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Mostly Other People Do the Killing: Paint (Hot Cup)

The first release by the piano trio configuration of Mostly Other People Do the Killing and features bassist/composer Moppa Elliott, pianist Ron Stabinsky, and drummer Kevin Shea, with each composition named after a small town in Pennsylvania that contains a color, and the town of "Paint, PA" lent its name to the title, with one apt Duke Ellington cover. ... Click to View


Moppa Elliott : Still, Up In The Air (Hot Cup)

Solo double-bass improvisations from Mostly Other People Do the Killing bassist and leader Moppa Elliot, consisting of sequences of contrasting themes, or musical cubism in the spirit of Picasso and Braque, presenting 7 of 14 sequences where the improvisation is a series of disparate musical ideas that transition rapidly in an attempt to disrupt the linear progression of thematic development. ... Click to View


Leandre / Minton: Leandre / Minton (Fou Records)

Phil Minton started as a trumpeter and became one of free improv's most outside vocalists; Joelle Leandre is a double bassist who also performs free vocal improv; this is their first recorded collaboration, and it's an unusual and wonderful album of heavy tone improvisation, plucked and bowed, and a masterfully odd free association of vocalisation. ... Click to View


Talibam! : Endgame Of The Anthropocene [VINYL] (ESP)

Talibam!'s 1st cinematic album of through-composed ecogothic geosonics, the "soundtrack to 2048's despotic nationalism and crumbling international infrastructure, underscoring an eco-mercantilistic tragedy and the desperate plundering of the last pristine landscape on Earth" from NY's duo of Matt Mottel on mini moog and synths, and Kevin Shea on drums, and midi mallet percussion. ... Click to View


Talibam! / Matt Nelson / Ron Stabinsky: Hard Vibe [VINYL] (ESP)

Talibam! with Matt Mottel on sax, Kevin Shea on drums, Matt Mottel on Fender Rhodes and synth and Ron Stabinsky on organ take inspiration from Herbie Hancock's 70's electronics, Miles Davis' "On the Corner" and Albert Ayler's New grass in compositions that transforms aspects of rhythm changes into a disciplined sequence, a new take on psychedelic jazz. ... Click to View


Crys Cole / Oren Ambarchi: Hotel Record [VINYL 2 LPs] (Black Truffle)

A double LP and the second release from the duo of Crys Cole and Oren Ambarchi, also romantic partners, as they explore their relationship through sound and voice, each side presenting a unique approach to their collaboration while maintaining a certain somnambulist feeling over rich guitar and organ work, and other unfathomable sound. ... Click to View


Boneshaker (Mars Williams / Paal Nilssen-Love / Kent Kessler): Thinking Out Loud (Trost Records)

The third album from this international trio of powerful improvisers--Norwegian drummer/percussionist Paal Nilssen-Love, Chicago bassist Kent Kessler, and Chicago/NY saxophonist Mars William-- in four odysseys that take the listener from introspective playing to out and out blowing, using technique to serve their incredible dialog. ... Click to View


Sven-Ake Johansson / Alexander Von Schlippenbach : Schraubenlieder [VINYL] (Trost Records)

Drummer Sven-Ake Johansson is also a poet, writer and visual artist; here he joined forced with Alexander von Schlippenbach in 1988 to record these songs, never previously released, sung in German and English, for a set of 9 fascinating narrations that engage the listener independent of language, as von Schlippenbach improvises with prodigious technique. ... Click to View


Annette Peacock & Paul Bley: Dual Unity (Bamboo)

Reissuing the debut album by vocalist Annette Peacock and pianist Paul Bley recorded during their first European tour in 1970, in a quartet with compatriots Mario Pavone on bass and Laurence Cook on drums, Bley using an early Moog synthesizer; unique and original avant jazz. ... Click to View


Paul Bley Trio: Closer [VINYL] (ESP)

A vinyl reissue of Paul Bley's 2nd ESP album from 1966, a lyrical and lush trio setting with material mostly from Carla Bley, one Ornette Coleman number, and one from Annette Peacock, with Steve Swallow on bass and Barry Altschul on percussion, exploratory free jazz that uses melodic intention in assertive but not aggressive aways; a classic. ... Click to View


Pharoah Sanders : Quintet [VINYL] (ESP)

A vinyl reissue of Pharoah Sanders' 1965 debut release on ESP, in a quinet with Jane Getz on piano, William Bennett on bass, Stan Foster on trumpet and Mavin Pattillo on percussion, decidedly a jazz album from this outside player known for his association with John Coltrane in his freeist moments, here bridging lyrical and avant worlds with powerful playing. ... Click to View


