The Squid's Ear
Recently @ Squidco:

Mostly Other People Do the Killing: Paint (Hot Cup)

The first release by the piano trio configuration of Mostly Other People Do the Killing and features bassist/composer Moppa Elliott, pianist Ron Stabinsky, and drummer Kevin Shea, with each composition named after a small town in Pennsylvania that contains a color, and the town of "Paint, PA" lent its name to the title, with one apt Duke Ellington cover. ... Click to View


Moppa Elliott : Still, Up In The Air (Hot Cup)

Solo double-bass improvisations from Mostly Other People Do the Killing bassist and leader Moppa Elliot, consisting of sequences of contrasting themes, or musical cubism in the spirit of Picasso and Braque, presenting 7 of 14 sequences where the improvisation is a series of disparate musical ideas that transition rapidly in an attempt to disrupt the linear progression of thematic development. ... Click to View


Leandre / Minton: Leandre / Minton (Fou Records)

Phil Minton started as a trumpeter and became one of free improv's most outside vocalists; Joelle Leandre is a double bassist who also performs free vocal improv; this is their first recorded collaboration, and it's an unusual and wonderful album of heavy tone improvisation, plucked and bowed, and a masterfully odd free association of vocalisation. ... Click to View


Talibam! : Endgame Of The Anthropocene [VINYL] (ESP)

Talibam!'s 1st cinematic album of through-composed ecogothic geosonics, the "soundtrack to 2048's despotic nationalism and crumbling international infrastructure, underscoring an eco-mercantilistic tragedy and the desperate plundering of the last pristine landscape on Earth" from NY's duo of Matt Mottel on mini moog and synths, and Kevin Shea on drums, and midi mallet percussion. ... Click to View


Talibam! / Matt Nelson / Ron Stabinsky: Hard Vibe [VINYL] (ESP)

Talibam! with Matt Mottel on sax, Kevin Shea on drums, Matt Mottel on Fender Rhodes and synth and Ron Stabinsky on organ take inspiration from Herbie Hancock's 70's electronics, Miles Davis' "On the Corner" and Albert Ayler's New grass in compositions that transforms aspects of rhythm changes into a disciplined sequence, a new take on psychedelic jazz. ... Click to View


Crys Cole / Oren Ambarchi: Hotel Record [VINYL 2 LPs] (Black Truffle)

A double LP and the second release from the duo of Crys Cole and Oren Ambarchi, also romantic partners, as they explore their relationship through sound and voice, each side presenting a unique approach to their collaboration while maintaining a certain somnambulist feeling over rich guitar and organ work, and other unfathomable sound. ... Click to View


Boneshaker (Mars Williams / Paal Nilssen-Love / Kent Kessler): Thinking Out Loud (Trost Records)

The third album from this international trio of powerful improvisers--Norwegian drummer/percussionist Paal Nilssen-Love, Chicago bassist Kent Kessler, and Chicago/NY saxophonist Mars William-- in four odysseys that take the listener from introspective playing to out and out blowing, using technique to serve their incredible dialog. ... Click to View


Sven-Ake Johansson / Alexander Von Schlippenbach : Schraubenlieder [VINYL] (Trost Records)

Drummer Sven-Ake Johansson is also a poet, writer and visual artist; here he joined forced with Alexander von Schlippenbach in 1988 to record these songs, never previously released, sung in German and English, for a set of 9 fascinating narrations that engage the listener independent of language, as von Schlippenbach improvises with prodigious technique. ... Click to View


Annette Peacock & Paul Bley: Dual Unity (Bamboo)

Reissuing the debut album by vocalist Annette Peacock and pianist Paul Bley recorded during their first European tour in 1970, in a quartet with compatriots Mario Pavone on bass and Laurence Cook on drums, Bley using an early Moog synthesizer; unique and original avant jazz. ... Click to View


Paul Bley Trio: Closer [VINYL] (ESP)

