The Squid's Ear
Recently @ Squidco:

William Parker: Flower In a Stained-Glass Window & The Blinking of The Ear [2 CDs] (Centering Records)

Two full-length albums--"Flower In a Stained-Glass Window" and "The Blinking of The Ear"--recorded in the summer of 2018 with two distinct groups, "Flower" dedicated to the inspiration of Martin Luther King features the vocals and narration of Leena Conquest; "Blinking" was recorded during Parker's 2018 residency at the Stone presenting his concept of universal tonality. ... Click to View


David Ware S. Trio: The Balance (Vision Festival XV +) (Aum Fidelity)

The fourth edition in Aum-Fidelity's DSW-ARC Series (David S Ware Archives), presenting an outstanding and incendiary David S. Ware concert, in trio with William Parker (bass) and Warren Smith (drums & percussion) caught live at the 2010 Vision Festeival, alongisde 4 studio tracks recorded in Brooklyn in 2009 during the recording of the Onecept album. ... Click to View


Chris Corsano / Bill Orcutt: Brace Up! [VINYL] (Palilalia)

The first studio release after a series of live albums, the duo of Chris Corsano (drums) and Bill Orcutt (guitar), are heard recording in Brussells for 12 fierce, technically excellent, and powerfully fervent instrumentals as the two change up direction and intensity in a wealth of creative impulses played with exuberant enthusiasm in a wild ride. ... Click to View


Tashi Dorji: But a night that ends, as all nights end, when the sun rises [CASSETTE + DOWNLOAD] (Moone Records)

Guitarist Tashi Dorji's two part work is pieced together in a non-linear/non-hierarchical form where every segment balances fragile and intense playing, his improvisations reflecting eastern and western approaches, with fragmentary passage that resolve into tightly focused playing that imparts a wonderful sense of lyrical and emotional depth. ... Click to View


Jean-Luc Guionnet / Dan Warburton / Eric La Casa: Metro Pre saint-Gervais (Swarming)

A reissue of the 2002 Chloe label album, where Jean Luc Guionnet on alto saxophone, Dan Warburton on violin, and Eric La Casa on microphones use the ambiance of the Paris Pre Saint-Gervais metro station as the starting point for free improvisations, using their surrounding as inspiration while they record a most unusual album of urban sound and discourse. ... Click to View


Jeph Jerman / Steve Jansen: Second First [CASSETTE + DOWNLOAD] (That's Cool Records)

Two live performances of objects, tapes, devices and guitar from the duo of Steve Jansen and Jeph Jerman, each recording from a live performance, "Second" captured at a "homecore" performance during the 2016 Idea Festival in Houston, TX, and "First" recorded at the Blanton Museum of Art in Austin, TX during the same festival; consuming and stunning journeys in sound. ... Click to View


Jeph Jerman / Steve Jansen: First Second [CASSETTE] (That's Cool Records)

Two studio recordings of objects, tapes, devices and guitar from the duo of Steve Jansen and Jeph Jerman, starting with seemingly random elements of sound that transform into rich soundscapes with subtle activity and extraneous, unidentifiable sound keeping the listener's curiosity and interest, as the two pieces slowly build in sonic richness and force. ... Click to View


Eli Keszler: Stadium (Shelter Press)

Rapid beats, quirky percussion, drifting bass and unusual tones, Eli Keszler's 9th solo album was inspired by his move from Brooklyn into Manhattan, as the creative drummer fuses environments of avant-jazz and electronica into 12 understated pieces, developing embraceable and warm soundscapes over which he reveals an astonishing stream of restless, rhythmic dexterity. ... Click to View


Eli Keszler: Stadium [VINYL 2 LPs] (Shelter Press)

Rapid beats, quirky percussion, drifting bass and unusual tones, Eli Keszler's 9th solo album was inspired by his move from Brooklyn into Manhattan, as the creative drummer fuses environments of avant-jazz and electronica into 12 understated pieces, developing embraceable and warm soundscapes over which he reveals an astonishing stream of restless, rhythmic dexterity. ... Click to View


