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Michael Attias (Attias / Leibson / Pavolka / Ferber / Hoffman):
Quartet Music Vol. I: LuMiSong (Out Of Your Head Records)

With an ear to detail, Michaël Attias spent a year mixing and refining these four tracks, recorded after a post-pandemic concert at Barbes in Brooklyn, bringing to light four intricately melodic compositions performed with Michael Attias on alto sax, Santiago Leibson on piano & Wurli, Matt Pavolka on bass, Mark Ferber on drums and Christopher Hoffman on cello. ... Click to View


Spaces Unfolding + Pierre Alexandre Tremblay:
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Performing together as Spaces Unfolding since 2021, the trio of Neil Metcalfe on flute, Philipp Wachsmann on violin, and Emil Karlsen on drums expands their initial focus on acoustic exploration, as heard on this debut album, with the addition of Pierre Alexandre Tremblay on electronics, blending acoustic and electronic elements to reflect on the evolving influence of technology in their sound. ... Click to View


Samuel Blaser / Marc Ducret / Peter Bruun:
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Recorded during their UK tour at Steve Winwood Studio, the Samuel Blaser Trio's with guitarist Marc Ducret and drummer Peter Bruun's 2nd official release is a limited edition 10-inch blue vinyl, featuring a haunting interpretation of Blind Willie Johnson's "Dark Was the Night, Cold Was the Ground" along with original compositions by Blaser and Ducret, ending with a dynamic collective "Jam". ... Click to View


Chris Cundy:
Of All The Common Flowers (Ear To The Ground)

Renowned for his work with Another Timbre and Confront, British bass clarinetist Chris Cundy presents his third solo album, blending contemporary classical elements, improvised sketches, and rhythmic motifs in fourteen captivating vignettes inspired by wildflowers, their fragile habitats, and peripheral landscapes, showcasing a masterful and virtuosic approach. ... Click to View


Rodrigues / Torres / Hencleeday / Santos:
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Recorded live during the Creative Sources Cycle at Lisbon's Cossoul on May 2, 2024, this collaboration brings together Ernesto Rodrigues (viola, crackle box), Nuno Torres (alto saxophone), Andre Hencleeday (piano), and Carlos Santos (modular synth) in a delicate journey of reductionist improvisation, blending acoustic and electronic textures to craft an intricate, lower-case performance of subtle sonic dialogues and dynamic restraint. ... Click to View


Leap of Faith:
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Originally planned as an Axioms session, this Leap of Faith performance features PEK, Glynis Lomon, Chris Alford, Albey onBass, Vance Provey, Jose Arroyo, and Michael Knoblach, who transformed a dynamic sextet improvisation into a rich exploration of sonorities, blending wind, strings, percussion, and electronics to create a spontaneous, evolving soundscape marked by deep listening and adaptability. ... Click to View


Expanse:
Bailiwick (Evil Clown)

This session at Evil Clown Headquarters brings together a sextet featuring PEK, Michael Knoblach, Robin Amos, Bob Moores, Tony Leva, and Jonathan LaMaster, blending horns, strings, electronics, and percussion to create a richly textured improvisational journey, highlighting deep connections within the Boston improvisation scene and showcasing dynamic interactions shaped by both past collaborations and new encounters. ... Click to View


Cosa Brava (Frith / Parkins / Kihlstedt / Bossi / Ismaily):
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Guitarist & vocalist Fred Frith leads the highly creative quintet of Zeena Parkins on keys & voice, Carla Kihlstedt on violin & voice, Mathias Bossi on drums and Shahzad Ismaily on bass, merging free improv, rock and experimental forms; drawn from live performances recorded by The Normal Conquest, this set of compositions captures the group's dynamic interplay and remarkable inventiveness. ... Click to View


AALY Trio (Gustafsson / Nordeson / Janson):
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AALY Trio, named as a reference to Albert Ayler, is Mats Gustafsson (winds), Kjell Nordeson (bass), and Peter Janson (drums), who began their journey in Sweden in the 1980s, drawing significant influence from Chicago's creative scene in the 90s, and reuniting now with the same incendiary energy and deep rapport, captured in 11 composed and collective works. ... Click to View


