The Squid's Ear
Recently @ Squidco:

Georg Graewe Quintet:
Amsterdam, October 1998 (Random Acoustics)

Recorded in concert at Amsterdam's Stedelijk Museum in 1998, legendary pianist Georg Graewe's Quartet with Frank Gratkowski on alto saxophone & clarinet, Kent Kessler on double bass, and Hamid Drake on drums present a tour-de-force of passion, technique and creative drive in an epic 53 minute improvisation from high energy to reflective stretches; superb! ... Click to View


Georg Graewe:
Stills And Stories (Random Acoustics)

German pianist and Euro Free Jazz stalwart Georg Graewe in his first solo release in more than a decade, a remarkable set of succinct compositions balancing astonishing technical skills with beautifully expressive playing, presented in several series of "stills" and "stories". ... Click to View


Frederick Galiay (Viard / Sebastien / Boudart / Galiay):
Time Elleipsis (Ayler)

Dramatic, darkly thrilling with moments of sheer beauty, from French electric bassist Frederick Galiay and his Camaeleo Vulgaris ensemble, a sextet performing Galiay's compositions in a potent mix of electric guitar, electrified baritone sax, synthesizer, and two drummer/percussionists, recorded after a dozen live concerts honing the material to this riveting studio version. ... Click to View


Francois Carrier / Tomek Gadecki / Matcin Bozek / Michel Lambert:
Wide (FMR)

A burning album of collective free jazz from Canadian compatriots Francois Carrier on alto saxophone and Michel Lamber on drums, on a spring tour of Europe, performing at Polands MOZG in Byrgoszcz, hope of the MOZG Festival, with Polish tenor saxophonist Tomasz Gadecki amd bassist Mracin Bozen, also on French Horn, in an exhilarating set of three extended improvisations. ... Click to View


Thollem / Parker / Cline:
Gowanus Sessions II [VINYL] (ESP)

Free collective improvisation with an electronic edge from the trio of Nels Cline, double bassist William Parker and pianist Thollem McDonas, following up on their 2012 "Gowanus Session I" recorded in the same studio space, here expanding on the 1st session's shorter works with two large and evolving improvisations that balance reflective moments with intensive playing. ... Click to View


Werner Dafeldecker :
Parallel Darks [VINYL] (Room40)

Viennese-born, Berlin-based electro-acoustic composer Werner Dafeldecker (Polwechsel, Fennesz, &c) creates an intense and beautiful musique concrete and acousmatic journey in two parts, examining "perspective, extreme subjectivity and the specters that haunt our auditory worlds" through mysterious sound and enveloping sonic construction, a profound and riveting work. ... Click to View


Skeleton Crew (Frith / Cora):
Learn to Talk [VINYL] (ReR Vinyl)

Reissuing the first of two albums from the NY collaboration of guitarist Fred Frith and cellist Tom Cora, both providing vocals, percussion, violin, & bass, in a classic example of Downtown NY genre-merging of improvisation and rock with a vicious edge, in smart songs and even smarter instrumental sections, an insanely inventive and intelligent album as vital now as it was then. ... Click to View


Acid Mothers Temple & The Melting Paraiso U.F.O.:
Minstrel In The Galaxy [VINYL + DOWNLOAD] (RIOT SEASON)

... Click to View


Leap Of Faith:
Cosmic Distance Ladder (Evil Clown)

The core trio of the Leap of Faith Orchestra comprising multi-reedist & wind player David Peck, also on percussive devices, with Glynis Lomon on cello, aquasonic and voice, and Yuri Zbitnoff on drums & percussions, with special guests Kat Dobbins on trombone and Bob Moores on trumpet & flugelhorn, in an evolving set of strong harmonic, percussive & lyrical interaction. ... Click to View


Gen Montgomery Ken:
Endogeny [CASSETTE] (Tribe Tapes)

Sound and Visual artist Gen Ken Montgomery released this album on cassette on the Directions Music label in 1990, here reissued in 2020; the two side-long pieces were performed live and then remixed, using a mixture of tapes, concrete and mechanical sounds alongside love instrumentation of percussion, violin, voice, &c, sometimes stark, always fascinating. ... Click to View


Jean Derome:
Somebody Special (Ambiances Magnetiques)