Eliane Radigue: Jouet Electronique / Elemental I [VINYL] (Alga Marghen)

Composer Eliane Radigue's "Jouet Electronique" (1967) for feedback on magnetic tape and "Elemental I" (1968) for feedback of natural sounds on magnetic tape, recorded at Pierre Henry's Studio Apsome; "Jouet Electronique" applies studio modifications to feedback from microphones and speakers; "Elemental I" explores recordings of water, fire, air and earth. ... Click to View


Christina Kubisch : Dreaming Of A Major Third (Edition Rz)

Christina Kubisch developed software to react to the variations in sunlight reflected on solar panels installed at an historic mill complex in the Massachusetts Museum of Contemporary Art, the sun's interactions driving pitch-shifted and envelope-altered samples from the original bells of that museum's clocktower creating a beautiful and illusory long-form recording. ... Click to View


Myra Melford's Snowy Egret (w/ Miles / Ellman / Takeishi / Sorey): The Other Side Of Air (Firehouse 12 Records)

Taking the reigns as composer, performer and bandleader, New York pianist Myra Melford's exceptional quintet Snowy Egret, with Ron Miles on cornet, Liberty Ellman on guitar, Stomu Takeishi on acoustic bass guitar, and Tyshawn Sorey on drums, present a brilliant album of creative jazz, with lyrical grooves and commanding soloing, a great and thoroughly modern album. ... Click to View


Myra Melford's Snowy Egret (w/ Miles / Ellman / Takeishi / Sorey): The Other Side Of Air [VINYL 2 LPs + DOWNLOAD] (Firehouse 12 Records)

Taking the reigns as composer, performer and bandleader, New York pianist Myra Melford's exceptional quintet Snowy Egret, with Ron Miles on cornet, Liberty Ellman on guitar, Stomu Takeishi on acoustic bass guitar, and Tyshawn Sorey on drums, present a brilliant album of creative jazz, with lyrical grooves and commanding soloing, a great and thoroughly modern album. ... Click to View


The Dogmatics: Chop Off The Tops [VINYL] (Dogmatics)

The second album from the duo of pianist Chris Abrahams (The Necks) and clarinetist Kai Fagaschinski (The Magic I.D., Interational Nothing) has the duo decelerating for a an intimate examination of tone and harmonics through perfectly placed notes and subtly extreme technique, creating sublime sonic environments that hover and dissolve; beautiful. ... Click to View


Georg Graewe / Damon Smith / Michael Vatcher: Unhesitating (Nuscope)

Drawing on collective improvisation and compositions from Carla Bley and Annette Peacock, the trio of pianist Georg Graewe, double bassist Damon Smith and drummer Michael Vatcher recorded this album of ferocious playing through rapid-fire interaction balanced with lovely free ballads, a reflection of their tremendous skill and their insightful approach to improvisation. ... Click to View


Achim Kaufmann: Mnemon (Nuscope)

With special attention to space and density, German pianist Achim Kauffman's solo piano album presents a set of 14 original compostions, from extremely active and technically astounding playing to inquisitive and beautifully contemplative work, a mature and fascination reflection that includes 4 works inspired by the poetry of Gabriele D.R. Guenthler. ... Click to View


About Group (Mukai / Clervaux / Coxon / Thomas / Taylor): RAK [VINYL] (Treader)

The 2nd About Group album replaces drummer Charles Hayward with Rupert Clervaux, alongside Susumu Mukai on bass, John Coxon on electric guitar, Pat Thomas on piano & synth, and Alexis Taylor on synth & electric piano, using Coxon's simple and insistent guitar themes as a foundation for four extended group compositions containing a surprising collision of sounds and influences. ... Click to View


John Tchicai: John Tchicai With Strings [VINYL] (Treader)

