Through delicately balanced free improvisation, American percussionist Stephen Flinn, French reed and flute player Sylvain Monchocé, and South Korean tenor saxophonist Jung-Jae Kim cultivate a finely grained sonic environment shaped by breath, touch, and resonance, where small gestures, spatial awareness, and attentive silence coalesce into quietly immersive and meticulously detailed acoustic forms.

A live performance of acoustic improvisation augmented by electronics between Stephen Flinn and Bryan Eubanks, Flinn bringing percussion and gongs to the stage while Eubanks performs on saxophone and electronics, over a 30 minute dialog they coax out unusual cries, squeals and utterance of confident sonic force evolved through improvisational restraint; compelling and mysterious.

An immersive album of solo percussion, slowly sculpted through bowed cymbals, tension across drum heads, resonance and extraneous percussive elements, from New York-based experimental percussionist, composer & improviser, each piece unfolding a meditative yet substantial story built of powerful elements, creating mysterious and often daunting soundscapes.

Arizona based percussionist Flinn, who has worked with Tim Perkis, Noah Phillips, in a solo work for drums, percussion and voice.