The Squid's Ear Magazine
Summer Hat Sale! 63 Albums @ $7.95 each ($9.95 doubles)


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4 products found   Page 1 of 1   -- Go to Page
Laubrock, Ingrid: Purposing The Air [2 CDs]
Laubrock, Ingrid:
Purposing The Air [2 CDs]

(Pyroclastic Records -- USA )


Price: $18.95    


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Drawing on poet Erica Hunt's sixty-part "Mood Librarian," composer Ingrid Laubrock presents a stunning 2-CD song cycle of miniature vocal duets — performed by an extraordinary ensemble including Fay Victor, Theo Bleckmann, Sara Serpa, and others — each piece a poetic and sonic fragment brought vividly to life with precision, emotion, and profound collaboration.

Malaby's, Tony Sabino (w / Monder / Formanek / Rainey): The Cave Of Winds
Malaby's, Tony Sabino (w / Monder / Formanek / Rainey):
The Cave Of Winds

(Pyroclastic Records -- USA )


Price: $14.95    


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Updating his Sabino quartet of Michael Formanek on double bass and Tom Rainey on drums with guitarist Ben Monder taking Marc Ducret's role, saxophonist Tony Malaby, here on tenor & soprano, charges forward with both modern, angular NY jazz and with experimental free improv both light and dark, in this captivating studio album of six Malaby compositions and one collective improv.

Weiss, Dan Starebaby: Natural Selection
Weiss, Dan Starebaby:
Natural Selection

(Pi Recordings -- USA )


Price: $14.95    


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The follow-up to NY drummer/composer Dan Weiss's 2018 release Starebaby is an unconventional compounding of electric jazz, doom metal, electronic music, and improvisation, performed with Matt Mitchell on piano & Prophet 6, Craig Taborn on piano, Fender Rhodes & synthesizers, Ben Monder on guitars, and Trevor Dunn on electric bass.

Burke, Rob / Ben Monder / Tom Rainey / Ben Grayson: Slip Sliding
Burke, Rob / Ben Monder / Tom Rainey / Ben Grayson:
Slip Sliding

(FMR -- UK )


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Rob Burke composed the first seven pieces for this experimental NY quartet, the multi-reedist joined by guitarist Ben Monder, drummer Tom Rainey, and Ben Grayson on electronics, the last "Discordat" a collective improvisation in 4 parts, as the band investigates emotional approaches to playing, using subtle distortion and Grayson's post-editing sonic additions.



The Squid's Ear Magazine

The Squid's Ear Magazine

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