The Squid's Ear
Recently @ Squidco:

Evan Parker / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant: Mopomoso Tour 2013 | Making Rooms [4 CDs] (Weekertoft)

An excellent 4-CD set from a UK tour of the long-running London monthly concert series Mopomoso, featuring improvisations from various grouping of John Russell, Evan Parker, John Edwards, David Leahy, Pat Thomas, Alison Blunt, Benedict Taylor, Kay Grant & Alex Ward. ... Click to View

Alvin Curran: Natural History [VINYL] (Black Truffle)

The first-ever vinyl issue of Alvin Curran's 1983 cassette release, a composition of organized field recordings, a major work he describes as a series of "still lifes" from 20 years of recordings with an engrossingly diverse set of curious and concrete sounds - amazing! ... Click to View

Sam Shalabi / Alan Bishop & Sam Shalabi: Mother Of All Sinners (Puppet On A String) [VINYL] (Unrock)

Montreal guitarist Sam Shalabi and Sun City Girls guitarist Alan Bishop in a release on Unrock's Saraswati Series, string-oriented albums; here Shalabi performs on electric guitar and oud, while Bishop plays alto sax and sings in a "oriental psychedelic free form". ... Click to View

Aaron Dilloway: Songs About Jason [VINYL 10-inch] (Amethyst Sunset)

Originally released in limited edition of forty copies for a solo/duo show with Jason Lescalleet in 2013, this 10" release remasters the original release, a disorienting and melodic album of tape loops and dark ambient drone. ... Click to View

Bushman's Revenge: Jazz, Fritt Etter Hukommelsen (Rune Grammofon)

The Norwegian trio of guitarist Even Helte Hermansen, drummer Gard Nilssen, and bassist Rune Nergaard in their 8th Bushman's Revenge album, bridging free improvisation and 70s style prog-oriented rock, non-histrionic, outstanding instrumental music with great depth. ... Click to View

Bushman's Revenge: Jazz, Fritt Etter Hukommelsen [VINYL + CD] (Rune Grammofon)

The Norwegian trio of guitarist Even Helte Hermansen, drummer Gard Nilssen, and bassist Rune Nergaard in their 8th Bushman's Revenge album, bridging free improvisation and 70s style prog-oriented rock, non-histrionic, outstanding instrumental music with great depth. ... Click to View

Bushman's Revenge: Bushman's Fire [VINYL + CD] (Rune Grammofon)

Live recordings at Cafe Mono in Oslo, Norway of the extended edition of Bushman's Revenge, the trio of guitarist Even Helte Hermansen, drummer Gard Nilssen, and bassist Rune Nergaard with David Wallumrod on Hammond Organ and Kjetil Moster on saxophone. ... Click to View

Peter Brotzmann / Steve Noble / John Edwards: The Worse The Better (Otoroku)

CD edition of the first set performed by the trio of Peter Brotzmann, Steve Noble and John Edwards at Cafe OTO in January 2010 during Brotzmann's first residency at the venue, and the first time this trio had played together. ... Click to View

Hearts & Minds (Stein / Giallorenzo / Rosaly): Hearts & Minds [VINYL] (Astral Spirits)

The Chicago trio of Jason Stein on bass clarinet, Paul Giallorenzon on keys, and Frank Rosaly on drums, performing a joyful album of lyrical jazz, blending compositions and free playing with modern creative skills and unpredictable, enthusiastic soloing; superb! ... Click to View

Talibam! w/ Alan Wilkinson: It is Dangerous to Lean Out [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

The Downtown NY insanely creative duo Talibam! of Kevin Shea on drums and Matt Motel on keys is joined by free improvising legend, saxophonist Alan Wilkinson, for two incendiary improvisations performed live at Sant'anna Arresi Jazz Festival in Sardinia, Italy. ... Click to View

Tim Stine Trio The: Tim Stine Trio [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

Acoustic guitarist Tim Stine and his trio with upright bassist Anton Hatwich and drummer Frank Rosaly, an all-star group of younger Chicago players in an album of buoyant, original improvisations with great give-and-take from a superb working band of contemporaries. ... Click to View

Konstrukt w/ Graham Massey & David McLean: Live at Islington Mills [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

The Turkish Konstrukt trio teamed up with 808 State guitarist Graham Massey and pianist David Andrew McLean (Charles Hayward's Anonymous Bash) for a live album at Islington Mill in Salford England for two sides of blistering avant-funk, cosmic space sounds. ... Click to View

Rankin-Parker/Pearce: Odd Hits [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

An exhilarating and unusual set of duos for drum and cello from Daniel Pierce and Teddy Rankin-Parker, the latter known for Nicole Mitchell's Black Earth Ensemble, ICE, and work with Primus; together they deliver intense and captivating polyrhythms and unexpected string sonics. ... Click to View

Tashi Dorji / Tyler Damon: Live at the Spot +1 [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

The free improvising duo of Himalayan guitarist Tashi Dorji and drummer Tyler Damon, who preform regularly as a duo based in Asheville, NC and Bloomington, IN, here in a live album of thick and energetic interaction bordering on the ecstatic, recorded in two exhilarating concerts. ... Click to View

R. Dockery Lee / Smokey Emery: Cathedrelic [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

An album of dark and cavernous sound in the second release from the sound-sculpting duo of R. Lee Dockery and Smoke Emery (aka Daniel Hipolito), two long tracks that evolve with the patience and intensity of a dark sacramental journey in deeply detailed drone. ... Click to View

Ben Bennett : Trap [CASSETTE with DOWNLOAD CODE] (Astral Spirits)

Twelve tracks of solo percussion using a variety of drum-like devices, an intense album of percussive possibilities that surprise in the variety of approaches, the intensity of sound, and the dynamics of each work, using close microphones to capture sonic details. ... Click to View

Jerman / Barnes: Goethe (Confront)

An extended improvisation of muted sound from the long-running duo of Jeph Jerman and Tim Barnes, performing live at Non-Event in Boston, creating mysterious analog sounds and cycles of drones with underlaying metallic textures creating an environment of suspense. ... Click to View

Angharad Davies / Tisha Mukarji: Ffansion | Fancies (Another Timbre)

The title reflecting violinist Angharad Davies' Welsh Roots, this duo with inside pianist Tisha Mukarji furthers the collaborations of these improvisers, recording in St Catherine's Church in South London, using the acoustics of the space to shape the form of their music. ... Click to View

Illogical Harmonies (Chang / Majkowski): Volume (Another Timbre)

A joint composition for violin and double bass, developed over six months in 2015 by violinist and Wandelweiser composer Johnny Chang with bassist Mike Majkowski, a fragile and beautifully revealing work in 5 parts that moves slowly through subtle harmonic changes. ... Click to View

Linda Smith Catlin : Dirt Road (Another Timbre)

Canadian composer Linda Catlin Smith's extended composition for violin and percussion in 15 parts, performed by percussionist Simon Limbrick and violinist Mira Benjamin, a unique orchestration that reveals a journey of steady pace, tension and beauty. ... Click to View

Bryn Harrison : Receiving the Approaching Memory (Another Timbre)

Bryn Harrison's highly acclaimed, labyrinthine composition for violin & piano from 2014, expertly realised by violinist Aisha Orazbayeva and pianist Mark Knoop, for whom this 5-part work of beautiful repetitions reflecting tapestries of sound was written. ... Click to View

Sergio Merce: Be Nothing (Edition Wandelweiser Records)

A beautifully ambient album of analogue synthesiser, microtonal saxophone and electronics by Argentinian saxophonist Sergio Merce, a single long track that pauses and resumes its rich tones and harmonies at a deliberate and measured pace, allowing each environment to ring. ... Click to View

John Cage : Branches (Edition Wandelweiser Records)

The Ensemble Daswirdas performs John Cage's "Branches" composition, which is based on a previous work, "Child of Tree", but here each performer plays an 8 minute variation of that work, which is performed on amplified pods, cacti, and other plant materials. ... Click to View

Radu Malfatti: Radu Malfatti (Edition Wandelweiser Records)

Austrian trombonist and composer presents two works: a solo piece for trombone comprised of a series of detached sonic events; and a work performed with the Wandelweiser String Quartet, using bowing and blowing techniques to create punctuations of unusual sound. ... Click to View

Wilmington Sound Orchestra: Play Russolo (Bad At Raving Foundation)

Two interpretations of Luigi Russolo's 1914 Futurist noise composition "Risveglio Di Uns Citta" ("The Awakening Of A City"), performed forwards and backwards, from a live performance at Squidco headquarters in Wilmington, NC. ... Click to View

Nate Wooley: Argonautica (Firehouse 12 Records)

Trumpeter Nate Wooley's major 3-part work makes oblique reference to dodecaphony, ambient tape music, and the minimalist rock of Terry Riley, conceived as a tribute to Wooley's mentor Ron Miles, who performs alongside Devin Gray & Rudy Royston (drums), Cory Smythe & Jozef Dumoulin (piano). ... Click to View

Peter Evans: Lifeblood [USB Drive] (More Is More)

Trumpeter Peter Evans' first solo release in over 5 years, presenting two demanding and impressive live performances from 2015/16, during Evan's residency at Roulette, and at Bop Stop in Cleveland, presented on a USB credit card drive in mp3 and wav formats, with liner notes. ... Click to View

Satoko Fujii / Joe Fonda: Duet (Long Song Records)

First meeting of Japanese pianist Satoko Fujii and New York bassist Joe Fonda, initiated at the suggestion of Fonda, recorded in Portland, Maine at the Dimensions in Jazz Series, a beautifully recorded and intimate duo of superb dialog between two seasoned improvisers. ... Click to View

Bertrand Denzler / Antonin Gerbal / Alex Dorner: Le Ring (Confront)

Having performed in duos previously, this trio came together at Festival Noise No. 5, at Theatre Le Ring, in Toulouse, the sound of the group is a "malleable space in which the musicians generate small or bigger shapes, simple and complex sounds, irregular and mechanical rhythms." ... Click to View

Forebrace (Ward / Sassi / Horro / Doulton): Steeped (Relative Pitch)

Blending jazz and rock forms with frenetic excitement and masterful control, multi-reedist Forebrace quartet with Roberto Sassi (electric guitar), Santiago Horro (electric bass) and Jem Doulton run the gamut on exultantly virtuosic improvisation, here recording live at Cafe Oto. ... Click to View


The Squid's Ear
Squidco Sales

Heard In

Reviews of artist releases:
cd's, books, magazines, &c.

  Execution Ground  
  (Subharmonic (1994)) 

   review by William Burke
Painkiller: Execution Ground (Subharmonic (1994))

Being a fan of Peter Brotzmann and other hard experimental jazz, I sought out Execution Ground with some anticipation. The idea of John Zorn doing a jazz-thrash hybrid band more than caught my attention. I was however somewhat skeptical and made it a point to get a hold of some Painkiller to see just what in the world was going on. I put in the CD, got a cup of coffee, and sat back with a sort of 'oh yea, show me' disposition. About half way through the first track I realized that I had spilled the coffee and hadn't even noticed. This was music that demanded to be listened to and after that initial playing it pushed several of my other CDs to the back of the shelf.

As I listened, I understood very quickly that this was a very focused effort. In many ways it was a logical step for Zorn between Naked City and Masada. Gone are the tricky jazz hooks that sometimes populated early Naked City albums, gone are the calculated chance of other projects, gone is the miscellaneous noise that sometimes seeps in. What is left is a pure blowing album with three highly skilled and focused players. Not only can they flat out play, but they also listen to one another in a way that is rarely accomplished in any kind of music. No filler, no empty calories, just pure clear focused sound.

Zorn, on sax and vocals, is joined by Bill Laswell on bass and former Napalm Death drummer Mick Harris. They began their collaboration in 1991 when Zorn was listening to metal/grindcore groups such as Napalm Death. He discovered an intensity and creativity in this music that rivaled the 1960's free jazz players. From this admiration grew Painkiller, which successfully merges grindcore intensity with hard jazz sensibilities. The music is at once challenging, listenable and fairly unique. The only band that comes near it may be Last Exit, however the Painkiller sound is thankfully more sparse and the playing has a more carefully constructed lens.

Execution Ground is arranged in a series of strategic attacks on two discs. On disc one Zorn is in full-out, back-to-the-wall, straight-on thrash. He dips in and out of the weave of sound created by Laswell and Harris with graceful precision. There are no false steps, no misplaced notes. The drummer, Mick Harris does not overplay, often a danger in experimental music, but keeps things moving with well placed breaks, rolls, and melodic tom tom work. The glue, however, is Laswell, who thunders along with great timing and atmosphere. He moves through a wide range from ferocious rock licks, interesting hard bop, and even a little dub thrown in for good measure.

Disc two, which is labeled "Ambient," has more atmospheric playing, with a dark feel not unlike moments in Naked City'sTorture Garden but with a more ambient space: it's background music for the early morning darkness. It has the same unique merging of grindcore and hard bop, but in a more spacious and drawn out setting. Zorn holds long notes, then zigs and zags eerily through a series of ghostly patterns skillfully drawn by Laswell and Harris. It still grabs you and thrashes around, but in a more restrained way than disc one.

The moods achieved and the range of influences on this album are staggering. Even though at times the music is aggressive, anxious and intense, Painkiller manages to merge seemingly divergent directions in the music into a completely satisfying and engaging experience. The music cascades effortlessly through a series of different dynamics but always with an energizing point of convergence. While Zorn and Laswell have individually played in many different styles over the years, Execution Ground may be their most focused and complete vision to date.

Comments and Feedback:

The Squid's Ear is the companion magazine to the online music shop Squidco !

  Copyright © 2016 Squidco. All rights reserved. Trademarks. (615)