The Squid's Ear
Recently @ Squidco:

Oliver Schwerdt / Barry Guy / Baby Sommer:
Fucking Ballads (Euphorium)

An enthusiastic and energetically powerful trio meeting between three masters--Oliver Schwerdt on grand piano & percussion, Barry Guy on double bass and Baby Sommer on drums & percussion--performing live in 2021 at naTo, in Leipzig for two extended improvisations of remarkable communication, incredible virtuosity, but most importantly, incredible and compelling creative drive! ... Click to View


JAKAL (Fred Lonberg-Holm / Keefe Jackson / Julian Kirshner):
Peroration (Amalgam)

Formerly known as J@K@L, this Chicago trio has explored hard hitting improvisation since 2014, the band name an amalgamation of the performer's names--Keefe Jackson on tenor & sopranino saxophone & tube, Julian Kirshner on drums and Fred Lonberg-Holm on cello, tenor guitar and electronics--in a dynamic and exciting 2022 concert at Elastic Arts, in Chicago. ... Click to View


The Remote Viewers :
Inside The Blizzard / Trivia (Remote Viewers)

UK Composer David Pett's Remote Viewers present two large works: "Inside the Blizzard" in five parts of configurations from solo to quintet; and "Trivia", a quintet work in eight parts; solid, compelling work of forceful confidence from members Adrian Northover, Sue Lynch, Caroline Krabbel & Petts on sax, John Edwards on bass, Hutch Demouilpied on trumpet and Rosa Theodora on piano. ... Click to View


Teiku (Harlow / Taylor / Shahid / Formanek / Leafar):
Teiku (577 Records)

Teiku, a Talmudic acronym that roughly translates to "unanswered question", was co-founded by pianist Josh Harlow and percussionist Jonathan Barahal Taylor to explore each of their family's unique Passover vocal melodies through improvisation and sonic exploration, performed in a quintet with Art Ensemble/Sun Ra bassist Jaribu Shahid and reedists Peter Formanek & Rafael Leafar. ... Click to View


Jorge Nuno:
Labirinto (Phonogram Unit)

After recovering from heart surgery, Portuguese guitarist Jorge Nuno (Ensemble MIOA, Isoptope, Voltaic Trio, &c) records this solo improv album to show his resilience, performed primarily on acoustic guitar in a balanced journey of assertive and introspective playing, accompanied by an insert of a text work by Rui Baião. ... Click to View


Bruno Duplant / Rutger Zuydervelt:
Edge Of Oblivion (Machinefabriek)

The third collaboration between sound and electronic artists Bruno Duplant and Rutger Zuydervelt (Machinefabriek) is a darkly heavy and dramatic work of subtle motion that slowly unfolds and shifts through vast sonic environments, fueled by acousmatic sources that take the listener to the edge of darkness and then pulls them back in warm waves or rich ambiance. ... Click to View


Felix Profos / Peter Conradin Zumthor:
Grund (Edition Wandelweiser Records)

Since 2021 Swiss composer Felix Profos and drummer Peter Conradin Zumthor have performed as the duo Grund, Profos performing on harmonium and on the 1973 Italian organ Bontempi Pop3, Zumthor on bass drum, gong, bells & snare, their extended work on this self-titled album a tranquil and meditative work of slow transitions with moments of terse activity, receding with grace and serenity. ... Click to View


Leap Of Faith:
Emergent Spacetime (Evil Clown)

The core of the Boston improvising collective Leap of Faith Orchestra are the duo of cellist Glynis Lomon and reedist and multi-instrumentalist David Peck, here joined by Eric Woods on analog synth and new collective member Jared Seabrook on drums & percussion, for two examples of Peck's broad palette concept yielding evolving transformations through free playing ... Click to View


Expanse:
Reach (Evil Clown)

Perhaps the most synthetic of Evil Clown releases, Expanse represents space and restraint, this the 8th album from the Boston improvising collective of David Peck on reeds, winds, synths and percussion, Robin Amos on synths, Michael Knoblach on percussion (including egg beater, humpty dumpty toy, and teething rings) and Joel Simches providing real-time processing; inexplicably interesting. ... Click to View


