Collaborating with the ensemble Ordinary Affects, Serbian-born composer and pianist Stepančić records two introspective and spacious works that explore sonic stillness, harmonic resonance, and gradual transformation, blending Wandelweiser aesthetics with personal influences from Orthodox choral traditions, New York experimentalism, and theatrical composition.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

Recorded in Brooklyn by Jordan Dykstra performing on viola, electronics, percussion & programming, this is the second release in his subharmonic series "Seeing the Forest in a Tree", exploring one conceptual idea with four radically different realizations through arrangements contrasting the acoustic sources of viola & bells with prepared speakers and sine-tones.

The original score composed by Brooklyn violist and multi-instrumental Jordan Dykstra for the documentary movie Globes directed by Nina de Vroome, exploring the relationship between bees and humans through their history and affect on the global economy and our cultures, realized in a diverse set of contemporary musical forms from orchestral to electronica.

A powerful set of succint compositions, themes and sea shanties for the soundtrack for Danielle Krudy and Bridget Savage Cole's film Blow the Man Down , scored through the collaboration of composers Jordan Dykstra, who also performs on viola, piano, prepared piano, vibraphone & percussion, and Brian Mcomber, who also performs on keyboards and percussion.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

Exploring diverse landscapes and moments of extreme behavior changes through a single acoustic viola, composed and performed by Jordan Dykstra, in four pieces that vary his approach to the instrument through overlapping tones, drones, extended techniques and rolling cycles, performed in California at the California Institute of the Arts and at the Cathedral of Saint Vibiana.

Fall 2022 issue of Canada's most fascinating and diverse music magazine; Montreal Violinist And Composer Jessica Moss; Musical Repatriation and Reconciliation with Canada's Indigenous Peoples; sound artist Tona Walt Ohama; Interdisciplinary Artist Chloe Alexandra Thompson; electronic artist Mariana Vieira; Jordan Dykstra; Sabarah Pilon; The London Contemporary Music Festival, &c. &c.

The first album from the duo of American composer & violinist Jordan Dykstra and Dutch composer Koen Nutters, developed by exchanging material of ambient & spacious nature using slow chord development, field recordings, viola, pitch pipe, crotales, piano EBow and electronic programming, the resulting work diverse and constantly evolving through fascinating details.

Two beautifully subtle works for an ensemble of strings and electric piano from French composer Bruno Duplant, realized by the Boston-based Ordinary Affects ensemble or Jordan Dykstra, Morgan Evans-Weiler, JPA Falzone, Luke Martin and Ashley Frith, the first a quintet and the second a string quartet, creating illusory affects of motion and space through abstraction.