Drawing on Steve Lacy's quintet, Montreal saxophonist Jean Derome pays homage to the late saxophonist through a selection of 9 Lacy pieces with lyrics from Brion Gysin, Lao Tseu, Herman Melville, &c, in a quintet with Derome on alto sax, bass flute & voice, Karen Young providing vocals, Alexandre Grogg on piano, Normand Guilbeault on double bass, Pierre Tanguay on drums. ... Click to View


Ensemble SuperMusique / Symon Henry:
voir dans le vent qui hurle les étoiles rire et rire (Ambiances Magnetiques)

Montreal's true supergroup since 1998 of some of the city's essential Musique Actuelle performers and composers, directed by Danielle Palardy Roger and including Jean Derome, Joane Hetu, Scott Thomson, Lori Freedman, Alexander St. Onge, &c. &c., take on Quebec composer Symon Henry's piece, performed in an exceptional and impressive concert in the Chapel in Bon-Pasteur. ... Click to View


Gabriel Dharmoo :
Quelques fictions (Ambiances Magnetiques)

Stunningly unusual vocal music from composer, music researcher and vocalist based in Montreal, Gabriel Dharmoo, collecting works from 2012 to 2019, performed with small and large ensembles using almost completely wordless voice, utterance, guttural sound, swoops and, melodic flights, augmented with physical percussion like stamping and clamping; brilliant and enthralling. ... Click to View


Prevost / Solberg / Pettersen / Moore / Brice / Hardie-Bick:
Plumes of Ash in Moonlight [2 CDs] (Split Rock Records)

Bringing together two innovative improvising percussionists--Eddie Prevost of AMM fame, and Stale Liavik Solberg (VCDC, John Butcher)--for a studio album of wide-ranging and sometimes hair-raising electroacoustic improvisation, recorded live and unedited with Olie Brice on double bass, Tony Hardie-Bick on piano & tapes, Ed Pettersend on lap steel, and NO Moore on guitar. ... Click to View


Ken Vandermark / Paal Nilssen-Love Duo:
AMR (NO LABEL)

The long-running duo of Chicago saxophonist and clarinetist Ken Vandermark and Norwegian drummer/percussionist Paal Nilssen-Love are heard in this live concert at AMR in Geneva, Switzerland in 2018, performing the first four letters of the alphabet ("A", "B", "C" & "D"), each letter a unique creative approach in evolving their remarkable and enthralling dialogs. ... Click to View


Decoy (Alexander Hawkins / John Edwards / Steve Noble) With Joe McPhee:
AC/DC (Otoroku)

The UK Decoy trio of John Edwards (bass), Steve Noble (drums) and Alexander Hawkins (keys) joins forces with pocket trumpet and saxophone player Joe McPhee during McPhee's residency at London's Cafe OTO, recording these two huge sets of brilliant free improv, Hawkins performing on organ adding a unique and soulful tone to the set that balances powerful energy with innate lyricism. ... Click to View


John Carter Octet:
Dauwhe [VINYL] (Black Saint Vinyl)

A much-needed reissue of John Carter's 1982 LP "Dauwhe", the first chapter in his "Roots and Folklore" saga, a 5-part epic through African American heritage, performed with Carter himself on clarinet, Bobby Bradford (cornet), James Newton (flute), Charles Owens (sax, oboe & clarinet), Red Callender (tuba), Roberto Miranda (bass), William Jeffrey (drums), and Luis Peralta (percussion). ... Click to View


Philip Samartzis / Eric La Casa :
Captured Space [CASSETTE] (Cronica)

Kruger National Park in the north-east corner of South Africa is the subject of Eric La Casa and Philip Samartzis's audio exploration, using field recordings made over 10 days in and around the park, and taking them into the studio to organize them into an aural representation of the park's exotic mystery, placidity and tension, with a tinge of the modern world nearby. ... Click to View


Laboratorio Della Quercia:
Laboratorio Della Quercia [VINYL 2 LPs] (Alternative Fox)

Documenting the 12-day Italian experimental jazz festival at the ancient amphitheater Tasso della Quercia in 1978, revolving around Italian improvsers Tommaso Vittorini, Eugenio Colombo, Maurizio Giammarco, Alberto Corvini, Danilo Terenz, with visiting players Steve Lacy, Steve Potts, and Evan Parker, trombonist Roswell Rudd, pianist Frederick Rzewski, and drummer Noel McGhee. ... Click to View