Ethnic Heritage Ensemble:
Open Me, A Higher Consciousness Of Sound And Spirit (Spiritmuse Records)

Celebrating 50 years, percussionist Kahil El'Zabar's Ethnic Heritage Ensemble as the trio of El'Zabar, Corey Wilkes (trumpet) and Alex Harding (bar. sax), joined on tracks by James Sanders (violin) and Ishmael Ali (cello), reinterpret classics including "Great Black Music", "Ornette" and Aretha Franklin's "Compared to What", along with Miles' "All Blues" and McCoy Tyner's "Passion Dance". ... Click to View


Simon Hanes:
Tsons of Tsunami (Tzadik)

Drawing on a far-ranging set of influences--jazz, rock, contemporary, surf & exotica--California-born improvising guitarist Simon Hanes (of Trigger, who covered Zorn's Bagatelles) now resides in NYC, appropriately releasing an album of eclectic, generally upbeat, sometimes quirky, typically melodic instrumentals performed with an octet ensemble of incredible musicianship. ... Click to View


Joel Futterman:
Perspicacity (Soul City Sounds)

Five extended improvised piano solos from Joel Futterman recording in his home base of Virginia Beach, each an incredible journey in free playing that quotes and comments on the history of jazz piano, living up to the album's title through insight, perceptiveness, wit and intuition, Futterman's technique and mastery expressing narratives of amazing confidence and solid direction. ... Click to View


Kimmel.Ali.Harris (Jeff Kimmel / Ishmael Ali / Bill Harris):
Flora Oblique [CASSETTE w/ DOWNLOAD] (Amalgam)

The third release for the Chicago collective improvising trio of Jeff Kimmel on clarinet & electronics, Ishmael Ali on cello & electronics and Bill Harris on drums & feedback, acoustic interplay in the foreground with electronics adding layers of intriguing sonic pressure as their playing evolves through clear and cohesive conversation over punctuated & textural foundations. ... Click to View


Anthony Donofrio :
These Calm Words (Edition Wandelweiser Records)

An exquisite recording of composer Anthony Donofrio 1972 work for solo vibraphone captured at the University of Nebraska where Donofrio teaches and directs their new music ensemble, this extended work for solo vibraphone performed by Donofrio himself, living up to its title in a delicate advancement from clear playing to unusual vibraphone timbres and technique. ... Click to View


Eva-Maria Houben (Kei Kondo / Takahiro Kuroda):
His Master's Voice / Aus Den Fliegenden Blattern Eines Fahrenden Waldhornisten / Lose Verbunden (Ftarri Clasical)

One of two albums capturing a May 15th, 2023 concert in Tokyo by composer Takahiro Kuroda at the Ftarri performance space, titled "Square of Thoughts Vol. 2: Eva-Maria Houben and Horn + x", this album presenting two Houben works for solo horn performed by virtuoso horn player Kei Kondo, and one solo piano piece performed by Kuroda on upright piano. ... Click to View


Eva-Maria Houben (Takahiro Kuroda / Kei Kondo):
Echo Fantasy II (Ftarri Clasical)

The second of two albums capturing a May 15th, 2023 concert in Tokyo by composer & pianist Takahiro Kuroda at the Ftarri performance space, titled "Square of Thoughts Vol. 2: Eva-Maria Houben and Horn + x", this album presenting a 2018 Houben composition for horn and piano titled "Echo Fantasy II", performed by virtuoso horn player Kei Kondo and Takahiro Kuroda on upright piano. ... Click to View


Rutger Zuydervelt :
Kites (music for a performance by Roshanak Morrowatian) (Machinefabriek)

Music for a solo dance piece performed by Roshanak Morrowatian and composed by Netherland electronic artist Rutger Zuydervelt, the subject of the dance reflecting on the experience of young asylum seekers forced from their native countries to grow up somewhere unfamiliar, the music in seven parts weaving fragments of Iranian popular music into Zuydervelt's abstract electronics. ... Click to View


Simulacrum:
Mimesis (Evil Clown)

