The Squid's Ear
Recently @ Squidco:

Georg Graewe Quintet:
Amsterdam, October 1998 (Random Acoustics)

Recorded in concert at Amsterdam's Stedelijk Museum in 1998, legendary pianist Georg Graewe's Quartet with Frank Gratkowski on alto saxophone & clarinet, Kent Kessler on double bass, and Hamid Drake on drums present a tour-de-force of passion, technique and creative drive in an epic 53 minute improvisation from high energy to reflective stretches; superb! ... Click to View


Georg Graewe:
Stills And Stories (Random Acoustics)

German pianist and Euro Free Jazz stalwart Georg Graewe in his first solo release in more than a decade, a remarkable set of succinct compositions balancing astonishing technical skills with beautifully expressive playing, presented in several series of "stills" and "stories". ... Click to View


Frederick Galiay (Viard / Sebastien / Boudart / Galiay):
Time Elleipsis (Ayler)

Dramatic, darkly thrilling with moments of sheer beauty, from French electric bassist Frederick Galiay and his Camaeleo Vulgaris ensemble, a sextet performing Galiay's compositions in a potent mix of electric guitar, electrified baritone sax, synthesizer, and two drummer/percussionists, recorded after a dozen live concerts honing the material to this riveting studio version. ... Click to View


Francois Carrier / Tomek Gadecki / Matcin Bozek / Michel Lambert:
Wide (FMR)

A burning album of collective free jazz from Canadian compatriots Francois Carrier on alto saxophone and Michel Lamber on drums, on a spring tour of Europe, performing at Polands MOZG in Byrgoszcz, hope of the MOZG Festival, with Polish tenor saxophonist Tomasz Gadecki amd bassist Mracin Bozen, also on French Horn, in an exhilarating set of three extended improvisations. ... Click to View


Thollem / Parker / Cline:
Gowanus Sessions II [VINYL] (ESP)

Free collective improvisation with an electronic edge from the trio of Nels Cline, double bassist William Parker and pianist Thollem McDonas, following up on their 2012 "Gowanus Session I" recorded in the same studio space, here expanding on the 1st session's shorter works with two large and evolving improvisations that balance reflective moments with intensive playing. ... Click to View


Werner Dafeldecker :
Parallel Darks [VINYL] (Room40)

Viennese-born, Berlin-based electro-acoustic composer Werner Dafeldecker (Polwechsel, Fennesz, &c) creates an intense and beautiful musique concrete and acousmatic journey in two parts, examining "perspective, extreme subjectivity and the specters that haunt our auditory worlds" through mysterious sound and enveloping sonic construction, a profound and riveting work. ... Click to View


Skeleton Crew (Frith / Cora):
Learn to Talk [VINYL] (ReR Vinyl)

Reissuing the first of two albums from the NY collaboration of guitarist Fred Frith and cellist Tom Cora, both providing vocals, percussion, violin, & bass, in a classic example of Downtown NY genre-merging of improvisation and rock with a vicious edge, in smart songs and even smarter instrumental sections, an insanely inventive and intelligent album as vital now as it was then. ... Click to View


Acid Mothers Temple & The Melting Paraiso U.F.O.:
Minstrel In The Galaxy [VINYL + DOWNLOAD] (RIOT SEASON)

... Click to View


Leap Of Faith:
Cosmic Distance Ladder (Evil Clown)

The core trio of the Leap of Faith Orchestra comprising multi-reedist & wind player David Peck, also on percussive devices, with Glynis Lomon on cello, aquasonic and voice, and Yuri Zbitnoff on drums & percussions, with special guests Kat Dobbins on trombone and Bob Moores on trumpet & flugelhorn, in an evolving set of strong harmonic, percussive & lyrical interaction. ... Click to View


Gen Montgomery Ken:
Endogeny [CASSETTE] (Tribe Tapes)

Sound and Visual artist Gen Ken Montgomery released this album on cassette on the Directions Music label in 1990, here reissued in 2020; the two side-long pieces were performed live and then remixed, using a mixture of tapes, concrete and mechanical sounds alongside love instrumentation of percussion, violin, voice, &c, sometimes stark, always fascinating. ... Click to View


