The Squid's Ear
Recently @ Squidco:

Binker Golding / John Edwards / Steve Noble:
Moon Day [VINYL - Limited Edition] (Byrd Out)

UK saxophonist Binker Golding (Binker & Moses) in a new trio with the powerful rhythm section of frequent collaborators, double bassist John Edwards and drummer Steve Noble, in a powerful album of free playing with titles referencing Coltrane, conveying a strong sense of both 60s and modern free playing throughout, propelled by tight and near-telepathic interaction. ... Click to View


Mako Sica / Hamid Drake (feat Tatsu Aoki / Thymme Jones):
Ourania [VINYL + DOWNLOAD] (Feeding Tube Records)

The core of Chicago's Mako Sica--Brent Fuscaldo (electric bass, voice, harmonica & percussion) and Przemyslaw Krys Drazek (electric trumpet, electric guitar & mandolin)--join forces with Hamid Drake on drums & percussion, Tatsu Aoki on upright bass & shamisen and Cheer-Accident's Thymme Jones on keyboardsm trumpet, balloon and voice for a warmly spiritual album. ... Click to View


Phill Niblock:
NuDaf (XI Records)

An extended electroacoustic composition from composer Phil Niblock based on recordings captured at Marcus Schmickler's Piethopraxis studio in Koln of bassoonist Dafne Vicente-Sandoval, layering her playing and using multiphonics to create beautifully rich textures that slowly evolve, shifting in hypnotic ways as the pieces arches and descends through harmonic interaction. ... Click to View


Beatriz Ferreyra :
Canto+ [VINYL + DOWNLOAD] (Room40)

GRM alumnus and collaborator with Pierre Schaeffer & Francois Bayle, French electroacoustic, acousmatic and musique concrete composer Beatriz Ferreyra is heard in five works from 40 years of compositions, astonishing works of embraceable, radical, strange and inspired sound, including the amazing "Mad Man's Song" and works dedicated to Bayle & Bernard Bashet. ... Click to View


Bruno Duplant:
Deux Songes (Les Jours Sont Faits Pour Expliquer Les Nuits) (Meenna)

Two beautifully subtle works for an ensemble of strings and electric piano from French composer Bruno Duplant, realized by the Boston-based Ordinary Affects ensemble or Jordan Dykstra, Morgan Evans-Weiler, JPA Falzone, Luke Martin and Ashley Frith, the first a quintet and the second a string quartet, creating illusory affects of motion and space through abstraction. ... Click to View


David Birchall / Adam Fairhall / Michael Perrett / Yoni Silver / Otto Willberg:
Aggregate Glows In The Cold (Creative Sources)

Three fully free studio improvisations recorded in Manchester from the quintet of David Birchall on electric guitar, Adam Fairhall on accordion, Michael Perrett on bass clarinet, Yoni Silver on bass clarinet and Otto Willberg on double bass, all masterful performers using a wealth of creative approaches to create unusual motion in rich sonic interaction. ... Click to View


Mara Kolibri / Fredi Proll:
Primus 17 (Creative Sources)

A diverse set of conversations between Austrian improvisers, drummer/percussionist Fredi Pröll (Trio Now!, Lull) and free vocalist Mara Kolibri, recording in the studio for seven concise and far-ranging dialogs, from cantankerous interactions to controlled incoherence of absurdly implied vocalization punctuated with creative percussive reaction, often returning to lyrical jazz-influenced moments. ... Click to View


Fluke-Mogul / Liberatore / Mattrey / Mendoza :
Death In the Gilded Age [CASSETTE w/ DOWNLOAD (Tripticks Tapes)

Brought together by violinist Joanna Mattrey during the dark period of COVID lockdown, four NY free improvisers (Gabby Fluke on Mogul on violin, Matteo Liberatore on acoustic guitar, Joanna Mattrey on viola and Ava Mendoza on electric guitar) explore the implications of the pandemic through separation, loss and new life in 10 succinct and dynamic explorations. ... Click to View


Brainhack Musicbox (Bobrytsky / Lisovsky / Boldenko):
Brownarium (Brainhack Musicbox)

