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Henry Threadgill Zooid:
Poof (Pi Recordings)

The sixth album in saxophonist and composer Henry Threadgill's Zood small ensemble project Zooid, a quintet with guitarist Liberty Ellman, tuba & trombonist Jose Davila, cellist Christopher Hoffman and drummer Elliot Humberto Kavee, following Threadgill's serial intervallic language compositions to create an amazingly intricate yet warmly embraceable avant jazz; exceptional! ... Click to View


Henry Threadgill Zooid:
Poof [VINYL] (Pi Recordings)

The sixth album in saxophonist and composer Henry Threadgill's Zood small ensemble project Zooid, a quintet with guitarist Liberty Ellman, tuba & trombonist Jose Davila, cellist Christopher Hoffman and drummer Elliot Humberto Kavee, following Threadgill's serial intervallic language compositions to create an amazingly intricate yet warmly embraceable avant jazz; exceptional! ... Click to View


Lussier / D'Orion / Kuster / Tetreault :
Printemps 2021 (Victo)

This mercurial and impressive 2021 Victoriaville Festival concert brought together improvisers from three duos as a quartet: guitarist Rene Lussier, who has a long running duo with turntablist Martin Tetreault; Erick d'Orion on computer and electronics, who also has a experimental sound duo with Tetrault; and frequently collaborator with Lussier, drummer Robbie Kuster. ... Click to View


Artifacts (Tomeka Reid / Nicole Mitchell / Mike Reed):
...and then there's this (Astral Spirits)

Confirming their place in Chicago's improv legacy, the second album from the Artifacts Trio of Nicole Mitchell on flute & electronics, Tomeka Reid on cello and Mike Reed on drums & percussion expand the AACM canon with compositions from each member, plus several insightful and lively collective improvisations and one piece each from Roscoe Mitchell and Muhal Richard Abrams. ... Click to View


Charlotte Keeffe :
Right Here, Right Now (Discus)

Collecting facets of London trumpeter Charlotte Keeffe's diverse settings and interests, including three live recordings with her own quartet, three recordings with London Improvisers Orchestra including a conduction for a piece dedicated to Steve Beresford, a duo with guitarist Diego Sampieri, and two solo recordings, one interacting with live electronics. ... Click to View


Skeeter Shelton / Hamid Drake:
Sclupperbep (Two Rooms Records)

After meeting in Detroit when tenor saxophonist & flutist Skeeter Shelton subbed for a sick player in a duo concert with drummer/percussionist Hamid Drake, the two found a bond through Shelton's father, Ajaramu Shelton, who had been one of Drake's mentor at Chicago's AACM; the concert was so successful that this recording was immediately planned, based around many of Shelton's themes. ... Click to View


Skeeter Shelton / Hamid Drake:
Sclupperbep [VINYL] (Two Rooms Records)

After meeting in Detroit when tenor saxophonist & flutist Skeeter Shelton subbed for a sick player in a duo concert with drummer/percussionist Hamid Drake, the two found a bond through Shelton's father, Ajaramu Shelton, who had been one of Drake's mentor at Chicago's AACM; the concert was so successful that this recording was immediately planned, based around many of Shelton's themes. ... Click to View


Archer / Keeffe / Pyne:
Hi Res Heart (Discus)

Inspired by the 70's Leo Smith Trio and the AACM tradition, during pandemic lockdowns UK multi-reedist & wind player Martin Archer, Charlotte Keeffe on trumpet & electronics and Martin Pyne on drums, percussion, vibraphone & toy piano, developed these 12 pieces where each member recorded four ideas independently, the other two arranging and recording their own parts in response. ... Click to View


Blue Lines Sextet (Rave / Maris / Wierbos / Scheen / van der Weide / Hadow):
Live At The BIMhuis (Casco Records)

An exceptional live concert of original compositions from pianist Michiel Scheen alongside insightful interpretations of pieces from Charlie Haden and Charles Mingus, plus six collective instant compositions, from the Amsterdam sextet of Scheen, Ada Rave on reeds, Bart Maris on trumpets, Wolter Wierbos on trombone, Raoul van der Weide on bass and George Hadow on drums. ... Click to View


Leap Of Faith:
Imaginary Perspectives (Evil Clown)

The core duet of the Leap of Faith Orchestra of David Peck on clarinets, saxophones, clarinets & flutes, and Glynis Lomon on cello, aquasonic & voice are joined by Evil Clown regular, Bob Moores on trumpet, guitar, electronics & percussion, the excitement evident as the trio performed together live in the studio the first time after pandemic vaccinations. ... Click to View