Turbulence:
Eddy Flux (Evil Clown)

The extended horn section for the Leap of Faith Orchestra from the Boston-area collective led by reedist/multi-instrumentalist David Peck, here with PEK on an assortment of saxophones, clarinets, flutes, game calls and percussion, the other horns from Michael Caglianone on sax, game calls, wind sirens and percussion, with drums, bells, bowls and other percussion from Yuri Zbitnoff. ... Click to View


Ratchet Orchestra:
Coco Swirl (Ambiances Magnetiques)

Active since the early 90's, the superb Montreal super-group Ratchet Orchestra under the direction of Nicolas Caloia with 19 performers presents 10 works including the title track, with soloists including Jean Rene, Lori Freedman, Jean Derome, Ellwood Epps, Sam Shalabi, Craig Petersen, Yves Charuest, Joshua Zubot, Scott Thomson, Isaiah Ceccarelli, &c. ... Click to View


Chris Pitsiokos :
Speak In Tongues And Hope For The Gift Of Interpretation (Relative Pitch)

Dedicating his pieces to Charlie Parker, Anthony Braxton, Roscoe Mitchell, Ornette Coleman, Eric Dolphy, and John Zorn, NY alto saxophonist Chris Pitsiokos is heard live at this solo concert in New Haven, CT in 2019, reflecting on the history of jazz through his intense playing style that deploys incredible technique balanced with abstraction and rapid lyricism. ... Click to View


Raoul Bjorkenheim :
Solar Winds (Long Song Records)

Paying tribute to his musical inspiration John Coltrane, Finnish/NY electric guitarist Raoul Bjorkenheim leads a quartet with Silvia Bolognesi on contrabass, Tiziano Tononi on drums & percussion, and Emanuele Parrini on violin, as they perform five Coltrane compositions and two Bjorkenheim originals, a superlative homage to technical brilliance and conceptual vision. ... Click to View


Eugene Chadbourne / Duck Baker / Randy Hutton :
The Guitar Trio In Calgary 1977 (Emanem)

A concert recording from 1977 in Calgary, CA captured during Eugene Chadbourne's time in Canada prior to his move to NYC, from the guitar trio of Duck Baker, Randy Hutton & Eugene Chadbourne, performing on acoustic guitars, using a variety of approaches to improvising in trio, duo and solo configurations, with original work, an Ornette Coleman mashup, and a piece by Charlie Haden. ... Click to View


Company:
1983 [VINYL 2 LPs] (Honest Jons Records)

Unreleased recordings from Derek Bailey's Company project, recorded at the BBC in 1983 with a stellar set of performers including Evan Parker (clarinet), Hugh Davies (electronics), Jamie Muir (percussion), Joelle Leandre (bass), J.D. Parran (winds), John Corbett (trumpet), Vinko Globokar (trombone), Ernst Reijseger (cello), and Peter Brotzmann (reeds). ... Click to View


Muhal Abrams Richard:
Celestial Birds [VINYL] (KARLRECORDS)

A compilation of works from the late Chicago multi-reedist, experimenter, and AACM founder Muhal Richard Abrams, focused on his widely unknown electronic compositions, in four recording from 1968-1995 with collaborators including Anthony Braxton, Leroy Jenkins, Amina Claudine Myers, Roscoe Mitchell, Maurice McIntyre, Yousef Yancey, Thurman Barker, &c. ... Click to View


Eric La Casa:
L'inspir du Rivage part 2&3 [VINYL 7-inch] (Povertech / Joe Colley)

First stock of this 1999 7" from French sound artist Eric La Casa created as part of Joe Colley's "Explorer" series, the title translating to "the shore breathing" where each composition develops from field recordings of water, the first part more naturalist and adhering to the initial recordings, the second using sound processing to create something unique and mesmerizing. ... Click to View


Rachel Musson / Naoko Saito / Audrey Lauro:
The Region Of Braille Responsibility [CD with English Braille Sheet] (Armageddon Nova)

