Sun Embassy [VINYL WITH DOWNLOAD] (Roaratorio)

Recordings from Sun Studios made between 1968-1969 with Astro-Ihnfinity Arkestra including Marshall Allen, John Gilmore, Daddy Davis, Ray Thompson, Danny Davis, &c. in nine tracks, six of which have never been heard before in any form, plus remasters on 1950s classics "Sunology" and "Ancient Aiethiopia", plus an early rendition of "Why Go To The Moon". ... Click to View

Sun Ra and His Intergalactic Myth Science Solar Arkestra: Sleeping Beauty [VINYL] (Art Yard)

An extremely soulful electric album from Sun Ran and the Intergalactic Myth Science Solar Arkestra, a groove driven and funky swirling masterpiece from the late 70's, with Sun Ra on piano, electric piano and organ, the Arkestra propelled by the drumming of Luqman Ali over a full band with Craig Harris, Michael Ray, Marshall Allen, John Gilmore, Danny Ray Thompson, &c &c. ... Click to View

Bistre (Muller / Rodrigues / Wong): As We Read Along... (Creative Sources)

A trio of free improvisers recording five detailed and subdued dialogs in the studio, from trombonist Matthias Muller (Splitter Orchester), cellist Guilherme Rodrigues, and guitarist Eric Wong, collective improvisation guided by long pointillistic passages that converge into lyrical focal points, a profound example of concentrative discourse. ... Click to View

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  Parak.eets (Ute Wassermann / Richard Scott / Emilio Gordoa) 
  Natura Venomous  
  (Creative Sources) 

   review by Dave Madden
Parak.eets (Ute Wassermann / Richard Scott / Emilio Gordoa): Natura Venomous (Creative Sources)

The trio of Ute Wassermann (voice, birdcalls), Richard Scott (modular synthesizer) and Emilio Gordoa (vibraphone, percussion), Parak.eets, adopts the seemingly-chaotic world of avian vocals. Contrary to the more solemn interpretation and reverence of bird call in Messiaen works, Natura Venomous is mischief. It is adventures in the early morning when birds are at their most chatty, gossipy, day planning and scolding. It is what happens when they think no one is watching or listening.*

Wassermann's virtuosic vocal gamut meshes with Scott's springy blips and fizzes, while Gordoa skips around the vibraphone like an escalated, old-timey Looney Tunes foley moment on opener "Aldefa."** Staccato is the theme, with all three interjecting short gestures like a twitchy debate group; or members grab onto and pull on a sound from someone else to extend it like taffy. This isn't a flippant, clever journalistic, lazy observation: Jumping into this disc is like being blind-folded, kicked into a pit and left to figure out what the hell is happening. And you're smiling.

The mix of (wo)man and machine throughout is fascinating. Wassermann's rapid toss of snarls, squeaks, growls, undead gasps, last breaths, operatic outbursts, stunted gurgles etc. from her bag of tricks matches the dying electronic sloshes and percussive smacks, bell strokes, mutes and rolls in a unique synergy.

At times, the playfulness is eschewed for a more sinister, predatory mood. For example, "Hippomane," wallows in tense synthetic drones, scratched cymbals and vocal death knell. "Atropa" is the body under your bed that flails as you anxiously wait for the drugs to leave your system.

My childhood experiences with domesticated parakeets lead me to believe that they work within the spectrum of lobotomized to asshole (we always had at least one around). And there were plenty of simple souls various family members fostered that just crapped and ate and stayed still except for the occasional head cock. Parak.eets, however, aren't sitting around waiting for food pellets: They are wild animals flying at your face, flitting at you from behind doors, tearing things up in the attic, dive-bombing from caves, scrapping and busting through windshields.

* The first night my new-born was home from the hospital, her mom and I struggled to get her to sleep. Near 5:00 am, my daughter finally passed out. Within a few minutes, all birds in the forest behind my house woke up with alarming volume, causing my daughter to wake up and cry. I did go outside and hiss, "F*** you, birds!" This experience is my tragedy plus time equals comedy influence on this review.

** Most of the works here are named after poisonous plants, hence "Venomous."

Parak.eets (Ute Wassermann / Richard Scott / Emilio Gordoa): Natura Venomous
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