Sonic explorer and feedback pioneer David Lee Myers in a collection of eight pensive electronic ambience works recorded at Pulsewidth in the spring of 2022, meditating on the mysteries of time and eternity through Apophis, a demon serpent of darkness whom Ra, as sun god, destroys every morning at dawn.

Referring to the music on this album from New York feedback and electronic pioneer David Lee Myers as "firmly rooted in the electronic music of the 1950s-1960s", over nine tracks we are taken on an otherworldly journey of detailed particulate electronic adventures, sometimes swooping, vertiginous, monstrous and unpredictable, each track captured live in Myer's Pulsewidth studio.

A perfect example of the radiant electronics David Lee Myers, aka Arcane Device, has developed over decades, in nine shimmering works of clear tones, controlled feedback and electronic errata, each piece transitioning in sublime ways as Myers evolves luminescent stories in glowing atmospheric sound, a richly lustered album of sound sculpting.

Xenography is the ability to write in a language which the individual has not learned, an apt description of the rich dialects sculpted from feedback sources and expertly routed through circular circuits of sound processors by New York sound artist David Lee Myers, AKA Arcane Device, captured and layered into these astounding electronic compositions.

Two innovative sonic luminaries--Japan's Masami Akita, aka Merzbow, and New York City's David Lee Myers, aka Arcane Device--remix each other's work, bringing Myer's unique approach to feedback and ethereal electronics to harness Akita's agressive sounds, and in reverse, Akita's sense of disruptive sonics explode Myer's more contemplative feedback music.

Like passages through an electronic corridor, New York electronic artist David Lee Myers (Arcane Device) presents a series of "interludes"--long passages of rich electronic sound--and "intervals" of punctuated rhythms, described by Myers as: "In-between spaces for catching one's breath amid frigid landscapes, existential pauses, and mercurial pools of aboriginal pleadings."

Four mysteriously untitled and extended works of electronics subtitled Impressions From the Next Era, using feedback, aberrant sound, glitch, rich synthetics, bi-directional sound and indescribable sonic sources to fuel David Lee Myer's latest in his long-running and essential listening project Arcane Device; shimmering, inscrutable, and awe-inspiring.

Using a combination of controlled feedback, samples, computer processing and Eurorack electronics, Arcane Device aka David Lee Myers continues his long exploration of electronic music, focusing here on evolving and complex patterns complemented by beautiful tones and occasional rhythmic foundations, a great collection of elegant electronics.

A series of "Rooms" and related electronic environments from New York sound artist David Lee Myers, whose long running Arcane Device project runs parallel to these nearly ambient works that Myers intimates are for intimate environments, developed through deft use of Eurorack electronics, feedback, sampling and other elegant electronic processes.

David Lee Myers began creating feedback music in 1989, originally under the name Arcane Device, developing unique approaches to harnessing feedback between audio devices in ways their manufactures did not intend; since 2014 he has used a set of new devices that allow intense control and beauty through vibrational interactions, as heard in this, his 18th solo album of feedback music.