Recorded during a rare visit to London in 2005 after the 2004 Coimbra Jazz Fest, The late Afro-Danish saxophonist, associated with Albert Ayler John Coltrane, Archie Shepp and Don Cherry, performs with orchestral strings alongside guitarist John Coxon, trumpeter/percussionist Ashley Wales, and drummer Mark Sanders; exotic, beautiful and unexpected. ... Click to View


Bernard Parmegiani : Memoire Magnetique, Vol.1 [VINYL] (Transversales Disques)

Covering the period of 1966-1990 of French Acousmatic composer and electronic music pioneer Bernard Parmegiani, this 1st volume of "Memoire Magnetique" presents never-released commercial and secret music, 17 short but intensely creative compositions that reveal a wealth of compositional strategies composed for film and performance. ... Click to View


Francois Bayle: Electrucs ! [VINYL] (Transversales Disques)

18 never-released recordings by French electro-acousti composer Francois Bayle including the title track, an "imaginary" soundtrack, and a piece for Bernard Parmegiani, released on the 60th anniversary of Groupe de Recherches Musicales (GRM), which joined with Institut National de l'Audiovisuel in 1975 to create INA-GRM, with Bayle at the head of the record label. ... Click to View


Clinamen Trio : Enclins (Creative Sources)

The French trio of Louis-Michel Marion on double bass, Jacques Didonato on clarinet, and Philippe Berger on viola are heard in a live recording at Radio France, on June 12th, 2017, freely improvising in understated and rich layers of harmonics and tone, actively subdued interactions in an extended excursion of introspective chamber-oriented improvisation. ... Click to View


Amu (Fujii / Tamura / Itani / Wildenhahn): Weave [CD & DVD] (Libra)

Mizuki Wildenhahn adds an unusual percussive instrument through dance to the multi-arts Amu quartet of Wildenhahn, trumpeter Natsuki Tamura, pianist Satoko Fujii, and percussionist Takashi Itani, heard on the CD and seen on the DVD of this 2-disc set of their unorthodox and absorbing live performance at Kanagawa Prefectural Lake Sagami-ko Exchange Center in 2018. ... Click to View


Satoko Fujii / Yuko Yamaoka: Diary 2005-2015: Tuko Yamaoka plays the music of Satoko Fujii [2 CDs] (Libra)

A double CD of Satoko Fujii compositions, 56 short compositions from a series she started around 2005 to expand her skills as a composer, many of which fueled her many band's repertoires; in 2018 she asked respected classical pianist and educator Yuko Yamaoka to record this set of compositions as part of her 60th birthday monthly album set. ... Click to View


Satoko Fujii : Diary 2005-2015 [Scorebook] (Libra)

A book of scores to accompany the double CD of 56 Satoko Fujii compostions titled "Diary 2005-2015", performed by respected classical pianist and educator Yuko Yamaoka, released as part of Satoko Fujii's ambitious 60th birthday monthly album set. ... Click to View


Larry Ochs / Gerald Cleaver: Songs Of The Wild Cave (RogueArt)

An extremely unique sax and drums album, as Rova leader Larry Ochs and New York drummer Gerald Cleaver take their tenor and sopranino saxophones, and drums and percussion, into the absolute darkness and stillness of the Portel Cave in the South of France, using the resonance and inspiration of the cave to record these seven incredible improvisations. ... Click to View


Wendy Eisenberg : The Machinic Unconscious (Tzadik)

Guitarist and composer Wendy Eisenberg leads her powerful Downtown trio with Trevor Dunn on bass and Ches Smith on drums as they present hard-edged work including a piece inspired by poet Alice Notley, blending experimental and rock forms into a strange brew of eccentric improvised pieces, with an angular menacing approach and a fury of irrepressible determination. ... Click to View


Adam Hopkins: Crickets (Out Of Your Head Records)