Rob Mazurek Quartet (w/ Reid / Taylor/ Sanchez):
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Trumpeter Rob Mazurek dedicates these pieces to pianist Angelica Sanchez, cellist Tomeka Reid, and drummer Chad Taylor in a vibrant improvisation recorded in France, drawing on Mazurek's watercolor and ink creations as inspiration; the quartet's interplay channels visual art into melodic textures, freely merging influence and spontaneity through rich interaction. ... Click to View


Kenny Warren (Warren / Hoffman / Ellman):
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New York trumpeter Kenny Warren leads a trio with cellist Christopher Hoffman and drummer Nathan Ellman-Bell through eighteen Warren compositions that draw on diverse musical elements from around the globe — without being 'world music' — crafting succinct, creatively engaging works marked by eclectic references, unconventional time signatures, and a free-flowing lyrical spirit. ... Click to View


Crossfire Duo (Fullex / Bauers):
Vellum (Infrasonic Press)

Showcasing Buffalo-based percussionist Bob Fullex and Jason Bauers' innovative mastery as Crossfire Duo in an album that features Jacob Gotlib's "Portrait Sequence", performed without striking objects, Matt Sargent's "Small Stones" played entirely on metallophones, Richard Richard Festinger's high-speed "Crossfire", and Christian Wolff's "Flutist (and) Percussionist" as an intricate rhythmic dialogue. ... Click to View


Erhard Hirt / Richard Scott / Klaus Kurvers / Willi Kellers:
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Recording at Kuhlspot Social Club in Berlin, the quartet of Erhard Hirt (e-guitar & electronics), Richard Scott (live electronics), Klaus Kurvers (double bass), and Willi Kellers (drums & percussion) perform assertive and exploratory electroacoustic improvisations, taking listeners on 7 journeys that flow through dense forests, deep into watery worlds or traverse unearthly trails. ... Click to View


Ran Blake / Dave Knife Fabris:
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Ran Blake presents eleven solo performances at Amsterdam's Bimhuis, interpreting a captivating selection of tunes, including works by Duke Ellington and Abbey Lincoln; followed by eight duos with electric guitarist David 'Knife' Fabris, continuing their collaborative legacy from albums such as Horace is Blue and Something to Live For, along with their releases on Soul Note and NoBusiness. ... Click to View


Tadd Dameron:
Fontainebleau & Magic Touch, Revisited (ezz-thetics by Hat Hut Records Ltd)

Composer, pianist, and bandleader Tadd Dameron's first album, Fontainebleau (1956), and his final work, The Magic Touch (1962), are remastered to highlight his sophisticated hard bop compositions for large ensembles, featuring influential players like Bill Evans, Philly Joe Jones, and Ron Carter, and showcasing Dameron's lasting impact on jazz before his untimely passing. ... Click to View


Claudio Sanna:
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The second volume in pianist and composer Claudio Sanna exploration of composers, improviser and experimenters from Sardinia, in a wonderfully diverse set of works and performances from Sanna himself, Anna Zeriotto (double bass), Federico Nicoletta (piano), Leoardo Zunica (piano), Sandro Mungianu (live electronics), and Paolo Pastorino (live electronics). ... Click to View


Alfredo Colon (Colon / Korten / Williams / Parks):
Blood Burden (Out Of Your Head Records)

Brooklyn-based saxophonist, composer, and bandleader Alfredo Colon's debut album presents an engaging set of enthusiastic works rooted in the blues tradition, featuring a cover of Delta blues singer Son House and performed with his Brooklyn quartet: Lex Korten (piano, Klavins Una Corda), Steve Williams (upright bass), and Connor Parks (drums), blending lyrical expression and balanced dynamics. ... Click to View


Lisbon String Trio & Carlos Santos:
Cobra (Creative Sources)