Expanding on their 2023 Homunculus, the Boston-based collective ensemble Simulacrum with a core of David Peck on reeds, percussion, keys and direction, Eric Woods on analog synth and Bob Moores on space trumpet & guitar are expanded with Cecil Taylor bassist Albey OnBass, synthesist Eric Zinman, reedist Michael Caglianone and drummer Michael Knoblach. ... Click to View


John Butcher + 13:
Fluid Fixations (Weight of Wax)

Commissioned for the 2021 Huddersfield Contemporary Music Festival, John Butcher's fantastic work for 14 improvisers of unique approach employs what Butcher refers to as "psychological orchestration"--imagining how each performer might respond to particular ideas & their sonic company--the score, which includes photographic imagery, directing specific solos, duos & small groupings. ... Click to View


Phantom Orchard (Ikue Mori / Zeena Parkins):
Hit Parade of Tears (Tzadik)

Distilling their ensemble to its original duo configuration, New York improvisers Zeena Parkins and Ikue Mori reflect on the stories of Japanese author Izumi Suzuki through ten mysteriously eclectic and beautifully developed compositions of harp (acoustic and electric), electronics, percussion, harmonium, ondes martenot, and much more; wonderful, imaginative and evocative work. ... Click to View


Sean Lennon Ono:
Asterisms [VINYL] (Tzadik)

The chameleonic styles of Sean Ono Lennon are in full force on this instrumental record, merging rock, jazz, experimental and cinematic styles in captivating ways, performed with the spectacular ensemble of Devon Hoff (bass), Yuka Honda (electronics), Johnny Mathar (drums), João Nogueira (Wurlitzer), Ches Smith (drums), Michael Leonhart (trumpet) & Mauro Refosco (percussion). ... Click to View


Chorale Joker / Ensemble SuperMusique:
Demantibule•es (Ambiances Magnetiques)

Merging members of Ensemble SuperMusique with a subset of the ensemble Chorale Joker, Joane Hétu presents four premieres that explore our experiences during the pandemic, SuperMusique focused on electronics and synthetic instruments and offset by a wind quintet, the music and vocal interactions often explosive, reflecting on our mental states during an overwhelming cultural malady. ... Click to View


Josh Berman / Eli Wallace / Ishmael Ali / Bill Harris:
An-Ill Fitting Garment [CASSETTE w/ DOWNLOAD] (Amalgam)

Cornetist Josh Berman, drummer Bill Harris, and cellist Ishmael Ali meet with NY pianist Eli Wallace in Chicago, recording live in the studio for a session that focuses on acoustic interplay using unusual techniques, inside piano playing, textural percussion with scrapes & drags and melodic & harmonic fragments, Fitting quite well in a set of interesting moods and motion. ... Click to View


IKZ (Chris Dammann / Kevin Davis / John Niekrasz / Toby Summerfield):
I Saw The Cryptic Problem Of My Generation Destroyed (Amalgam)

Four improvisations that start as dense and scrabbly electroacoustic improv and then transport into beautiful sonic interaction from the Chicago collaborative quartet of Chris Dammann (Scott Clark) on double bass, Kevin Davis (Jason Stein's Locksmith Isidore) on cello, John Niekrasz (Poor School, The Naked Future) on drums and Toby Summerfield (Larval, Algernon, Scott Clark) on guitar. ... Click to View


Joao Gato / Bruno Parrinha:
Two (Phonogram Unit)

Two Portuguese saxophonists of different generations both playing on alto sax--Bruno Parrinha, an established and extraordinary player involved with many projects on Clean Feed and Creative Sources, and João Gato, leader of Apophenia Quartet--present 11 improvisations recorded in the studio, their voices intertwining amid masterful technique and creative impulse. ... Click to View


Danya Pilchen :
Two Songs. Anne, Germaine, Koen, Seamus, Danya (Edition Wandelweiser Records)

Two "songs" from a series of works by Netherlands composer and pianist Danya Pilchen, exploring the possibilities of making and experiencing time through attentive listening, these works focused on creating a dialogue between two measures of time, performed with Anne La Berge on flute, Germaine Sijstermans on clarinet, Seamus Cater on harmonica and Koen Nutters on double bass. ... Click to View