A vinyl reissue of Paul Bley's 2nd ESP album from 1966, a lyrical and lush trio setting with material mostly from Carla Bley, one Ornette Coleman number, and one from Annette Peacock, with Steve Swallow on bass and Barry Altschul on percussion, exploratory free jazz that uses melodic intention in assertive but not aggressive aways; a classic. ... Click to View


Pharoah Sanders : Quintet [VINYL] (ESP)

A vinyl reissue of Pharoah Sanders' 1965 debut release on ESP, in a quinet with Jane Getz on piano, William Bennett on bass, Stan Foster on trumpet and Mavin Pattillo on percussion, decidedly a jazz album from this outside player known for his association with John Coltrane in his freeist moments, here bridging lyrical and avant worlds with powerful playing. ... Click to View


Wadada Smith Leo: Najwa (Tum)

Paying tribute to musicians whose vision paved the way for modern creative players to use new approaches, language and philosophy in improvisation, trumpeter Wadada Leo Smith's band with four guitarists, electric bass, drums and percussion dedicates five incredible compositions to Ornette Coleman, John Coltrane, Ronald Shannon Jackson, and Billie Holiday. ... Click to View


Wadada Smith Leo: Solo - Reflections And Meditations On Monk (Tum)

An intimate album of solo trumpet from Wadada Leo Smith, performing compositions by Thelonious Monk, Smith professing in an essay in the accompanying booklet that he was motivated to become a composer by Monk above other contemporaries for his ideas of composition and bands; his admiration and love of Monk's work is clear in this beautifully lyrical album. ... Click to View


Aki Takase / Alexander von Schlippenbach: So Long, Eric! Homage to Eric Dolphy (Intakt)

Alexander von Schlippenbach and Aki Takase assembled an ensemble of Dolphy interpreters that includes bass clarinetist Rudi Mahall, saxophonist Tobias Delius, vibraphonist Karl Berger, trumpeter Axel Dorner, trombonist Nils Wogram, &c, for a fresh take on compositions from one of free jazz's most iconic composers, Eric Dolphy, captured live in Berlin, 2014. ... Click to View


Steve Noble / Yoni Silver: Home (Aural Terrains)

The two-headed snake on the cover of this album aptly describes the sublimely sinuous and dark interplay between London free jazz drummer Steve Noble and bass clarinetist Yoni Silver, their 4-part improvisation taking on sinister elements of exceptional cymbal techniques, unusual drum tones, and extended lower register tones and high harmonics; excellent. ... Click to View


Various Artists: Asian Meeting Recordings #1 (Doubtmusic)

Otomo Yoshihide started The Asian Meeting Festival in 2005 to foster creative interaction between Japanese and other Asian musicians, since 2014 curated by DJ Sniff, and here in the 2017 edition at GOK Sound, in Tokyo, Japan with a who's-who of players including Yoshihide, Ryoko Ono, Ko Ishikawa, Son X, KEITO, Yuji Ishihara, Yuen Chee Wai, &c. &c. ... Click to View


Jim Black Trio: The Constant (Intakt)

A beautiful example of the modern piano trio, led by in-demand drummer, Jim Black, with Elias Stemeseder the pianist and Thomas Morgan on bass, in a lyrical album that uses Black's compelling and elusive drumming on 9 original Black compositions and one unexpected standard, as all three deliver complex playing that sounds accessible and engaging, a true achievement. ... Click to View


Fred Frith / Barry Guy: Backscatter Bright Blue (Intakt)

Both bassist Barry Guy and guitarist Fred Frith are key artists of Switzerland's Intakt label catalog, but surprisingly the two have never shared a stage together; Intakt had a feeling about their pairing and brought them into the studio, this superb duo album being the result in 10 brilliant tracks intertwining acoustic double bass and electric guitar. ... Click to View


Fred Frith Trio: Another Day in Fucking Paradise (Intakt)

Proclaiming that he nothing more in mind then getting together with a couple of formidable musicians, guitarist Fred Frith and Mills College alumni Jordan Glenn on drums and Jason Hoopes on electric and double bass take their listeners through 13 connected pieces that reference rock, jazz and ea-soundscape in an impressive album from a remarkable new group. ... Click to View


