A powerful quartet session led by James Brandon Lewis on tenor sax with Aruán Ortiz, Brad Jones, and Chad Taylor, blending lyrical melodic clarity with dynamic, responsive interplay, where rich tonal expression and groove-sensitive improvisation draw from the lineage of John Coltrane, Sonny Rollins, and David S. Ware while forging a deeply personal, contemporary voice.

With a rare ability to play hard-hitting jazz while maintaining a lyrical sense to his compositions, tenor saxophonist James Brandon Lewis' new studio album from his quartet of Aruan Ortiz on piano, Brad Jones on bass and Chad Taylor on drums is the fourth album from this working band, demonstrating their strong group affinity that invokes impressive soloing from all four.

A warmly lyrical, mostly instrumental album of modern jazz that surprisingly takes it's title from legendary punk band MDC, and its songs from their 1982 debut album Millions of Dead Cops, led by NY drummer Mike Pride and performed with Jamie Saft (keys), Brad Jones (bass), Mick Bar (guitars) and on a few songs, vocalists JG Thirlwell (Foetus), Sam Mickens (The Dead Science) and Dave Dictor from MDC itself.