A great example of the current Downtown/Brooklyn scene, using jazz as a jumping-off point to merge free playing, fusion, and rock stylings into an enthusiastic, and technically brilliant album, as bassist Adam Hopkins provides the ompositions performed with the sextet of Anna Webber, Ed Rosenberg, & Josh Sinton on sax, Jonathan Goldberger on guitar, and Devin Gray on drums. ... Click to View


Dustin Carlson (Carlson / Mitchell / Gentile / Hopkins / Morgan / Trudel / Gouker): Air Ceremony (Out Of Your Head Records)

A great example of the current Downtown/Brooklyn scene, using jazz as a jumping-off point to merge free playing, fusion, and rock stylings into an enthusiastic, and technically brilliant album, as bassist Adam Hopkins provides the ompositions performed with the sextet of Anna Webber, Ed Rosenberg, & Josh Sinton on sax, Jonathan Goldberger on guitar, and Devin Gray on drums. ... Click to View


Benoit Delbecq / Jorrit Dijkstra / John Hollenbeck: Linger (Driff Records)

The long-running collaboration of Paris pianist Benoit Delbecq and Netherlands-born, Boston-area saxophonist Jorrit Dijkstra is joined by Boston drummer John Hollenbeck, the pianist and saxophonist also picking up electronics and bass synth as they improvise over 10 concepts of movement through texture and distinctive approaches to their instruments. ... Click to View


Pandelis Karayorgis Trio (w/ Damon Smith / Eric Rosenthal): Cliff (Driff Records)

Contrasting his concurrent piano trio album with Nate McBride and Luther Gray, "Pools", "Cliff" is a first encounter between Boston-area pianist and composer Pandelis Karayorgis and drummer Eric Rosenthal with double bassist Damon Smith, recently migrated from the West Coast, as the three present a concentrative album of collective improvisation revealing three masterful players. ... Click to View


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Op-Ed (Opinions and Editorials)


  Cheek to Cheek Misdemeanors  

NYC's Cabaret Laws: Infracting Cheek to Cheek

When George Clinton wrote of a future where there was "no boomboxes and no live bands, they're all illegal," he was intoning his long-standing paranoia of a future without funk. But his anthem of contraband dancing, from 1996's The Awesome Power of a Fully Operational Mothership, described a future that was very nearly the present in New York City.

Under a little enforced ordinance that dates back to 1926 - at the time aimed at Harlem jazz clubs - dancing is illegal in New York in clubs which haven't paid for a seperate license to allow ass-moving. The original law also required that clubs with dancing employ musicians of "good character," a clause that was removed in the 1960s, a few years after the act was amended to allow only cabaret licenses in commercial and manufacturing zones.

The demonization of dancing stems from an era of puritan legislation (sex, of course, leads to dancing) and, it has been suggested, from efforts to put a rein on so-called “race music.” In prewar Chicago, it was illegal to play saxophone after dark, and likewise New York’s ordinance against dancing put a damper on Harlem nightlife, and left jazz as the sit-politely music we listen to today.

Whatever the roots, New York City is now taking measures to allow good people to mambo, cha cha, salsa or tango, to break a sweat, breakdance, step in time or cut a rug. In November, New York Consumer Affairs Commissioner Gretchen Dykstra announced an effort to repeal the laws that since 1999 have been increasingly enforced by a squad of "dance police" that would make Dr. Funkenstein shudder.

"They have to expend resources and energy telling people not to dance," Dykstra said at a press conference at the Knitting Factory. "They don't have any community problems, they don't have violations. But people can't shake their booties when they come to the Knitting Factory. And that strikes us as a little odd."

As the Knitting Factory has looked to build its audience from the sit-politely crowd to younger rock fans, the boogie ban has become a concern to the club's new management.

“The new DCA proposal is an elegant solution to a longstanding and seemingly intractable problem,” Knitting Factory President Jared Hoffman said in a prepared statement. “The real issue is minimizing community impact. It does not make sense for the city to legislate what types of music are acceptable. Some dance clubs are operated poorly and have considerable community issues, but many are operated impeccably. Many rock and roll or hip hop venues have impact issues and many don’t. It’s not about the style of music, it’s about the operation.”