Lotte Anker / Fred Frith: Edge Of The Light (Intakt)

An intimate dialog between frequent collaborators, UK guitarist Fred Frith and Copenhagen saxophonist Lotte Anker, both players listening carefully as they interact in a fragile dialog of profound technique and inventive approach, using texture and nuance to create unusual and captivating interchanges that demonstrate how compatible these two very different instruments can be. ... Click to View


Schlippenbach Trio (Schlippenbach / Evan Parker / Lovens): Features (Intakt)

The long-standing Schlippenbach Trio with Evan Parker on saxophone and Paul Lovens on drums presents 15 concise "Features", improvisations of great depth and diversity, from the beautifully stark solo piano that opens the album to intense collective interactions, avoiding excess in deference to the profound expression of an inspiring group chemistry. ... Click to View


Mark Dresser : Modicana [VINYL] (NoBusiness)

Double Bassist Mark Dresser, a mainstay of the Downtown NY scene as an improviser and composer, and also prominent on the US West Coast and as an international touring artist, releases a powerful album of distinctive solo playing, both technically and melodically, with 2 tracks caught live at the Umea Jazz Festival and others recorded at the University of California, San Diego. ... Click to View


Bobby Bradford / Hafez Modirzadeh / Ken Filiano / Royal Hartigan: Live at the Magic Triangle [VINYL] (NoBusiness)

A live concert at Amherst, Massachusetts in 2016 as part of the Magical Triangle Jazz Series from the quartet of legendary cornetist Bobby Bradford, Turkish saxophonist Hafez Modirzadeh on tenor, in-demand New York bassist Ken Filiano, and percussionist/drummer Royal Hartigan, the band performing two Bradford compositions, with one each from Filiano, Modirzadeh and Hartigan. ... Click to View


Andrew Lamb / Warren Smith / Arkadijus Gotesmanas: The Sea of Modicum [VINYL] (NoBusiness)

Captured live at the 2016 Vilnius Jazz Festival, the free jazz trio of saxophonist Andrew Lamb and percussionists Warren Smith and Arkadijus Gotesmanas provide a unique orchestration, with the percussionists building rhythmic structures over which AACM alumni Lamb's powerful saxophone work emerges; a great album of solid exploratory free jazz. ... Click to View


Yedo Gibson / Hernani Faustino / Vasco Trilla: CHAIN (NoBusiness)

A fiery and energetic album of masterful free jazz from Brazilian saxophonist Yedo Gibson, Portuguese-Brazilian drummer and percussionist Vasco Trilla, and Portuguese bass player Hernani Faustino (Red Trio, K4 Quadrado Azul), recording in the studio for 6 dynamic dialogs that uses a variety of approaches and references to free jazz and creative improv. ... Click to View


TON-KLAMI (Midori Takada / Kang Tae Hwan / Masahiko Satoh): Prophesy of Nue (NoBusiness)

Ton-Klami was an influential Japanese free improvising band active in the 90s, and leading to the solo careers of percussionist Midori Takada, pianist Masahiko Satoh, and saxophonist Kang Tae Hwan; here the band is heard in a 1995 live concert recorded at Design Plaza Hofu in Yamaguchi, Japan, recorded by Chap-Chap Records but never released. ... Click to View


Liudas Mockunas : Hydro [VINYL] (NoBusiness)

Lithuanian reedist Liudas Mockunas in an unusual record of clarinet and saxophone improvisations, from solo work of powerful technique to pieces using water prepared instruments to create a wealth of bubbling and aberrant sound on the instrument, side A presenting the 7 part "Hydration Suite", Side B the 3 part "Rehydration", and "Dehydration". ... Click to View


James Ulmer Blood W/ The Thing: Baby Talk (The Thing Records)