Wadada Smith Leo: Najwa (Tum)

Paying tribute to musicians whose vision paved the way for modern creative players to use new approaches, language and philosophy in improvisation, trumpeter Wadada Leo Smith's band with four guitarists, electric bass, drums and percussion dedicates five incredible compositions to Ornette Coleman, John Coltrane, Ronald Shannon Jackson, and Billie Holiday. ... Click to View


Wadada Smith Leo: Solo - Reflections And Meditations On Monk (Tum)

An intimate album of solo trumpet from Wadada Leo Smith, performing compositions by Thelonious Monk, Smith professing in an essay in the accompanying booklet that he was motivated to become a composer by Monk above other contemporaries for his ideas of composition and bands; his admiration and love of Monk's work is clear in this beautifully lyrical album. ... Click to View


Aki Takase / Alexander von Schlippenbach: So Long, Eric! Homage to Eric Dolphy (Intakt)

Alexander von Schlippenbach and Aki Takase assembled an ensemble of Dolphy interpreters that includes bass clarinetist Rudi Mahall, saxophonist Tobias Delius, vibraphonist Karl Berger, trumpeter Axel Dorner, trombonist Nils Wogram, &c, for a fresh take on compositions from one of free jazz's most iconic composers, Eric Dolphy, captured live in Berlin, 2014. ... Click to View


Steve Noble / Yoni Silver: Home (Aural Terrains)

The two-headed snake on the cover of this album aptly describes the sublimely sinuous and dark interplay between London free jazz drummer Steve Noble and bass clarinetist Yoni Silver, their 4-part improvisation taking on sinister elements of exceptional cymbal techniques, unusual drum tones, and extended lower register tones and high harmonics; excellent. ... Click to View


Various Artists: Asian Meeting Recordings #1 (Doubtmusic)

Otomo Yoshihide started The Asian Meeting Festival in 2005 to foster creative interaction between Japanese and other Asian musicians, since 2014 curated by DJ Sniff, and here in the 2017 edition at GOK Sound, in Tokyo, Japan with a who's-who of players including Yoshihide, Ryoko Ono, Ko Ishikawa, Son X, KEITO, Yuji Ishihara, Yuen Chee Wai, &c. &c. ... Click to View


Jim Black Trio: The Constant (Intakt)

A beautiful example of the modern piano trio, led by in-demand drummer, Jim Black, with Elias Stemeseder the pianist and Thomas Morgan on bass, in a lyrical album that uses Black's compelling and elusive drumming on 9 original Black compositions and one unexpected standard, as all three deliver complex playing that sounds accessible and engaging, a true achievement. ... Click to View


Fred Frith / Barry Guy: Backscatter Bright Blue (Intakt)

Both bassist Barry Guy and guitarist Fred Frith are key artists of Switzerland's Intakt label catalog, but surprisingly the two have never shared a stage together; Intakt had a feeling about their pairing and brought them into the studio, this superb duo album being the result in 10 brilliant tracks intertwining acoustic double bass and electric guitar. ... Click to View


Fred Frith Trio: Another Day in Fucking Paradise (Intakt)

Proclaiming that he nothing more in mind then getting together with a couple of formidable musicians, guitarist Fred Frith and Mills College alumni Jordan Glenn on drums and Jason Hoopes on electric and double bass take their listeners through 13 connected pieces that reference rock, jazz and ea-soundscape in an impressive album from a remarkable new group. ... Click to View


Lotte Anker / Fred Frith: Edge Of The Light (Intakt)

An intimate dialog between frequent collaborators, UK guitarist Fred Frith and Copenhagen saxophonist Lotte Anker, both players listening carefully as they interact in a fragile dialog of profound technique and inventive approach, using texture and nuance to create unusual and captivating interchanges that demonstrate how compatible these two very different instruments can be. ... Click to View


Schlippenbach Trio (Schlippenbach / Evan Parker / Lovens): Features (Intakt)

The long-standing Schlippenbach Trio with Evan Parker on saxophone and Paul Lovens on drums presents 15 concise "Features", improvisations of great depth and diversity, from the beautifully stark solo piano that opens the album to intense collective interactions, avoiding excess in deference to the profound expression of an inspiring group chemistry. ... Click to View


Mark Dresser : Modicana [VINYL] (NoBusiness)

Double Bassist Mark Dresser, a mainstay of the Downtown NY scene as an improviser and composer, and also prominent on the US West Coast and as an international touring artist, releases a powerful album of distinctive solo playing, both technically and melodically, with 2 tracks caught live at the Umea Jazz Festival and others recorded at the University of California, San Diego. ... Click to View