Three female saxophonist from around the world--Rachel Musson (UK), Naoko Saito (Japan) and Audrey Lauro (Belgium)--in a compilation of solo saxophone works, two extended pieces from Musson and Satio, and four shorter works from Laura, with a CD insert with English Braille characters, and a QR code that, when scanned, plays the audio information for the album. ... Click to View


Musica Elettronica Viva:
United Patchwork [VINYL 2 LPs] (Alternative Fox)

A reissue of Musica Elettronica Viva's innovative 1978 open-structured album of free improvisation, United Patchwork, with the core performers of Frederic Rzewski on piano & electric piano, Richard Teitelbaum on synthesizer & conch shells, Alvin Curran on synthesizer & keys, plus Karl Berger on keys & vibraphone, Garrett List on trombone, and Steve Lacy on soprano sax. ... Click to View


Karkhana:
Bitter Balls [VINYL] (Unrock)

LP-only, no 7" single. The second full-length album from Karkhana, a septet featuring members of Dwarfs Of East Agouza, A "Trio", Konstrukt, Chicago Tentet, Land of Kush, among others in four compositions of "crystal clear and deep, dark, distorted unrock compositions" in both electric and acoustic instrumentation, an international genre-crossing album. ... Click to View


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Travelogue


  James Pugliese's Travelogue  

Writing in Napoli 9/21/03

Well this keyboard is a little easier than the ones in Paris. Someday Iíll make a coffee table book of all the Internet Cafes in the world.

9/14/03
So we arrive in Venezia, nice chat with Sim Caine on the plane. Everyone is going to La Biennale. Zeena and Elliot arrive just before us and Mark Stewart was also on our plane. Iím here with Elliot Sharpís Carbon. We get on a boat taxi to go to the hotel. Quite a ride, choppy and high volume. Of course Aunt Dolores calls my cell while we are on the boat. My first Italian cell call. I am very excited to have my own Italian phone number. The phone is in my pocket ringing and it takes a while for me to recognize that it is my phone. I am tired, no sleep so Iím not quite ready to discuss my plans for the day. Aunt Dolores is tuff, she wants information and I donít have any. Here I am in Venezia yelling back and forth on my mobile with Aunt Dolores. A true Napolitano. I ask her if she can call me back at 5pm. What is my family doing in Venezia? Touring Italia. I promised to meet them here and it has to be today.

I get to the hotel take a nice shower then a great walk. Finally at around 5pm I wander over to Piazza San Marco where I know the family is wandering. Know that I am giving up a great dinner with Massimo Ungari, an old friend and big promoter in Venezia who always takes us to great restaurants. I get the big call and Aunt Dolores is yelling at me. She needs information and I better have it! Not only did I have it I was showered, suit jacket, fine haircut, feeling good and I had a plan. I chose the spot where we would meet and we did. We proceeded to have full blown, in your face, tourist fun. They had great stories about their trip to Castelanova di Conza (more on this later).

9/15/03
After a good sleep, next day, we rehearse and perform. Met old and new friends. Great food and great performing. You canít go wrong when the band is Elliot, Zeena, Sim and myself. What fun. It was so late after the concert that we had to have the after-party in my room. Everyone else had small rooms with no light. Jim Pugliese gets big room with large windows overlooking the water. Elliot claims prejudice toward non-Italians, I agree. Tomorrow I am on my way to Napoli to meet with Marco Capelli (great guitarist) and also to visit the village where my grandparents were born. In conversation Elliot tells me that Max Neuhaus lives on the Island of Capri and that he can hook me up with him. As a young drummer/percussionist I idealized Max. His recording of Stockhausenís Zyklus blew me away and is one of the reasons that I got into this avant thing.

9/16/03
I canít believe that Iíve never been to Napoli. Napoli is fine. Difficult to describe but kind of what you would imagine old New York was around the turn of the century. A mix of new and old buildings, stray dogs everywhere, melting pot of the world and exciting. This is the central train station so I'll find more after wandering today. I could definately live here because the energy is incredible!! It's flooded with passion and petty con crime and street vendors like you've never imagined. In Rome you have the old stuff mixed with new and here the old stuff is kind of static, not changing, and I mean culturally not physically.