The Thing with Mats Gustafsson on tenor and baritone sax, Ingebrigt Haker-Flaten on electric and double bass, and Paal Nilssen-Love on drums and percussion, are joined by Downtown NY legend, guitarist James Blood Ulmer, for a live set at the Moldel International Jazz Festival in 2015 performing an exuberant and all-out impressive set of Ulmer composions. ... Click to View


James Ulmer Blood W/ The Thing: Baby Talk [VINYL] (The Thing Records)

The Thing with Mats Gustafsson on tenor and baritone sax, Ingebrigt Haker-Flaten on electric and double bass, and Paal Nilssen-Love on drums and percussion, are joined by Downtown NY legend, guitarist James Blood Ulmer, for a live set at the Moldel International Jazz Festival in 2015 performing an exuberant and all-out impressive set of Ulmer composions. ... Click to View


Sun Ra & His Myth Science Solar Arkestra: The Lost Arkestra Series Vol 1 & 2 [2 10-INCH VINYL RECORDS] (Art Yard)

A double 10" featuring unreleased and rare Sun Ra recordings, including a live track from Paris in 1983, two unreleased cuts from the "Disco 3000" concert tapes, a quartet session with Sun Ra on the Crumar Mainman synth, and three selections from the Sub-Underground series of Saturn LPs, including a ballad and new material from "Live at Temple" and "What's New". ... Click to View


  •  •  •    Join Our Mailing List!



The Squid's Ear
Squidco Sales



  Visions from the Past  

The 2003 Vision Festival Resurrects Legends from the '60s


By Kurt Gottschalk 2003-06-24

History cut in line on May 24, when Henry Grimes took the stage two days prior to his much anticipated spotlight during the 2003 Vision Festival.

The festival was bookended by a couple of lost ESP artists, with vocalist Patty Waters (now living in Hawaii) on opening night, and bassist Grimes playing with William Parker's Jeanne Lee Project closing the fest.

But on Saturday night, just before a duet by Parker and Rob Brown, festival organizer Patricia Nicholson announced that a "very special guest" would be joining the two. With no more hype than that, the legendary bassist, who played on some great sides in the late '60s and disappeared from public view shortly thereafter, took the stage.

Grimes presumably had little time to rehearse, not having played in roughly 30 years. Parker sent him a bass this spring, after articles announcing that Grimes had been found, alive and well in California, appeared in Signal to Noise and The Wire. Grimes played a gig with guitarist Nels Cline in San Francisco before heading east for his New York re-debut.

Like a modern day Mississippi John Hurt, the resurgence of Henry Grimes is the stuff of legend. He received a standing ovation before playing a note that night, and sat in the front row throughout the six-night festival. He already has a gig booked for July at the upscale club Iridium in midtown Manhattan.

No doubt many in the audience were wondering, miraculous as his return was, how his playing would be. As it turns out, Grimes was fast and nimble, quiet but assured; he clearly remembers his Juilliard schooling. He and Parker began as two of a kind, opening arco, their hands moving nearly in unison, Brown's searing alto soaring above. The set progressed, Brown dropping out at times to allow a bass duo, and was rewarding if not entirely remarkable. Parker is always amazing and Grimes more than held his own.

Patty Waters
Patty Waters[Photo by M.P. Landis]
Waters, too, proved an elder but rewarding version of the youthful exuberance documented on her two ESP releases. She opened with a shaky voice and a sweet smile, saying simply "Thanks for coming. Let's all hope for world peace and justice." Then, ably backed by pianist Burton Greene (with whom she recorded those early sides) and bassist Mark Dresser, she launched into a stirring version of "Strange Fruit," a song that not only mirrors her plea for justice but perhaps represents a woman whose voice shows her years. Seamlessly they drifted into a lyric version of Ornette Coleman's "Lonely Woman" and, later, Holiday's "Don't Explain," "Nature Boy" and Waters' "Moon Don't Come Out Tonight." She might not have had the range or the power she once demonstrated, but she still carried every bit of the drama, standing in repose during instrumental segments, and leaving the stage during some of Dresser and Greene's own compositions.