Jean Derome:
Somebody Special (Ambiances Magnetiques)

Drawing on Steve Lacy's quintet, Montreal saxophonist Jean Derome pays homage to the late saxophonist through a selection of 9 Lacy pieces with lyrics from Brion Gysin, Lao Tseu, Herman Melville, &c, in a quintet with Derome on alto sax, bass flute & voice, Karen Young providing vocals, Alexandre Grogg on piano, Normand Guilbeault on double bass, Pierre Tanguay on drums. ... Click to View


Ensemble SuperMusique / Symon Henry:
voir dans le vent qui hurle les étoiles rire et rire (Ambiances Magnetiques)

Montreal's true supergroup since 1998 of some of the city's essential Musique Actuelle performers and composers, directed by Danielle Palardy Roger and including Jean Derome, Joane Hetu, Scott Thomson, Lori Freedman, Alexander St. Onge, &c. &c., take on Quebec composer Symon Henry's piece, performed in an exceptional and impressive concert in the Chapel in Bon-Pasteur. ... Click to View


Gabriel Dharmoo :
Quelques fictions (Ambiances Magnetiques)

Stunningly unusual vocal music from composer, music researcher and vocalist based in Montreal, Gabriel Dharmoo, collecting works from 2012 to 2019, performed with small and large ensembles using almost completely wordless voice, utterance, guttural sound, swoops and, melodic flights, augmented with physical percussion like stamping and clamping; brilliant and enthralling. ... Click to View


Prevost / Solberg / Pettersen / Moore / Brice / Hardie-Bick:
Plumes of Ash in Moonlight [2 CDs] (Split Rock Records)

Bringing together two innovative improvising percussionists--Eddie Prevost of AMM fame, and Stale Liavik Solberg (VCDC, John Butcher)--for a studio album of wide-ranging and sometimes hair-raising electroacoustic improvisation, recorded live and unedited with Olie Brice on double bass, Tony Hardie-Bick on piano & tapes, Ed Pettersend on lap steel, and NO Moore on guitar. ... Click to View


Ken Vandermark / Paal Nilssen-Love Duo:
AMR (NO LABEL)

The long-running duo of Chicago saxophonist and clarinetist Ken Vandermark and Norwegian drummer/percussionist Paal Nilssen-Love are heard in this live concert at AMR in Geneva, Switzerland in 2018, performing the first four letters of the alphabet ("A", "B", "C" & "D"), each letter a unique creative approach in evolving their remarkable and enthralling dialogs. ... Click to View


Decoy (Alexander Hawkins / John Edwards / Steve Noble) With Joe McPhee:
AC/DC (Otoroku)

The UK Decoy trio of John Edwards (bass), Steve Noble (drums) and Alexander Hawkins (keys) joins forces with pocket trumpet and saxophone player Joe McPhee during McPhee's residency at London's Cafe OTO, recording these two huge sets of brilliant free improv, Hawkins performing on organ adding a unique and soulful tone to the set that balances powerful energy with innate lyricism. ... Click to View


John Carter Octet:
Dauwhe [VINYL] (Black Saint Vinyl)

A much-needed reissue of John Carter's 1982 LP "Dauwhe", the first chapter in his "Roots and Folklore" saga, a 5-part epic through African American heritage, performed with Carter himself on clarinet, Bobby Bradford (cornet), James Newton (flute), Charles Owens (sax, oboe & clarinet), Red Callender (tuba), Roberto Miranda (bass), William Jeffrey (drums), and Luis Peralta (percussion). ... Click to View


Philip Samartzis / Eric La Casa :
Captured Space [CASSETTE] (Cronica)

Kruger National Park in the north-east corner of South Africa is the subject of Eric La Casa and Philip Samartzis's audio exploration, using field recordings made over 10 days in and around the park, and taking them into the studio to organize them into an aural representation of the park's exotic mystery, placidity and tension, with a tinge of the modern world nearby. ... Click to View


Laboratorio Della Quercia:
Laboratorio Della Quercia [VINYL 2 LPs] (Alternative Fox)

