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"A" Trio + Alan Bishop: Burj al Imam [VINYL] (Unrock)

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Paulo Jorge Alexandre Improbable Trio (w/ Tom Wheatley / Eddie Prevost): Elements (Creative Sources)

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Sun Ra & His Astro Infinity Arkestra: The Intergalactic Thing [VINYL 2 LPS + DOWNLOAD CODE] (Roaratorio)

Unreleased material from Sun Ra & His Astro Infinity Arkestra recorded in the rehearsal space of Sun Ra's Philadelphia home in 1969, with a dozen never-before-heard pieces from Ra's songbook, plus reworkings of some classics; invaluable music for the Sun Ra collector. ... Click to View


Sun Ra: The Saturn Singles Vol. 2: 1959-1962 [VINYL] (Jeanne Dielman)

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Hubert Zemler : Gostak & Doshes (Bolt)

Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones. ... Click to View


Tyshawn Sorey: The Inner Spectrum of Variables [2 CDs] (Pi Recordings)

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Yoni Kretzmer (Steve Swell / Thomas Heberer / Max Johnson / Chad Taylor): FIVE (OutNow Recordings)

An excellent example of collective free improv from a quintet led by NY tenor saxophonist Yoni Kretzmer with collaborators Steve Swell (trombone), Thomas Heberer (cornet), Max Johnson (double bass) and Chad Taylor (drums), capturing the horn sound of the late 60's Blue Note era. ... Click to View


Frantz Loriot Systematic Distortion Orchestra: The Assembly (OutNow Recordings)

The 11 piece Systematic Distortion Orchestra is led by composer and viola player Frantz Loriot, with Brooklyn Downtown players Nathaniel Morgan (sax), Brad Henkel & Joe Moffet (trumpet), Ben Gerstein, Sam Kulik (trombone), Sean Ali & Pascal Niggenkemper (bass), and 3 drummers. ... Click to View


JC Jones / Yoni Kretzmer (w/ Barre Philips / Mark Dresser / Reuben Radding / Sean Conly / Damon Smith / Pascal Niggenkemper): Esoteric Duos [2 CDs] (OutNow Recordings)

A tremendous CD of duos, disc one presents Israeli bassist JC Jones in duos with Steve Horenstein, Barre Phillips, Mark Dresser, Damon Smith, Yoni Kretzmer, and Carmel Raz; Disc 2 presents NY saxophonist Yoni Kretzmer in duos with Pascal Niggenkemper, Reuben Radding, Sean Conly, and JC Jones. ... Click to View


Kretzmer / Ajemian / Shea: Until Your Throat is Dry (OutNow Recordings)

The trio of NY free improvisers Yoni Kretzmer on tenor sax and Kevin Shea on drums (Talibam, Mostly Other People Do the Killing) with bassist Jason Ajemian in an intense album of "immaterial tangibility, the raw flesh, dirty concreteness, thoughtlessness and stuff called music." ... Click to View


Ehran Elisha / Kindred Spirit: Kindred Spirts: Quintets [2 CDs] (OutNow Recordings)

Composer-Improviser-Percussionist Ehran Elisha presents two quintets interpreting two of his extended compositions: "Kindred Soul" and "Spirit Suite", with collaborators including Roy Campbell, Sam Bardfeld, Dave Phillips, Yoni Kretzmer, Michael Attias, Sean Conly, &c. ... Click to View


Malfatti / Drumm / Capece: The Volume Surrounding The Task (Potlatch)

A moody album of minimal improv, using space, innuendo, breath and a wonderful sense of darkness from the trio of Radu Malfatti (trombone), Kevin Drum (electronics) and Lucio Capece (bass clarinet & preparations), performing live at Q-O2 in Brussel, Belgium. ... Click to View


Tony Conrad W/ Faust: Outside The Dream Syndicate [VINYL] (Superior Viaduct)

Originally released in Europe in 1973, this reissue details the meeting of NY violinist, composer and filmmaker Tony Conrad, a peer of John Cale, La Monte Young, &c. with the legendary German rock band Faust, recording these two side-long and forward-looking works. ... Click to View


Tony Conrad W/ Faust: Outside The Dream Syndicate (Superior Viaduct)