The Vision Family

Family comes in different forms, and family is what the artist-run New York City institution is all about. If that's a little corny, then it's the kind of corniness William Parker, Patricia Nicholson and their growing list of sympathizers embrace. More musicians each year add their names to the list of those traveling (at their own expense) from near and far to be a part of the venerable shoestring operation. Grimes is no doubt part of the clan now, and Waters may prove to be as well.

The 2003 Vision Festival Schedule

Wednesday May 21

  • Joe Maneri Trio (Matt Maneri / Randy Peterson / Christine Coppola)
  • Carl Hancock Rux / DJ Spooky
  • Billy Bang Sextet (Frank Lowe with Todd Nicholson, Andrew Bemkey, Tyshawn Sorey, and Tatsuya Nakatani)
  • Patty Waters / Burton Greene / Mark Dresser

Saturday May 24

  • Amina & Amiri Baraka with Blue Ark: The WordShip (Dwight West / Rahman Herbie Morgan / Andy McCloud / Vijay Iyer / Rudy Walker)
  • Rob Brown / William Parker / Henry Grimes
  • Milford Graves / Peter Brotzmann
  • Jin Hi Kim Trio (Billy Bang / William Parker)
  • Louis Belogenis / Roy Campbell / Hill Green / Michael Wimberly
  • Improvs: Tatsuya Nakatani, Roy Campbell, Lewis Barnes, Jonathan LaMaster and others

Thursday May 22

  • Bill Cole Project (Warren Smith / Cooper-Moore / Patricia Smith)
  • David S. Ware Quartet (Matthew Shipp / William Parker / Guillermo E. Brown)
  • Fred Anderson / Harrison Bankhead
  • The Jemeel Moondoc / Connie Crothers Quintet (Nathan Breedlove / Adam Lane / John McCutcheon)

Sunday May 25

  • Thomas Buckner / Roscoe Mitchell / Jerome Cooper / Harrison Bankhead
  • Masada String Trio (Mark Feldman / Erik Friedlander / Greg Cohen, John Zorn conducting)
  • Matthew Shipp Quartet (Daniel Carter / William Parker / Gerald Cleaver )
  • Whit Dickey / Rob Brown / Roy Campbell / Joe Morris
  • Patricia Nicholson's PaNic (Joseph Jarman / Cooper-Moore)

Friday May 23

  • Edwin Torres / Sean G. Meehan
  • Kali Fasteau / Mixashawn / Maria Mitchell / Newman Taylor-Baker
  • Roy Campbell / Joe McPhee, Warren Smith, William Parker
  • Andrew Cyrille / Kidd Jordan / William Parker
  • Raphe Malik Quartet (Sabir Mateen / Larry Rolands / Warren Smith)

Monday May 26 ~ Jeanne Lee Memorial

  • Steve Dalachinsky / Treva Offutt / Frederico Ughi
  • Gunter Hampel Galaxy Dream Band (Perry Robinson / Lou Grassi / Mark Whitecage / Ruomi Lee Hampel / Hershel Silverman / Prince Alegs
  • Amina Claudine Myers
  • William Parker's Jeanne Lee Project (Thomas Buckner / Ellen Christi / Jay Clayton / Lisa Sokolov / Rob Brown / Lewis Barnes / Joe Daley / Cooper-Moore / Gerald Cleaver / Henry Grimes)

So what better way to open the festival (after illness canceled Joseph Jarman's traditional opening invocation) than master of microtones Joe Maneri with his son and daughter-in-law, violinist Mat and dancer Christine Coppola and their longtime collaborator, drummer Randy Peterson. The three musicians played as one, tenor saxophone, electric viola and percussion in tight-sync improvisation Coppola opened with the two Maneris, adding a surprising energy to their slow, taut lines. When she left the stage, the elder Maneri took over the dance, slowly rocking in his chair, eyes closed, arms akimbo, whenever his reed left his lips.