Documenting the 12-day Italian experimental jazz festival at the ancient amphitheater Tasso della Quercia in 1978, revolving around Italian improvsers Tommaso Vittorini, Eugenio Colombo, Maurizio Giammarco, Alberto Corvini, Danilo Terenz, with visiting players Steve Lacy, Steve Potts, and Evan Parker, trombonist Roswell Rudd, pianist Frederick Rzewski, and drummer Noel McGhee. ... Click to View


Turbulence:
Eddy Flux (Evil Clown)

The extended horn section for the Leap of Faith Orchestra from the Boston-area collective led by reedist/multi-instrumentalist David Peck, here with PEK on an assortment of saxophones, clarinets, flutes, game calls and percussion, the other horns from Michael Caglianone on sax, game calls, wind sirens and percussion, with drums, bells, bowls and other percussion from Yuri Zbitnoff. ... Click to View


Ratchet Orchestra:
Coco Swirl (Ambiances Magnetiques)

Active since the early 90's, the superb Montreal super-group Ratchet Orchestra under the direction of Nicolas Caloia with 19 performers presents 10 works including the title track, with soloists including Jean Rene, Lori Freedman, Jean Derome, Ellwood Epps, Sam Shalabi, Craig Petersen, Yves Charuest, Joshua Zubot, Scott Thomson, Isaiah Ceccarelli, &c. ... Click to View


Chris Pitsiokos :
Speak In Tongues And Hope For The Gift Of Interpretation (Relative Pitch)

Dedicating his pieces to Charlie Parker, Anthony Braxton, Roscoe Mitchell, Ornette Coleman, Eric Dolphy, and John Zorn, NY alto saxophonist Chris Pitsiokos is heard live at this solo concert in New Haven, CT in 2019, reflecting on the history of jazz through his intense playing style that deploys incredible technique balanced with abstraction and rapid lyricism. ... Click to View


Raoul Bjorkenheim :
Solar Winds (Long Song Records)

Paying tribute to his musical inspiration John Coltrane, Finnish/NY electric guitarist Raoul Bjorkenheim leads a quartet with Silvia Bolognesi on contrabass, Tiziano Tononi on drums & percussion, and Emanuele Parrini on violin, as they perform five Coltrane compositions and two Bjorkenheim originals, a superlative homage to technical brilliance and conceptual vision. ... Click to View


Eugene Chadbourne / Duck Baker / Randy Hutton :
The Guitar Trio In Calgary 1977 (Emanem)

A concert recording from 1977 in Calgary, CA captured during Eugene Chadbourne's time in Canada prior to his move to NYC, from the guitar trio of Duck Baker, Randy Hutton & Eugene Chadbourne, performing on acoustic guitars, using a variety of approaches to improvising in trio, duo and solo configurations, with original work, an Ornette Coleman mashup, and a piece by Charlie Haden. ... Click to View


Company:
1983 [VINYL 2 LPs] (Honest Jons Records)

Unreleased recordings from Derek Bailey's Company project, recorded at the BBC in 1983 with a stellar set of performers including Evan Parker (clarinet), Hugh Davies (electronics), Jamie Muir (percussion), Joelle Leandre (bass), J.D. Parran (winds), John Corbett (trumpet), Vinko Globokar (trombone), Ernst Reijseger (cello), and Peter Brotzmann (reeds). ... Click to View


Muhal Abrams Richard:
Celestial Birds [VINYL] (KARLRECORDS)

A compilation of works from the late Chicago multi-reedist, experimenter, and AACM founder Muhal Richard Abrams, focused on his widely unknown electronic compositions, in four recording from 1968-1995 with collaborators including Anthony Braxton, Leroy Jenkins, Amina Claudine Myers, Roscoe Mitchell, Maurice McIntyre, Yousef Yancey, Thurman Barker, &c. ... Click to View


Eric La Casa:
L'inspir du Rivage part 2&3 [VINYL 7-inch] (Povertech / Joe Colley)