9/17/03
Yesterday walking along the Gulf of Napoli I've never seen the sky so blue or the sun so bright, hot sun healing sun, cool breeze off the water. Boats leave from here going to Greece, Tunisia, Corsica, Sicily, wow, the sun melts my brain dripping romance into my heart then my blood.

Last night, riding on the back of Marco's Vespa, stopping here, stopping there, red lights disappear, pedestrians, cars, vespas all become one big flow. The only laws are natural and they work perfectly together. Amazing Neopolitan dinner and then to a small quiet piazza. Every building a different color and in the middle an ancient church where on Friday Sept. 19th the miracle of San Genero will take place as it does every year on this date. His hardened blood will turn to liquid and thousands will come to see.

Now the moon is shinning brightly on the piazza and I'm sipping grappa with Marco and some newfound friends, musicians, architectural historian, lawyer and again I smile. Tomorrow I rented a car and I will drive to Castelanova di Conza.

Jim Pugliese - Cemetery
9/19/03
I just returned from Castelnuovo di Conza the village where my paternal grandparents were born. I left very early this morning and the ride was fantastic.

The view is spectacular. It literally sits on top of a peak surrounded by cliffs. I looked around and yes everything looked completely modern. This scared me a little. Because of the devastating earthquake that occurred in 1980. Some of my relatives were killed. When I got there no one was around. Empty! No shops, things still being built, shutters mostly closed. I saw a sign for the cemetary and Centro Storica so I headed up there.

I knew Guiseppina (my grandmothers cousinís daughter) lived by the cemetary. I pass the municipal building on the way up. The sun is hot and still no one around. I go to the cemetary and there's lots of new marble and stones. Just a few old ones which scared me even more. A lot was lost in the quake. The last names on the stones read like my high school year book. There was one very old crypt. I could see inside and there were stacks of ancient coffins with no bodies and a lot of votive candles. Uprooted from the quake? Chills! I snap pictures of the Puglieses and the Annichiarricos, say a prayer and leave. I feel my body transforming in some weird way, floating, losing my senses. For some reason I began to walk back down the hill to the car as though I was going to leave. I had only been there an hour or so. I could't imagine meeting or speaking to anyone at this point. I arrived at the car and was just about to get in when Centro Storica flashed through my mind. I looked back up to the very top of the hill and saw crumpled stone or some kind of ruins at the top. I turned and went back up. I reached the top and heard two men talking softly. They were standing at the very peak of the hill up a set of earthquaked stairs and crumpled stone. I was a little scared to go up so I walked ahead just below them along an older, abandoned building separated by the quake sitting on a clilff.

Finally I got up the nerve to walk up the stairs. I greeted the two men and they returned the greeting. They seemed to be in a pensive mood. One of them asked what I was doing there. I asked if they speak English and they say no. My Italian is much better now so I was able to tell them that I am Jim Pugliese and that my grandparents were from Castelnuovo. They asked for their names and I told them Emiddio and Rachela.

One of them said ďah siĒ, looked to the other signore and said "Donato". The other man said ďsi siĒ. I asked about the quake. One of the men, Michele, was dressed nicely and seemed to be somewhat well-to-do. The other was "The Padre" and what they were staring at and talking about was a bunch of crumpled stones that were once the The Padre's church. November 19th 1980, 87 people died and every house, every building in this town collapsed. Only a handful were re-built, the rest of the village is brand new. Michele wanted to know where my grandparents house was.

I said that I didn't know. He said that he would show me pictures of the quake.

Michele, The Padre and myself got into Michele's car and were about to drive away when someone called, "Michele!"

" Ah Louie ho un Americano in la machhina," ("I have an American in my car.")

"Americano? Chi eh?" ("Who is it?")

"Pugliese"

"Pugliese! AH!"

Louie Grasso came up and introduced himself. He lived in Bellvelle and Bloomfield, NJ for a while and spoke English fairly well. Now the fun began.