The Lisbon String Trio — Ernesto Rodrigues (viola), Miguel Mira (cello) and Alvaro Rosso(double bass) — collaborates with Carlos Santos (electronics, modular synth) to create a sophisticated, assertive set that enriches the trio's soundscape with nuanced electronic textures, building on the trio's nearly telepathic coordination and harmonic depth, blending physicality and subtle electronics to evoke mysterious, wave-like motifs and dynamic subtlety. ... Click to View


Chemical Expansion League, The (Bohman / Lynch / Northover / Mengersen):
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The UK-based Chemical Expansion League of Adam Bohman (prepared strings, voice), Adrian Northover (sax, theremin, wasp synth), Sue Lynch (sax, clarinet, flute), and Ulf Mengersen (bowed & prepared double bass) present thirteen mostly succinct and eccentric improvisations that oscillate between sanity and absurdity, punctuated by industrial elements, bent tones, and surreal soundscapes. ... Click to View


Vasseur / Serries:
Floating Similarities (Creative Sources)

French guitarist Christian Vasseur, known for his explorative approach and use of unique instruments like the archlute and electric 10-string lap-steel guitar, joins Dirk Serries (A New Wave of Jazz, Vidna Obmana), who employs an archtop guitar with bow and objects in this live-recorded album at Kapel Oude Klooster in Belgium, featuring seven chamber-like duets that weave resonant, tension-filled acoustic textures with surreal and exotic elements. ... Click to View


Michael McNeill (w/ Susan Alcorn / Dave Ballou / Shelly Purdy):
Barcode Poetry (Infrasonic Press)

After their 2022 tour, the quartet of Michael McNeill on piano, Susan Alcorn on pedal steel guitar, Dave Ballou on trumpet, and Shelly Purdy on vibraphone and percussion recorded seven studio improvisations composed by McNeill, using a compositional framework inspired by the black and white keys of the piano (the 'barcode') to fuel their poetic and expressive impulses. ... Click to View


Wooden Cities:
WORK (Infrasonic Press)

Opening with an adaptation of Cornelius Cardew's "Red Flag", the Buffalo-based new music ensemble Wooden Cities Brendan Fitzgerald introduces the first of a trilogy of albums, a set of narrative works that confront topics of work, labor, commodity, and justice through a blend of composition and improvisation, including works by Cardew, Julius Eastman, and Frederic Rzewski. ... Click to View


Eddie Prevost:
Loci Of Change (Matchless)

Breaking from the AMM collective, British percussionist Eddie Prévost's 1996 solo debut showcases six studio-recorded works highlighting expressive momentum and textural nuance through innovative drumming and cymbal techniques, crafting layered and intense sonic landscapes with extraordinary skill and the inventive application of external objects. ... Click to View


AMM (Prevost / Tilbury):
Aura (Matchless)

Recorded in Turkey in 2016, this extended improvisation features a core duo from later AMM configurations — percussionist Eddie Prévost and pianist John Tilbury, who also performs on harpsichord — captured in the exceptional acoustics of The Sibelius Museum concert hall where the intimate setting elicits profound, beautifully recorded dialogue between these two masterful performers. ... Click to View


Kanngiesser / Prevost / Wright:
Splendid Nettle (High Laver Levitations Volume 3) (Matchless)

The third volume in the High Laver Levitations series that started with the duo of John Butcher and Eddie Prévost, continued with Silvan Schmid, Tom Wheatley & Prévost, now presents Ute Kanngiesser on cello, Seymour Wright on alto sax, and Eddie Prévost on drum kit, recording two extended improvisations that explore the resonant acoustics of All Saints Church in High Laver, Essex. ... Click to View


Axel Dorner / Oliver Schwerdt / Julian Sartorius:
Jul Fuel (Euphorium)

The title refers to the dynamic addition of drummer and percussionist Julian Sartorius, whose energy injects 'jet fuel' into this bassless, windless trio's live 2021 performance at naTo in Leipzig, Germany, with Euphorium label leader Oliver Schwerdt igniting the grand piano and Axel Dörner's thrillingly unconventional slide trumpet playing adding to the burn & mdash; exceptional! ... Click to View