Fred Anderson was one of the first out-of-towners to commit to the annual trip, usually appearing in a remarkable quartet with Kidd Jordan, William Parker and Hamid Drake. But this year the tenor twins were bifurcated (and Drake, touring Europe, not on the bill), so he brought along one of his Chicago compatriots, the great bassist Harrison Bankhead.

Chicago's AACM boasts many great players (specifically saxophonists) too little known outside their hometown, and Bankhead is one of the best. They played a beautiful duet of lyrical, fast-paced ballads, simmering but never boiling over.

With the Anderson/Jordan/Parker/Drake quartet out of commission this year, it was left to Parker, Joe McPhee, Roy Campbell and Warren Smith to rock the roof off the house. Other regulars also delivered pieces of what the festival has become known for. Davis S. Ware brought his firestorm groove. Kali Z. Fasteau told musical tales of world travels. Brotzmann and Graves went 0-60 in zero seconds, hitting hard and not backing down, Brotzmann blowing clarinet with enough force to make it sound for all the world like an alto sax. Matthew Shipp was in rare, free jazz mode, laying out with Parker, Daniel Carter and Gerald Cleaver, not relying on formalist, geometric structures but instead playing the sweet, hard stuff.

Guitarist Joe Morris has also been a recurring part of the festival, but this was the first year for Morris the bassist. When he started picking up the banjo a few years ago, he sounded very much like himself on banjo. His more recent upright bass playing has been that much more of a surprise as a result. Far from the fast lines he favors on the smaller strings, on bass Morris tends toward simple, heavy, repeated lines, sounding something like hislong time partner Parker. Whit Dickey led a set with Morris on bass, Brown on saxophone and Roy Campbell on trumpet. Like Dickey's recent recordings on Aum Fidelity and Riti, the set was a satisfying, cogent statement.

Although Jarman gave a scare when he missed the opening invocation, leaving Nicholson to lead the festival blessing, he was in fine form four nights later, dancing across the stage, playing sopranino, bells on his ankles. He went through a variety of settings withCooper-Moore providing percussive basslines and momentary blasts from a strung and heavily amplified table.Nicholson danced and sang, breathily invoking the "Vision for Peace" mantra that reverberated throughout the festival. "So much sadness and a few moments of unbounded joy," she sang, whispered and screamed as she spun across the stage. "Rise UP!" It was captivating enough that painter Jeff Schlanger, another Vision regular and self-proclaimed "Music Witness" was still, not painting a stroke.

Dalachinsky  Offutt
Steve Dalachinsky & Treva Offutt
[Photo by Kurt Gottschalk]
The festival occurs over Memorial Day weekend every year, and the final night appropriately serves as a memorial for a musician who died during the previous year. This year's closing night commemorated the vocalist Jeanne Lee, who died in October 2000. Poet Steve Dalachinksky read a long piece capturing her passion for life, with drummer Federico Ughi and the remarkable dancer/singer Treva Offutt. Lee's husband, reed player and vibraphonist Gunter Hampel, played a set of strong jazz complimented by poetry from their son Ruomi Lee Hampel and some rambunctious street dance by Prince Alegs.

Henry Grimes Brown
Henry Grimes & Rob Brown
[Photo by M.P. Landis]
Parker's Jeanne Lee Project, a 14-piece band with four vocalists,was similar to his Little Huey Creative Music Orchestra. The long piece opened with cutely boppy four-part vocals that morphed into swirling vocalese and then into an extended solo by Grimes who, thanks to the attention of The New York Times and other local media, was responsible for packing the house. To say his playing is strong does not require the caveat "four months practice after 30 years of not playing." Grimes and second bassist Nick Rosen, along with four percussionists (Parker being among the latter) laid down an earthy groove, and the six horns swelled in shining fanfare. If there's anyone who can surf that sort of wave, it's Billy Bang, who rose with his violin from center stage and tore through the funk. It was pure Parker, grand and great Parker.



continued...




The Squid's Ear is the companion magazine to the online music shop Squidco !


  Copyright © 2016 Squidco. All rights reserved. Trademarks. (8406)