Paul Newland:
Things That Happen Again (Another Timbre)

A portrait of UK interdisciplinary composer Paul Newland's music through five pieces dating from 2009 to 2023 performed by members of London's Apartment House ensemble, including a string quartet, two different trio combinations, a short work for solo piano, and a score for open instrumentation, realised in this recording by a septet. ... Click to View


Michel Banabila :
The Unreal Realm (Tapu Records)

A collection of works from Netherlands composer Michel Banabila, including a piece developed with saxophonist Dave Liebman and previously released only digitally; a work with Rutger Zuydervelt (Machinefabriek); a work with Pierre Bastien; and excerpts from scores for Yin Yue's choreography in two works: "Somewhere" for New York Live Arts and "Timeless Tide" for BalletMet. ... Click to View


Rotem Geffen:
The Night Is The Night (thanatosis produktion)

Singer, songwriter and pianist Nelly Klayman-Cohen, aka Rotem Geffen, explores the fringes of dreamy pop music with lyrics in German, English and Hebrew that explore themes of memory, love, grief, loss, and the night as a vibrating room, with collaborators including Alexander Zethson on keyboards, Isak Hedtjar on clarinets and winds, Vilhelm Bromander on double bass, &c. ... Click to View



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  Stop and Smell the Sewers  

Psychogeographers Strive to Slow the Nonstop City


By Kurt Gottschalk and Urania Mylonas
Photos by Kurt Gottschalk 2003-06-24

On a rainy night in May in the Lower East Side, about 100 people stopped or slowed down traffic, and nobody got mad. Motorists actually smiled as the motley crew of costumed revelers, wearing skirts made from recycled magazines and hats made from household items, banged on cans, bottles, and washboards, anything they could make noise with, as they paraded up Essex Street, onto Houston and headed towards the confines of East River Park.

The event was part of Psy-Geo Conflux, a weekend dedicated to redefining how we experience the city. The parade itself was organized by the Toy Shop Collective, who previously won a competition organized by evolutionre zellen, a Berlin-based group dedicated to finding and funding those who can best answer the question: "How do you design your society?"

As the group traveled along Houston, several police cars trailed them, although they didn't try to stop the march. Many people along the way looked quizzically, as if wondering what was going on. One man stopped a member of the group and asked her why she was banging on an old dirty can. "Thats junk!" he said. The woman looked at her can, then reached inside it and pulled out a whistle and handed it to him. He seemed resistant at first, but the bright smiles and infectious enthusiasm of this group won him over and he jumped in, blowing on his whistle and abandonding self-consciousness, tuning in to the group's collective consciousness, which was best described by a banner some of them held: Is the Fear of Looking Stupid Holding You Back?

Street Grid
Psychogeographers Locate Street Scenes at ABC No Rio
Psychogeopraphy is a discipline discussed in universities and celebrated among anarchist collectives like the Lower East Side's ABC No Rio, where much of the weekend's festivities were centered. But it's not one that's easily defined. While some organizers and participants attempted long explanations of the small field of thought that concerns itself with how the environment affects an individual's inner state, others offered simpler, more utilitarian explanations. It's an effort to "stop taking for granted the things you take for granted," said Drexel University history professor Scott Knowles, who lives in Queens and took part in several of the events aimed at slowing down the nonstop city.

Knowles is a member of a loosely-knit group calling itself Psychogeography New York. In the last two years, they have undertaken such activities as collecting objects on the street and redistributing them around the city based on the object's aesthetic qualities; riding the length of the A train, starting in upper Manhattan and making the two-hour ride to have a party in Far Rockaway, Queens; and exploring the city using maps of other cities. Such projects, Knowles said, are intended to undermine their own expectations about what goes on in, and below, the streets of New York.

"To me, at the very simplest level, stripped of political meaning, it's making yourself aware that your surroundings not only effect what you think, they are what you think," Knowles said. "At the first level, it's what you are seeing and then what you are not. But there's a deeper level that people discuss where, as capitalism develops, more of the experience of the street is closed off and you are channeled to certain areas in the street.

"It's not a religion," he added. "It's not a life-changing philosophy. It's realizing that what you see on the street is effecting you."

Taking time to appreciate one's surroundings is, of course, hardly a 21st century innovation (although it may well be one that denizens of this century would be wise to recall). Psychogeography as a discipline dates back to Paris in the 1950s, but it has roots that stretch back much further. One could even argue that Socrates, who said "The unexamined life is not worth living," was the first psychogeographer. During a talk at ABC No Rio, photographer Colette Meacher, who has worked as a lecturer in Cultural Studies at the University of the Andes in Bogota, discussed the value of meditative walking through philosopher Immanuel Kant's work.

"Walking has always been a means to thought, not just for writers, artists and poets but for philosophers as well," Meacher said. Kant took the same walk at the same time every day, and used these walks as ways to discover the beautiful and the sublime, not just in his surroundings but in own experiential states, she said.

"The city itself, as landscape, offers moments of wonder by virtue of the wealth of diverse practices which, synchronously, and continuously, manifest therein," she said during the talk. "The sublime views which can be gained neither depend on perspectival privilege nor on a specific positionality within its spaces - a feeling of awe can be achieved irrespective of familiarity with it or whether it is approached wit a 'naive' eye."

Regaining that "naive eye" was the impetus for several self-guided walks during the weekend. People stopping by ABC No Rio could pick up photos taken around the Lower East Side, locate the site pictured, and then return to put them in the appropriate spot on a large map on the wall. A book was handed out that directed the reader around the city, steering participants in different directions based on hearing a car alarm or a cell phone or seeing a bicycle locked to a street sign or a woman wearing a hat. And groups were sent out to photograph and document the service entrances of New York's most prominent buildings.

Bill Brown
Bill Brown
If the psychogeographers want to get a fresh look at the city, they're not forgetting that they're being watched at the same time. Bill Brown maps security cameras around the city, and says there are at least 7,500 in Manhattan alone. And with cameras mounted on emergency vehicles, planes and satellites, "we are now visible from the ground all the way to the sky," he said.

The cameras are not a product of terrorism concerns so much as attempts to monitor drug sales, traffic infractions and consumer behavior, he said.

"We are now visible to those cameras," Brown said, pointing to a camera mounted on the side of a building aimed at the dozen people circled around him. "Because we are lingering, we are loitering. It is interesting enough to track us. It used to be in our society we divided people into two groups, the people that might commit crimes and the people that might not commit crimes. If you stand here on the corner of 14th Street and 8th Avenue, you are worth watching."

The sights and sounds of the city have often been the source of artistic expression, of course. The closing party, held at Subtonic, in the basement of the nightclub Tonic a few blocks from ABC No Rio, featured site specific sound work by percussionist Sean Meehan and sound manipulator Geoff Dugan.

Sean Meehan & Geoff Dugan
Sean Meehan & Geoff Dugan
Dugan used recordings of Meehan playing on the street as a sound source, layering it and altering it as Meehan sat quietly, as if trying to find away in to the sound, into aduet with himself, despite excessive chatter and onlookers who displayed no sense of the performers' personal space. Or perhaps Meehan was simply absorbing all the noise, the sounds of conversation and cash registers, before beginning. Eventually he entered into the dialogue, rubbing the rim of his snare with a fork, rolling the drum on the floor, pushing thin wooden rods against a cymbal, mixing in with the sound around. Whatever his reaction - annoyed, amused or inspired - it could only have been seen as appropriate by the psychogeographers gathered on a rainy Mother's Day night. Meehan and Meehan, and the sounds of a basement bar. To ignore the noise would, perhaps, have been to miss the point.



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Recent Selections @ Squidco:


JAKAL (
Fred Lonberg-Holm /
Keefe Jackson /
Julian Kirshner):
Peroration
(Amalgam)



The Remote Viewers:
Inside The Blizzard /
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Oliver Schwerdt /
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Bruno Duplant /
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Sean Lennon Ono:
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Chad Fowler /
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