Bobby Bradford / Hafez Modirzadeh / Ken Filiano / Royal Hartigan: Live at the Magic Triangle [VINYL] (NoBusiness)

A live concert at Amherst, Massachusetts in 2016 as part of the Magical Triangle Jazz Series from the quartet of legendary cornetist Bobby Bradford, Turkish saxophonist Hafez Modirzadeh on tenor, in-demand New York bassist Ken Filiano, and percussionist/drummer Royal Hartigan, the band performing two Bradford compositions, with one each from Filiano, Modirzadeh and Hartigan. ... Click to View


Andrew Lamb / Warren Smith / Arkadijus Gotesmanas: The Sea of Modicum [VINYL] (NoBusiness)

Captured live at the 2016 Vilnius Jazz Festival, the free jazz trio of saxophonist Andrew Lamb and percussionists Warren Smith and Arkadijus Gotesmanas provide a unique orchestration, with the percussionists building rhythmic structures over which AACM alumni Lamb's powerful saxophone work emerges; a great album of solid exploratory free jazz. ... Click to View


Yedo Gibson / Hernani Faustino / Vasco Trilla: CHAIN (NoBusiness)

A fiery and energetic album of masterful free jazz from Brazilian saxophonist Yedo Gibson, Portuguese-Brazilian drummer and percussionist Vasco Trilla, and Portuguese bass player Hernani Faustino (Red Trio, K4 Quadrado Azul), recording in the studio for 6 dynamic dialogs that uses a variety of approaches and references to free jazz and creative improv. ... Click to View


TON-KLAMI (Midori Takada / Kang Tae Hwan / Masahiko Satoh): Prophesy of Nue (NoBusiness)

Ton-Klami was an influential Japanese free improvising band active in the 90s, and leading to the solo careers of percussionist Midori Takada, pianist Masahiko Satoh, and saxophonist Kang Tae Hwan; here the band is heard in a 1995 live concert recorded at Design Plaza Hofu in Yamaguchi, Japan, recorded by Chap-Chap Records but never released. ... Click to View


Liudas Mockunas : Hydro [VINYL] (NoBusiness)

Lithuanian reedist Liudas Mockunas in an unusual record of clarinet and saxophone improvisations, from solo work of powerful technique to pieces using water prepared instruments to create a wealth of bubbling and aberrant sound on the instrument, side A presenting the 7 part "Hydration Suite", Side B the 3 part "Rehydration", and "Dehydration". ... Click to View


James Ulmer Blood W/ The Thing: Baby Talk (The Thing Records)

The Thing with Mats Gustafsson on tenor and baritone sax, Ingebrigt Haker-Flaten on electric and double bass, and Paal Nilssen-Love on drums and percussion, are joined by Downtown NY legend, guitarist James Blood Ulmer, for a live set at the Moldel International Jazz Festival in 2015 performing an exuberant and all-out impressive set of Ulmer composions. ... Click to View


James Ulmer Blood W/ The Thing: Baby Talk [VINYL] (The Thing Records)

The Thing with Mats Gustafsson on tenor and baritone sax, Ingebrigt Haker-Flaten on electric and double bass, and Paal Nilssen-Love on drums and percussion, are joined by Downtown NY legend, guitarist James Blood Ulmer, for a live set at the Moldel International Jazz Festival in 2015 performing an exuberant and all-out impressive set of Ulmer composions. ... Click to View


Sun Ra & His Myth Science Solar Arkestra: The Lost Arkestra Series Vol 1 & 2 [2 10-INCH VINYL RECORDS] (Art Yard)

A double 10" featuring unreleased and rare Sun Ra recordings, including a live track from Paris in 1983, two unreleased cuts from the "Disco 3000" concert tapes, a quartet session with Sun Ra on the Crumar Mainman synth, and three selections from the Sub-Underground series of Saturn LPs, including a ballad and new material from "Live at Temple" and "What's New". ... Click to View


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The Squid's Ear
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Travelogue


  Okkyung Lee Tour Diary  


[Photo: Peter Gannushkin]
before you go on reading this long travelogue, i have to warn you that you are not going to find out so much about music or other stuff as you might expect... this is about one person's journey who happens to be a working musician and encountered lots of unexpected dramas... also you see, this trip was going to be really special one for me since a part of the trip was going to be my very first gig in europe... but it turned out to be even more than that and a really unforgettable one...