First stock of this 1999 7" from French sound artist Eric La Casa created as part of Joe Colley's "Explorer" series, the title translating to "the shore breathing" where each composition develops from field recordings of water, the first part more naturalist and adhering to the initial recordings, the second using sound processing to create something unique and mesmerizing. ... Click to View


Rachel Musson / Naoko Saito / Audrey Lauro:
The Region Of Braille Responsibility [CD with English Braille Sheet] (Armageddon Nova)

Three female saxophonist from around the world--Rachel Musson (UK), Naoko Saito (Japan) and Audrey Lauro (Belgium)--in a compilation of solo saxophone works, two extended pieces from Musson and Satio, and four shorter works from Laura, with a CD insert with English Braille characters, and a QR code that, when scanned, plays the audio information for the album. ... Click to View


Musica Elettronica Viva:
United Patchwork [VINYL 2 LPs] (Alternative Fox)

A reissue of Musica Elettronica Viva's innovative 1978 open-structured album of free improvisation, United Patchwork, with the core performers of Frederic Rzewski on piano & electric piano, Richard Teitelbaum on synthesizer & conch shells, Alvin Curran on synthesizer & keys, plus Karl Berger on keys & vibraphone, Garrett List on trombone, and Steve Lacy on soprano sax. ... Click to View


Karkhana:
Bitter Balls [VINYL] (Unrock)

LP-only, no 7" single. The second full-length album from Karkhana, a septet featuring members of Dwarfs Of East Agouza, A "Trio", Konstrukt, Chicago Tentet, Land of Kush, among others in four compositions of "crystal clear and deep, dark, distorted unrock compositions" in both electric and acoustic instrumentation, an international genre-crossing album. ... Click to View


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  The Manhattan Listening Tour  

A guide to galleries that aren't for the eyes.


By Nirav Soni 2002-12-07

Poking around Manhattan for any period of time will soon yield a steady stream of tourists, eyes welded heavenwards, cameras in hand, relentlessly scanning left and right for the next spectacle. One should have caution when around such birds; an errant digit poses a significant threat to eyeballs. Rarely, however, do you find out-of-towners armed with a minidisc recorder, or a DAT machine. Surely our fair city is as much an auditory all-you-care-to-eat as it is it is an ocular one!

Apocryphally, John Cage said that when he moved into a loft on 18th St. and 6th Ave, he never bought records again. Whenever he wanted to hear music, he just opened his window. What can compare to the subtle symphony of pedestrian and road traffic? How many composers harmonies subtle as that of a screaming baby and a fire engine or rhythms as complex as squealing breaks and car alarms? The ears reel at the wealth of such sonic stimuli!

Of course, the nuances of street sounds can be somewhat unwelcome in an undercaffinated morning. But the shock always subsides and the hum of traffic blends with howling winds, underscoring the subtle interplay of rustling leaves and grumbling pedestrians.

Noise pollution?! How can you even think a phrase like that? I'll fight to the death to hear the Long Island Rail Road every morning; there are few sounds as life-affirming as the 7 train rattling over Roosevelt Avenue in Queens at the break of dawn. The sweet sounds of this fair city are in my book nowhere paralleled. Sure, New Delhi is louder and more brash and les rues of Paris perhaps more refined, but how can you compare it to the delicate clinking of change in indigent cups, the idle chatter of trust-funded youth, sizzling kebabs, clomping boots and clicking heels? Give me street performers like Kalaparusha Maurice McIntryre, Kenta Nagai and a free-jazz subway combo like Test over whatever else another city's got any day.

With su ch a rich ambiance to work in, NYC has a number of galleries and spaces devoted to the creation and presentation of sound art, in its installed and performed incarnations. These galleries present an excitingly diverse range of work, from the rigorously formal and conceptual to the more spontaneous and organic. With this in mind, I present to you "The Squid's Ear Sound Art Tour of Manhattan"

A few preliminary remarks:

  1. Get a Metrocard Funpass. $4 will have you cruising the subways and buses all day.
  2. Sound art galleries are not available in the way that visual art galleries in Chelsea and Soho are. As they are not dedicated to the marketing of commodities, galleries like Engine27 and Diapason are generally not as accessible as "traditional" art galleries are. You'd be well advised to check ahead of time to see which days and times they are open.
  3. Turn off your cell phone.
  4. Leave your headphones at home.

Engine27

Whatever you hear at the Engine 27 sound art gallery, it is likely to be perceptually overwhelming. Housed in an ex-firehouse in Tribeca, the gallery is home to the most sophisticated and awe-inspiring multichannel sound playback system I've ever witnessed.

Engine27 is generally open to the public on Saturdays and Sundays, exhibiting sound installations and, on occasion, live performances. The rest of the week, the gallery becomes a studio for artists to work. The overarching majority of what is exhibited is created on commission, specifically for the space. As part the commission, each artist is given 30-40 hours of time with an engineer to create a work to be exhibited in the environment.

I stopped into Engine27 early on a weekday, and had the pleasure of seeing the gallery without it's dress shoes on.Fragments of Leopanar Witlarge's composition-in-the-working hovered in the space as I took a slow walk through the gallery. It's d isconcerting enough to walk through an ex-firehouse filled with speakers that are at least half your size suspended from the ceiling; imagine the cognitive dissonance you feel when you see two people amiably chatting while shards of a disembodied voice moves from one side of the space to the other.

http://www.engine27.org/
Address: 173 Franklin St., between Hudson and Greenwich
Directions: 1, 9 train to Franklin St. Walk 1 and 1/2 blocks west on Franklin.

The Dream House

La Monte Young and Marian Zazeela's Dream House has been a fixture of the New York creative community for 8 years. Since its creation, it has been employed in the realization of their collaborative project "The Base 9:7:4 Symmetry in Prime Time...." (Go to the website if you want to see the entire title), which ostensibly becomes an immersive sound and light environment.

What's most amazing about the Dream House is how the meticulously structured and calculated, para-scientific study sensory input is deployed in a space is so gentle and warm. Fans of drone based music will be taken by the complex webs of sum and difference tones that are synthesized in real-time, and the corollary light sculptures at once suggest 19th century retinal psychology, and 60's minimalism.

There are a few pillows alongside the walls, and the carpeting is plush, but aside from a small shrine to Pandit Pran Nath and the sound and light producers, the main space of the Dream House is bare. There's no one ideal location to experience the piece, and you're tacitly invited to create the composition for yourself by walking around and turning your head. Every time I go, I end up slumped up against the wall, gently nodding my head and thoroughly losing myself. There aren't really audible indicators of time, so if you don't have a watch, it becomes tough to tell whether you've been si tting down for 15 or 50 minutes.

The Dream House is a wonderful place to go in the wintertime, as it's much warmer than it's surroundings. There's a $4 donation requested at the door and shoe removal is mandatory (wear clean socks.)

http://melafoundation.org/main.htm
Address: 275 Church Street between Franklin & White Streets in Tribeca
Directions: 1,9 to Franklin St. Walk east to Church, cross the street, turn left, and walk 1/2 block.
From Canal St. Station (N, R, Q, W, J, M, Z, 6) Walk west to Church Street and head south.

Diapason

Diapason resides in the midst of office buildings and the financial mutterings. You'd hardly guess that this narrow entranceway in midtown would be home to some of NYC's most innovative sound art. Michael Schumacher and Liz Gerring continue Diapason in the tradition of their Studio Five Beekman, and present installations and performances in the galleries. Often you'll see video projected on the 3 screens in the galleries, adding an interesting visual component to the music.

You'll have to plan your trip around this visit. The gallery is open on Saturdays and Sundays from 6-12 pm, and since it's so far removed from the other stops on the tour, it's recommended that you leave plenty of time for it.

Diapason is comprised of two separate galleries: a large chamber that you enter when you walk through the door and a smaller room towards the far end of the room. The second room is easy to overlook, but is always worth spending time in.