Peter Evans / Petter Eldh / Jim Black:
Extra (We Jazz)

An exhilarating trio with bassist Petter Eldh and drummer Jim Black, recorded in Lisbon in 2023, capturing inventive synergy across eight original compositions by Peter Evans, ranging from the fiery intensity of "Freaks" and "Boom" to the surprising twists of "The Lighthouse", as their close-knit rapport fuels rhythmic depth and jaw-dropping improvisation. ... Click to View


Dougie Bowne:
The Stars Are Indispensable (Tzadik)

A formidable sonic duo of guitar, bass, electronics, prepared bass, and drums, featuring Downtown NY pioneer Dougie Bowne and Brooklyn-based experimental rock bassist Matt Nelson (tUnE-yArDs, Weasel Walter Large Ensemble), delivering twelve intense and startlingly inventive improvisations, using every inch of their instruments to create a heavy, captivating set of soundscapes. ... Click to View


Phill Niblock / Anna Clementi / Thomas Stern:
Zound Delta 2 (KARLRECORDS)

A posthumous realization of Phill Niblock's 2022 composition, this dense, resonant work of drone and sonic intensity, written for Italian vocalist Anna Clementi and shaped and developed with guitarist and bassist Thomas Stern of Einstürzende Neubauten and Crime & the City Solution, is presented in two monumental, haunting longform versions. ... Click to View


John Zorn:
Hannigan Sings Zorn Volume Two - Archival Series (Tzadik)

The second volume of John Zorn's vocal compositions, performed by virtuoso Barbara Hannigan alongside returning pianist Stephen Gosling, expands with orchestration for string quartet, a dynamic work for voice, cello, vibes, electronics, and drums, a lively piece for voice, piano, and rhythm, and Zorn's unique interpretation of the classic 'Pandora's Box. ... Click to View



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  Matthew Shipp Chamber Ensemble 
  The Gospel According to Matthew and Michael  
  (Relative Pitch) 


  
   review by Paul Serralheiro
  2016-05-16
Matthew Shipp Chamber Ensemble: The Gospel According to Matthew and Michael (Relative Pitch)

A celebratory strain intoned by the viola that sounds like "the hills are alive" (...with the sound of music) appears a few seconds into the Matthew Shipp Chamber Ensemble's The Gospel According to Matthew and Michael, heralding a magic suite of music. The prophetic voices are three, notwithstanding the album title — namely Shipp himself as pianist/composer/leader and bassist Michael Bisio, along with a significant third voice in violist Mat Maneri who is an integral part of the revelations elaborated within this subtle and majestic work. Which is intimate in instrumentation, yet wide in scope, as is characteristic of chamber music tradition, i.e. music for a small listening audience, where attention to detail and the creative and judicious use of space/silence, are de rigueur.

Shipp's position on and in contemporary "Jazz" is an interesting one. In mid-career, he is as gifted and able as any pianist you can name who has helped define the art of piano in an improvised aesthetic, yet he does not get the attention of more conventional pianists who reached their creative peak sometime ago, yet are still touted as artists of the moment. Shipp openly complained about this in a contemporary posting, suggesting, as I understand it, that the aesthetic defined by Blue Note and other labels purveying "jazz" was fine in its day, but it is no longer the 1960s; the music has evolved, so why be stuck in the past? Shipp is a major voice of the new millennium and it's about time audiophiles interested in what used to be termed "jazz" came up to speed and heard today's music. And this recording is a good place to start.

The unfolding of the "Gospel" happens in a passionate but minimalistic manner with much made from concise motivic material, developed sensitively by all three players in the 15 short, coherently sequenced pieces. As in chamber music in the tradition defined by Haydn, Mozart and company, there are many quiet passages devoted to just one instrument where material is developed with the others in tacit fashion. The interweaving of these three voices is organic, and beautiful. A peaceful side of music for anyone wanting a listen that is nourishing and enlightening, and not just an "easy listening" experience that schwings!



Matthew Shipp Chamber Ensemble: The Gospel According to Matthew and Michael
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