The Squid's Ear Magazine

Pride, Mike / Jonatha Moritz

The Invitation [CASSETTE w/ DOWNLOAD]

Pride, Mike / Jonatha Moritz: The Invitation [CASSETTE w/ DOWNLOAD] (Astral Editions)

The long collaboration between saxophonist Mike Pride and drummer/percussionist Jonathan Moritz is concentrated in these superb studio recording, bring great clarity to the far-ranging and detailed interactions both bring to their improvisations through unusual technique, an expansive arsenal of percussive devices, and wonderfully inventive attitudes.
 

Price: $7.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Mike Pride-drums, percussion

Jonathan Moritz-tenor saxophone, soprano saxophone


Click an artist name above to see in-stock items for that artist.




Limited edition of 100 copies.

Label: Astral Editions
Catalog ID: AE009
Squidco Product Code: 29476

Format: CASSETTE
Condition: New
Released: 2020
Country: USA
Packaging: Cassette
Recorded at Farming Studios, in Chester, New York, on July 6th, 2018, by Mike Pride.

Descriptions, Reviews, &c.

"Mike Pride & Jonathan Moritz have spent many years playing together in various combinations and their close relationship comes through on The Invitation, an intimate, intense & searching duo record that attempts to redefine what a saxophone and drums duo record can sound like. The sounds are stranger and cover a wider spectrum than usual in such a duo, Pride's percussion sounding more like Famoudou Don Moye than Rashied Ali with his assorted percussive arsenal of vibraphone, glockenspiel, bells, shakers, and much more, while Moritz's controlled yet exploratory extended techniques on saxophone eschew the expected and provide an incredible foil."-Astral Spirits


Limited edition of 100 copies.

Artist Biographies

"Mike Pride: Percussionist • Composer • Vocalist • Visual Artist

Born and raised in Southern Maine, but based out of New York City since 2000, Mike Pride currently performs solo, leads modern-jazz quartet From Bacteria To Boys, the 7-drummer installation-band Drummer's Corpse, and the MDC piano trio I Hate Work. He also co-leads the ensembles Pulverize The Sound (w/ Peter Evans and Tim Dahl), and Period (w/ Charlie Looker and Chuck Bettis). Pride is renowned for his ability to excel in a wide range of genres and ensembles. He has worked with everyone from improvised music icon Anthony Braxton to punk legends Millions Of Dead Cops, toured extensively on four continents, appeared on more than 100 recordings, and is currently touring the world opening for comedian Amy Schumer with Jason Stein's Locksmith Isidore.

A short list of his collaborators includes Mick Barr, Tim Berne, Boredoms, Eugene Chadbourne, Nels Cline, Andrew D'Angelo, Trevor Dunn, Dynamite Club, Peter Evans, Charles Gayle, Milford Graves, Drew Gress, Mary Halvorson, Curtis Hasselbring, Nona Hendryx, Jon Irabagon, Brad Jones, Haino Keiji, Kirk Knuffke, George Lewis, Frank Lowe, Bill McHenry, Tony Malaby, Sam Mickens, Butch Morris, Joe Morris, William Parker, Marc Ribot, Matana Roberts, Herb Robertson, Jamie Saft, Sonny Simmons, Craig Wedren, Nate Wooley, Otomo Yoshihide and John Zorn.

Pride's versatility doesn't end with his eclectic résumé as a popular sideman and leader/co-leader of many active ensembles spanning the worlds of modern-jazz, avant-rock, noise and doom metal improv. He is also a busy educator and clinician, a soundtrack composer for TV shows, video games, podcasts, independent films, and websites, and an experienced and exhibited visual artist.

Mike proudly uses Yamaha Drums & hardware, Vic Firth striking implements, and Humes & Berg Cases."

-Mike Pride Website (http://mikepride.com/about/)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Saxophonist, composer and educator Jonathan Moritz was born in Teheran, Iran in 1977. At an early age he moved to Southern California with his multicultural family of Persian, Jewish, Belgian upbringing and was surrounded by weekly family gatherings rich in dancing and dombak drumming that filled the house with the joy of improvisation. He moved to Belgium, where his paternal family lives, to study at the Royal Conservatory of Brussels ('95-'98) focusing on solidifying an academic foundation of straight ahead jazz. Drawn back to the West Coast, Moritz finished his BFA in Jazz Performance at California Institute of the Arts ('98-2000), combining his knowledge of jazz academia with the creative spirit of the family jams. Here he collaborated with dancers on projects like Noisy Clothes where he met French designer Elodie Blanchard, who became his wife. Jonathan Moritz has lived in Brooklyn with Elodie Blanchard and their son Gaspard since 2000 and has been performing and working professionally throughout New York City since. As an educator he has led workshops on improvisation at the Oakwood High School in Los Angeles, the University of Michigan in Ann Arbor and ISIM at UCSD, has directed an instrumental music program at the Morris H. Weiss School for the past 10 years and graduated from Brooklyn College (‘07) with a Master Degree in Music Education. Since 2005, Jonathan and Elodie have curated one of New York's most intimate and welcoming performance spaces, the Prospect Series, a house concert featuring innovative improvisers, Persian stew, a diverse audience and French hospitality.