But some are questioning the new legislation being promoted by the City/Knit partnership. Members of the New York Nightlife Association, a group of club and restaurant owners represented by former New York Civil Liberties Union executive director Norman Siegel, have challenged the new ordinance's swapping of regulations on dance for restrictions on sound.

The Department of Consumer Affairs plans to "focus on noise and not dancing," Siegel told The Village Voice. But they haven't actually addressed the zoning laws already on the books. "I hope this isn't a three-card monte," he said. "We won't have Consumer Affairs being the dance police but maybe the buildings department will. And no one can give me a straight answer."

In a city as densely populated as New York, noise restrictions are a necessity. The recent explosion of clubs in the Williamsburg section of Brooklyn is just another part of a long history of venues opening in abandoned and industrial parts of town where there are few neighbors to disturb. But regulating noise has become a cottage industry for the city, and has only been exacerbated by the no-smoking ordinance. With smokers forced to stand outside, noise complaints have increased, and the Knitting Factory is a prime example of a place forced to keep watch on its patrons even after they leave.

A stricter noise ordinance would also be easier to enforce than the dancing ban: While police can't necessarily see dancing from outside, they can hear the music. And more violations, of course, would mean more money for a city so in need of new revenue that it is considering selling ad space on its trash cans. If the end result is dancing being allowed in clubs that are forced to keep the volume at a minimum, the victory might seem a hollow one. Until then, we can only suggest that clubbers heed another of Clinton's anthems: Shit, goddamn, get off your asses and jam.



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reviews about releases
sold at Squidco.com
written by
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Recent Selections @ Squidco:


Chris Corsano /
Bill Orcutt:
Brace Up!
[VINYL]
(Palilalia)



William Parker:
Flower In a
Stained-Glass Window &
The Blinking of
The Ear
[2 CDs]
(Centering Records)



The Dogmatics:
Chop Off
The Tops
[VINYL]
(Dogmatics)



Francois Bayle:
Electrucs !
[VINYL]
(Transversales Disques)



Bernard Parmegiani :
Memoire Magnetique,
Vol.1
[VINYL]
(Transversales Disques)



Myra Melford's Snowy Egret
(w/ Miles /
Ellman /
Takeishi /
Sorey):
The Other Side
Of Air
(Firehouse 12 Records)



Myra Melford's Snowy Egret
(w/ Miles /
Ellman /
Takeishi /
Sorey):
The Other Side
Of Air
[VINYL 2 LPs + DOWNLOAD]
(Firehouse 12 Records)



Georg Graewe /
Damon Smith /
Michael Vatcher:
Unhesitating
(Nuscope)



Isotope Ensemble:
Lanthanum
(Creative Sources)



Bob Drake:
L'isola Dei Lupi
(ReR Megacorp)



Larry Ochs /
Gerald Cleaver:
Songs Of
The Wild Cave
(RogueArt)



Satoko Fujii /
Yuko Yamaoka:
Diary 2005-2015:
Tuko Yamaoka plays
the music of
Satoko Fujii
[2 CDs]
(Libra)



Adam Hopkins:
Crickets
(Out Of Your
Head Records)



Leap Of Faith:
Topological Constructions
(Evil Clown)



Roy Campbell Pyramid Trio:
Ancestral Homeland
(No More Records)



The Necks:
Body
(Northern Spy)



Matt Hannafin :
John Cage: Four Realizations
For Solo Percussion
[CASSETTE + DOWNLOAD]
(Notice Recordings)



Jason Stein's Locksmith Isidore:
After Caroline
(Northern Spy)



Milford Graves:
Babi
[2 CDs]
(Corbett vs. Dempsey)



Joe McPhee /
Hamid Drake:
Keep Going
(Corbett vs. Dempsey)







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