for your better understanding of the whole situation, let me explain a couple of things beforehand... sometime in may this year, it was finalized that i would go to venice, italy in september with lawrence d. "butch" morris as a member of his sheng/skyscraper group to perform at venice biennale... so i had to have my visa revalidated outside the country so i could come back to the states after the performance... yes, i do not have a green card or citizenship... i have something called o-1 visa status, known also as an artist visa... which i didn't get to take care of until mid august, see... meanwhile pianist/composer/friend vijay iyer invited me to go to portland, OR to perform his "in what language" project written with poet mike ladd at time based arts festival in september, right before butch's gig... so being how i am with lots of things, i really thought i could take care of all of this within 11 days... so, i was to leave new york to portland on the 13th of september, then come back to new york on the 17th... then the same day, go to toronto to take care of my visa and come back on the 18th... then finally off to venice on the 19th, do the gig on the 20th and come back on the 21st...

i knew it was a pretty insane schedule but it had to be that way because i put off taking care of things until the very last minute...

so here is how it all really went...

september 12, friday - day minus 1, new york

7:30 am - alright, alright... i'm up... have to be in upper east side by 9... alright...

8:15 am - well, i think i am going to reward myself with a doughnut plant doughnut for getting up so early... some sugar will help me get going...

8:20 am - jesus, how many doughnuts is this guy buying? 24? fine... let's not lose it yet... but then what about this japanese mother & daughter team...? they sure are taking their time... let me take a deep breath... i think I'm going to have both cashew and fresh white peach... yeah, what the hell...

8:32 am - i think i'll be pretty much on time... these doughnuts are good... cannot finish them now though...

9:03 am - where is this italian consulate...? is this the door? looks like it's for, uh-hum, short people...

9:10 am - oops, i forgot to take my box cutter out of my bag this morning... security guard is giving me a funny look... i smile back...

10:32 am - i'm sick of waiting... i have a rehearsal in midtown from 11...

10:43 am - alright... let's not panic... why didn't i think about bringing that goddam INS letter? the one that's been making my life hell... well, nobody told me in advance... why would the italian consulate need to see my INS documentation anyway... this italian lady behind this glass thingy looks tough... she's not going to give me a break, is she... the place closes at 11:30! she tells me to come back by noon... i have about an hour to drop off my cello at the rehearsal place, go home, and come back! great! right... i shove in what was left of the doughnuts...

11:03 am - at carroll studio, told vijay it's an emergency situation... thank god, he is understanding...

11:55 am - i'm at grand central... is it really 11:55 already? ok... next stop, get off and transfer to 6... ah, god...

11:58 am - where the hell is the 6? should i run? should i wait? should i run? ah...

12:06 pm - out of the 68th street station... i'm running, running... fuck...i hope they will let me in... out of breath... today is the only day i can get this done... otherwise... ah, bye bye venice... it has to work! press the buzzer and this voice says it's closed! i yell out "patricia told me to come back!"

12:27 pm - alright... now i have to get somebody to pick up my passport on tuesday because i need it by wednesday when i come back from portland... and of course the consulate has to be closed on wednesdays... ah, erica!

3:30 pm - back home... ah... at least i could do half an hour of the rehearsal for vijay... thank god, he's not pissed... ok... time to go and pick up a flight case from david gage string shop in chinatown...

4:02 pm - noah? what's he doing here...? a friend from NEC... [FOOTNOTE 1: The New England Conservatory of Music in Boston] the first time in 3 years... he says he's doing an internship here... after all he is a bass player...

4:13 pm - i was just told that i need a soft case to use their flight case... i don't have a soft case... i haven't had one for last 15 years... what the hell... they don't have any left at the shop... midtown...? ah... sick of running around the day before i'm leaving...

4:28 pm - what an asshole! this cabbie wouldn't let me put the case in the back of the cab! fine... i gave him a finger... i'll take the subway... this thing weighs about... 40 lbs... and it's big... almost as tall as i am... down the stairs... arg...

4:40 pm - i'm out of breath... this thing is so awkward... how am i going to get home...? i live in a 5th floor walk up...

4:42 pm - maybe jason (viseltear) from the violin shop (viseltear & young) around the corner has a soft case i can borrow! he's an angel... always saves my ass...

4:44 pm - alright... jason is not in but this guy on the phone will trade me a soft case for a cup of tea...! ha!

5:17 pm - ah... i'm dead... cannot believe i schlepped this shit up 5 floors... now i gotta go to mode (records, my part time job) for a second... cannot believe this guy who lend me this soft case didn't even ask my name...