Originally released in Europe in 1973, this reissue details the meeting of NY violinist, composer and filmmaker Tony Conrad, a peer of John Cale, La Monte Young, &c. with the legendary German rock band Faust, recording these two side-long and forward-looking works. ... Click to View


Mats Gustafsson And Friends: MG 50 - Peace & Fire [4 CD BOX SET] (Trost Records)

A box set documenting the October 2015 3-day event held at Porgy and Bess in Vienna for the 50th birthday of saxophonist Mats Gustafsson (The Thing, Fire! and innumerable duo/trio/ensemble formations) with a who's-who of collaborators invited to join in various formations. ... Click to View


Rempis / Abrams / Ra + Baker: Perihelion [2 CDs] (Aerophonic)

Following their 2013 release "Aphelion", the working trio of Dave Rempis on sax, Joshua Abrams on bass & clarinet, and Avreeayl Ra on drums release their 2nd collaboration in a 2-CD album of live and studio improvisations, adding Jim Baker on keys and electronics for the 2nd disc. ... Click to View


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  John Zorn 
  First Recordings 1973  
  (Tzadik (1995)) 

   review by Phil Zampino
  2003-08-20
John Zorn: First Recordings 1973 (Tzadik (1995))

A very young John Zorn peers out from the cover of First Recordings 1973 implying that these recordings are the work of a precocious young man destined to become an important figure in jazz and improvised music. This may color the perception of the release, which in fact are the early recordings of a 19- and 20-year-old, sitting at home or working on his college projects. I'd imagine Zorn snickers a bit at that cover, or the picture on the back showing him as a nerdish young man playing guitar, an instrument with which he's not well associated.

Still there must have been something happening in the young mind of this musical innovator, because at the age of 19 Zorn's conception of sound and his ability to embrace a vast conceptual realm are as impressive as they are dichotomous and strange. Which translates to "you might not like this a lot, but if you're a fan, you will be fascinated." None of the two large and three shorter recordings on this disc are incredible in either their ability to captivate or in their overall sound quality. Zorn himself points out that one piece is a "strange, akward tribute" to one of the musical figures he revered (Albert Ayler), and on another that his vocals are "perhaps too revealing" while noting that his parents had him under observation at a psychiatric clinic from ages 8 to 16. There is something seething in these recordings, and perhaps his parents had no way of coping with the creative energy that was to be unleashed.

The first work on the cd, "Mikhail Zoetrope," is from 1974, and was recorded by Zorn in his bedroom. He describes it as the craziest piece he's ever written, and it's not difficult to believe it. Recorded in two passes, first on the left channel and then the right, it shows Zorn improvising with toy percussion, glasses, pots and pans, a cassette player, turntable, TV set, vacuum cleaner, and of course a sopranosax. The piece is an uneasy call-and-response utilizing concepts ranging from Braxton to Cage to Kagel. The soprano playing is distinctively Zorn, and the quirky instrumentation invokes years of squawking, screaming, tinkling and indescribable noise to come. At 22 minutes for the first part alone this is no passing fancy, but a serious work that may not completely come together, but certainly has a lot to say.

"Conquest of Mexico" from 1973 is another thing altogether, the remaining scraps of a musique concrète composition that functioned as the basis for a soundtrack to the filmed version of a "happening" Zorn organized in his last year at college in St. Louis. This piece was augmented at presentation with a live improvising ensemble, but here is presented as a raw series of electronic tone experiments, using psychedelic effects. What is notable, aside from being an early “filmwork,” is that Zorn utilized the same punch-in approach to composing the piece as he was to use later in such pieces as Spillane, Godard, and The Big Gundown. Difficult to listen to on its own, but perhaps telling as the one of the influences is Antonin Artaud, an innovate yet clinically institutionalized surrealist theater figure from France in the 1920's. This no doubt would make Zorn's parents just a bit more uneasy post-observation.

The remaining three pieces "Wind Ko/la," "Automata of Al-Jazari" and "Variations on a Theme by Albert Ayler/Requiem for Albert" present respectively "a little song" as Zorn intones into the mic; a one-minute piece that genre-hops every bar with film quotes interspersed; and a somewhat meandering tribute to Ayler that includes early sax work with electronic mayhem and a panoply of relatively crude studio effects noteable again for the breadth of ideas and the shadow of what was to come.





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