An eight-piece horn and electronics ensemble featuring David Peck, Hilary Noble, Cliff White, Dennis Livingston, John Fugarino, Bob Moores, Eric Dahlman, and Duane Reed, creating a vividly shifting chamber improvisation where reeds and brass intertwine with auxiliary percussion and electronics, generating dynamic waves of color, density, and resonance in a constantly evolving acoustic spectrum.

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Spanning 14 compact improvisations drawn from nine shifting ensembles within the modular Evil Clown collective, this volume distills the creativity of PEK's longform sessions into concise sonic snapshots — each "Shortie" capturing a distinct moment from the various ensembles as a focused sampler of the label's wide-ranging free improvisation ethos.

A powerhouse configuration of Evil Clown's Expanse Percussion Edition, balancing horns, electronics, and an extraordinary array of metallic and membrane percussion, as David Peck, John Fugarino, Hilary Noble, and a team of improvisers — including percussionists Michael Knoblach and Sergio Bellotti — shape a dynamic, textural journey of shifting grooves, chaotic interplay, and expansive sonorities.

A sprawling improvisational storm from Evil Clown's Turbulence ensemble blending an expansive arsenal of woodwinds, brass, percussion, electronics, and custom instruments in a dynamic, shape-shifting performance where dense waves of sonority, shifting textures, and extended techniques collide, creating a jazz-inflected yet genre-defying exploration of sound from the Boston's ever-evolving collective.

A curated collection of 14 short improvisations from Evil Clown's modular ensembles, this fourth Shorties Volume distills the essence of expansive, long-form performances into concise yet potent expressions, featuring 31 musicians across 7 ensembles, these spontaneous works, recorded during warmups and soundchecks, offer a dynamic snapshot of the label's ever-evolving sonic landscape.

Expanding on a decade of exploratory improvisation, this session unites a diverse septet of seasoned and new Evil Clown musicians in a dynamic live performance recorded at Evil Clown Headquarters, blending horns, percussion, electronics, and an extensive array of unique instruments to create concert-length transformations of groove, chaos, and textured sonorities in the ensemble's signature avant-garde aesthetic.

Drawn from 13 albums across eight ensembles and featuring 29 musicians, this third volume offers an excellent introduction to the concise improvisations recorded as soundchecks before long-form works, providing distinct snapshots of Evil Clown's dynamic creativity and showcasing the evolving sonorities and modular ensemble interplay that define their unique sonic universe.