Jonathan has recorded with musicians among the likes of Eugene Chadbourne, Ben Gerstein, John McLellan, Sam Mickens, Eivind Opsvik, Mike Pride, Jason Stein, Nate Wooley and Jack Wright;He has toured Belgium, the West Coast, Northeast and Southern USA;Played at festivals: KMB Jazz, New Atlantis (Washington D.C.), Undead Jazz and Vision;And venues such as: Issue Project Room, Roulette and The Stone, Zebulon and Barbes.

His first trio album as a leader, Xanadu, was described as"remindful of the Sonny Rollins Village Vanguard Sessions - with just tenor saxophone, bass, and drums, but more pertinently in terms of Moritz's Rollinsesque sound and rhythmic and motivic improvisational development... even though their passionate and thoughtfully mannered music-making borders on the avant-guard, they still are well within the comfort zone of most serious-minded mainstream jazz listeners. Sure to make my top ten for the year." -Russel Arthur Roberts. L.A. Jazz Scene. His most recent release features a trio with bassist Shayna Dulberger and drummer/percussionist Mike Pride.

Jonathan Moritz's Secret Tempo concentrates on modernizing the roles with an artistic focus on harmony, indeterminate rhythms, extended technique and a deep exploration of sound. Loaded with cadenzas, fermatas, solo breaks, counter rhythms, and codas this album is often free sounding but is surprisingly, highly arranged."

-Jonathan Moritz Website (http://www.jonathanmoritz.com/index.php/info/biography/)
3/25/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



SIDE A



1. The Invitation 07:40

2. Rewire 06:24

3. Implants 04:59

4. High-ish 08:16

SIDE B



1. Black Dirt 05:48

2. Crystal Fountains 06:59

3. Last Train Outta Monroe 05:13

Related Categories of Interest:


Cassettes
Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Duo Recordings
Saxophone & Drummer / Percussionist Duos
Physical Releases that include Download Codes

Cassettes
Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Duo Recordings
Saxophone & Drummer / Percussionist Duos
Physical Releases that include Download Codes

Search for other titles on the label:
Astral Editions.