Each track named after a mythical Scottish character, the Ukrainian trio of Stanislav Bobrytsky on modular synth, Pavlo Lisovsky on tenor saxophone and Anton Boldenko on viola create a music merging free jazz principles with modular synthetic drone, creating an orchestral sound that still elucidates the detail of their uniquely orchestrated, rich sonic explorations. ... Click to View


Amalgamated (Bengsten / Newell / Klampe / Richards):
To (Aubjects)

Crossing experimental sound and rhythmic approaches that blend elements of electronic music, krautrock, noise, electronica and indescribable sonic environments, the quartet of Cory Bengtsen, Bob Newell, Phillip Klampe and Mike Richards are heard in their 6th full-length release, an embraceable and well-paced album of compelling beats and sonic surprises. ... Click to View


John Butcher / Dominic Lash / John Russell / Mark Sanders:
Discernment (Spoonhunt)

An album of perceptive free improvisation recorded live at London's Cafe OTO from the quartet of John Butcher on tenor & soprano saxophones, Dominic Lash on double bass, John Russell on guitar and Mark Sanders on drums & percussion, three "discerning" and one "discerned" dialogs of discriminating sophistication that only four such masterful and experienced musicians can convey. ... Click to View


Dominic Lash Quartet (w / Carmona / Tejero / Ward):
Limulus (Spoonhunt)

Honing their conversation in their third release as a band, British double bassist Dominic Lash's Quartet with Javier Carmona on drums & percussion, Ricardo Tejero on alto saxophone and Alex Ward on electric guitar are heard live at Cafe OTO in London, Lash providing all compositions and arrangements over six wide-ranging, edgy and innovative improvisations; outstanding! ... Click to View


Consorts:
Distinctions (Spoonhunt)

Composer Dominic Lash's Consort ensemble explores the possibilities of combining sustained-tone music, guided & free improvisation, and the relationship between acoustic and amplified sound, heard in this evolving, extended concert at Café Oto on Lash's 40th birthday, in a unique mix of acoustic & electronic instruments that even includes an amplified kitchen sink! ... Click to View


Mototeru Takagi Quartet:
Live At Little John, Yokohama 1999 (NoBusiness)

Three reed & wind players and a drummer from Japanese saxophonist Mototeru Takagi's collective free improvising quartet with fellow saxophonist Susumu Kongo, Nao Takeuchi on tenor sax plus flute & bass clarinet, and drummer Shota Koyama, recorded live in 1999 at Little John in Yokohama, Japan for three well-paced conversations of weaving winds and rhythmic intervention. ... Click to View


Itaru Oki Quartet:
Live At Jazz Spot Combo 1975 (NoBusiness)

Late Japanese free jazz trumpeter and flute player Itaru Oki, one of the significant and early free jazz players in Japan in the 1970s, moving to France in the mid-70s to seek more opportunities to play, recorded this concert at Jazz Spot Combon as part of his farewell tour, performing with winds player Yoshiaki Fujikawa, bassist Keiki Midorikawa ad drummer Hozumi Tanaka. ... Click to View


Bob Bellerue (feat. Brandon Lopez / Luke Stewart / Jessica Pavone):
Radioactive Desire [2 CDs] (Elevator Bath)

A fascinating work for free chamber music in feedback environments devised by sound artist Bob Bellerue and employing the talents of improvisers Brandon Lopez & Luke Stewart (double bass), Jessica Pavone (viola), Gabby Fluke-Mogul (violin) and Ed Bear (baritone sax), Bellerue performing on electronics, unattended instruments, feedback, suling gambuh, junk metal & cymbals. ... Click to View


Christian Ronn / Bob Bellerue :
Intoku Inversions (Anarchy Moon Recordings/Nishe)

Beautiful long-form drones and harmonic interactions develop and are then shaken up with sonic deformations and collisions, returning to beautiful environments and then reversed once again, from the duo of sonic explorers Bob Bellerue and Christian Ronn, recording in Copenhagen using organs, electronics, winds, and feedback to create these wonderfully alien domains. ... Click to View


David Myers Lee:
Reduced to a Geometrical Point (Cronica)

Using feedback matrices, oscillator banks and multi-processing, NYC sound and feedback artist David Lee Myers, A.K.A. Arcane Device, references the quote from metaphysics scholar Frithjof Schuon--"You must detach your life from an awareness of the multiple and reduce it to a geometrical point before God"--which he manifests in four focused works of rich, slowly evolving sound. ... Click to View


PEK Solo:
Completeness for Flutes and Double Reeds (Evil Clown)

Boston improviser and multi-instrumentalist David Peck (PEK) in a solo album using his Quartet of PEKs formats, improvising in the studio through four layers, presenting the final installment of a triptych of albums constrained to one or two woodwind instrument families - this one for flutes and double reeds, along with nadaswaram, shenai, goat horn, dizi, bass tromboon, &c &c. ... Click to View


PEK Solo:
Complex and Real Dimensions (Evil Clown)

Before initiating the live improvisation that makes up Complex & Real Dimensions, reedist and multi-instrumentalist David Peck built a foundation track including electro-acoustic instruments created by Tim Kaiser, particularly the loop-capable "Large Spring Box", creating tone, timbre and interludes over which PEK passionately performs. ... Click to View


Evan Parker Electroacoustic Quartet:
Concert in Iwaki (Uchimizu Records)

Requested to organize a Japanese tour focused on the electroacoustic aspects of Evan Parker's work, the saxophonist distilled his larger Electracoustic Ensemble to the quartet of himself, Paul Lytton on percussion & live electronics, Joel Ryan on computer and Lawrence Casserley on signal processing, heard here in the resonant space of the Iwaki City Art Museum in Fukushima. ... Click to View


Satoko Fujii:
Piano Music (Libra)

A stunning sound collage made from recorded fragments of Fujii's studio piano, captured inside and out using traditional piano sonorities and preparations that often microscopically detail the instrument, then edited into two electroacoustic compositions of startling and unexpected expansiveness and wonder; a unique and fascinating release in Fujii's large oeuvre. ... Click to View


Flying Luttenbachers, The:
Negative Infinity [VINYL] (ugEXPLODE / GOD Records)

Adhering to the tenets of "Dissonance, Speed, Aggression, Weirdness, and Singularity", Weasel Walter leads his Flying Luttenbachers in their 15th album of no wave, punk jazz & brutal prog, Weasel switching to guitar and yielding the drum chair to Sam Ospovat, as the band rips through ridiculously complex twists and turns, even taking on Albert Ayler's strange '66/'67 musical suites. ... Click to View


Forbes / Young / Walter:
Hard Living (ugEXPLODE)

Merging Tiger Hatchery's tenor saxophonist Michael Forbes and bassist Andrew Scott Young and newly arrived to NYC Flying Luttenbacher leader & drummer Weasel Walter, for classic hardcore free jazz of articulate and demanding improvisation; this a recently unearthed studio recording from 2010, captured two years after their first encounter in a quartet with Jeb Bishop. ... Click to View


Rodrigues / Carvalho / Rodrigues / Valinho:
Eclipse (Creative Sources)

Emulating a solar eclipse and a lunar eclipse in two evolving improvised chamber works that take the quartet of Guilherme Rodrigues on cello, Mariana Carvalho on piano, Joao Valinho on percussion and Ernesto Rodrigues (switching from viola to harp & deploying electronics) through mysterious soundwork that move from darkness to light in detailed and subtle ways. ... Click to View


Four Letter Words (Piet / Wark / Harris):
Pinch Point (Amalgam)

The first fully improvised album from the Chicago trio of Jake Wark on tenor saxophone, Matt Piet on piano and Bill Harris on drums, recording at Experimental Sound Studios in 2018 for seven numbered and concise improvisations, running the gamut from rapidly active yet controlled interaction and investigatory conversations of confident expression and creative drive. ... Click to View


Yoon-Ji Lee :
Padong (zOaR Records)

Five compositions from Yoon-Ji Lee, whose work employs unconventional and nonlinear structures that focus on quick transformations of language, noise, texture, and tonal color, here with five works, one performed by JACK Quartet & Mivos Quaret, a work for solo Saenghwang, a solo piano work, a string quartet, and a mixed chamber ensemble. ... Click to View


Ciao Ciao Cello:
Quiero Ver A Ese Monstruo (zOaR Records)

The Berlin-based trio of guitarist Beat Keller performing on feedbacker electric guitar & acoustic guitar, innovative tuba improviser Jack Adler-McKean and Spanish vocalist & performance artist Lorena Izquierdo Aparicio take on their monsters in five unique and disturbing improvisations recorded in the studio, as they "dance on the fine line between terror and joy". ... Click to View


Elliot Sharp :
Binibon (Henceforth)

A modern spoken opera by NY composer Elliott Sharp and librettist/narrator Jack Womack (Terraplane) with several narrators, reflecting the events surrounding a 1981 killing in New York's East Village, set in a darkly instrumental soundtrack developed by Sharp using guitars, saxophones, clarinets, synthesizers, bass, percussion, drums programming and samples. ... Click to View


GPS Trio (Chris Pitsiokos / Luke Stewart / Devin Gray):
Blast Beat Blues (Rataplan Records)

Hard-edged NYC free jazz in a limited EP CD release from the trio of alto saxophonist Chris Pitsiokos, bassist Luke Stewart and drummer & composer Devin Gray, who explains that the music reflects "the modern world we're all trying to live in, with that odd mix of the comfortable and uncomfortable", as heard in the edgy and dynamic power of his group. ... Click to View



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  Stop and Smell the Sewers  

Psychogeographers Strive to Slow the Nonstop City


By Kurt Gottschalk and Urania Mylonas
Photos by Kurt Gottschalk 2003-06-24

On a rainy night in May in the Lower East Side, about 100 people stopped or slowed down traffic, and nobody got mad. Motorists actually smiled as the motley crew of costumed revelers, wearing skirts made from recycled magazines and hats made from household items, banged on cans, bottles, and washboards, anything they could make noise with, as they paraded up Essex Street, onto Houston and headed towards the confines of East River Park.

The event was part of Psy-Geo Conflux, a weekend dedicated to redefining how we experience the city. The parade itself was organized by the Toy Shop Collective, who previously won a competition organized by evolutionre zellen, a Berlin-based group dedicated to finding and funding those who can best answer the question: "How do you design your society?"

As the group traveled along Houston, several police cars trailed them, although they didn't try to stop the march. Many people along the way looked quizzically, as if wondering what was going on. One man stopped a member of the group and asked her why she was banging on an old dirty can. "Thats junk!" he said. The woman looked at her can, then reached inside it and pulled out a whistle and handed it to him. He seemed resistant at first, but the bright smiles and infectious enthusiasm of this group won him over and he jumped in, blowing on his whistle and abandonding self-consciousness, tuning in to the group's collective consciousness, which was best described by a banner some of them held: Is the Fear of Looking Stupid Holding You Back?

Street Grid
Psychogeographers Locate Street Scenes at ABC No Rio
Psychogeopraphy is a discipline discussed in universities and celebrated among anarchist collectives like the Lower East Side's ABC No Rio, where much of the weekend's festivities were centered. But it's not one that's easily defined. While some organizers and participants attempted long explanations of the small field of thought that concerns itself with how the environment affects an individual's inner state, others offered simpler, more utilitarian explanations. It's an effort to "stop taking for granted the things you take for granted," said Drexel University history professor Scott Knowles, who lives in Queens and took part in several of the events aimed at slowing down the nonstop city.

Knowles is a member of a loosely-knit group calling itself Psychogeography New York. In the last two years, they have undertaken such activities as collecting objects on the street and redistributing them around the city based on the object's aesthetic qualities; riding the length of the A train, starting in upper Manhattan and making the two-hour ride to have a party in Far Rockaway, Queens; and exploring the city using maps of other cities. Such projects, Knowles said, are intended to undermine their own expectations about what goes on in, and below, the streets of New York.

"To me, at the very simplest level, stripped of political meaning, it's making yourself aware that your surroundings not only effect what you think, they are what you think," Knowles said. "At the first level, it's what you are seeing and then what you are not. But there's a deeper level that people discuss where, as capitalism develops, more of the experience of the street is closed off and you are channeled to certain areas in the street.