Fred Szymanski presented his "Friction Sticky Rough" in the larger chamber in October, filling the space with dense clouds of sound particles, ebbing and flowing. On the wall were undulating, synthetic structures, a visual analogue to the tactile effervescence of the music. Bernard Gunter's installation in the smaller room wa smu ch more spare, a single red bulb illuminating the room, with speakers pushed against the wall almost sculpturally. The music was haunting, so quiet at times that the sound from the Szymanski piece became a very real presence.

http://www.diapasongallery.com/
Address: 1026 Sixth Avenue, between 38th and 39th
Subway: Subway: 1, 2, 3, 7, 9, B, D, F, Q, N, R, W to 42nd Street. Walk 3 and 1/2 blocks south on 6th Ave.

Sonic Garden at the World Financial Center

I applaud the curators of the Sonic Garden for their curatorial acumen and progressive tastes. It's not often that one can hear innovative sound art from the likes of Laurie Anderson, Marina Rosenfeld, David Byrne and Ben Rubin in as public an arena as the World Financial Center, where hundreds and hundreds of people pass every day.

However, these works are in an uncomfortable space. The Winter Garden, of which the Sonic Garden is a component, is located within the World Financial Center in lower Manhattan. For whatever reason, that didn't trigger enough bells for me, and I didn't mentally prepare myself for walking right next to the site of the World Trade Center last November in order to get to the Winter Garden.

Context is so important to the reception of artwork, and the Sonic Garden, while admirably presented, can't escape the larger shadow it stands beneath. It makes David Byrne's collection of jokes and one-liners seem a little trivial. Taken on their own merit, the works are nice enough. Ben Rubin incorporates market economics in his work, while Marina Rosenfeld's echoing sound particles evoke an image of a large, quiet imaginary dream garden. Laurie Anderson's work alone seemed appropriately elegiac, it's single processed violin, which feels delicate and reverent.

http://www.creativetime.org/sonicgarden/map.html

Subway: Take the 4/5/6 to Fulton Street, the N/R to Rector Street, or the 1/9 to Wall Street. Walk to Church and Liberty Streets and cross the South Bridge to 1 WFC. Follow signs within complex to the Winter Garden.



The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
independent writers.

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Recent Selections @ Squidco:


Georg Graewe Quintet:
Amsterdam,
October 1998
(Random Acoustics)



Werner Dafeldecker:
Parallel Darks
[VINYL]
(Room40)



Skeleton Crew
(Frith /
Cora):
Learn to Talk
[VINYL]
(ReR Vinyl)



Frederick Galiay
(Viard /
Sebastien /
Boudart /
Galiay):
Time Elleipsis
(Ayler)



Decoy
(Alexander Hawkins /
John Edwards /
Steve Noble) With Joe McPhee:
AC/DC
(Otoroku)



Prevost /
Solberg /
Pettersen /
Moore /
Brice /
Hardie-Bick:
Plumes of Ash
in Moonlight
[2 CDs]
(Split Rock Records)



Ensemble SuperMusique /
Symon Henry:
voir dans le vent
qui hurle les
étoiles rire
et rire
(Ambiances Magnetiques)



Jean Derome:
Somebody Special
(Ambiances Magnetiques)



Raoul Bjorkenheim:
Solar Winds
(Long Song Records)



Ratchet Orchestra:
Coco Swirl
(Ambiances Magnetiques)



Company:
1983
[VINYL 2 LPs]
(Honest Jons Records)



Muhal Abrams Richard:
Celestial Birds
[VINYL]
(KARLRECORDS)



Rob Burke /
Ben Monder /
Tom Rainey /
Ben Grayson:
Slip Sliding
(FMR)



Astroturf Noise
(Harmet /
Nagano /
Swanson /
Martin /
Bernstein):
Astroturf Noise
(577)



Quatuor Bozzini:
Ana Sokolovic: Short Stories
(Collection QB)



Brunhild Ferrari /
Jim O'Rourke:
Le Piano Englouti
[VINYL]
(Black Truffle)



Will Guthrie:
Nist-Nah
(Black Truffle)



Luigi Archetti /
Bo Wiget:
Weltformat
(Die Schachtel)



Michael Formanek
Very Practical Trio
(w/ Tim Berne /
Mary Halvorson):
Even Better
(Intakt)



Aly Keita /
Jan Galega Bronnimann /
Lucas Niggli:
Kalan Teban
(Intakt)







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