PEK Solo / A Quartet of PEKS:
Fixed Intentions for the Saxophone Family (Evil Clown)

The sixth PEK Solo effort of 2020 in Boston-based improviser and composer David Peck's series, this album is a followup to his Clarinet Family album earlier in the year, here creating a virtual symphony of saxophones by layering his composition in the studio through four separate recordings, working in the vein of Rova Sax Quartet or the World Sax Quartet. ... Click to View


Don Cherry:
Complete Communion & Symphony For Improvisers, Revisited (ezz-thetics by Hat Hut Records Ltd)

Following a 1964 Albert Ayler tour, trumpeter Don Cherry remained in Europe, working on new concepts of improvising based on form itself, developing his concepts with saxophonist Gato Barbieri, vibraphonist Karl Berger & bassist J.F. Jenny Clark, composing two brilliant albums: 1966's Communion with Barbieri, Henry Grimes & Ed Blackwell; and in 1967 Symphony for Improvisers as a septet. ... Click to View


Nick Fraser Quartet:
If There Were No Opposites (ezz-thetics by Hat Hut Records Ltd)

First recording in 2012 as a trio with saxophonist Tony Malaby as a guest, 9 years later Toronto drummer Nick Fraser's quartet with Malaby as a permanent member, Rob Clutton on double bass and Andrew Downing on cello show their long collaboration's strength in a set of improvisations plus compositions for Decidedly Jazz Danceworks and the DJD production, Juliet & Romeo. ... Click to View


Ivo Perelman (Duos w/ Burrell / Crispell / Ortiz / Parks / Courvoisie / Fernandez / Taborn / Sanchez / Iyer):
Brass And Ivory Tales [9-CD BOX SET] (Listen! Foundation (Fundacja Sluchaj!))

Referring to the brass saxophone and the piano's ivory keys, Brazilian saxophonist based in New York City Ivo Perelman celebrates his 60th birthday with this 9-CD set of diverse approaches to sax & piano duos, performed with some of world's finest improvising pianists: Dave Burrell, Marilyn Crispell, Aaron Parks, Augusti Fernandez, Craig Taborn, Angelica Sanchez and Vijay Iyer. ... Click to View


Alex Ward:
Gated (Discus)

A stunning solo album showing the widely diverse interests of UK clarinetist and guitarist Alex Ward, recording in the studio in 10 multi-track pieces using clarinets, saxophones, guitars, keyboards, electric bass and assorted software instruments in a mix of pre-composed and improvised approaches, burning the spectrum from contemplative to aggressively assertive performance. ... Click to View


Blue Lines Trio (Scheen / van der Weide / Hadow):
Blue Lines Trio (Casco Records)

With all the tongue-in-cheek aspects of Dutch improvisers, the piano trio of Michiel Scheen on piano, Raoul van der Weide on bass, crackle box & sound objects and George Hadow on drums, all hailing from a superb pedigree of European Free Improv involvement, show their connection through comprehensible playing with a wonderful sense of humor in their approach to delightfully smart playing. ... Click to View


Axel Dorner:
Untitled [3''CD] (Euphorium)

A companion of sorts to the Euphorium release from Leimgruber/Turner/Dorner/da Boff/Flesh, London/Leipzig/Luzern, trumpeter Axel Dörner breaks off solo for an extended improvisation recorded at the same studio on the same day in Leipzig, employing his unique approach to the instrument in an 18-minute exploration of tone, timbre, and unexpected brass utterance. ... Click to View


Alex Reviriego:
Raben [CASSETTE W/ DOWNLOAD] (Tripticks Tapes)

Spanish double bassist Alex Reviriego (Memoria Uno) in a solo album recorded by Ferran Fages in 2019, the second chapter of his "German Poets Trilogy" following his 2018 Blaue Tauben album, here inspired by the writings of Romanian-born poet Paul Celan in an intense and moving album of dense foreboding depicted through nine improvisations of heavy bowing, ruminative harmonics and dark friction. ... Click to View


Axioms:
Hypothesis (Evil Clown)

The second album of free improv with poetry from the Boston-based Evil Clown collective band Axioms of David Peck, Jane SpokenWord and Albey onBass, this album extending the trio with Glynis Lomon on cello and Steve Niemitz on drums & percussion, heard in an extended improvisation bridging the distance between poetic discussion of truths and abstract musical structures. ... Click to View


Anne-F Jacques / Takamitsu Ohta:
Oto to Secchi [CASSETTE w/ DOWNLOAD] (Tsss Tapes)

Using small objects and contact microphones to create peacefully clacking, mewling and idiosyncratic utterances, sound artists Takamitsu Ohta and Anne-Francoise Jacques developed this installation shown in 2019 at the Bonjour! Gendaibunmei gallery in Kyoto, recorded by Jacques as a tour of the various sonic manifestations that a visitor to the gallery might experience. ... Click to View


Keith Tippett / Matthew Bourne:
Aeolian [2 CDs] (Discus)

Two generations of remarkable pianists--Keith Tippets and Matthew Bourne--performed a series of two-piano concerts between 2017 and 2019, also recording in the studio, as heard in this 2-CD release, the first a set of consequential piano duos recorded at Leeds Conservatoire in 2019, the 2nd disc a live performance at Daylight Music at Union Chapel, London, Tippetts' final public performance. ... Click to View


Takatsuki Trio Quartet w/ Tobias Delius / Alex Dorner:
Berliner Quartette (Orbit577)

The Berlin-based collective Takatsuki Trio of Rieko Okuda on piano, Antti Virtaranta on double bass and Joshua Weitzel on guitar & Shamisen are expanded to a Quartett in two extended live sets at Berlins' Kuhlspot Social Club in 2020, first in an expansive set with trumpeter Axel Dorner, and then an intensely active set with tenor saxophonist & clarinetist Tobias Delius. ... Click to View


The Remote Viewers :
The Remote Code [3 CDs] (Remote Viewers)

Three CDs of three concerts at London's Iklecktik Club, presenting primarily compositions by David Petts plus collective improvisations, from Adrian Northover, David Petts, Caroline Kraabel and Sue Lynch on saxophones, John Edwards on bass and Rosa Theodora on piano, with Northover, Edwards & Petts adding percussion and electronics to their cryptically rich music. ... Click to View


New Rumours And Other Noises (Ada Rave / Nicolas Chentaroli / Raoul van der Weide):
The Moonlight Nightcall (Casco Records)

The debut of the Amsterdam-based trio of Argentinian pianist Nicolas Chientaroli and saxophonist & clarinetist Ada Rave with Dutch bassist Raoul van der Weide, all three using preparations, objects and voice to extend their unique approach to instant composition, heard in eight succinct, animated and sometimes eccentric dialogs recorded at BIMHuis. ... Click to View


Xavier Pamplona Septet:
Play The (Casco Records)

Initiating his Netherlands-based ensemble in 2016, contrabassist Raoul van der Weide assembles younger musicians, alongside Michael Moore for one piece, orchestrated up to a septet performing a dizzying and joyfully fun array of original compositions including pieces from ICP composers Bert Koppelaar, Guus Janssen and Tristan Honsinger, and a piece from Fred Katz. ... Click to View


Homei Yanagawa:
Homura (Armageddon Nova)

Two extended pieces of solo free improvisation from Japanese alto saxophonist Homei Yanagawa, aka Yoshinori Yanagawa, who regularly performs solo, releasing this album 30 years after his first solo album in 1991, Ground and Figure, here recording in the studio for confidently active and diverse approaches to solo expression; engaging and absorbing work. ... Click to View


The Pitch (Baltschun / Nutters / Joh / Thieke):
KM28 [CASSETTE w/ DOWNLOAD] (Tripticks Tapes)

The Pitch is the Berlin quartet of Boris Baltschun on JI organ &, sines, Koen Nutters on upright bass, Morten Joh on JI electric vibes & cassette tape delay and Michael Thieke on clarinet, performing at Karl-Marx-Strasse 28 as they break off into solos, duos and trios to create spaciously reflective electroacoustic music of indirect melodic warmth and development; gorgeous. ... Click to View


An PEK Solo Orchestra of PEKs:
Prisms (Evil Clown)

The first "Orchestra of PEKS" album to feature Tim Kaiser's recent electro-acoustic instrument, this multi-track solo recording also introduces multi-wind / multi-instrumentalist David Peck's new West African Kora, in a wild electroacoustic set performed on a dizzying array of reeds, winds, strings, electronics, metallic percussion, wood percussion, sirens and thunder tube. ... Click to View


Rodrigo Amado / This Is Our Language Quartet:
Let The Free Be Men (Trost Records)

Referencing Ornette Coleman in the group name, Portuguese tenor saxophonist engages three US free jazz players--legendary saxophonist and pocket trumpeter Joe McPhee, double bassist Kent Kessler and drummer Chris Corsano--for this 2017 concert at Jazzhouse in Copenhagen, Denmark, capturing four exemplary, at times explosive, and always tightly interactive collective improvisations. ... Click to View


Mofaya! (John Dikeman / Jaimie Branch / Luke Stewart / Aleksandar Skoric):
Like One Long Dream (Trost Records)

A fiery record of collective free improvisation from the Mofaya! Quartet of American saxophonist based in The Netherlands John Dikeman, Chicago trumpeter Jaimie Branch, US East Coast bassist Luke Stewart and Slovenian drummer Aleksandar Skoric, recording live at Roze Tanker in Amsterdam for three exhilarating improvisations that embody US & European Free Jazz forms. ... Click to View



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The Squid's Ear
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The Bottom Shelf is where artists keep the records in their collections that they might not want you to see. Revealing early influences, unusual appetites or just guilty pleasures, we offer a peek at the shelves of some of our favorite musicians.


  Anthony Coleman's Bottom Shelf  

Schlanger Jordan Parker
[Photo by Kurt Gottschalk] 
OK, here goes...My bottom shelf...well, first, a little cultural philosophy: Back in the day, there was some kind of frisson connected with liking/loving/being influenced by music that was outside of whatever was considered culturally acceptable. Jazz inched its way in slowly but surely, starting in the early '30s - and now it's part of a good Liberal Music Education. And I remember those great early days (in the '80s) where David Garlard (on WKCR at that time) would shock by announcing a "work" by Ferrante and Teicher or Esquivel with the same gravitas that another would give to the names "Mozart" or "Beethoven." But those days are over...WFMU, Zorn, Post-Modernism (in its decadent phase - if that's not a redundancy) changed all that. My Bottom Shelf is downright canonical.

How could I have found the perfect soupcon of Romantic Irony to counterpoise the weight of the mournful Sephardic songs in my Sephardic Tinge project if wasn't for the revelation of Irving Fields' Bagels and Bongos (Decca 8856). Magnificently cheesy arrangements for trio - Yiddish hits "Latinized." The version of "Belz" changed my life (in a small way). Why isn't this on cd? Fields glides over the keys with not one iota of Jazz feeling In (George) Lukacs-ian terms, that's what makes his version more "authentic" than my brooding cover version, redolent as it is with all kinds of references. He has a couple of perfectly played klezmer clarinet riffs that function as signifiers throughout the disc. I've stolen them all. He's like Ahmad Jamal - he just knows what will work on piano in a trio context and what won't. The master!

My used copy of Organ Jazz Samba Percussion by Andre Penazzi (Audio Fidelity DFS 7020) comes from the discard of the library of a Montreal radio station - CHOM. On the back is hand written "A bit of a nothing set - But???" A nothing set??? Philistines! They don't have any idea how long I looked for this one. It was a major item on the playlist at Soho Music Gallery, the record store where I worked in the late '70s/early '80s (along with Zorn, Tim Berne, Anton Fier, etc...). A nearly indescribable melange of rhythmic virtuosity, unbelievable facility with the variety of the stops available on that magificent dinosaur of an instrument - the '60s electric console organ. And a resolute, unbending, almost ascetic schlockiness. A footnote: For years this was one of the only Brazilian albums in my collection. I say that with neither pride nor shame - it just was.

Next - a whole series of discs connected to some sort of unhealthy but complex German fixation; I'll start with the most complex: Songs of the Spanish Civil War Vol. 1 (Folkways FH 5436). Let's face it, I was a weird kid. I loved this record - I knew all the songs by heart. In a way, this isn't even a Bottom Shelf record, except in how it relates to the others in this sub-group. Ernst Busch was a stirring, moving great singer. The lines from "Freiheit!" ["Die Heimat ist weit/ Doch wir sind bereit/Wir kaempfen und siegen fuer dich: Freiheit! (Far off is our land/yet ready we stand/We're fighting and winning for you/Freedom!)] still (today!) give me goosebumps. And Eisler's "Song of the United Front" and "The Peat-Bog Soldiers" are both acknowledged masterpieces.

But still . . . at the distance where we are, communism and communist anthems (especially the humorless German variety) have something touchingly kitsch about them. No such exegesis is necessary to locate the perverse moment at the heart of Hitler Is On The Air! (Radiola 2MR-8889) or Hitler's Inferno (Audio Rarities 2445). Ialso had the second one of these as a kid, and all of these discs have inspired endless reflections (which continue to this day) about the nature of the Political in music - especially when you consider the music alone and try to put the text on the side for a second (as virtually no critic in the history of rock has - even for a second). The similarities between music from the Far Left and the Far Right. The differences. The mediation of a foreign language - how that aids reflection. How it impedes it. I could write a book... Somehow, you haven't quite lived until you've heard the Storm Troopers sing "Wenn Die S.S. und die S.A. Aufmarschiert" or the Hitler Youth sing "Die Jugend Marschiert," and "On The Air" was my first exposure to the phenomenon which is Charlie and his Orchestra - the Nazi propaganda swing band. Parodies of American big-band hits - lyrics like "I hate to see the evenin' sun go down/because de German, he done bombed this town" (St. Louis Blues) played by the best jazz musicians the occupied nations had to offer... indispensable! (some of the Ernst Busch tracks are available on the CD Der Barrikaden Tauber Barbarossa (EdBa 01303-2), all Folkways are available from Smithsonian/Folkways on special order, and Charlie tracks have been lovingly reissued on a series on Harlequin (I have HQ CD 03).

OK...I could go on all day. But I'll leave you with a masterpiece of horrendous '80s Yugoslav Pop. To continue the "canonical" theme, my cd Disco by Night would have been impossible without this music. It helped me escape the dangerous tendency to fetishize the "folklorical" as the only significant product of a culture. Within its totally commodified nature, this music told important truths about the Yugoslavia of that moment in time. If they would've listened to their own truths....People often say it sounds like Turkish pop. Well, not to me, although there's no shortage of terrifying Balkan-isms. Anyway, I promisedyou a masterpiece ... The oxymoronically - titled The Best of Lepa Brena Vol.5 (JVP Vertrieb CD 018) contains her magnum opus "Sitnije Cile Sitnije," produced (unlike most of her hits) by the Brian Eno of Yugoslav Pop, Kornelije Kovac. The difference between this and other tracks is in Kovac's clever dialectical manipulation of the Western and Eastern elements: The parade bass drum of the Balkan brass band, the clarinet and accordion, the Eastern scales...and then the handclaps, the synthesizer hooks. The touch of a poet. New Year's Eve, Belgrade, 1981 turns into 1982. The Top 10 Video Hit Parade. Number 1: "Billie Jean," Number 2: "Sitnije Cile Sitnije." Do I really have to say more?




Previous Bottom Shelf Articles:
Our Own Bottom Shelves
Gary Lucas
Ron Anderson


The Squid's Ear presents
reviews about releases
sold at Squidco.com
written by
independent writers.

Squidco

Recent Selections @ Squidco:


Artifacts (
Tomeka Reid /
Nicole Mitchell /
Mike Reed):
...and then there's this
(Astral Spirits)



Lussier /
D'Orion /
Kuster /
Tetreault :
Printemps 2021
(Victo)



Henry Threadgill Zooid:
Poof
(Pi Recordings)



Alex Ward:
Gated
(Discus)



Blue Lines Trio (
Scheen /
van der Weide /
Hadow):
Blue Lines Trio
(Casco Records)



Don Cherry:
Complete Communion &
Symphony For Improvisers,
Revisited
(ezz-thetics by
Hat Hut Records Ltd)



Ivo Perelman (
Duos w/
Burrell /
Crispell /
Ortiz /
Parks /
Courvoisie /
Fernandez /
Taborn /
Sanchez /
Iyer):
Brass And Ivory Tales
[9-CD BOX SET]
(Listen! Foundation (
Fundacja Sluchaj!))



Keith Tippett /
Matthew Bourne:
Aeolian
[2 CDs]
(Discus)



The Remote Viewers :
The Remote Code
[3 CDs]
(Remote Viewers)



Rodrigo Amado /
This Is
Our Language
Quartet:
Let The Free Be Men
(Trost Records)



ISM:
Japanese Flower
[VINYL]
(Umlaut Records)



As If 3 (
Bommel /
Weide /
Janssen):
Klinkklaar
(Casco Records)



James Lewis Brandon /
Red Lily Quintet (
w /
William Parker/ Chad Taylor /
Kirk Knuffke /
Chris Hoffman):
Jesup Wagon
[VINYL w/
DOWNLOAD]
(Tao Forms)



Anne-Francoise Jacques /
Tim Olive:
Bistre
[CASSETTE w/
DOWNLOAD]
(Tsss Tapes)



Modelbau (
Frans de Waard):
Qonrad
[CASSETTE]
(Aubjects)



Sean Conly:
The Buzz
(577 Records)



Sean Conly:
The Buzz
[VINYL]
(577 Records)



Expanse Meets
The JMDE Quartet:
Scope
(Evil Clown)



Palu Berner /
Michael Moore:
Amulet
[2 CDs]
(Ramboy)



John Zorn:
Meditations On
The Tarot
(Tzadik)







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