5:58 pm - at mode... have to buy plane tickets to go to toronto next wednesday... the last time i checked, orbitz.com has the best price... should i spend extra $60. to go direct? nah... i choose the one that flies to washington dc first... sounds dumb but hey, i save $60...

7:15 pm - back home... hungry... what should i eat?

9:46 pm - at tonic, talked to erik (friedlander) a little bit... i asked him for advice for flying with my cello for the first time... his advise was get to the airport early and be nice! it's a bit tough for me to be "nice"... but i will do it if i really have to... hope they are not such jerks at the airport...

10:28 pm - zorn's bar kokhba is happening... even though i am quite distracted... see zeena (parkins) in spunky outfit... she looks better and better each time... want to be cool like zeena...

11:32 pm - walking toward to tim (barnes) & erica (bricking)'s house... i have to give erica this letter of permission so she can pick up my passport for me this tuesday...

11:35 pm - forgot to send this deposit slip to motria (sabat) in toronto... i think i must use the one i received from the consulate... i'll fed ex it to her tomorrow morning... yikes...

12:45 am - it's always good to see them... i'm lucky to have them as friends... where is this F train?

1:15 am - i ended up not seeing any of elliott (sharp)'s show... oh, well...

2:10 am - looking for some travel size stuff... a 24-hour rite aid on grand... they don't have the shampoo i want... this one looks alright...

3:30 am - i think i'm pretty much packed... i'm bringing only 2 small bags since i have to carry that giant shit... maybe i can sleep for a few hours... set the alarm for 7:30 again...

september 13th, saturday, day 1, new york to portland, OR

i woke up at 7:40 and went to kinko's on houston... thankfully it was open at 8 and did have a fed ex drop off box... i filled out a fed ex envelop and when just about to drop it off, i saw this sign saying that there's a fed ex location open on saturdays at newark airport... so i thought, great! i can do it at the airport and even make it sure it'll get there by wednesday...

taking a car service from delancey was a good idea... the driver was a lot cooler than that stupid cabbie from the day before... i got there plenty of time ahead as erik suggested... and this lady at check in didn't even charge me anything! wow, i got lucky... it was kinda weird seeing someone else carrying my cello off to somewhere though... i got scared for a second... see, since i was a kid, i have carried my cello...

then i had about an hour to kill so tried to find this fed ex location... nobody seemed to know... i called the fed ex main office and they told me it was in building 155... so...

i asked for the building 155 to this woman in a uniform who told me to go outside and take P5 bus... outside, huh...? then on P5 bus, the driver told me that it's on the other side of his route... ah... he let me get off and told me that about 15-minute walk should get me to the building 155... it was looking pretty gray out... like it was going to rain any minute... but i really had to get this sent... i felt like such an idiot for not dropping it off earlier but what else could i do... so i started to walk... wearing these mesh slippers and carrying two bags... not too heavy but still... after 5 minutes, i realized it was not going to be a 15-minute walk... i do walk slowly and the map i found didn't look that promising... but once i started to walk, it was hard to turn back... i am known to be stubborn... i tried to catch a bus or something but nobody seemed to want to stop for me... then it started to rain a bit... then it started to rain some more... then it really started pouring down and i was getting... soaked... i felt like a real idiot... my feet were all wet... bottom of my pants were getting wet... my fed ex envelop was wet... my bags were wet... i was miserable... finally after almost 30 minutes of walking in rain, i made it to fed ex... dropped it off... the lady at the counter said it would get to toronto by monday... then this nice fed ex truck driver gave me a ride back to the terminal... it took about 5 minutes by truck... ah... i do really walk slowly...

flights went pretty smooth... changed flight at denver... as soon as i got my cello case back from oversized baggage claim area at portland, i opened it up and she was fine! i was so relieved... it was really beautiful out when we finally got outside of portland airport...

i was with 3 other musicians... trevor (shaun holder), drummer, rudresh (mahanthappa), saxophonist and ambrose (akinmusire), trumpeter... we had enough stuff with us... with my flight case and trevor's drum stuff... we were supposed to be picked up by someone from the festival... so... there was this guy showed up with... a jetta... even my regular cello case doesn't fit in the trunk of a jetta! it's a really very nice car but doesn't do me any good! so... there i was... waiting for a van for another 45 minutes... sick of waiting... thank god, trevor waited with me...

finally got to our hotel called mark spencer... a small charming place... and i got to share a room with latasha... i like latasha... we got to relax a bit then went to see donna uchizono, a choreographer from new york... i saw her work some time last year in new york and liked it a lot... i got to the theater a bit late but caught most of it...



continued...




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