Recommended & Related Releases:
Other Recommended Releases:
Paul, Ashley / Jeffrey Alexander
Between The Surface And Tomorrow [VINYL 7'' w/DOWNLOAD]
(Astral Editions)
Once roommates in Rhode Island, guitarist Jeffrey Alexander of The Heavy Lidders, now living in Philadelphia, and guitarist/vocalist Ashley Paul, now living in London, come together again for a 3-song 7" release of idiosyncratic and informed free-form songs and instrumentals performed with a saxophone, clarinet, prepared guitar, prepared percussion, moog & electric piano.
Wood, Dorian / Thor Harris (w/ Carla Bozulich / Jarboe / Patrick Shiroishi / Heather Trost)
You Are Clearly In Perversion [CASSETTE + DOWNLOAD]
(Astral Editions)
A ritualistic narrative work from multidisciplinary artist Dorian Wood and percussionist Thor Harris (Swans), with Carla Bozulich and Jarboe contributing their voices in an ensemble of contemporary and experimental arrangement, alongside guests David Coulter, Heather Trost, Jeremy Barnes, Michael Corwin, Ignacio Carvajal, Andrea Calderon, Elizabeth Warren and Patrick Shiroishi.
Three-Layer Cake (Mike Pride / Mike Watt / Brandon Seabrook)
Stove-Top [GREEN VINYL]
(Rarenoise Records)
Circumventing pandemic lockdowns, the trio of Brandon Seabrook on guitar, banjo & tapes, Mike Pride on drums, marimba, glockenspiel, bells & organ and Mike Watt on bass recorded their contributions in separate studios and file-shared to create this genre-merging album of free improv, rock, experimental and inexplicable forms; an inspired and seriously unique album of challenges overcome.
Pride, Mike
I Hate Work
(Rarenoise Records)
A warmly lyrical, mostly instrumental album of modern jazz that surprisingly takes it's title from legendary punk band MDC, and its songs from their 1982 debut album Millions of Dead Cops, led by NY drummer Mike Pride and performed with Jamie Saft (keys), Brad Jones (bass), Mick Bar (guitars) and on a few songs, vocalists JG Thirlwell (Foetus), Sam Mickens (The Dead Science) and Dave Dictor from MDC itself.
Three-Layer Cake (Mike Pride / Mike Watt / Brandon Seabrook)
Stove-Top
(Rarenoise Records)
Circumventing pandemic lockdowns, the trio of Brandon Seabrook on guitar, banjo & tapes, Mike Pride on drums, marimba, glockenspiel, bells & organ and Mike Watt on bass recorded their contributions in separate studios and file-shared to create this genre-merging album of free improv, rock, experimental and inexplicable forms; an inspired and seriously unique album of challenges overcome.
Pulverize the Sound (Evans, Peter / Tim Dahl / Mike Pride)
Black
(Relative Pitch)
Appropriately recorded at Seizures Palace in Brooklyn, the 3rd release from the NY trio Pulverize the Sound of Peter Evans on trumpet, Tim Dahl on electric bass and Mike Pride on drums & glockenspiel, expands on this 10 year working band's assertive approach to collective free improv, doing so with innovation, breathtaking technical skill and a wide range of mood and texture.
Ashbury Stabbins Duo
Fire Without Bricks
(Corbett vs. Dempsey)
A lost gem from of British free sax and drums & percussion duo of saxophonist Larry Stabbins and percussionist Roy Ashbury, originally released in 1976 on the Bead Label, their interplay including masterful and extended techniques from Stabbins and an array of chimes, chains, wood blocks, shakers, and bowed cymbals augmenting Ashbury's kit; captivating dialog.
Costa's Acustica, Carlo
Strata
(Neither/Nor Records)
New York composer and drummer Carlo Costa assembled this accomplished ensemble of NY improvisers for a live performance at IBeam in Brooklyn, capturing his piece "Strata" that evolves layers of sound from very sparse to densely yet accesibly stacked sound, varying recurring material to change perspectives in the aural space as the piece progresses; impressive.
Trio Caveat (Ligenfritz / McLellan / Moritz)
Compliments Of The Season
(KMB Jazz)
The debut album of the New York Trio Caveat of Jonathan Moritz on tenor and soprano saxophones, John McLellan on drums, and James Ilgenfritz on bass, in an unusual Christmas album taking understated and obscure approaches to tunes like "Blue Christmas" and "Dreidel", where only the attentive listener discovers the melodic and harmonic basis for each tune.
Johnson, Max
In The West
(Clean Feed)
New York bassist Max Johnson expands his piano trio of Kris Davis on piano and Mike Pride on drums with Susan Alcorn on pedal steel guitar, adding an eclectic Western flavor to overall on-point, anchored and driven modern jazz of a high order, balancing lyrical playing with moments of free collective playing, in a beautiful and extraordinary album.
Evans, Peter / Tim Dahl / Mike Pride
Pulverize The Sound
(Relative Pitch)
The trio of trumpeter Peter Evans, electric bassist Tim Dahl, and drummer/percussionist Mike Pride have played together since 2010, crossing the boundaries of improvisation, composition and rock in dynamic genre-defying music intended to be played loud.
Costa, Carlo Quartet
Sediment
(Neither/Nor Records)
A new NY label from percussionist Carlo Costa in its 1st release, a quartet with Steve Swell on trombone, Sean ali on bass and Jonathan Moritz on sax, presenting an improvisational language that subsumes the individual players into a distinct group sound.
Mickens, Sam
Kayfabe: Lamb of G.O.D.
(Sam Mickens)
Vocalist/multi-instrumentalist Sam Mickens (The Dead Science) leading an excellent band including drummer Mike Pride, bassist Shahzad Ismaily, vocalists Carla Bozulich, Jesse Quattro, &c, through 15 persuasive rock songs recorded in NYC.
Pride, Mike
Birthing Days
(Aum Fidelity)
NY drummer Mike Pride's modern jazz work inspired by the birth of his first child, reflecting the fullness Pride finds in his life as a parent, with Jon Irabagon (sax), Alexis Marcelo (piano), Peter Bienec (bass), Jonathan Moritz (sax) and Jason Stein (bass clarinet).
Punkappella
Wake Up [7-inch VINYL]
(Front Rock)
A 7" 6 song release of Mike Pride's "punk" vocal troupe Punkappella, with Dusan Hedl, Bojan Tmoazic, Rick Klaus Theis, and Jessica Pavone on vocals; double sided sleeve contains lyrics for these unusual vocal vignettes.
Bunda Love
mit Saft [DVD]
(Funhole Records)
Live concert DVD from Bunda Love (id & Mike) with Jamie Saft, filmed at Strange Maine in Portland, Maine; sheer communications in wierdness of doom metal meeting schizoid noise.
Stein, Jason's locksmith Isidore
Three Less Than Between
(Clean Feed)
Jason Stein 2nd Locksmith Isidore release on Clean Feed with bassist Jason Roebke and drummer Mike Pride shows his devotion to Eric Dolphy in experimental and classic jazz approaches.