"It's not a religion," he added. "It's not a life-changing philosophy. It's realizing that what you see on the street is effecting you."

Taking time to appreciate one's surroundings is, of course, hardly a 21st century innovation (although it may well be one that denizens of this century would be wise to recall). Psychogeography as a discipline dates back to Paris in the 1950s, but it has roots that stretch back much further. One could even argue that Socrates, who said "The unexamined life is not worth living," was the first psychogeographer. During a talk at ABC No Rio, photographer Colette Meacher, who has worked as a lecturer in Cultural Studies at the University of the Andes in Bogota, discussed the value of meditative walking through philosopher Immanuel Kant's work.

"Walking has always been a means to thought, not just for writers, artists and poets but for philosophers as well," Meacher said. Kant took the same walk at the same time every day, and used these walks as ways to discover the beautiful and the sublime, not just in his surroundings but in own experiential states, she said.

"The city itself, as landscape, offers moments of wonder by virtue of the wealth of diverse practices which, synchronously, and continuously, manifest therein," she said during the talk. "The sublime views which can be gained neither depend on perspectival privilege nor on a specific positionality within its spaces - a feeling of awe can be achieved irrespective of familiarity with it or whether it is approached wit a 'naive' eye."

Regaining that "naive eye" was the impetus for several self-guided walks during the weekend. People stopping by ABC No Rio could pick up photos taken around the Lower East Side, locate the site pictured, and then return to put them in the appropriate spot on a large map on the wall. A book was handed out that directed the reader around the city, steering participants in different directions based on hearing a car alarm or a cell phone or seeing a bicycle locked to a street sign or a woman wearing a hat. And groups were sent out to photograph and document the service entrances of New York's most prominent buildings.

Bill Brown
Bill Brown
If the psychogeographers want to get a fresh look at the city, they're not forgetting that they're being watched at the same time. Bill Brown maps security cameras around the city, and says there are at least 7,500 in Manhattan alone. And with cameras mounted on emergency vehicles, planes and satellites, "we are now visible from the ground all the way to the sky," he said.

The cameras are not a product of terrorism concerns so much as attempts to monitor drug sales, traffic infractions and consumer behavior, he said.

"We are now visible to those cameras," Brown said, pointing to a camera mounted on the side of a building aimed at the dozen people circled around him. "Because we are lingering, we are loitering. It is interesting enough to track us. It used to be in our society we divided people into two groups, the people that might commit crimes and the people that might not commit crimes. If you stand here on the corner of 14th Street and 8th Avenue, you are worth watching."

The sights and sounds of the city have often been the source of artistic expression, of course. The closing party, held at Subtonic, in the basement of the nightclub Tonic a few blocks from ABC No Rio, featured site specific sound work by percussionist Sean Meehan and sound manipulator Geoff Dugan.

Sean Meehan & Geoff Dugan
Sean Meehan & Geoff Dugan
Dugan used recordings of Meehan playing on the street as a sound source, layering it and altering it as Meehan sat quietly, as if trying to find away in to the sound, into aduet with himself, despite excessive chatter and onlookers who displayed no sense of the performers' personal space. Or perhaps Meehan was simply absorbing all the noise, the sounds of conversation and cash registers, before beginning. Eventually he entered into the dialogue, rubbing the rim of his snare with a fork, rolling the drum on the floor, pushing thin wooden rods against a cymbal, mixing in with the sound around. Whatever his reaction - annoyed, amused or inspired - it could only have been seen as appropriate by the psychogeographers gathered on a rainy Mother's Day night. Meehan and Meehan, and the sounds of a basement bar. To ignore the noise would, perhaps, have been to miss the point.



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Recent Selections @ Squidco:


David Lee Myers:
Reduced to a
Geometrical Point
(Cronica)



Dominic Lash Quartet (
w /
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Ward):
Limulus
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John Butcher /
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Yoon-Ji Lee :
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Satoko Fujii:
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Evan Parker
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Elliott Sharp's
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John Coltrane:
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The Flying Luttenbachers:
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Sam Rivers Quartet (
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The J. & F. Band (
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