Jim Pugliese & Mayor
[Jim Pugliese & The Major]
Louie is the former Major (mayor) of Castelanuovo. He got into Michele's car and now Michele, The Padre, Louie and I headed to the Municipal Building. I was going to meet the major, the head of the Polizia and Louie's brother who was in charge of the archives. Before I knew it I was in the building and Louie was introducing me to everyone. As he introduced me one by one they all followed us upstairs and talked about Lorenzo and Donato and Vincenzo and the earthquake. Louie's cousin went into one room and started looking through documents, meantime we all went to the Major's office. I had started a riot. All of the official pictures of the quake were spread out on the mayor's desk and everyone was yelling at each other. Lots of different arguments about who my relatives were. Then the picture of the church came up, taken just after the quake. The only thing left standing is an arched doorway with no door and directly in the middle of the arch standing straight up was a statue of the Madonna. They began yelling at each other about what happened to the Madonna. No one knew where it was. Meantime Louie's cousin was trying to Xerox birth records of my family on this old machine and Louie was trying to cut them on a paper cutter after they were xeroxed.

None of this was working of course. By now there were 10 or 12 people in the office all talking and yelling about different things. True Napolitanos.

Finally things calmed down and they took a picture of me with the Major under the official Coat of Arms of Castelnuovo. Louie said, "Adesso andiamo vedere Donato Pugliese." ("Now we go to see Donato."). I asked if we were related and he said of course, his father and my grandfather were first cousins. I said that no one knows about him. He said that is because he lived in Switzerland for many years and just returned 7 years ago.

So again Michele, The Padre, Louie and I got into the car and drive just around the corner. There was this beautiful little man with a trowel and some mud building this beautiful wall. Louie shouted from the window, "Eh, Pugliese I have a Pugliese from America here." Donato was a little startled. I got out of the car and introduced myself. I explained who I was and he told me stories about how my grandfather used to send money to his father and to Guiseppina from America. Louie said that Donato is a good man. Donato had heard through the grapevine that Dolores was here and he felt bad that they didn't try to find him. I explained that they didn't know about him. I asked if we could go to see Guiseppina. They all simultaneously made the sign of the cross and said "No!" Apparently she has lost her mind. Donato asked if I could stay for a few days, and that he had a house I could stay in. I said that I had to get the car back to Napoli tonight and we agreed that the next time I would come with my family and stay. He gave me his address and phone. After taking a picture with Donato, The Padre, Michele and Louie looked on as we hugged each other and kissed each other hard on both cheeks and tears ran down both of our eyes. I cried hard all the way down the mountain but it was a good cry, and now I physically understand "family."

Well, tomorrow back to New York. I guess there wasnít much about music in all of these writings, but then again maybe there was.





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reviews about releases
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written by
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Squidco

Recent Selections @ Squidco:


Georg Graewe Quintet:
Amsterdam,
October 1998
(Random Acoustics)



Werner Dafeldecker:
Parallel Darks
[VINYL]
(Room40)



Skeleton Crew
(Frith /
Cora):
Learn to Talk
[VINYL]
(ReR Vinyl)



Frederick Galiay
(Viard /
Sebastien /
Boudart /
Galiay):
Time Elleipsis
(Ayler)



Decoy
(Alexander Hawkins /
John Edwards /
Steve Noble) With Joe McPhee:
AC/DC
(Otoroku)



Prevost /
Solberg /
Pettersen /
Moore /
Brice /
Hardie-Bick:
Plumes of Ash
in Moonlight
[2 CDs]
(Split Rock Records)



Ensemble SuperMusique /
Symon Henry:
voir dans le vent
qui hurle les
étoiles rire
et rire
(Ambiances Magnetiques)



Jean Derome:
Somebody Special
(Ambiances Magnetiques)



Raoul Bjorkenheim:
Solar Winds
(Long Song Records)



Ratchet Orchestra:
Coco Swirl
(Ambiances Magnetiques)



Company:
1983
[VINYL 2 LPs]
(Honest Jons Records)



Muhal Abrams Richard:
Celestial Birds
[VINYL]
(KARLRECORDS)



Rob Burke /
Ben Monder /
Tom Rainey /
Ben Grayson:
Slip Sliding
(FMR)



Astroturf Noise
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Nagano /
Swanson /
Martin /
Bernstein):
Astroturf Noise
(577)



Quatuor Bozzini:
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Brunhild Ferrari /
Jim O'Rourke:
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[VINYL]
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Will Guthrie:
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Luigi Archetti /
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Michael Formanek
Very Practical Trio
(w/ Tim Berne /
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Aly Keita /
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