Customers Who Bought This Item Also Bought:
Brown, Marion
Gesprachsfetzen & In Sommerhausen
(Moosicus)
Working with German jazz and "third stream" musician, vibraphonist & composer Gunter Hampel, New York alto saxophonist Marion Brown is heard in two live recordings from 1968 & 1969 in Munchen, Germany and Wurzburg, in quintet and sextet configurations with superb supporting musicians including Steve McCall (drums), Ambrose Jackson (trumpet), Daniel Laloux (bass) and Jeanne Lee (voice).
Ewen, Sandy / Jason Nazary
A Beaded Gesture [CASSETTE w/ DOWNLOAD]
(Notice Recordings)
Recording at the Chamber of Commerce in Brooklyn in 2021, the duo of Sandy Ewen on prepared guitar and Jason Nazary on drums & percussion take a nearly pugilistic approach to their improvisations, building aggressive sections of intense pummeling, then slipping back to catch their breath before the next round, each filled with curious elements and energetic determination.
Kazuhisa, Uchihashi / Yoshida Tatsuya
Improvisations 5 [2 CDs]
(Magaibutsu)
21 wild rides from the fully improvised duo of guitarist Kazuhisa Uchihashi on guitar & effects, and Tatsuya Yoshida on drums, voice & sampler, two CDs from four separate concerts at Japanese venues Akihabara Goodman in 2012 & 2014, Kichijoji FOXHOLE in 2014, and Okubo Hikarino-Uma in 2017; intensely exciting and magnificently masterful improv instrumental rock.
Sub-Unit No. 1
Main Sequence
(Evil Clown)
A new sub-unit of the Leap of Faith Orchestra showcases the work of David Peck (PEK) on clarinets, saxophones, and a wide array of percussive devices, in a duo with new drummer Michael Knoblach, also on an assortment of percussive devices including antique sheep shears, African circumcision rattles, dan mo, &c, for 5 unique improvisations recorded in the studio.
Moore, Michael (w/ Wierbos / de Joode / Vatcher)
Felix Quartet
(Ramboy)
Recorded at the historic Bimhuis during the Felix Meritis festival, this was the first meeting of the Felix Quartet featuring frequent collaborators Michael Moore on sax & clarinet and trombonist Wolter Wierbos, with Wilbert de Joode on bass and Michael Vatcher on drums & hammer dulcimer, performing Moore's superb compositions written for this event & for these players.
Ayler, Albert Quartet With Don Cherry
European Recordings Autumn 1964 (Revisited) [2 CDs]
(ezz-thetics by Hat Hut Records Ltd)
Essential radio and live recordings from saxophonist Albert Ayler's European tour in 1964 with Don Cherry on cornet, Gary Peacock on double bass and Sunny Murray on drums, a quintessential grouping for Ayler's compositions, here in outstanding renditions of classic works including "Spirits", "Ghosts", "Vibrations", "Mothers", "Childrens", plus Don Cherry's "Infant Happiness".
Shipp, Matthew / Rob Brown
Then Now
(RogueArt)
Since their 1988 duo album Sonic Explorations and through a number of group collaborations, the duo of alto saxophonist Rob Brown and pianist Matthew Shipp have extended and evolved their uniquely astute and confident dialog, as heard in this magnificent 8-part studio album, a reflection on their compatibility and perceptive artistry.
Butcher, John / Thomas Lehn / Matthew Shipp
The Clawed Stone
(RogueArt)
Matthew Shipp (piano), John Butcher (saxophones) and Thomas Lehn (electronics) in a studio album recorded in France in 2017, a uniquely voiced collective trio of transformative improvisation, Lehn's additions and modifications blending perfectly with Shipp's solid foundations and Butcher's advanced technical expression, for an engrossing and expressive set of recordings.
Hayward, Charles
Crossfade Estate
(Klanggalerie)
Recorded in 2005 with an ensemble of like-minded instrumentalists and then edited and collaged for the next year and a half, this was a project of Charles Hayward during his time at The Albany in Deptford, London, using their digital recording suite to create a large work using a variety of strategies and developed in a dramatic story form, issued here for the 1st time.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC