Drawing on a sound poem from French poet Stéphane Malarmé published in 1875, pianist Michel Wintsch and multi-reedist Udo Schindler on bass clarinet and alto saxophone tubax (a modified contrabass saxophone) perform five expressive and assertive improvisations with titles "borrowed from Stéphane Malarmé, who sees his texts as instruments."

"The Demon of Analogy", reedist Udo Schindler on clarinets & saxophone and Michel Withsch performing on a Pleyel piano, take inspiration from the concepts of French symbolist poet Stéphane Mallamé (1842-1989), who considered his texts as instruments of harmonic complexity and ambiguity, interpreted in eight improvisations recorded live at Krailing, in Munchen, Germany in 2016.