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Butcher / Prevost:
High Laver Levitations Vol 1: Unearthed (Matchless)

Long-time collaborators and iconoclastic improvisers, drummer Eddie Prévost and saxophonist John Butcher, met at All Hallows Church, in High Laver, Essex in 2023, using the natural ambience of the space to capture these three improvisations, Prévost playing primarily on a drum kit and both in a more jazz-oriented sax and drum duo, extended by both players' exceptional technique. ... Click to View


Charbin / Prevost:
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Ernesto Rodrigues / Nuno Torres / Guilherme Rodrigues / Eric Bauer / Stephen Flinn:
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No Nation Trio (Nuno / Faustino / Valinho):
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Myra Melford's Fire And Water Quintet:
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Zoh Amba / Chris Corsano / Bill Orcutt:
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Art Ensemble of Chicago:
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Maria Valencia:
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Part of Relative Pitch's extraordinary solo series, fascinatingly creative improviser from Bogota, Colombia, multi-reedist Maria Valencia, was inspired by old naturalist manuals, imagining these 16 succinct improvisations where each piece reveals moments of nature in locations between the town of Sutatausa (Colombia) and the mountains of Banff (Canada). ... Click to View


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A remarkable journey in free improvisation and free form electroacoustic improv from the trio of Jean-Marc Foussat on synth & effected voice, Urs Leimgruber on soprano & tenor saxophones and Carlos Zingaro on violin, three masterful improvisers who employ unusual sonic palettes and remarkable technique in a carefully controlled conversation drawing on diverse styles. ... Click to View


Merche Blasco / Lucie Vitkova:
Anette [2 CDs] (XI Records)

An unusual pairing of effected accordion and a 3D printer from Czech accordionist living in NY, Lucie Vitkova, also performing on harmonica, Korg Volca Bass and Moog, and NY multimedia artist Merch Blasco, the album titled for the name of Blasco's 3D printer "Anette", which also printed the thimble-microphones she wears on her fingers to capture parts of this performance. ... Click to View


Seamus Cater:
A History of Musical Pitch (Another Timbre)

Investigating the experimental legacy of Victorian polymath Alexander J. Ellis, author of the 1880 paper, The History of Musical Pitch, composer Seamus Cater uses 74 tuning forks tuned to represent Elliss research of just ratios of 480Hz, in three compositions focusing on the most consonant tones of the system, and balancing them through minimalist chamber work from a 7-piece ensemble. ... Click to View


Rob Brown Quartet (Brown / Swell / Lightcap / Taylor):
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Having met in William Parker's Little Huey Orchestra, long-time collaborators Rob Brown (saxophone & flute) and Steve Swell (trombone), along with Brown's longest improvising partner, double bassist Chris Lightcap, join with drummer Chad Taylor for an exemplary album of modern creative jazz through five Brown compositions and 4 collective improvisations. ... Click to View


Jason Adasiewicz :
Roy's World [VINYL] (Corbett vs. Dempsey)

Titled for the film by Rob Christopher — Roy's World: Barry Gifford's Chicago, — whose soundtrack includes segments of this album, vibraphonist and composer Jason Adasiewicz's lyrically upbeat album is performed in a quintet with Chicago mainstays, Jonathan Doyle on saxophones, Josh Berman on cornet, Joshua Abrams on bass and Hamid Drake on drums. ... Click to View


Longhand (Tony Wilson / Peder Long) with special guests Jesse and Josh Zubot:
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Vancouver mainstay, guitarist and composer Tony Wilson leads Longhnad, performing the energetically twising and turning, genre-spanning music of composer and saxophonist Peder Long, a mentor to Wilson while studying at Malaspina College, in a band with Vancouver collaborators Russell Sholberg (bass), Skey Brooks (drums), Jesse Zubot (violin) and Joshua Zubot (violin). ... Click to View


Sick Boss (JP Carter/ Zubot / Lee / Schmidt / Meger / Gaucher):
Businessless (Drip Audio)

A wild improvising band from Vancouver in their 3rd release of episodic compositions based around instrumental rock forms, six "sick" and wide-ranging pieces that blend rock, jazz, chamber music and inventive forms in magnificent way, from JP Carter on trumpet, Joshua Zubot on violin, Peggy Lee on cello, Cole Schmidt on guitar, James Meger on bass, synths and Dan Gaucher on drums. ... Click to View


Josh Zubot Strings:
Strings (Drip Audio)

The debut of Vancouver & Montreal violinist Joshua Zubot's string ensemble with fellow violinists Jesse Zubot & Meredith Bates, cellist Peggy Lee and acoustic bassist James Meger, performing ten Zubot compositions informed by his involvement in diverse musical styles, each allowing room for improvisation as he takes the string ensemble into unique and unorthodox territory. ... Click to View


Marion Brown:
Gesprachsfetzen & In Sommerhausen (Moosicus)

Working with German jazz and "third stream" musician, vibraphonist & composer Gunter Hampel, New York alto saxophonist Marion Brown is heard in two live recordings from 1968 & 1969 in Munchen, Germany and Wurzburg, in quintet and sextet configurations with superb supporting musicians including Steve McCall (drums), Ambrose Jackson (trumpet), Daniel Laloux (bass) and Jeanne Lee (voice). ... Click to View


Mark Wastell:
Pre-Existing Commitments (Hundred Years Gallery)

During cellist and Confront label-leader Mark Wastell's 2022 residency at the East London Hundred Years Gallery he recorded four solo recordings, using his acutely creative approach to the strings in unique ways for each recording, which he then layered in the studio without edits to create this wildly and often psychedelically stochastic orchestral work. ... Click to View


Madison Greenstone :
Resonance Studies in Ecstatic Consciousness (Relative Pitch)

Exploring the resonant properties inside a Bb clarinet caused by overtones, overblowing and other unusual reed techniques, Switch~ Ensemble clarinetist Madison Greenstone generates ten studies of extreme yet tremendously controlled anomalies on the single reed, each piece a masterwork of control in the extremities of unexpected sonic expression. ... Click to View


Turbulence Orchestra:
Trapped In A Whorl (Evil Clown)

Turbulence is the extended horn section for the Boston collective Leap of Faith Orchestra, along with guests on other instruments, here in a large ensemble performance with Bonnie Kane (sax), Dennis Livingston (flute & winds), John Fugarino, Bob Moores & Eric Dahlman (trumpets), Duane Reed (double bell euphonium), with the rhythm section of John Loggia (drums) and Scott Samenfeld (bass). ... Click to View



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  Orchestra Of The Upper Atmosphere 
  Theta Six  
  (Discus) 


  
   review by Nick Ostrum
  2023-10-18
Orchestra Of The Upper Atmosphere: Theta Six (Discus)

The Orchestra of the Upper Atmosphere is the brainchild of multi-instrumentalist, composer and Discus label owner Martin Archer. Theta Six is their sixth and most recent release. For the uninitiated (as I was until very recently), the Orchestra leans toward the kosmische Musik side of prog, maybe along the lines of Tangerine Dream ambience but with a bigger band, more acoustic instrumentation, more rock, and a strange astro-orientalist bent. The result is an otherworldly blend of the liquid, the sparkling and the tenebrous.

And, it flows. Theta Six has some jarring and scattered stretches, which inevitably melt into more lyrical and celestial territory. "African Lady Pilot" is a standout in this stylistic corner. It has a heavy touch of acid jazz and a lot of Middle Eastern-space/futurism. Some pieces, such as the closer "Message Parlour-For Alan", lean more heavily into the effects, a fluttering, crossed inter-dimensional radio transmission. "Spinshift" and "Marabaraba", the 9th and 10th tracks, are united by an infectious low-end groove, a floating melody and haunting, monochrome vocals that draw elements from new wave pop and drum and bass/low-fi glitchy lounge back-beats. Much of Theta Six and especially this section would fit seamlessly into the soundtrack of some uber-hipster coffee shop. But a closer listen would dispel any assumption that this is meant for the background. So much is going on in the undercurrents. Sounds and tunes peak in and out. The playing is refined and restrained, yet surprisingly full, even in its sparse moments.

I was not sure what to make of this album at first listen. The music is complex and variegated, but the execution and production are so slick. If one's attention wanders, it might miss how eerie and rich sections of this Theta Six are, or how well-crafted this album really is. Even so, a superficial listen will hear a fine album. If the listener concentrates, however, they will hear the vision, the nuances and the myriad stylistic inputs so effectively harnessed in this proggy piece of concept art. Just listen to those early reeds that lend melody and strange time-bending, cosmic mood to the first track, "Forced Orbit". The force and vision are certainly strong with this one.



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